The blog’s early look at the 2021 Oscar contenders arrives at Best Director. If you didn’t see the posts outlining my initial picks for the acting derbies, take a look here:
In 2020, my first estimates in the directorial field yielded 2 eventual nominees: winner Chloe Zhao (Nomadland) and David Fincher (Mank). The three others were not even mentioned: Lee Isaac Chung (Minari), Emerald Fennell (Promising Young Woman), and surprise contender Thomas Vinterberg (Another Round).
Here’s the players as I see it at this July juncture:
EARLY OSCAR PREDICTIONS: BEST DIRECTOR
Jane Campion, The Power of the Dog
Joel Coen, The Tragedy of Macbeth
Guillermo del Toro, Nightmare Alley
Asghar Farhadi, A Hero
Denis Villeneuve, Dune
Other Contenders:
Pedro Almodovar, Parallel Mothers
Paul Thomas Anderson, Soggy Bottom
Wes Anderson, The French Dispatch
Kenneth Branagh, Belfast
Leos Carax, Annette
Fran Kranz, Mass
Adam McKay, Don’t Look Up
David O. Russell, Canterbury Glass
Ridley Scott, House of Gucci
Steven Spielberg, West Side Story
That leaves only Best Picture and it will be posted in short order!
In 1999, M. Night Shyamalan’s breakout smash The Sixth Sense received six Oscar nominations, including Picture, Director, the supporting work of Haley Joel Osment and Toni Collette, and the screenplay that infamously shocked the moviegoing masses. It ended up winning none of them and since then, Shyamalan’s filmography has resulted in just one other nomination for his next 10 features (Original Score for The Village).
Conversely, we have seen 23 nods and some victories for the auteur’s work at the Razzies (which annually celebrates the worst in film). This includes four nominations each for Lady in the Water and The Happening, 8 for The Last Airbender, six with After Earth, and one for Glass.
This brings us to Old, his latest pic opening tomorrow. The review embargo lifted today and it currently sports a somewhat decent 61% Rotten Tomatoes score. That said, many critics say it encompasses the best of Shyamalan and the worst (get ready for some clunky dialogue).
No, Old will not contend for Best Picture at the Oscars (but it may not get Razzie love either). However, just a look at the trailers and TV spots indicates it could play in one race. The plot involves its cast of characters rapidly aging on a scenic beach and that involves makeup.
The Makeup and Hairstyling category is one where critical kudos doesn’t mean much. I give you previous pics such as Click, Norbit, The Lone Ranger, Jackass Presents: Bad Grandpa, and Maleficent: Mistress of Evil as evidence.
There will be more likely nominees in the mix such as Cruella and House of Gucci and Jessica Chastain’s forthcoming transformation as the title character in The Eyes of Tammy Faye. Yet perhaps Old could have a shot here and my sixth sense says that’s at least feasible. On the flip side, perhaps when nominations come out – we will discover Old‘s viability had been dead the entire time. My Oscar Watch posts will continue…
Last year’s Best Actress race was one of the most unpredictable and competitive in ages. Five different performers took the Oscar, Golden Globes (since they split between Drama and Musical/Comedy), SAG, and Critics Choice Award.
And, while it’s very early, 2021 appears that it could be a humdinger of a contest yet again. This is the final acting derby I am doing projections on in these initial forecasts. By far, Best Actress was the hardest one to whittle down and there were even potential contenders beyond the 15 listed that I believe could easily get into the mix.
Speaking of those earlier posts, you can peruse them here if you didn’t catch them:
When I did my inaugural 2020 posts in Actress, I correctly identified 2 of the 5 eventual nominees: winner Frances McDormand (Nomadland) and Viola Davis (Ma Rainey’s Black Bottom). Carey Mulligan was named in Other Possibilities while I did not yet call out Andra Day (The United States vs. Billie Holiday) or Vanessa Kirby (Pieces of a Woman).
For the 2020 ceremony, my earliest projections in Best Actor yielded two correct picks: winner Anthony Hopkins (The Father) and Gary Oldman (Mank). Steven Yeun (Minari) was listed in other possibilities. I had Daniel Kaluuya (Judas and the Black Messiah) in the top five for Actor, but he ended up going supporting and won in that race. On the flip side, I had Chadwick Boseman (Ma Rainey’s Black Bottom) originally projected in supporting and he went lead. The only player in the quintet not mentioned at first was Riz Ahmed (Sound of Metal).
