Well, folks, I just can’t help myself. A mere two weeks after the 94th Academy Awards, I’m getting into speculation for the 95th ceremony honoring the best of 2022.
I know… it’s only April. And there’s certainly a great chance that these impossibly early predictions will look foolish a few months down the road. It’s all part of the fun though!
Here’s how it works. I’m going to do monthly forecasts for the six biggest races (Picture, Director, and the four acting derbies). For Picture, I’ll project the ten BP nominees along with 15 other possibilities. In the other races, I’ll name my five with ten other hopefuls.
Starting in August, the monthly predictions will shift to weekly ones. In October, it branches out to all feature film competitions and the list of possibilities dwindles from 25 to 15 in BP and ten in all others. Got all that? Good!
Some quick caveats – when you’re this early in the projecting game, it’s basically guesswork. For instance, I’m saying Leonardo DiCaprio will compete in Supporting Actor for Killers of the Flower Moon. It could be lead. The same logic applies to Leo’s Once Upon a Time in Hollywood costar Brad Pitt for Babylon. Some movies named here will be pushed back. Some roles with familiar faces will not be the Oscar bait that seems plausible at the moment.
I’m starting with Supporting Actor and I’ll have Supporting Actress up next!
TODD’S APRIL 2022 OSCAR PREDICTIONS: BEST SUPPORTING ACTOR
Of the 10 pictures released thus far in the Wizarding World franchise, all but three have managed at least one Oscar nomination. That’s a 70% ratio and, somewhat surprisingly, there’s only one victory of the 14 total nods. Even more unexpected is that the sole win doesn’t belong to any of the 8 Harry Potter flicks. That honor goes to 2016’s Fantastic Beasts and Where to Find Them with a Costume Design statue.
On the flip side, its sequel Fantastic Beasts: The Crimes of Grindelwald is among the trio that received no love from the Academy. It’s also the lowest grossing feature of the series and received the worst reviews (36% on Rotten Tomatoes).
With that context, Fantastic Beasts: The Secrets of Dumbledore opens April 15th. The review embargo is lifted and while its 62% is certainly an improvement on its predecessor, it marks the second lowest meter of the group.
So will the 11th entry attract any Oscar attention? Production Design is always a possibility as half of the pics have managed a nod in that category. I’m more skeptical that Visual Effects or Costume Design come into play. My gut says, however, this could be the fourth tale to come up empty-handed. My Oscar Prediction posts will continue…
It’s been an entire week since The Slap… check that, the 94th Academy Awards where CODA parlayed its Sundance buzz from January 2021 all the way to a Best Picture victory.
That also means I’ve managed to wait a whole week without speculation for the next Academy Awards which will hopefully be a slap free zone. So what are some titles that could be vying for attention?
On May 27th and after numerous delays, Top Gun: Maverick will find Tom Cruise returning to his iconic role some 36 years after the original. There’s a decent chance it could be up for similar prizes that its predecessor landed like Sound, Film Editing, and Song (courtesy of Lady Gaga apparently). Visual Effects is a possibility as well.
My weekly Oscar prediction posts won’t begin until mid to late August. In the meantime, you’ll get individualized write-ups for pics that open or screen at festivals.
Yet for today – I feel the need. The need to identify 21 other 2022 titles that might end up on the Academy’s radar. Enjoy!
