Marianne Jean-Baptiste was up for Supporting Actress 28 years ago in Mike Leigh’s Secrets & Lies, which received five total nominations including Best Picture, Director, Actress (Brenda Blethyn) and Original Screenplay. Leigh and Jean-Baptiste have collaborated again for Hard Truths which was unveiled at the Toronto Film Festival before its December 6th stateside bow. Costars include Michele Austin, David Webber, and Tuwaine Barrett. It could certainly put Jean-Baptiste in the mix again and this time for lead Actress.
The Metacritic score for the drama is 86 while some reviews say it’s not top-tier Leigh. The British filmmaker is a five-time hopeful for Original Screenplay (he’s never won). In addition to his Lies mention, the other nominated screenplays are Topsy-Turvy, Vera Drake, Happy-Go-Lucky, and Another Year. He could still make the Academy’s cut for Truths, but it’s no guarantee given the slightly more mixed reaction.
Based on buzz alone, Jean-Baptiste would be a slam dunk for Best Actress inclusion. Yet there’s the competition to consider. That includes a growing list that includes Angelina Jolie (Maria), Mikey Madison (Anora), Saoirse Ronan (The Outrun), Karla Sofia Gascón (Emilia Pérez), Nicole Kidman (Babygirl), and, yes, Amy Adams (Nightbitch). I also question whether distributor Bleecker Street is equipped to run an effective campaign. That said, she is certainly in the top 10 of competitors and likely close to making the quintet. My Oscar Prediction posts will continue…
The 2024 Venice Film Festival has wrapped production with a bit of a surprise ending. Pedro Almodóvar’s English language debut The Room Next Door has taken the Golden Lion (equivalent to Best Picture) in Italy. The relationship drama starring Julianne Moore and Tilda Swinton has received positive reviews (95% RT), but the general consensus is they might not have been strong enough for this particular prize.
What does that mean for its Oscar chances? Well, it certainly helps exposure prior to its December 20th limited stateside start and nationwide expansion in January. Five of the past seven Golden Lion recipients have ended up nabbing BP nods – The Shape of Water (winner), Roma, Joker, Nomadland (winner), and Poor Things.
Venice spreads the wealth when it comes to the victors. The Silver Lion designation (equivalent to Best Director) was bestowed to Brady Corbet for The Brutalist. The Holocaust survivor epic was the breakout of the fest with its awards possibilities going through the roof. It could become a major player at the 97th Academy Awards and Corbet’s inclusion here proves it. On the other hand, this was probably the betting odds favorite for the Lion and didn’t get there.
The Volpi Cups go to Actor and Actress. The former went to Vincent Lindon for The Quiet Son. It’s doubtful that he’ll be a factor in the Academy’s race. In the past decade, two Volpi Actor winners have garnered Oscar nods (Willem Dafoe for At Eternity’s Gate and Colin Farrell in The Banshees of Inisherin).
In Best Actress, the story could be different with Nicole Kidman being named for Babygirl. Seeking her sixth Academy nom, she was unable to accept the Venice award due to her mother’s passing. At the Oscars, Best Actress is starting to look crowded. Yet A24 is likely to mount a spirited campaign for the performer. Half of the previous the Actress honorees have made the Academy’s cut: winners Emma Stone (La La Land) and Olivia Colman (The Favourite) in addition to Vanessa Kirby (Pieces of a Woman), Penélope Cruz (Parallel Mothers), and Cate Blanchett (Tár).
Keep checking the blog for rolling awards coverage!
You can’t judge a movie by its trailer, but you can alter your Oscar Predictions and such is the case with Nightbitch. For many weeks, I’ve had Amy Adams perched atop my Best Actress list. The six-time nominee has to get the gold sometime right? After today’s first look, I don’t think this is the vehicle. Perhaps the Toronto Film Festival (where this screens in days) will prove me wrong.
Speaking of festivals, you might have heard that Telluride just concluded as Venice is at its midpoint. As both events tend to do, the awards landscape has been altered due to their premieres. Some pics and performers have risen while others have fallen.
The biggest winner at the time of this publication seems to be Brady Corbet’s The Brutalist from Venice. The three hour plus Holocaust survivor drama vaults 20 spots from #23 to #3 in my Best Picture rankings with Corbet in for his direction and Adrien Brody returning to the Actor derby. Mr. Brody knocks out Sebastian Stan in A Different Man. Speaking of Stan, he will also be vying for attention as Donald Trump in The Apprentice. It was confirmed this week that it will be released in October.
Another benefactor, this one from Telluride, is Jason Reitman’s Saturday Night. The solid reaction in Colorado puts it (barely) in my BP hopefuls along with Original Screenplay and Film Editing recognition.
