Tag: Netflix

2020 Oscar Nominations Reaction

To Oscar prognosticators like yours truly, today was like Christmas morning as nominations were unwrapped early for the 93rd Annual Academy Awards, airing April 25th. Some things never change with the prediction game. There were categories where I was perfect (3 of them) and, as has become tradition, a dreaded race where I whiffed at 2/5.

As was the most likely scenario, Mank led all films with 10 nominations. Yet it did so by missing some key races that are usually needed to nab a Best Picture victory. This was followed by six pictures garnering six mentions: The Father, Judas and the Black Messiah, Minari, Nomadland, Sound of Metal, and The Trial of the Chicago 7. Some of those over performed. Others – not so much.

Overall this blogger went 80/104 on estimates and in this topsy turvy year, I’ll take it. Let’s break it down race by race, shall we?

Best Picture

Nominees: The Father, Judas and the Black Messiah, Mank, Minari, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7

How I Did: 7/9

The magic number of nominees ended up being 8 and I projected 9. I’ll say again… I’m very happy that the Academy is going with a set 10 again beginning in 2022. This means it was Ma Rainey’s Black Bottom and One Night in Miami that missed and The Father (which had a solid showing) in. Judas, Minari and Sound of Metal proved their anticipated status as late bloomers making the cut.

Best Director

Nominees: Lee Isaac Chung (Minari), Emerald Fennell (Promising Young Woman), David Fincher (Mank), Thomas Vinterberg (Another Round), Chloe Zhao (Nomadland)

How I Did: 4/5

The Academy made history today when they nominated two women in Director for the first time. This was expected, but it is worth noting that Regina King (One Night in Miami) was a contender who missed the cut. That’s not where I went wrong as Vinterberg came out of nowhere to get a spot. While Another Round is expected to emerge victorious in International Feature Film, its director became the rare nominee to get in without a Best Picture slot. And despite being nominated for his writing, Aaron Sorkin (Trial) couldn’t get into this one.

Best Actress

Nominees: Viola Davis (Ma Rainey’s Black Bottom), Andra Day (The United States vs. Billie Holiday), Vanessa Kirby (Pieces of a Woman), Frances McDormand (Nomadland), Carey Mulligan (Promising Young Woman)

How I Did: 5/5 (!)

I can’t put myself on the back too much here. This was widely seen as the most probable quintet and it remained true to form. Potential surprise picks like Sophia Loren (The Life Ahead) and Golden Globe Musical/Comedy winner Rosamund Pike (I Care a Lot) didn’t materialize.

Best Actor

Nominees: Riz Ahmed (Sound of Metal), Chadwick Boseman (Ma Rainey’s Black Bottom), Anthony Hopkins (The Father), Gary Oldman (Mank), Steven Yeun (Minari)

How I Did: 5/5 (!)

Again, no shockers here. Any late momentum by Mads Mikkelsen (Another Round) or Tahar Rahim (The Mauritanian) was squashed and Boseman stands tall as the major frontrunner.

Best Supporting Actress

Nominees: Maria Bakalova (Borat Subsequent Moviefilm), Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), Amanda Seyfried (Mank), Yuh-jung Youn (Minari)

How I Did: 4/5

For the past couple of weeks, there have been six likely nominees and only five spots. I went with Golden Globe winner Jodie Foster (The Mauritanian) over Seyfried. Fun fact: Foster is the first Globe winner from this category in 44 years to not land an Oscar mention. This is a wide open acting race (more so than the others by far).

Best Supporting Actor

Nominees: Sacha Baron Cohen (The Trial of the Chicago 7), Daniel Kaluuya (Judas and the Black Messiah), Leslie Odom Jr. (One Night in Miami), Paul Raci (Sound of Metal), Lakeith Stanfield (Judas and the Black Messiah)

How I Did: 4/5

The morning’s biggest surprise is the inclusion of Stanfield with his Judas costar Kaluuya. That has nothing to do with performance itself as Warner Bros. actually campaigned for Stanfield in Best Actor. The Academy simply ignored that and chose to put him here. In other words, this is the nomination that nobody saw coming. His inclusion prevented Boseman from being a double nominee for Da 5 Bloods (which had an almost nonexistent showing).

Best Original Screenplay

Nominees: Judas and the Black Messiah, Minari, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7

How I Did: 4/5

No Mank is the headline here as Sound of Metal grabbed the spot. This omission is what makes a Mank BP victory highly doubtful.