Armageddon Time
Despite acclaimed movies like The Lost City of Z and Ad Astra, James Gray has yet to connect with awards voters. This drama, rumored to be centered on his Queens upbringing, is the next hopeful and features a stellar cast including Anne Hathaway, Anthony Hopkins, and Jeremy Strong. Release Date: TBD
Avatar 2
The 2009 original amassed nine nominations and won took home three. The first sequel (there’s three more on the way) arrives in December from James Cameron. Will it capture the critical and box office magic of part one? That’s impossible to know at this juncture, but one can safely assume it’ll be up for some tech categories like Sound and Visual Effects. Release Date: December 16th
Babylon
Damien Chazelle is no stranger to the big dance. Whiplash was a BP nominee and J.K. Simmons won Supporting Actor. Chazelle took Director for his follow-up La La Land along with Emma Stone’s Actress victory and it almost famously took BP. First Man nabbed four nominations, but missed the top of the line races. Babylon is a period drama focused on Hollywood’s Golden Age and should be right up the Academy’s alley. The cast includes Brad Pitt, Margot Robbie, and Tobey Maguire. Release Date: December 25th
Canterbury Glass
Robbie also turns up in David O. Russell’s latest ensemble piece. Anytime he’s behind the camera, Oscar nods typically follow (think The Fighter, Silver Linings Playbook, American Hustle). Slated for November, the dramedy also features Christian Bale, John David Washington, Rami Malek, Zoe Saldana, Robert De Niro, Mike Myers, and… Chris Rock. Release Date: November 4th
Elvis
Arriving in June but with a Cannes unveiling in May, Baz Luhrmann’s musical bio of The King stars Austin Butler in the title role and Tom Hanks as The Colonel. If this doesn’t contend for the major awards, I would still anticipate potential tech recognition (Production Design, Sound, etc…). Release Date: June 24th
Empire of Light
Sam Mendes was likely in the runner-up position in 2019 for Picture and Director (behind Parasite) with 1917. His follow-up is an English set romance starring Olivia Colman (who would be going for her fourth nomination in five years), Michael Ward, and Colin Firth. Release Date: TBD
Everything Everywhere All at Once
From two filmmakers known collectively as Daniels, Once is already out in limited release with spectacular reviews (97% on RT). The sci-fi action comedy might be too bizarre for the Academy, but I wouldn’t count it out as its admirers are vocal. Picture, Director, Actress (Michelle Yeoh), and Original Screenplay are all on the table. Release Date: out in limited release, opens wide April 8th
The Fabelmans
Steven Spielberg directs a semi-autobiographical tale and cowrites with his Lincoln and West Side Story scribe Tony Kushner. The cast includes Michelle Williams, Seth Rogen, and Paul Dano. Needless to say, this is a major contender on paper. Release Date: November 23rd
Killers of the Flower Moon
Alongside The Fabelmans, this might be the most obvious nominee from a personnel standpoint. Martin Scorsese helms this western crime drama featuring Jesse Plemons, Lily Gladstone, and his two frequent collaborators Leonardo DiCaprio and Robert De Niro. Apple TV just became the first streamer to get a BP victory with CODA. This could be the second in a row. Release Date: November
Poor Things
In 2018, The Favourite scored a whopping ten nominations. Based on an acclaimed 1992 novel, Poor Things is Yorgos Lanthimos’s follow-up and it reunites him with Emma Stone along with Willem Dafoe, Ramy Youssef, and Mark Ruffalo. The plot sounds bizarre but it could also be an Oscar bait role for Stone and others. Release Date: TBD
Rustin
One of Netflix’s contenders is George C. Wolfe’s profile of gay civil rights activist Bayard Rustin (played by Colman Domingo). In 2020, Wolfe directed Viola Davis and Chadwick Boseman to nods for Ma Rainey’s Black Bottom. Look for Domingo to be a competitor and the supporting cast includes Chris Rock (maybe he will be back at the show), Glynn Turman, and Audra McDonald. Release Date: TBD
See How They Run
The 1950s set murder mystery could provide 27-year-old Saoirse Ronan with an opportunity to land her fifth nomination. Sam Rockwell, David Oyelowo, Adrien Brody, and Ruth Wilson are among the supporting players. Tom George directs. Release Date: TBD
She Said
Five years after the scandal rocked Hollywood, She Said from Maria Schrader recounts the New York Times sexual misconduct investigation into Harvey Weinstein. Zoe Kazan, Carey Mulligan, and Patricia Clarkson lead the cast. Release Date: November 18th
The Son
Florian Zeller won Best Adapted Screenplay in 2020 for The Father along with Anthony Hopkins taking Best Actor. This follow-up (based on the director’s play) finds Hopkins reprising his Oscar-winning part in supporting fashion. Other cast members seeking awards attention include Hugh Jackman, Laura Dern, and Vanessa Kirby. Release Date: TBD