The inclusion of these two newbies knocks out two others that didn’t fare quite as well in their unveilings – Queer and The Piano Lesson. They are both still listed in Other Possibilities but are no longer picks to make the big dance.
Three of the four acting races have new #1s. While Colman Domingo (Sing Sing) is still first in Actor (with Ralph Fiennes from Conclave and Adrien Brody hot on his heels), the aforementioned Adams plummets in Actress. In her place? Mikey Madison from Anora though Angelina Jolie (Maria) and Karla Sofia Gascón are close behind. Lady Gaga (Joker: Folie à Deux) makes her first appearance in the quintet. Please note that Folie will screen in Venice tomorrow so we’ll know more then (keep an eye on the blog for its individual predictions post).
In Supporting Actress, my previous #1 Aunjanue Ellis-Taylor (Nickel Boys) slides three positions with Zoe Saldaña (Emilia Pérez) moving up. Her costar Selena Gomez is now in my five as well and that takes out Tilda Swinton in The Room Next Door. I will say deciding between Gomez and Swinton for the 5 spot was basically a coin flip.
The news for Samuel L. Jackson (The Piano Lesson) and his chances are worse. He goes from 1st to 9th with Clarence Maclin (Sing Sing) back at one. Guy Pearce in The Brutalist, who would be a first-time nominee, rockets from 15th to 2nd in the race and Stanley Tucci (Conclave) reenters over his costar John Lithgow.
You can read all the movement – and there is plenty of movement indeed – below and my next update will likely come Sunday as more Venice titles screen and Toronto begins!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Sing Sing (PR: 2) (E)
3. The Brutalist (PR: 23) (+20)
4. Dune: Part Two (PR: 3) (-1)
5. Anora (PR: 4) (-1)
6. Emilia Pérez (PR: 6) (E)
7. Conclave (PR: 5) (-2)
8. Nickel Boys (PR: 8) (E)
9. A Complete Unknown (PR: 10) (+1)
10. Saturday Night (PR: 12) (+2)
Other Possibilities:
11. Joker: Folie à Deux (PR: 13) (+2)
12. A Real Pain (PR: 20) (+8)
13. The Seed of the Sacred Fig (PR: 11) (-2)
14. Queer (PR: 7) (-7)
15. The Room Next Door (PR: 14) (-1)
16. Gladiator II (PR: 17) (+1)
17. Nosferatu (PR: 15) (-2)
18. The Piano Lesson (PR: 9) (-9)
19. All We Imagine as Light (PR: 22) (+3)
20. Nightbitch (PR: 14) (-6)
21. Wicked (PR: 21) (E)
22. The Apprentice (PR: Not Ranked)
23. September 5 (PR: Not Ranked)
24. Maria (PR: 18) (-6)
25. A Different Man (PR: 24) (-1)
Dropped Out:
Hard Truths
The End
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Brady Corbet, The Brutalist (PR: Not Ranked)
4. Sean Baker, Anora (PR: 3) (-1)
5. Jacques Audiard, Emilia Pérez (PR: 4) (-1)
Other Possibilities:
6. Greg Kwedar, Sing Sing (PR: 6) (E)
7. RaMell Ross, Nickel Boys (PR: 9) (+2)
8. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 8) (E)
9. Edward Berger, Conclave (PR: 5) (-4)
10. James Mangold, A Complete Unknown (PR: 10) (E)
11. Jason Reitman, Saturday Night (PR: 12) (+1)
12. Todd Phillips, Joker: Folie à Deux (PR: 14) (+2)
13. Luca Guadagnino, Queer (PR: 7) (-6)
14. Payal Kapadia, All We Imagine as Light (PR: Not Ranked)
15. Ridley Scott, Gladiator II (PR: Not Ranked)
Dropped Out:
Pedro Almodóvar, The Room Next Door
Malcolm Washington, The Piano Lesson
Best Actress
Predicted Nominees:
1. Mikey Madison, Anora (PR: 3) (+2)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Karla Sofia Gascón, Emilia Pérez (PR: 4) (+1)
4. Saoirse Ronan, The Outrun (PR: 5) (+1)