Let’s get to it with the first take where all five of my initial nominees are either past nominees (Cumberbatch, Driver, Smith) or winners (Bale, Washington).
My earliest 2021 Oscar predictions continues with Best Supporting Actress! If you missed my first post covering the supporting gentlemen, you can find it here:
In that post, you can find all the caveats about how early we are in the season and so forth. We will have the Venice and Toronto in weeks and that will certainly shape the race.
One season ago, amidst all the pandemic uncertainty, I correctly called 2 of the 5 eventual nominees here (Glenn Close in Hillbilly Elegy and Olivia Colman for The Father). Amanda Seyfried (Mank) was listed in the possibilities section. Eventual winner Youn Yuh-Jung (Minari) and Maria Bakalova (Borat Subsequent Moviefilm) were not mentioned.
Next week I’ll begin the official rankings, but here’s where I have the competition at this early moment:
On this here blog starting right now, my 2021 Oscar predictions officially begin! I seem to start this earlier and earlier in the calendar each year. Why? Well, it’s just about my favorite thing to write about and the Cannes Film Festival and recent announcements for the Venice and Toronto line-ups fueled the flame.
As is tradition, I would like to throw out the annual caveats and a general rundown of how this works. I begin with the early predictions in the six major categories: Picture, Director, and the four acting derbies. For Picture, I will list my ten early forecasted nominees and 15 other possibilities. In the other five races, you will see my five predicted players and 10 other hopefuls. In these initial posts, my nominees will be unranked.
Beginning next week, I’ll have a weekly write-up where I’ll begin ranked predictions in these competitions in addition to Adapted and Original Screenplay.
In late September or early October, my weekly posts will shift to all categories covering feature films. The Picture predictions and possibilities will be whittled down from 25 to 15. All others will be reduced to 10.
Got all that? Good! Now for the caveats. First off, it’s July. So when I say these are early projections – I mean it. Release dates will change. Some movies will be moved out of contention to 2022 (that certainly happened a lot last year due to the pandemic). Some of the actors that appear to be supporting will be moved to lead and vice versa.
You need look no further than the Supporting Actor derby from 2020. In my initial round of early picks, I had Chadwick Boseman (Ma Rainey’s Black Bottom) listed here. He was eventually moved to Best Actor. Conversely, I had Daniel Kaluuya (Judas and the Black Messiah) down for Actor, but he was campaigned for in supporting and won.
Part of that category confusion led to yours truly only naming one of the five eventual nominees from 2020 (Sacha Baron Cohen in The Trial of the Chicago 7). I did mention Lakeith Stanfield (Judas) as a possibility. Paul Raci (Sound of Metal) and Leslie Odom, Jr. (One Night in Miami) were not named initially.
Additionally, you will see the titles Canterbury Glass and Soggy Bottom as contenders here and elsewhere in the coming days. These are the next pictures, respectively, from David O. Russell and Paul Thomas Anderson. It is not confirmed yet whether these are working titles or the actual ones, but I prefer a name rather than saying Untitled over and over.
With all that out of the way, let’s get rolling with the speculation that will last for months (and I’ll enjoy every second of it)!
EARLY OSCAR PREDICTIONS: BEST SUPPORTING ACTOR
Bradley Cooper, Soggy Bottom
Richard E. Grant, Everybody’s Talking About Jamie
Idris Elba, The Harder They Fall
Jason Isaacs, Mass
Jesse Plemons, The Power of the Dog
Other Possibilities:
David Alvarez, West Side Story
Reed Birney, Mass
Willem Dafoe, Nightmare Alley
Jamie Dornan, Belfast
Adam Driver, The Last Duel
Andrew Garfield, The Eyes of Tammy Faye
Corey Hawkins, The Tragedy of Macbeth
Richard Jenkins, The Humans
Ben Mendelsohn, Cyrano
John David Washington, Canterbury Glass
And we’re off! I’ll have my inaugural choices for Supporting Actress up shortly…
The Norwegian comedic drama The Worst Person in the World from filmmaker Joachim Trier made quite a splash with its debut at the Cannes Film Festival. World is the culmination of Trier’s Oslo trilogy (which includes 2006’s Reprise and 2011’s Oslo).