TAR
It’s been a while since we’ve seen Todd Field behind the camera. Previous efforts In the Bedroom and Little Children received 8 nominations between them. A decade and a half following Children comes this Berlin set drama with Cate Blanchett, Noemie Merlant, and Mark Strong. Release Date: October 7th
Three Thousand Years of Longing
Scheduled for a Cannes bow in May, Longing is a fantasy romance from the legendary mind of George Miller (who last made Mad Max: Fury Road which won six tech Oscars). Idris Elba and Tilda Swinton star. Release Date: TBD
The Whale
Darren Aronofsky directed Mickey Rourke to a comeback narrative nod for 2008’s The Wrestler. Two years later, his follow-up Black Swan earned Natalie Portman a statue. Brendan Fraser is hoping for the same treatment with The Whale as he plays a 600 pound man attempting to reconnect with his daughter. Costars include Sadie Sink, Hong Chau, and Samantha Morton. I’d expect Makeup and Hairstyling could also be in play with this. Release Date: TBD
White Noise
Not a remake of the Michael Keaton supernatural thriller from 2005, this is Noah Baumbach’s follow-up to Marriage Story. Based on a 1985 novel, it’s the filmmaker’s first picture based on other source material. Marriage landed three acting nods (with Laura Dern winning Supporting Actress). The cast here includes frequent Baumbach collaborator Adam Driver, real-life partner Greta Gerwig, Raffey Cassidy, Andre Benjamin, Alessandro Nivola, and Don Cheadle. This could be Netflix’s strongest contender. Release Date: TBD
The Woman King
Expect this West Afrian set historical epic from Gina Prince-Bythewood to be heavily touted by Sony with awards bait roles for leads Viola Davis and Thuso Mbedu. The supporting cast includes John Boyega and Lashana Lynch. Release Date: September 16th
Women Talking
Based on a 2018 novel, Sarah Polley writes and directs this drama focused on eight Mennonite women and their story of abuse. The sterling cast includes Frances McDormand, Jessie Buckley, Ben Whishaw, Claire Foy, and Rooney Mara. Release Date: TBD
And that’s just a small preview of the features that could materialize for the 95th Academy Awards! As always, the speculation on this site will continue throughout the year and into the next. Stay tuned…
At last weekend’s Oscars, Nicole Kidman and Javier Bardem were both nominated as Lucy (as in Lucille Ball) and Desi (as in Arnaz) for Being the Ricardos. We could see the couple/sitcom stars represented at next year’s ceremony in documentary form.
Lucy and Desi premiered at the Sundance Film Festival in January and is now available for streaming on Amazon Prime. It was directed by another famed TV comedienne – Amy Poehler. Reviews stand at 93% on Rotten Tomatoes.
Docs about notable entertainment subjects often fail to garner the attention of Academy voters. Recent omissions from the five nominees in the race include Won’t You Be My Neighbor? (Mister Rogers) and Julia (2021’s feature about Julia Child). Despite the pleasing critical reaction, I suspect Lucy and Desi could suffer the same fate. My Oscar Prediction posts will continue…
Jared Leto has an Oscar for his supporting work in 2013’s Dallas Buyers Club. That film won another trophy for Makeup and Hairstyling. Three years later, Leto’s turn as The Joker in Suicide Squad contributed to a victory in that same category. Last weekend, House of Gucci (featuring a much ballyhooed turn from Leto) lost the Makeup derby to The Eyes of Tammy Faye. Why am I bringing this up?
Well, it’s an excuse for Morbius and Oscar to appear as words together in a post. The Sony/Marvel production (which casts Leto as the vampire antihero) is finally making its way to theaters on Friday after numerous COVID delays. There’s been rumors that it’s not of the highest quality and the lapsed review embargo seems to prove that. The Rotten Tomatoes meter is a mere 19% at time of publication.
That said, some of this genre fare can still materialize in Visual Effects or Makeup and Hairstyling (like Suicide Squad). I would say Morbius has a better chance at multiple Razzie nominations than any from the Academy. My Oscar Prediction posts will continue…
Utilizing similar rotoscoping technology as his earlier animated efforts Waking Life and A Scanner Darkly, Richard Linklater’s Apollo 10 1/2: A Space Age Childhood hits Netflix on Friday after its South by Southwest premiere a couple of weeks back. A coming-of-age tale set during the 1969 Moon landing, early reviews have mostly soared with a 91% Rotten Tomatoes launch.
Linklater is no stranger to the Oscars. He nabbed screenplay nods for Before Sunset and Before Midnight. 2014’s Boyhood was nominated for six categories. Since that effort seven years ago, his follow-ups (Everybody Wants Some!!, Last Flag Flying, Where’d You Go, Bernadette) have all failed to reach the Academy’s radar.