5. Lady Gaga, Joker: Folie à Deux (PR: 6) (+1)
Other Possibilities:
6. Marianne Jean-Baptiste, Hard Truths (PR: 8) (+2)
7. Amy Adams, Nightbitch (PR: 1) (-6)
8. Demi Moore, The Substance (PR: 9) (+1)
9. Nicole Kidman, Babygirl (PR: Not Ranked)
10. Julianne Moore, The Room Next Door (PR: 6) (-4)
11. Carrie Coon, His Three Daughters (PR: 12) (+1)
12. Fernanda Torres, I’m Still Here (PR: 10) (-2)
13. June Squibb, Thelma (PR: 11) (-2)
14. Ryan Destiny, The Fire Inside (PR: 13) (-1)
15. Pamela Anderson, The Last Showgirl (PR: 14) (-1)
Dropped Out:
Florence Pugh, We Live in Time
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 3) (+1)
3. Adrien Brody, The Brutalist (PR: 11) (+8)
4. Timothée Chalamet, A Complete Unknown (PR: 4) (E)
5. Daniel Craig, Queer (PR: 2) (-3)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: Not Ranked)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (E)
8. Sebastian Stan, A Different Man (PR: 5) (-3)
9. André Holland, The Actor (PR: 10) (+1)
10. Glen Powell, Hit Man (PR: 9) (-1)
11. Jesse Plemons, Kinds of Kindness (PR: 13) (+2)
12. Paul Mescal. Gladiator II (PR: 14) (+2)
13. Ethan Herisse, Nickel Boys (PR: 6) (-7)
14. John David Washington, The Piano Lesson (PR: 8) (-6)
15. Jesse Eisenberg, A Real Pain (PR: 15) (E)
Dropped Out:
Gabriel LaBelle, Saturday Night
Best Supporting Actress
Predicted Nominees:
1. Zoe Saldaña, Emilia Pérez (PR: 2) (+1)
2. Danielle Deadwyler, The Piano Lesson (PR: 4) (+2)
3. Saoirse Ronan, Blitz (PR: 3) (E)
4. Aunjanue Ellis-Taylor, Nickel Boys (PR: 1) (-3)
5. Selena Gomez, Emilia Pérez (PR: 7) (+2)
Other Possibilities:
6. Tilda Swinton, The Room Next Door (PR: 5) (-1)
7. Felicity Jones, The Brutalist (PR: 9) (+2)
8. Natasha Lyonne, His Three Daughters (PR: 8) (E)
9. Joan Chen, Dídi (PR: 9) (E)
10. Isabella Rossellini, Conclave (PR: 6) (-4)
11. Lesley Manville, Queer (PR: 12) (+1)
12. Elle Fanning, A Complete Unknown (PR: 11) (-1)
13. Kathy Burke, Blitz (PR: 13) (E)
14. Elizabeth Olsen, His Three Daughters (PR: 15) (+1)
15. Fernanda Montenegro, I’m Still Here (PR: 10) (-5)
Dropped Out:
Valeria Golino, Maria
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 2) (+1)
2. Guy Pearce, The Brutalist (PR: 15) (+13)
3. Kieran Culkin, A Real Pain (PR: 5) (+2)
4. Denzel Washington, Gladiator II (PR: 4) (E)
5. Stanley Tucci, Conclave (PR: 6) (+1)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: Not Ranked)
7. Adam Pearson, A Different Man (PR: 7) (E)
8. Edward Norton, A Complete Unknown (PR: 12) (+4)
9. Samuel L. Jackson, The Piano Lesson (PR: 1) (-8)
10. Harris Dickinson, Blitz (PR: 10) (E)
11. Mark Eidelstein, Anora (PR: 14) (+3)
12. Drew Starkey, Queer (PR: 8) (-4)
13. Brian Tyree Henry, The Fire Inside (PR: 13) (E)
14. Stephen Graham, Blitz (PR: 9) (-5)
15. John Lithgow, Conclave (PR: 3) (-12)
Dropped Out:
Hamish Linklater, Nickel Boys
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. A Real Pain (PR: 4) (+1)
4. Saturday Night (PR: 6) (+2)
5. The Brutalist (PR: 14) (+9)
Other Possibilities:
6. Emilia Pérez (PR: 3) (-3)
7. Hard Truths (PR: 5) (-2)
8. His Three Daughters (PR: 9) (+1)
9. The Seed of the Sacred Fig (PR: 7) (-2)
10. Dídi (PR: 10) (E)
11. September 5 (PR: Not Ranked)
12. The Substance (PR: 15) (+3)
13. Challengers (PR: 12) (-1)
14. Kinds of Kindness (PR: 13) (-1)
15. A Different Man (PR: Not Ranked)
Dropped Out:
The End
Maria
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 1) (E)
