Zack Snyder’s zombie tale Army of the Dead hits hundreds of screens this weekend before its Netflix streaming premiere on May 21. Reviews are out and several indicate it’s a winner (especially the opening scene which is drawing raves). The Rotten Tomatoes score currently sits at 76%.
If an Oscar Watch post for this particular genre seems strange, I get it. I’m not talking about a Best Picture nod or lead actor recognition for Dave Bautista. However, some critics are pointing out Army‘s visuals. Just last year, the Netflix monster pic Love and Monsters scored a surprise nomination in Visual Effects.
Here’s the caveat: several contenders in the race from 2020 were pushed back to 2021. In other words, VE should be more of a crowded field this time around. That includes potential heavy hitters like Dune, Eternals, the fourth Matrix, Top Gun: Maverick, The Suicide Squad, and Spider-Man: No Way Home.
Having said that, if Netflix launches a serious campaign, Army could march to the shortlist in this specific category and a nod is not out of the question.
It’s been a minute since we have had four new releases to ponder, but that’s the situation this weekend as theaters continue to open their doors. The ninth pic in the Saw franchise Spiral, Angelina Jolie’s thriller Those Who Wish Me Dead, the Zack Snyder directed zombie fest Army of the Dead, and tech suspense flick Profile all open on Friday. My detailed prediction posts on the quartet can be found here:
Spiral should have no trouble scoring a #1 premiere. The question is: what kinda Saw bucks are we talking? I think this could certainly over perform (word of mouth is decent), but my estimate puts it in line with the last entry in the series – 2017’s Jigsaw.
The runner-up slot should go to Ms. Jolie and her joint venture with Warner Bros/HBO Max. However, unlike the recent Godzilla vs. Kong and Mortal Kombat, a start north of $10 million (and certainly $20 million) seems unlikely.
Blogger’s Note: Dead prediction downgraded to $3.8 million
Jason Statham’s Wrath of Man should fall to third after its opening met expectations (more on that below). I anticipate his latest action tale to lose a bit more than half its audience.
Here’s where things get a little interesting. Army of the Dead is the first Netflix release to open on a fairly wide screen count (at least 600). If that holds, the potential for a $2-$3 million haul is feasible. It could even do more. What’s unknown at this juncture is whether the streaming giant will actually report its grosses. They haven’t in the past in their limited theatrical runs, but we are venturing into new territory. With this question unanswered, I’ll be doing a top five that includes Army and one that does not.
As for Profile, it’s hitting a large 2000 screens. Yet I suspect its low profile and my predicted $1.2 million forecast could prevent it from making the top five in either scenario.
And with that, here’s my two versions of this weekend’s top five:
1. Spiral
Predicted Gross: $16.1 million
2. Wrath of Man
Predicted Gross: $3.9 million
3. Those Who Wish Me Dead
Predicted Gross: $3.8 million
4. Army of the Dead
Predicted Gross: $2.5 million
5. Raya and the Last Dragon
Predicted Gross: $1.4 million
***If no Army grosses, Raya would move up to #4 and I’ll say Demon Slayer is fifth with $1.3 million
Box Office Results (May 7-9)
As mentioned, Wrath of Man took the pole position and met expectations with $8.3 million. How much did it meet them? It certainly met mine as my projection was $8.3 million!
Demon Slayer dropped to second with $2.7 million, on par with my $2.9 million estimate. Its three-week tally is $39 million.
Also in its third frame, Mortal Kombat was third with $2.4 million compared to my $2.7 million take. Overall gross stands at $37 million.
Godzilla vs. Kong was fourth with $1.9 million (I said $2 million). The monster mash continues to inch toward the century mark at $93 million.
Disney’s Raya and the Last Dragon flew off with another $1.9 million. I incorrectly had it outside the top five. It has earned $43 million.
Finally, the Billy Crystal/Tiffany Haddish dramedy Here Today showed zero staying power as it opened in seventh with $1 million. I was a bit more generous at $1.5 million.
In a newsworthy announcement from this week, Zack Snyder’s Army of the Dead will roll out in hundreds of venues on May 14 prior to its Netflix debut one week later. The zombie thriller (sporting a reported budget of $90 million) stars Dave Bautista, Ella Purnell, Omari Hardwick, Ana de la Reguera, Theo Rossi, Hiroyuki Sanada, Tig Notrao, and Garret Dillahunt.
This is the first time where the streaming giant and some theater chains have agreed on a wider release plan. Cinemark and Alamo Drafthouse are just two companies that will be showing Snyder’s latest. The same cannot be said for AMC and Regal so that limits Army‘s capacity. While some Netflix titles have played on limited screens for awards consideration, the estimated 600 count here is a high mark.