Apollo could change that trajectory with an Animated Feature mention. The critical reaction is strong enough, but let’s see what else lands in the remaining nine months. It’s entirely possible that two of the five eventual contenders (Turning Red and this) are already available for streaming pleasure as of this weekend. My Oscar Watch posts will continue…
In February 2020, Sonic the Hedgehog (based on the popular Sega video game) was one of the last massive box office success stories before COVID shuttered theaters for months. Come Oscar time for the 93rd Academy Awards, one of the surprising omissions was Sonic being left off the shortlist for Best Visual Effects. After all, many of the tentpole projects for 2020 were pushed to 2021 or beyond (including Dune which won last weekend). Instead there were unexpected nominees such as Love and Monsters and The One and Only Ivan.
The new franchise will have another bite at the apple in 2022 with Sonic the Hedgehog 2, opening April 8th. Reviews are decent at 69% on Rotten Tomatoes (a bit stronger than the original’s 63%). Yet if part 1 couldn’t manage to break into VE in a weaker year, I wouldn’t anticipate the sequel making the cut this time around. My Oscar Prediction posts will continue…
The pranksters of the Internet had a little fun with the justly criticized decision to have a “Fan Favorite” award. The top 3 consisted of Netflix’s Army of the Dead, the reviled Cinderella remake, and Johnny Depp’s barely seen Minamata. I’m guessing this viewer’s choice designation experiment will be unique to the 94th Academy Awards and this ceremony only. Gotta love footnotes, eh?
Let’s talk about what else happened at the Oscars. No… not that. Not yet.
I went 17 for 20, but I missed the biggie. CODA took Best Picture over The Power of the Dog. In fact, the Apple TV pic went 3 for 3 as it also won Adapted Screenplay (I picked Dog) and Troy Kotsur for Supporting Actor.
I admittedly had an upset selection with “Dos Oruguitas” from Encanto over “No Time to Die” from that Bond pic. Billie Eilish did indeed take the musical prize and it’s now the third 007 theme in a row to win after “Skyfall” (2012) and “Writing’s on the Wall” from Spectre (2015).
The other 16 categories went according to my prognostications… Will Smith as Best Actor for King Richard… NOT YET…
Jessica Chastain (Best Actress for The Eyes of Tammy Faye) and Ariana DeBose (Supporting Actor for West Side Story). Belfast for Original Screenplay. Encanto in Animated Feature and Drive My Car for International Feature Film and Summer of Soul as Documentary Feature. You can read the rest. Dune won the most trophies with six.
The Power of the Dog took just one award with Jane Campion taking Director and becoming the third woman to do so and second in a row. It marks the first time since 1967 that director’s win for the movie marks its sole victory. For you trivia buffs… it was Mike Nichols for The Graduate.
OK… let’s get real. All of what I’m writing about is a footnote. That’s because Will Smith’s open hand slap of Chris Rock for a joke directed at wife Jada Pinkett Smith is all the 94th edition of the Oscars will be remembered for. It was shocking (and riveting) TV made even more so with the knowledge that Smith would be giving a speech moments later. I still don’t know what to think and I’m still a little aghast at what I saw. That whole reading the wrong winner from five years ago seems a little small potatoes now.
I do know this… my Oscar predictions and speculations for the 95th Academy Awards will be here before you know it.
And it’s come to this! After seven months of endless speculation, predictions, and posts – the 94th Academy Awards (with your hosts Wanda Sykes, Amy Schumer, and Regina Hall) airs this Sunday evening.
These are my final picks for the races covering feature films. Will the Best Picture be CODA?
Or The Power of the Dog?
We have ourselves some real intrigue as both are strong possibilities. Either way, a steamer (either Netflix or Apple TV) should pick up its inaugural Best Pic victory.
Will there be upsets in any of the acting derbies where there seems to be a consensus four based on precursors? And just what will occur in the screenplay races which look unpredictable?
For each race, I’ll give you a bit of commentary along with my projected victor and the runner-up.