2. Conclave (PR: 2) (E)
3. Nickel Boys (PR: 3) (E)
4. Dune: Part Two (PR: 5) (+1)
5. The Room Next Door (PR: 6) (+1)
Other Possibilities:
6. Queer (PR: 4) (-2)
7. Hit Man (PR: 10) (+3)
8. The Piano Lesson (PR: 7) (-1)
9. A Complete Unknown (PR: 9) (E)
10. Nightbitch (PR: 8) (-2)
11. Joker: Folie à Deux (PR: 11) (E)
12. Inside Out 2 (PR: 12) (E)
13. Gladiator II (PR: 14) (+1)
14. The Fire Inside (PR: 13) (-1)
15. Nosferatu (PR: 15) (E)
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. The Seed of the Sacred Fig (PR: Not Ranked)
3. I’m Still Here (PR: 2) (-1)
4. Grand Tour (PR: 3) (-1)
5. The Girl with the Needle (PR: 5) (E)
Other Possibilities:
6. The Count of Monte Cristo (PR: 4) (-2)
7. All We Imagine as Light (PR: 9) (+2)
8. Universal Language (PR: Not Ranked)
9. Cloud (PR: Not Ranked)
10. Caught by the Tides (PR: 6) (-4)
Dropped Out:
Evil Does Not Exist
Simon of the Mountain
Uprising
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 3) (E)
4. Wallace & Gromit: Vengeance Most Fowl (PR: 4) (E)
5. Memoir of a Snail (PR: 5) (E)
Other Possibilities:
6. Savages (PR: 8) (+2)
7. Moana 2 (PR: 7 (E)
8. Piece by Piece (PR: 6) (-2)
9. Orion and the Dark (PR: Not Ranked)
10. The Lord of the Rings: The War of the Rohirrim (PR: Not Ranked)
Dropped Out:
The Most Precious of Cargoes
Transformers One
Best Documentary Feature
Predicted Nominees:
1. Daughters (PR: 1) (E)
2. Black Box Diaries (PR: 2) (E)
3. Sugarcane (PR: 4) (+1)
4. No Other Land (PR: 6) (+2)
5. Will & Harper (PR: 5) (E)
Other Possibilities:
6. Soundtrack to a Coup d’Etat (PR: 3) (-3)
7. The Remarkable Life of Ibelin (PR: Not Ranked)
8. Skywalkers: A Love Story (PR: 10) (+2)
9. Super/Man: The Christopher Reeve Story (PR: 7) (-2)
10. Apocalypse in the Tropics (PR: Not Ranked)
Dropped Out:
Union
Gaucho Gaucho
Best Cinematography
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Joker: Folie à Deux (PR: 3) (E)
4. Nosferatu (PR: 4) (E)
5. The Brutalist (PR: Not Ranked)
Other Possibilities:
6. Gladiator II (PR: 9) (+3)
7. Emilia Pérez (PR: 6) (-1)
8. Anora (PR: 8) (E)
9. Queer (PR: 5) (-4)
10. Maria (PR: Not Ranked)
Dropped Out:
Conclave
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Wicked (PR: 3) (+1)
3. Nosferatu (PR: 2) (-1)
4. Gladiator II (PR: 4) (E)
5. Blitz (PR: 5) (E)
Other Possibilities:
6. Maria (PR: 10) (+4)
7. Joker: Folie à Deux (PR: 6) (-1)
8. Furiosa: A Mad Max Saga (PR: 7) (-1)
9. Queer (PR: 9) (E)
10. Saturday Night (PR: Not Ranked)
Dropped Out:
Beetlejuice Beetlejuice
Best Film Editing
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Anora (PR: 3) (E)
4. Saturday Night (PR: Not Ranked)
5. Conclave (PR: 7) (+2)
Other Possibilities:
6. Sing Sing (PR: 4) (-2)
7. The Brutalist (PR: Not Ranked)
8. Emilia Pérez (PR: 8) (E)
9. Joker: Folie à Deux (PR: 10) (+1)
10. Challengers (PR: 5) (-5)
Dropped Out:
A Complete Unknown
Queer
Best Makeup & Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. A Different Man (PR: 3) (E)
4. Joker: Folie à Deux (PR: 4) (E)
5. Maria (PR: 8) (+3)
Other Possibilities:
6. Wicked (PR: 6) (E)
7. Beetlejuice Beetlejuice (PR: 5) (-2)
8. Furiosa: A Mad Max Saga (PR: 7) (-1)
9. Gladiator II (PR: Not Ranked)
10. The Substance (PR: Not Ranked)
Dropped Out:
Blitz
Sasquatch Sunset
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Joker: Folie à Deux (PR: 2) (E)
3. Sing Sing (PR: 7) (+4)
4. Emilia Pérez (PR: 5) (+1)
5. Gladiator II (PR: 3) (-2)
Other Possibilities:
6. Conclave (PR: 9) (+3)
7. Queer (PR: 4) (-3)
8. Challengers (PR: 6) (-2)
9. Blitz (PR: Not Ranked)
10. Nickel Boys (PR: Not Ranked)
Dropped Out:
Nosferatu
Here
Best Original Song
Predicted Nominees:
1. “Mi Camino” from Emilia Pérez (PR: 1) (E)
2. TBD from Joker: Folie à Deux (PR: 2) (E)
3. “Like a Bird” from Sing Sing (PR: 3) (E)
4. “Relentless” from Diane Warren: Relentless (PR: 4) (E)
5. “Piece by Piece” from Piece by Piece (PR: 6) (+1)
Other Possibilities:
6. “Harper and Will Go West” from Will & Harper (PR: 8) (+2)
7. “We’re Back” from Moana 2 (PR: 7) (E)
8. “Why Am I Here” from Shirley (PR: 9) (+1)
9. “Compress/Repress” from Challengers (PR: 10) (+1)
10. “Ain’t No Love in Oklahoma” from Twisters (PR: Not Ranked)
Dropped Out:
TBD from Wicked
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Nosferatu (PR: 4) (+1)
4. Gladiator II (PR: 3) (-1)
5. The Brutalist (PR: Not Ranked)
Other Possibilities:
6. Wicked (PR: 6) (E)
7. Furiosa: A Mad Max Saga (PR: 7) (E)
8. Joker: Folie à Deux (PR: 5) (-3)
9. Conclave (PR: 8) (-1)
10. Saturday Night (PR: Not Ranked)
Dropped Out:
Beetlejuice Beetlejuice
Queer
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Joker: Folie à Deux (PR: 6) (+2)
5. A Complete Unknown (PR: 4) (-1)
Other Possibilities:
6. Wicked (PR: 5) (-1)
7. Emilia Pérez (PR: Not Ranked)
8. Nosferatu (PR: 8) (E)
9. Furiosa: A Mad Max Saga (PR: 7) (-2)
10. Civil War (PR: 10) (E)
Dropped Out:
A Quiet Place: Day One
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Here (PR: 5) (+1)
5. Twisters (PR: 7) (+2)
Other Possibilities:
6. Furiosa: A Mad Max Saga (PR: 4) (-2)
7. Deadpool & Wolverine (PR: 9) (+2)
8. Wicked (PR: 10) (+2)
9. Alien: Romulus (PR: 8) (-1)
10. Blitz (PR: 6) (-4)
And that works out to these pictures generating these numbers of nominations:
11 Nominations
Dune: Part Two
9 Nominations
Blitz
8 Nominations
Emilia Pérez
7 Nominations
The Brutalist
6 Nominations
Gladiator II, Joker: Folie à Deux, Sing Sing
5 Nominations
Anora, Conclave
4 Nominations
Nosferatu
3 Nominations
A Complete Unknown, Nickel Boys, Saturday Night
2 Nominations
Maria, A Real Pain
1 Nomination
Black Box Diaries, Daughters, Diane Warren: Relentless, A Different Man, Flow, The Girl with the Needle, Grand Tour, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Memoir of a Snail, No Other Land, The Outrun, The Piano Lesson, Piece by Piece, Queer, The Room Next Door, The Seed of the Sacred Fig, Sugarcane, Twisters, Wallace & Gromit: Vengeance Most Fowl, Wicked, The Wild Robot, Will & Harper
Dutch filmmaker Halina Reijn follows up 2022’s Bodies Bodies Bodies (which had its ardent admirers and vocal detractors) with the sultry thriller Babygirl. The A24 release, slated for a domestic bow on Christmas, has been unveiled at the Venice Film Festival. Nicole Kidman stars as a CEO in a May-December romance. The supporting players include Harris Dickinson (soon to be seen in Steve McQueen’s awards hopeful Blitz), Antonio Banderas, and Sophie Wilde.
Kidman, a five-time nominee who won Actress for 2001’s The Hours, is receiving her share of solid ink. The RT score for the picture itself is at 85% though reviews indicate more reactions might be mixed. Babygirl‘s only real shot at Academy attention is with the veteran headliner. A24 went 0 for 2 in their campaigns last year for Greta Lee (Past Lives) and Cailee Spaeny (Priscilla) and competition appears significant already for the 97th broadcast.