Best Adapted Screenplay

Nominees: Borat Subsequent Moviefilm, The Father, Nomadland, One Night in Miami, The White Tiger

How I Did: 3/5

Ma Rainey‘s bleaker than expected morning continued with no love here. Same goes for The Mauritanian (which goose egged today). In their place? Borat and The White Tiger.

Best Animated Feature

Nominees: Onward, Over the Moon, A Shaun the Sheep Movie: Farmageddon, Soul, Wolfwalkers

How I Did: 4/5

It was Sheep over The Croods: A New Age in a competition where Disney/Pixar’s Soul should dominate.

Best Documentary Feature

Nominees: Collective, Crip Camp, The Mole Agent, My Octopus Teacher, Time

How I Did: 3/5

This category (unpredictable usually) was a real head scratcher in 2020. I had Dick Johnson Is Dead and Welcome to Chechnya in over Crip Camp and The Mole Agent. This is a toughie to project, but I’ll say Time might have an edge.

Best International Feature Film

Nominees: Another Round, Better Days, Collective, The Man Who Sold His Skin, Quo Vadis, Aida?

How I Did: 2/5 (ugh)

The dreaded 2/5 came here with Better Days, double nominee Collective, and the charmingly titled The Man Who Sold His Skin in over my picks of Dear Comrades!, La Llorona, and Two of Us. This looks like Round‘s race to lose at press time.

Best Cinematography

Nominees: Judas and the Black Messiah, Mank, News of the World, Nomadland, The Trial of the Chicago 7

How I Did: 4/5

Judas over Minari was where I went wrong, but not shocking considering the former’s very good day. You may have noticed this is the first mention of News of the World, which picked up four tech nods but got zilch in the big derbies.

Best Costume Design

Nominees: Emma, Ma Rainey’s Black Bottom, Mank, Mulan, Pinocchio 

How I Did: 4/5

Not many were saying Pinocchio would play here, but it nosed out my Ammonite selection.

Best Film Editing

Nominees: The Father, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7

How I Did: 4/5

This is another high profile miss for Mank as The Father was selected instead. Of its six nods, this and Original Screenplay is where Trial has the best shot at gold.

Best Makeup and Hairstyling

Nominees: Emma, Hillbilly Elegy, Ma Rainey’s Black Bottom, Mank, Pinocchio

How I Did: 4/5

And here’s a scenario where I was saying Mank would miss. It didn’t as it edged out Birds of Prey, which was called out zero times this morning.

Best Original Score

Nominees: Da 5 Bloods, Mank, Minari, News of the World, Soul

How I Did: 4/5

Here marks the sole mention for Bloods in a race where it wasn’t anticipated. It got in over my pick of The Midnight Sky. Like Animated Feature, expect Soul to reign supreme here.

Best Original Song

Nominees: “Fight for You” from Judas and the Black Messiah, “Hear My Voice” from The Trial of the Chicago 7, “Husavik” from Eurovision Song Contest: The Story of Fire Saga, “lo Si” from The Life Ahead, “Speak Now” from One Night in Miami

How I Did: 4/5

The chances of Will Ferrell and Rachel McAdams belting out their ballad from the Netflix comedy Eurovision became a reality! It makes the cut over “Turntables” from All In: The Fight for Democracy (which also missed Documentary Feature).

Best Production Design

Nominees: The Father, Ma Rainey’s Black Bottom, Mank, News of the World, Tenet

How I Did: 3/5

This is where Mank stands its greatest chance at a victory among the ten nods. The Father and Tenet (both kind of unexpected here) get in over The Midnight Sky and The Trial of the Chicago 7.

Best Sound

Nominees: Greyhound, Mank, News of the World, Soul, Sound of Metal

How I Did: 5/5 (!)

I’ll take it and the winner will probably be the one with the category name in its title.

Best Visual Effects

Nominees: Love and Monsters, The Midnight Sky, Mulan, The One and Only Ivan, Tenet

How I Did: 3/5

The One and Only Ivan was my runner-up. Love and Monsters, on the other hand, was not expected. They get in over Mank and Welcome to Chechnya. 