At this weekend’s awards honors in France, Renate Reinsve was named Best Actress. Neon has already picked up domestic distribution rights and I would imagine they’ll mount a campaign for her inclusion at the Oscars. As always, competition will be key. Yet it’s certainly feasible that Reinsve could follow in the footsteps of Emmanuelle Riva (Amour), Isabelle Huppert (Elle), and Yalitza Aparicio (Roma) as recent nominees from international selections.
It would be surprising if Norway didn’t pick this as the nation’s hopeful for International Feature Film. Based on the Cannes buzz and a 100% Rotten Tomatoes score, Worst could best other titles to make the final cut. My Oscar Watch posts will continue…
Over the weekend, Spike Lee infamously and prematurely announced that the French horror thriller Titane took the Palme d’Or at the Cannes Film Festival over considerable competition. Julia Ducournou’s second feature after 2016’s acclaimed Raw is said to be a visceral, original, erotic, and messy concoction. It certainly got the attention of the Cannes jury. Will it do the same for Oscar voters?
That’s an unknown because we don’t know if France will submit it as its selection for Best International Feature Film. In 2016, they chose not to pick Paul Verhoeven’s heralded Elle in that race. Isabelle Huppert managed a Best Actress nod for it, but it didn’t have a chance to make the final five.
If the French do choose Titane to represent in the competition, itcertainly now has the bonafides to make a run. The dark subject matter could complicate matters, but I bet it has one early vote from Spike Lee. My Oscar Watch posts will continue…
The big victor at the Cannes Film Festival turned out to be an anticlimactic announcement when jury president Spike Lee accidentally revealed it at the beginning of the evening. Julia Ducournau’s Titane, said to be one of the most shocking and viscerally thrilling entries coming out of the French Riviera, won the Palme d’Or (the fest’s equivalent of Best Picture).
This is a gift for distributor Neon as they will handle its domestic distribution. Sporting a 95% rating on Rotten Tomatoes, could Titane enter the Oscar conversation in Best International Feature Film? The three previous Palme recipients from 2017-2019 managed to do so (The Square, Shoplifters, Parasite). Remember there was no competition in 2020. My feeling is that it’s a contender though I doubt it will cross over for Best Picture consideration (and a win) like Parasite did.
The Grand Prix award (basically runner-up) was split between Asghar Farhadi’s Iranian drama A Hero and Juho Kuosmanen’s Russian feature Compartment No. 6. Of those two, the latter has the best opportunity to break through with the Academy.
Leos Carax is best director for his opening night selection Annette. The musical drama starring Adam Driver and Marion Cotillard elicited strong reactions (mostly positive, some negative) from the French crowd and it is a major question mark heading into awards season.
Caleb Landry Jones, seen in numerous supporting roles recently like Get Out and Three Billboards Outside Ebbing, Missouri, was named Best Actor for the thriller Nitram. Winning over higher profile contenders like Driver and Simon Rex (Red Rocket), the eventual stateside distributor would need to mount quite a campaign for Jones to be in contention, but you never know.
Same goes for Best Actress Renate Reinsve in The World Person in the World, the Norwegian romantic comedic drama which had ardent admirers at the fest. This is a picture to keep an eye on as well that the international voters could pick up on.
Lastly, Wes Anderson’s The French Dispatch was perhaps the most notable premiere, but it came up empty-handed when all was settled. It could still certainly be a factor at the Oscars despite not getting a boost here.
For my blog readers, expect more Oscar Watch posts in the coming days as I sort out all the Cannes action and that will include Titane, The World Person in the World, and more. Stay tuned!
Three years ago, Mamoru Hosoda’s Mirai scored a nomination in the Best Animated Feature category at the Oscars (ultimately losing to Spider-Man: Into the Spider-Verse). The Japanese director has unveiled his follow-up effort Belle at the Cannes Film Festival (receiving a 14 minute standing ovation) and this looks to be another contender in an already bustling 2021 field.
Critics are praising the visuals of Hosoda’s latest creation and it’s even drawing references to The Matrix for its style. It opens in Japan today with North American distribution anticipated for the fall. As mentioned, we have already seen a handful of serious hopefuls for the Academy to consider. This includes Netflix’s The Mitchells vs. the Machines, Disney’s Raya and the Last Dragon and Luca, and another Cannes selection with Where Is Anne Frank. The Mouse Factory also has Encanto later in 2021 while Netflix has Wendell and Wild and Richard Linklater’s Apollo 10 1/2 on deck.
Bottom line: add Belle as one more legit contestant for inclusion. My Oscar Watch posts will continue…
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