Let’s get to it! On Sunday evening, you will see a recap with how I performed…
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
Commentary:
Well, the big daddy of them all has certainly become fascinating. CODA, the little Sundance pic that could, has surged in the past few days. In addition to winning the SAG Ensemble prize, it captured the Producers Guild top honor and was a BAFTA selection for Adapted Screenplay. These designations (PGA especially) are significant precursors. A strong argument could be made that it has the momentum as voting closed yesterday. In fact, I’ve seen more prognosticators picking it this week than not…
However, The Power of the Dog is still quite viable. It took the Golden Globe Best Drama trophy as well as Critics Choice and BAFTA. Until CODA‘s rise, it was the heavy favorite.
We’ve got a real coin flip, folks! That definitely makes the end of Oscar night more suspenseful than last year when Nomadland seemed unbeatable and indeed was.
I don’t believe any of the other eight pictures have a chance. As for the two that do, I’ve gone back and forth constantly all week. There’s a time to stop speculating and make a final pick and I still believe there’s enough power for the Dog to edge out CODA. That said, I wouldn’t be the least bit surprised if it turns out the other way.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Ryusuke Hamaguchi, Drive My Car
Steven Spielberg, West Side Story
Commentary:
This is far easier than Picture. With CODA maker Sian Heder absent, Jane Campion is in line to become the third female (and second in a row) to make a podium trip. She’s won all the key precursors – DGA, Globes, Critics Choice. It’s even a challenge to name a runner-up (I guess I’ll say Spielberg because he’s Spielberg). Make no mistake – this is one of the simplest checkmarks on the ballot.
PREDICTED WINNER:
Jane Campion, The Power of the Dog
Runner-Up:
Steven Spielberg, West Side Story
Best Actress
Nominees:
Jessicas Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penelope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Commentary:
Kidman garnered the initial heat after a surprise Globe win, but that’s stalled as no other awards programs followed suit. Instead it’s been Chastain on the minor streak with SAG and Critics Choice. If there’s an upset in any acting derby, this is probably where it happens. Stewart’s road to Oscar looked shaky after some snubs. Academy voters could reward her and there’s some chatter about Cruz being viable. Yet I’m sticking with the safest best and that’s Chastain taking her first gold.
PREDICTED WINNER:
Jessica Chastain, The Eyes of Tammy Faye
Riunner-Up:
Kristen Stewart, Spencer
Best Actor
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, tick, tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Commentary:
During the fall, I was thinking there could be a barnburner between Smith and Cumberbatch (with Garfield as potential spoiler). That’s not how it’s played out as the Fresh Prince has been crowned the king in all preceding shows. I expect the sweep to continue.
PREDICTED WINNER:
Will Smith, King Richard
Runner-Up:
Benedict Cumberbatch, The Power of the Dog
Best Supporting Actress
Nominees:
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Commentary:
Buckley and Dench were surprising inclusions, but there won’t be any shocks with the winner. DeBose has run the table and she should represent Story‘s lone victory.
PREDICTED WINNER:
Ariana DeBose, West Side Story
Runner-Up:
Kirsten Dunst, The Power of the Dog
Best Supporting Actor
Nominees:
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
Commentary:
Despite its quartet of performers getting nominations, Dog is likely to produce Oscars for none of them. Smit-McPhee received the Golden Globe but it’s been all Kotsur since. This is the race where I’m most confident of a CODA moment.
PREDICTED WINNER:
Troy Kotsur, CODA
Runner-Up:
Kodi Smit-McPhee, The Power of the Dog
Best Original Screenplay
Nominees:
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
Commentary:
Good luck with this one! The Writer’s Guild threw everyone for a loop last weekend when Don’t Look Up won over Licorice Pizza (Belfast was not eligible). I just don’t envision the Academy honoring Up. With a Belfast or Pizza victory, they would bestowing first ever Oscars to Kenneth Branagh and Paul Thomas Anderson respectively. With the Globe and Critics Choice going to Belfast, it has my vote (though it’s close).
PREDICTED WINNER:
Belfast
Runner-Up:
Licorice Pizza
Best Adapted Screenplay
Nominees
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Commentary:
CODA‘s BAFTA win kickstarted its momentum. Even if Dog is Best Picture, CODA could still take this. On the other hand, I think there’s a better chance Best Pic and Adapted Screenplay match so I’m rolling with the Dog with no degree of confidence whatsoever.
PREDICTED WINNER:
The Power of the Dog
Runner-Up:
CODA
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Commentary:
I’m tempted to pick a Mitchells upset, but it’s dangerous to pick against Disney and Encanto is the frontrunner.