Snyder’s name has been visible due to his reworking of 2017’s Justice League that recently hit HBO Max. That combined with its often popular genre could bring out eager fans who wish to get the jump on its streaming release. That said, 600 screens certainly limits its potential. There’s also the matter of Spiral, the reboot of the Saw franchise that could siphon viewers aware and appears poised to easily debut at #1.
Giving Army a per screen average of around $4,200 would result in a gross between $2-3 million and that’s what I’m envisioning.
Army of the Dead opening weekend prediction: $2.5 million
For my Spiral: From the Book of Saw prediction, click here:
The Saw franchise is back in theaters on May 14 and it hopes to take a solid financial cut of box office grosses. Spiral (subtitled From the Book of Saw) is the ninth installment of the slasher series that began in 2004 and it definitely looks different (although not in every way). There’s more star power than we have seen before in the reboot with Chris Rock and Samuel L. Jackson leading the way. Other costars include Max Minghella and Marisol Nichols. This looks to be the first Saw pic without stalwart Tobin Bell (aka Jigsaw). Lionsgate did bring back a regular in the director’s chair with Darren Lynn Bousman, who made parts II-IV. That’s likely not an accident as that trio posted the biggest domestic grosses of the bunch.
Another shift is in the release strategy as this is the first Saw entry not premiering in October. That wasn’t always the case. Originally slated for October 2020, it was actually pushed up to May of last year. Of course, the COVID-19 pandemic changed that plan. The reported $20 million production budget is actually listed as the highest thus far. Even with continued theatrical capacity limits, Spiral should have no trouble turning a profit.
The high mark opening weekend for the franchise is almost surely out of reach. Saw III holds that record with $33.6 million. A better question might be whether it gets the lowest start of the nine. That mark is held by 2009’s Saw VI at $14.1 million. Spiral, as just announced this week, is getting some competition trying to attract a similar audience. The Netflix zombie flick Army of the Dead from director Zack Snyder snagged deals with certain chains to put it on around 800 screens (my prediction for that one is coming soon).
Spiral will open on far more screens and should have no trouble debuting in first place (as five of the previous eight have done). I’m thinking this probably ends up in the range of its processor Jigsaw, which made $16.6 out of the gate.
Spiral opening weekend prediction: $16.1 million
For my Those Who Wish Me Dead prediction, click here:
As we wait to hear the Best Animated Feature at the Academy Awards this Sunday evening (hint: it’s Soul), we have a fresh possibility for the competition next year. Formerly titled Connected, Netflix premieres The Mitchells vs. the Machines on April 30. The computer animated sci-fi comedy comes from director Michael Rianda and is produced by Phil Lord and Christopher Miller (the team behind 2019’s Oscar recipient Spider-Man: Into the Spider-Verse and The Lego Movie franchise). Actors doing voice work include Abbi Jacobson, Danny McBride, Maya Rudolph, Eric Andre, Fred Armisen, Beck Bennett, Conan O’Brien, and Olivia Colman.
The Sony Pictures release was originally slated for theatrical release before the COVID-19 pandemic switched it to streaming. Reviews out today are nearly across the board positive with a current 96% Rotten Tomatoes score. It is early in the year and there’s eight more months of animated hopefuls to come. Disney’s Raya and the Last Dragon is already out and could easily make the final cut. Pixar’s Luca (out this summer) is certainly one to keep an eye on. However, Mitchells has already established itself as a contender in the 2021 mix.
Amanda Seyfried’s work as screen star Marion Davies in David Fincher’s Mank is next up for my Case Of posts in the Supporting Actress competition. If you missed the ones focused on Maria Bakalova (Borat Subsequent Moviefilm), Glenn Close (Hillbilly Elegy), and Olivia Colman (The Father), click below:
The former Mean Girl drew career best notices for the Netflix pic and earned her first nomination. Seyfried also picked up nods at the Golden Globes and Critics Choice Awards.
The Case Against Amanda Seyfried
She did not, however, get a SAG Award mention and that was a surprise. There’s been just two Oscar recipients (Marcia Gay Harden for Pollock and Regina King in If Beale Street Could Talk) in Supporting Actress who didn’t at least get a SAG nomination. Furthermore, Yuh-jung Youn (Minari) has emerged as the frontrunner.
The Verdict
Upsets have happened in this category, but Seyfried’s chances are slim.
My Case Of posts will continue with Paul Raci in Sound of Metal…
Gary Oldman (Mank) is the fourth thespian in my Case Of posts for the Best Actor Oscar contenders. If you missed the ones covering Riz Ahmed (Sound of Metal), Chadwick Boseman (Ma Rainey’s Black Bottom), and Anthony Hopkins (The Father), they’re here:
He’s considered one of the finest actors working today and he found a plum role as Citizen Kane screenwriter Herman J. Mankiewicz in David Fincher’s Netflix pic. Oldman has found success in all the significant precursors garnering nods for this third Academy mention. His first came in 2011 for Tinker Tailor Soldier Spy and he won the gold three years ago for Darkest Hour.