I wouldn’t totally discount Kidman’s chances to make a run, but the odds are probably just fair. My Oscar Prediction posts will continue…
It’s been a rough cinematic 2023 for DC Studios with flops Shazam! Fury of the Gods, The Flash, and Blue Beetle. Over this Christmas weekend, early numbers indicate that their latest Aquaman and the Lost Kingdom may be another entry that opens below expectations. Jason Wan returns to direct his sequel to the 2018 blockbuster with Jason Momoa back in the title role. Costars include Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II, Randall Park, Dolph Lundgren, Temuera Morrison, Martin Short (!), and Nicole Kidman.
The review embargo lifted on Thursday – the day of its unveiling in multiplexes. That’s usually not a good sign and that proved true with an underwater Rotten Tomatoes rating of 36%. Its predecessor managed 65%.
The 2018 original came up empty-handed in the awards space and didn’t make the 10 picture shortlist for Visual Effects. This sequel popped up on the first 20 contenders for VE. However, when the whittled down list of 10 were revealed Thursday, Lost was nowhere to be found. The fourth DCU offering of the year will share the same number of Academy nods as the first three: none. My Oscar Prediction posts will continue…
Aquaman and the Lost Kingdom hopes to rescue a troubling 2023 for the DCU when it opens December 22nd. Following up on the 2018 original, James Wan returns to direct with Jason Momoa back in the title role. Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II, and Nicole Kidman costar.
With a reported budget of $215 million, the sequel needs solid domestic and overseas grosses to stay above water. That could be a challenge. The DCU has seen its share of flops this year including Shazam! Fury of the Gods, The Flash, and Blue Beetle.
The superhero’s first adventure five years ago ended up making an impressive $335 million stateside and $1.1 billion worldwide. It exceeded expectations, but Kingdom could fall under or just match them.
With Christmas on a Monday, I’m projecting a Friday to Monday number. Aquaman also came out on the big holiday weekend and Christmas was on a Tuesday. It took in $105 million in its first five days. This one might be fortunate to gross about half of that during its first four. I’m saying it won’t.
Aquaman and the Lost Kingdom opening weekend prediction: $42.8 million (Friday to Monday estimate)
Jonathan Glazer takes his time between projects. Holocaust drama The Zone of Interest is his fourth feature in two decades plus. Starting out as a commercial and music video maker, his 2000 debut was the acclaimed Sexy Beast which earned Ben Kingsley a Supporting Actor nod. Follow-up Birth in 2004 nabbed Nicole Kidman an Actress nom at the Golden Globes in Actress (Drama). Glazer’s third effort Under the Skin from 2013 with Scarlett Johansson wasn’t an Oscar or Globes player, but the sci-fi pic garnered plenty of rapturous reviews.
A decade later, Interest may well put him in an awards zone beyond the actors he’s directing. Based on a 2014 novel by Martin Amis, the cast is led by Sandra Hüller, Christian Friedel, Medusa Knopf, and Daniel Holzberg.
Chilling is a word I’ve seen used to describe Zone in more than one write-up coming out of the Cannes debut. The Rotten Tomatoes score is 100% thus far. Hüller, recipient of various nominations in Europe for 2016’s Toni Erdmann, is drawing raves for her performance as the wife of Friedel’s concentration camp commandant.
With the right marketing push from A24 (and I think we can assume they’ll make a dedicated one), this should be a potential contender for Picture, Director, Actress, Adapted Screenplay, and Cinematography. International Feature Film might be a given. If it truly resonates with voters, other down-the-line races like Film Editing and Score and Sound could be in the mix. My Oscar Prediction posts will continue…
We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:
We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.
As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.
Arrival
Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.
Does It Make the Final Five?
No, but I’ll admit I went back and forth here. There’s certainly an argument to be made that it gets in due to the high number of nominations. However, the Actress snub and it not making the Golden Globe five for Drama make me more comfortable leaving it out. **As a side note – I didn’t let my personal take on it interfere as it’s probably my favorite picture of 2016.
Fences
Denzel Washington starred and directed this adaptation of the August Wilson play. Washington landed an Actor nom while costar Viola Davis won Supporting Actress. The Adapted Screenplay was also up.
Does It Make the Final Five?
No. Had it materialized in Director, I might think twice but this was probably 7th at best of the nine contenders.
Hacksaw Ridge
Mel Gibson made a filmmaking comeback in the World War II drama. He was up for his direction and Andrew Garfield earned a Best Actor spot. It won Sound Mixing and Film Editing and was up for Sound Editing.
Does It Make the Final Five?
Yes. Despite its screenplay not being mentioned, the Editing victory puts it in for me. In the 21st century, the winner of the race has missed BP exactly once (2011’s The Girl with the Dragon Tattoo).