To recap, the following pictures nabbed these numbers in terms of nominations:

10 Nominations

Mank

6 Nominations

The Father, Judas and the Black Messiah, Minari, Nomadland, Sound of Metal, The Trial of the Chicago 7

5 Nominations

Ma Rainey’s Black Bottom, Promising Young Woman

4 Nominations

News of the World

3 Nominations

One Night in Miami, Soul

2 Nominations

Another Round, Borat Subsequent Moviefilm, Collective, Emma, Hillbilly Elegy, Mulan, Pinocchio, Tenet

1 Nomination

Better Days, Crip Camp, Da 5 Bloods, Eurovision Song Contest: The Story of Fire Saga, Greyhound, The Life Ahead, Love and Monsters, The Man Who Sold His Skin, The Midnight Sky, The Mole Agent, My Octopus Teacher, The One and Only Ivan, Onward, Over the Moon, Pieces of a Woman, Quo Vadis, Aida?, A Shaun the Sheep Movie: Farmageddon, Time, The United States vs. Billie Holiday, The White Tiger, Wolfwalkers

Quick tidbits:

  • 12 of the 20 acting nominees are first-timers (Day, Kirby, Ahmed, Boseman, Yeun, Bakalova, Seyfried, Youn, Cohen, Odom, Raci, Stanfield)
  • 3 are previous nominees (Mulligan, Close, Kaluuya)
  • 5 are previous winners (Davis, McDormand, Hopkins, Oldman, Colman)
  • Of the five directors, only Fincher has been nominated before and none have won

So this begins the next phase of my Oscar predicting as I will do a “Case Of” post individually for all the Picture, Director, and acting nominees. Yes, that means 33 posts in the next several weeks where I outline the pros and cons of each nominee taking the gold or coming up cold. Stay tuned!

Chadwick Boseman’s Oscar Road

Despite a trio of performances playing well-known figures in 42, Get On Up, and Marshall and creating an iconic superhero in Black Panther, Chadwick Boseman had never been nominated for an Oscar when he passed last summer. That will change come Monday when nominations are announced. The only question is: will it change twice?

In the Best Actor field, Boseman is the frontrunner for Ma Rainey’s Black Bottom. It is a given that his name will be called and it is very likely that the envelope in that race will contain his name. If and when that happens, he will be the first posthumous winner in the lead actor competition since Peter Finch in Network 44 years ago.

Up until very recently, I had consistently listed Boseman at #4 in the Supporting Actor derby for Spike Lee’s Da 5 Bloods. Yet when I released my Oscar predictions on Thursday (which you can find linked below), I decided to drop him to the runner-up slot. There are a couple of reasons.

First, Da 5 Bloods has simply not performed well in the precursors. My final predictions have the Netflix drama garnering precisely zero nods. Delroy Lindo was once seen as a competitor to Boseman in Best Actor, but he drew a blank at the Globes and SAG. If Bloods were still in the mix for Best Picture or for his costars, it might be easier to see Boseman getting in. The lack of buzz for the picture itself complicates things.

Second, an argument could be made that because Chadwick is such a favorite for Actor, voters will focus on that and not feel obligated to write his name for the supporting field. There are only 3 shoo-ins for nods in the category in my view: Boseman’s Black Panther costar Daniel Kaluuya (Judas and the Black Messiah), Sacha Baron Cohen (The Trial of the Chicago 7), and Leslie Odom Jr. (One Night in Miami). The four and five slots could be filled by Boseman, Paul Raci (Sound of Metal), Bill Murray (On the Rocks), David Strathairn (Nomadland, who could ride its projected Best Picture winner momentum), or even a latecomer like young Alan Kim in Minari. I ultimately went with Raci and Strathairn.

Bottom line: Chadwick Boseman is well on his way to his first Oscar nod and probable win. A double nomination is trickier.

FINAL OSCAR PREDICTIONS:

https://toddmthatcher.com/2021/03/11/2020-final-oscar-predictions/

2020 Golden Globes Reaction

Welp…

I half jokingly said I would be happy if I got half of my Golden Globe predictions correct due to the Hollywood Foreign Press Association’s unpredictable nature. And that’s exactly what happened as this blogger went 7/14.

The show provided some genuine whoppers when it came to upsets and the three biggest ones undoubtedly happened in the three actress races.

First things first. It was a good night for Chloe Zhao’s Nomadland, which took Best Picture (Drama) and Director. I predicted Zhao’s victory, but had The Trial of the Chicago 7 taking Picture. As for Aaron Sorkin’s Netflix drama, it won only in Screenplay (which I projected). This could give Nomadland the edge now at the Oscars and it turbo charges the narrative that Zhao is going to sweep the director categories with upcoming shows.

In the lead actor races, I went 2 for 2 with Chadwick Boseman in Drama for Ma Rainey’s Black Bottom and Sacha Baron Cohen in Musical/Comedy for Borat Subsequent Moviefilm, which also took Best Picture (Musical/Comedy) as was expected.