The Case Against Gary Oldman
In 2017, Oldman was a strong favorite for months and it paid off in victory. This is not the case for 2020. While Mank received the most nominations, it missed in key races like Original Screenplay and Editing. None of the precursors nods have resulted in wins.
The Verdict
Oldman is firmly behind Boseman, Hopkins, and Ahmed as far as chances for winning and might even be fifth when you take Steven Yeun (Minari) into account.
My Case Of posts will continue with Oldman’s Mank costar Amanda Seyfried…
My third Case Of entry for Supporting Actress hopefuls arrives at Olivia Colman in The Father. If you missed my first two posts for Maria Bakalova (Borat Subsequent Moviefilm) and Glenn Close (Hillbilly Elegy), you can find them here:
Colman has been a fixture on the awards scene in recent years including as the Queen on Netflix’s The Crown. She’s shown the ability to surprise prognosticators before. In 2018, Colman took Best Actress for The Favourite at the Oscars in an unexpected win over the favorite Glenn Close (The Wife).
The Case Against Olivia Colman
While her fellow nominee Close in no longer the anticipated victor, Colman seems to have longer odds this time around. She has been shut out in the precursors in favor of Bakalova and Yuh-jung Youn in Minari. It’s also hard to imagine her taking the gold if her costar Anthony Hopkins doesn’t in Best Actor (where Chadwick Boseman in Ma Rainey’s Black Bottom is garnering the attention).
The Verdict
In this unpredictable Supporting Actress derby, it’s a strange thing with Colman. When I did my nomination predictions, I actually felt she was most likely to get a nod and least likely to win. I still feel that way.
My Case Of posts will continue with Leslie Odom, Jr. in One Night in Miami…
Vanessa Kirby in Pieces of a Woman is my third Case Of post for the five women vying in the seemingly wide open Best Actress race. If you missed my previous posts covering Viola Davis (Ma Rainey’s Black Bottom) and Andra Day (The United States vs. Billie Holiday), they’re here:
Other than legions of The Crown viewers, many filmgoers have known Ms. Kirby primarily for action fare like Hobbs & Shaw and Mission: Impossible – Fallout. That changed in 2020 with acclaimed roles in the period piece The World to Come and especially with Pieces of a Woman, the Netflix drama that drew across the board raves for the actress. No frontrunner has truly emerged in this Best Actress competition and it actually feels like any of the five could win. She’s one of only two Oscar nominees in the BAFTA derby this weekend (alongside Frances McDormand in Nomadland) and she could take it.
The Case Against Vanessa Kirby
This marks Piece‘s one and only nod (Ellen Burstyn was a contender in supporting and didn’t make the cut). Barring a BAFTA victory, Kirby would go into Oscar night with zero significant precursor awards. Andra Day (The United States vs. Billie Holiday) took the Golden Globe. Viola Davis (Ma Rainey’s Black Bottom) got the SAG and Carey Mulligan (Promising Young Woman) achieved the Critics Choice prize. The film itself some mixed critical reaction.
The Verdict
Of the five hopefuls, Kirby probably ranks fifth in terms of getting it. Yet I can’t stress enough that it’s a crapshoot at the moment and anything could happen.
My Case Of posts will continue with Anthony Hopkins in The Father…
Glenn Close in Hillbilly Elegy is next up in my Case Of posts for Supporting Actress contenders. If you missed my first entry covering Maria Bakalova in Borat Subsequent Moviefilm, it is right here:
Three Supporting Actress nominations for The World According to Garp, The Big Chill, and The Natural. Four Actress nods for Fatal Attraction, Dangerous Liaisons, Albert Nobbs, and The Wife. And no victories thus far. With her 8th nomination for the Netflix drama, Glenn Close has tied Peter O’Toole for the most Academy mentions with zero podium trips. So there’s clearly an overdue factor for one of the most celebrated actresses. Her career includes three each of the following: Golden Globes, Tonys, and Emmys. There is no clear favorite to emerge here as previous precursor recipients have included Maria Bakalova at the Critics Choice Awards, Yuh-jung Youn (Minari) at SAG, and Jodie Foster (The Mauritanian) at the Globes (she missed Academy inclusion). In other words, anything could happen.
The Case Against Glenn Close
On paper, Close was looked at as a frontrunner all year. However, poor reviews for the picture itself stunted that momentum. In fact, she received a Razzie nod (honoring the worst in 2020) here and is only the third performer ever with that dubious distinction. For trivia completists, the other two are James Coco for Supporting Actor in 1981’s Only When I Laugh and Amy Irving in Supporting Actress for 1983’s Yentl. And while I mentioned the open nature of this particular contest, Close has yet to attain a precursor.
The Verdict
The 8th time is probably not the charm for Close unless the Academy really leans into the overdue sentiment.
My Case Of posts will continue with Daniel Kaluuya in Judas and the Black Messiah…