Hell or High Water
Taylor Sheridan is best known these days for co-creating TV’s hit Yellowstone. He earned an Original Screenplay nod for this neo-Western that was also up for Supporting Actor (Jeff Bridges) and Film Editing.
Does It Make the Final Five?
No. Director David Mackenzie wasn’t up and the 0 for 4 showing is a sign the final five wasn’t reachable.
Hidden Figures
Theodore Melfi’s true life look at African-American female mathematicians at NASA during the 1960s was a gigantic hit – blasting off to $170 million domestically. Besides BP, Octavia Spencer was up for Supporting Actress as was the Adapted Screenplay.
Does It Make the Final Five?
No in spite of its box office. Of the nine nominees, it got the smallest number of noms and took home zero. It was also missed the Golden Globe and Critics Choice lists.
La La Land
Damien Chazelle won Best Director for his musical and Emma Stone was crowned Best Actress. The total number of nominations was 14 – which tied All About Eve and Titanic for the most ever. Other victories were Score, Song, Cinematography, and Production Design. The other mentions were Actor (Ryan Gosling), Original Screenplay, Sound Editing, Sound Mixing, Costume Design, and Film Editing.
Does It Make the Final Five?
A big and obvious yes. When Dunaway accidentally proclaimed it BP, no one was surprised since it was the frontrunner. It was very likely the runner-up in votes.
Lion
Garth Davis’s drama finds Dev Patel searching for his birth parents and it found its way to five other nods for Patel in Supporting Actor, Nicole Kidman for Supporting Actress, Adapted Screenplay, Score, and Cinematography. It did not win any of them.
Does It Make the Final Five?
Yes. I will admit that this could be a stretch and Arrival might be the pick of others. I just think that there would have been enough sentiment for this one to make the final cut even without directing and editing mentions.
Manchster by the Sea
Kenneth Lonergan got a directing nod for this grief filled drama and Casey Affleck won Best Actor. Lucas Hedges and Michelle Williams were up for the supporting derbies while Lonergan won Original Screenplay.
Does It Make the Final Five?
Yes. The screenplay and Actor wins solidify this and it was probably third of the five behind Moonlight and La La Land.
We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:
Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.
So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.
Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.
While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.
There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.
Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.
1989 was unquestionably the Summer of the Bat as Tim Burton’s take on the Caped Crusader broke records. For 1992, it’s a bit more murky but we could call it The Summer of the Cat based on the sequel being the season’s biggest blockbuster.
As I have every season on the blog, I’m recounting the top 10 hits as well as some notable pics and failures from the summers of 30, 20, and 10 years ago. For 1992, it was a time of no crying in baseball, a Best Picture winner being discovered, and audiences refusing a biopic about a discoverer of America.
We begin with the moneymakers from #10 on up before moving to additional hits, misses, and those somewhere in between.
10. Housesitter
Domestic Gross: $58 million
While not the blockbuster he’d had just six months prior with Father of the Bride, Steve Martin had a midsize performer with this rom com costarring Goldie Hawn.
9. Honey, I Blew Up the Kid
Domestic Gross: $58 million
The return of Rick Moranis and plenty of special effects had shrunken grosses compared to the predecessor. The $58 million tally is less than half of what Honey, I Shrunk the Kids made. Nevertheless a direct to video sequel and TV series followed.
8. Far and Away
Domestic Gross: $58 million
Tom Cruise is ruling summer 2022 with Top Gun: Maverick. It was a different story 30 years ago with this rare misfire. Ron Howard directed the epic Western costarring Tom’s ex Nicole Kidman. The domestic take was less than the reported $60 million budget. Cruise would quickly get back in the good graces of moviegoers later in 1992 with A Few Good Men.
7. Boomerang
Domestic Gross: $70 million
While not approaching the earnings of his largest hits, Eddie Murphy’s first foray into romantic leading man territory did decent business. A string of flops would follow before a plus sized comeback four years later in The Nutty Professor.
6. Patriot Games
Domestic Gross: $83 million
Harrison Ford stepped into the role of Jack Ryan after Alec Baldwin (who played the role in The Hunt for Red October) didn’t return. The result didn’t quite reach the financial or critical levels of its predecessor, but it easily made enough to warrant Clear and Present Danger two summers later.
5. Unforgiven
Domestic Gross: $101 million
Clint Eastwood’s tale of an aging cowboy out for revenge took the August box office by storm and eventually was an awards favorite – winning Picture, Director, and Supporting Actor for the villainous Gene Hackman. Unforgiven is the rare BP winner to release in the summer season and kickstarted an impressive second act for the legendary filmmaker.