PREDICTED WINNER:
Encanto
Runner-Up:
The Mitchells vs. the Machines
Best International Feature Film
Nominees:
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
Commentary:
This is unquestionably one of the no brainer picks as Drive My Car has dominated the precursors and is the only nominee to also nab a Best Picture nod.
PREDICTED WINNER:
Drive My Car
Runner-Up:
The Worst Person in the World
Best Documentary Feature
Nominees:
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
Commentary:
With nominations in Animated Feature, International Feature, and Doc – it sure seems like Flee should win one of them. It might stand the best chance in this competition, but Summer of Soul has been impressive in precursors and should continue the streak.
PREDICTED WINNER:
Summer of Soul
Runner-Up:
Flee
Best Cinematography
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
This might be the tech race where Dog is successful. I’m not predicting it though and (get used to hearing this) think Dune emerges.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
Commentary:
Cruella has killed it the preceding competitions. Dune, if it crushes all techs, could take it but I’m going with the former.
PREDICTED WINNER:
Cruella
Runner-Up:
Dune
Best Film Editing
Nominees:
Don’t Look Up
Dune
King Richard
The Power of the Dog
tick, tick… Boom!
Commentary:
Don’t sleep on King Richard which was bestowed the EDDIE award. I still think this is Dune‘s to lose.
PREDICTED WINNER:
Dune
Runner-Up:
King Richard
Best Makeup and Hairstyling
Nominees:
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
Commentary:
Gucci could fashion a 1 for 1 victory but Tammy Faye has taken some precursors.
PREDICTED WINNER:
The Eyes of Tammy Faye
Runner-Up:
House of Gucci
Best Original Score
Nominees:
Don’t Look Up
Dune
Encanto
Parallel Mothers
The Power of the Dog
Commentary:
Like Cinematography, this is between Dog and Dune. Like Cinematography, I’m choosing the latter.
PREDICTED WINNER:
Dune
Runner-Up:
The Power of the Dog
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“No Time to Die” from No Time to Die
“Somehow You Do” from Four Good Days
Commentary:
Diane Warren gets her 13th nomination with “Somehow” and somehow she’s never won. That will continue. The smart money is on the 007 theme song from Billie Eilish. Yet I’m going with a minor upset with the Disney tune.
PREDICTED WINNER:
“Dos Oruguitas” from Encanto
Runner-Up:
“No Time to Die” from No Time to Die
Best Production Design
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Commentary:
For the last three categories, I could just say Dune and be done with it. In fact, I think I will…
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Sound
Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
West Side Story
Best Visual Effects
Nominees:
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
Commentary:
See Production Design
PREDICTED WINNER:
Dune
Runner-Up:
There isn’t one… that’s how I’m confident I am that Dune takes it.
And so, ladies and gents, that means I’m predicting that these movies win these numbers of Oscars:
6 Wins
Dune
3 Wins
The Power of the Dog
2 Wins
Encanto, The Eyes of Tammy Faye
1 Win
Belfast, CODA, Cruella, Drive My Car, King Richard, Summer of Soul, West Side Story
At the Golden Globes honoring the pictures of 1984, Romancing the Stone managed to win the Musical/Comedy race. In doing so, it beat out sturdy competitors like Beverly Hills Cop, Ghostbusters, and Splash. Furthermore, Kathleen Turner took home Best Actress for her performance while costar Michael Douglas wasn’t nominated.
Why am I talking about this comedic adventure from nearly 40 years ago? The Lost City (out March 25th) is being compared to it a lot in the early reviews (which currently sit at 100% on Rotten Tomatoes).
From filmmakers Adam and Aaron Nee, Sandra Bullock and Channing Tatum headline with a supporting cast including Brad Pitt (the critics are praising him), Daniel Radcliffe, Da’Vine Joy Randolph, and Bowen Yang. Here’s the deal… this isn’t really an Oscar Predictions post. I don’t think it’ll be in the running from Academy voters.
The Hollywood Foreign Press Association is a different branch and could be a different story. Depending on the level of competition from future musicals and comedies in 2022, The Lost City‘s early buzz indicates it could make a play in that feature film competition or for Bullock. That would keep those comps to Stone relevant. My Oscar (and Globe) Prediction posts will continue…
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