However, Maria Bakalova’s victory for Actress in Borat didn’t happen as Rosamund Pike scored a surprising win for I Care A Lot. That doesn’t bode well for Bakalova’s Supporting Actress nod from the Academy.

Speaking of Supporting Actress… whoa! Jodie Foster took the trophy for The Mauritanian and I challenge you to find anyone who saw that occurring. Foster won over my pick of Amanda Seyfried in Mank. I have yet to have Foster in my top five for the Oscars and perhaps that will change when I update my estimates tomorrow.

Yet the biggest Actress shocker was in Drama with Andra Day in The United States vs. Billie Holiday (I said Carey Mulligan in Promising Young Woman). This is another race where nobody foresaw this development.

I thought Baron Cohen might be a double winner, but he lost Supporting Actor to Daniel Kaluuya for Judas and the Black Messiah. This is not unexpected as I had Kaluuya as my runner-up and his chances at Oscar gold are looking pretty solid.

The only slight upset in my projections was Another Round taking Foreign Language Film over Minari. It didn’t as Minari was victorious. As expected, Soul took Animated Film and Score and was the only picture to win two Globes other than Nomadland and Borat.

My runner-up “lo Si” from The Life Ahead was Best Song over “Speak Now” from One Night in Miami. So, as previously mentioned, I got precisely half of my selections right. Oof.

So what’s this all mean? The Golden Globes created some real head scratchers in the Actress fields and I would say there’s no certainly no Academy frontrunner at the moment for Actress and Supporting Actress. Nomadland did what it needed to do. Trial had a disappointing evening while solidifying its status as the Original Screenplay heavy favorite. Kaluuya is now the odds on pick in Supporting Actor and so is Boseman for Actor. As for Twitter… look for Jason Sudeikis’s hoodie to get the most attention.

The NBR Likes Spike

The National Board of Review bestowed their end of year honors today and the unpredictable group showed some love for Netflix… just not in the expected way. The NBR named Spike Lee’s Da 5 Bloods as Best Film along with Lee taking their top filmmaking prize. Bloods, which premiered on Netflix this summer, has been seen as a prospect whose Best Picture chances are questionable. In my rankings, it has risen over recent weeks all the way up to #5.

As for its chances to win, one could legitimately argue the NBR win means it probably won’t (and it probably won’t). In the 21st century, only 4 of the 20 NBR victors took Best Picture at the big show and only one in the past decade (2003’s Mystic River, 2007’s No Country for Old Men, 2008’s Slumdog Millionaire, 2018’s Green Book).

The NBR also names 10 of their other favorite pics and they are: First Cow, The Forty-Year-Old Version, Judas and the Black Messiah, The Midnight Sky, Minari, News of the World, Nomadland, Promising Young Woman, Soul, and Sound of Metal. The major surprise here is easily Netflix’s The Midnight Sky from George Clooney. It received very mixed reviews and is not anticipated to play with the Academy except for tech races. The other story here is the omission of three legit Netflix contenders at the Oscars: Ma Rainey’s Black Bottom, Mank, and The Trial of the Chicago 7. In particular, Chicago is seen as the main competitor to Nomadland for BP winner. That said, only 6 of the 11 NBR pics last year nabbed Oscar attention. Two other notable exclusions from the Board are The Father and One Night in Miami. 

In the acting races, Riz Ahmed took Best Actor for Sound of Metal. He’s looked at as a likely Academy contender. Similar to the Picture discussion, only 1 NBR recipient here (Casey Affleck in Manchester by the Sea) achieved Oscar glory. Carey Mulligan named Best Actress for Promising Young Woman. The Oscar/NBR connection is slightly better as three of the past 10 trophy takers had good fortune with the Academy. The Sound of Metal love continued in Supporting Actor with Paul Raci winning. Like Actress, it’s a 3 out of 10 match in the 2010s. Youn Yuh-jung is NBR’s Supporting Actress choice for Minari. Only 1 of the last 10 victors for the Board won the Oscar (Regina King in 2018’s If Beale Street Could Talk). Minari also took Original Screenplay with News of the World winning Adapted. Soul, the front runner for the Oscar, was named Best Animated Feature.

Bottom line: the NBR can certainly increase exposure for hopefuls, but it’s certainly not a barometer for who wins at the Oscars. Nevertheless it’s a nice day for a Netflix feature that I currently have behind three others from the streamer that weren’t named here.