4. A League of Their Own
Domestic Gross: $107 million
Penny Marshall’s World War II era baseball comedy was celebrated for its interplay between players like Geena Davis, Madonna, and Rosie O’Donnell in addition to one of cinema’s longest urination sequences from Tom Hanks.
3. Sister Act
Domestic Gross: $139 million
Coming on the heels of her Ghost Oscar, Whoopi Goldberg hit the jackpot with this fish out of water pic putting the comedienne in a convent. A less regarded sequel would follow in December 1993 as well as a Broadway musical.
2. Lethal Weapon 3
Domestic Gross: $144 million
Mel Gibson and Danny Glover’s third go-round in their buddy cop franchise didn’t generate the reviews of its two predecessors, but it had no trouble raking in the bucks. Rene Russo joined the party this time as Gibson’s love interest and fellow officer. Part 4 would come six years later and a fifth is in development right now.
1. Batman Returns
Domestic Gross: $162 million
Breathlessly anticipated and then received with mixed reaction due to its dark tone, Batman Returns is now seen by many as an improvement over the 1989 original. One thing that’s generally agreed upon is Michelle Pfeiffer nailing the role of Catwoman. This would be Burton’s last time helming the series with Joel Schumacher taking the franchise in a far more cartoonish direction for 1995’s Batman Forever.
And now for some other noteworthy selections outside of the top ten:
Unlawful Entry
Domestic Gross: $57 million
Coming on the heels of the Rodney King verdict and the L.A. Riots, this thriller starring the late Ray Liotta as a dirty cop tormenting Kurt Russell felt timely.
Single White Female
Domestic Gross: $48 million
Liotta was the Cop From Hell while Jennifer Jason Leigh was the Roommate From Hell terrorizing Bridget Fonda in this memorable psychological thriller.
Encino Man
Domestic Gross: $40 million
The cinematic era of MTV personality Pauly Shore (as well as Brendan Fraser) began with this caveman comedy that grossed several times its meager $7 million budget.
Universal Soldier
Domestic Gross: $36 million
Action lunkheads Jean-Claude Van Damme and Dolph Lundgren teamed up for this futuristic sci-fi pic that turned a nifty profit and spawned numerous sequels. Four summers later, director Roland Emmerich would dominate the season with Independence Day.
Honeymoon in Vegas
Domestic Gross: $35 million
With a plot similar to Indecent Proposal that would follow a few months later, Honeymoon in Vegas took the more comedic route and earned decent grosses in the cast led by Nicolas Cage, Sarah Jessica Parker, and the just departed James Caan. Plus… Flying Elvis impersonators!
Buffy the Vampire Slayer
Domestic Gross: $16 million
It did manage to double its meager budget, but this vampire comedy likely wouldn’t be remembered had it not led to a critically acclaimed WB series starring Sarah Michelle Gellar. The title role in the film version belonged to Kristy Swanson with a supporting cast including Luke Perry, Paul Reubens (aka Pee-Wee Herman), and pre double Oscar winner Hilary Swank.
My final section of the summer 1992 recap gets to the under performers and downright flops…
Death Becomes Her
Domestic Gross: $58 million
This star studded satire from Robert Zemeckis boasted Meryl Streep, Goldie Hawn, and Bruce Willis above the title and some innovative special effects. While it just missed the top ten, the $58 million take barely surpassed the $55 million budget. Audiences and critics were mixed though Death has become a cult favorite in subsequent years.
Alien 3
Domestic Gross: $55 million
Despite marking the directorial debut of David Fincher and featuring a memorably bald Sigourney Weaver, Alien 3 is considered to be a step-down from its iconic predecessors Alien and Aliens. In spite of the backlash, the franchise has continued and, of course, Fincher went onto brighter (albeit even darker) pastures.
Cool World
Domestic Gross: $14 million
Animator Ralph Bakshi is best known for his X-rated 1972 feature Fritz the Cat. After Cool World, he was still mostly known for Fritz the Cat. This hybrid of live-action and cartoon fantasy starred Kim Basinger and Brad Pitt. Yet it bombed with reviewers and crowds alike and only earned half its budget back stateside.
Christopher Columbus: The Discovery
Domestic Gross: $8 million
No one had interest in discovering this critically drubbed Columbus biopic that had Marlon Brando and Tom Selleck in the cast. Later in the fall, Ridley Scott’s 1492: Conquest of Paradise about the title character would also bomb.
Twin Peaks: Fire Walk with Me
Domestic Gross: $4 million
In 1990, David Lynch’s bizarre TV series was a cultural phenomenon… at least for a season. The movie version arrived after the second and final season and audiences had tuned out.
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