Oscar Watch: The White Tiger

In the 2020 Oscar season that is spilling over to January and February of 2021, Netflix has an abundance of serious contenders in the major races. That includes everything from The Trial of the Chicago 7 to Ma Rainey’s Black Bottom to Da 5 Bloods to Mank to name just four. On January 22nd, Ramin Bahrani’s The White Tiger debuts on the streaming service. Will it be added to the lengthy list of contenders?

I have doubts with the exception of one category. Based on the 2008 novel by Aravind Adiga, the rags to riches drama set in India stars Adarsh Gourav, Priyanka Chopra Jones, and Rajkummar Rao. Reviews are stellar and it currently sports an 88% rating on Rotten Tomatoes. However, Netflix would need to mount a major push for Picture, Directing, or any acting slots and their attention may simply be elsewhere with entities that could potentially win.

The possible exception is Adapted Screenplay. The conventional wisdom is that four slots are filled with Nomadland, One Night in Miami, The Father, and Ma Rainey. For the last couple of weeks, I have put First Cow (which is doing well on the critics awards circuit) in spot #5. Netflix’s own I’m Thinking of Ending Things has a shot as does News of the World. Yet it’s not unrealistic that The White Tiger could sneak in as a surprise pick to round out the competition.

Bottom line: it’s more feasible that Tiger comes up empty-handed on nominations morning, but it could achieve one mention. My Oscar Watch posts will continue…

Oscar Watch: Malcolm & Marie

As if Netflix doesn’t have enough competitors this Oscar season, a new one comes into the fold in the form of Malcolm & Marie. The drama comes from director Sam Levinson, who’s best known for creating the acclaimed HBO series Euphoria. Shot this year in COVID-19 times and hitting Netflix on February 5, the title characters are played by John David Washington and Euphoria star Zendaya (who earned a surprise Emmy last year for the series).

While the official review embargo is not up, social media reactions are out and they’re encouraging. Most of all, the buzz suggests a first Oscar nod could be coming for Zendaya. The general feeling (and one I concur with at press time) is that four slots could be filled already: Viola Davis (Ma Rainey’s Black Bottom), Vanessa Kirby (Pieces of a Woman), Frances McDormand (Nomadland), and Carey Mulligan (Promising Young Woman). We now have another strong contender in the mix. I had yet to list her even in my top ten thus far and that will certainly change when my new estimates hit on Monday.

As for Washington, I’m far less certain. It all depends on just how hard Academy voters fall for the picture as a whole. If they do, Picture, Director, and especially Original Screenplay could be possibilities. If they don’t, the attention could focus solely on Zendaya. And there’s time for the chatter to increase with the extra two months before nominations are revealed.

Bottom line: Malcolm & Marie has immediately established itself as a player in Best Actress and maybe more. My Oscar Watch posts will continue…

2020: The Year of Chadwick Boseman

Prior to 2018, Chadwick Boseman was known primarily for his acclaimed turns as real life historical figures like Jackie Robinson in 42, James Brown in Get On Up, and Thurgood Marshall in Marshall. It was the title role as Black Panther in the MCU juggernaut where he created his own history in the only superhero flick to nab a Best Picture nomination.

2020 is shaping up to be the year where awards voters recognize Mr. Boseman. It is, of course, also the year in which the world mourned his passing on August 28 after a previously undisclosed battle with colon cancer at age 43. His turns in two Netflix pictures – Spike Lee’s Da 5 Bloods and George C. Wolfe’s Ma Rainey’s Black Bottom – have him in the running for Oscar nods and he could very conceivably get two. The Los Angeles Film Critics Association named him Best Actor for Rainey and the Academy may well follow suit. The New York Film Critics Circle bestowed their Supporting Actor prize for his work in Bloods and he could make his way to that Oscar shortlist.

In a year where the world of cinema lost legends such as Sean Connery, Kirk Douglas, Ennio Morricone, and Max Von Sydow, Boseman’s came as the most unexpected with an outpouring of grief and appreciation. His final year onscreen appears destined to come with the Academy’s recognition of the man who embodied real life heroes and created his own iconic one.

 

Oscar Watch: The Midnight Sky

Netflix’s slew of December releases that are potential Oscar contenders continues with George Clooney’s The Midnight Sky. The sci-fi drama stars its director as an Arctic scientist attempting to prevent a group of astronauts from their return to Earth due to environmental hazards. The roughly $100 million budgeted pic hits theaters in a limited fashion this Friday though most viewers will see it when it materializes on the streaming service on December 23rd. Costars include Felicity Jones, David Oyelowo, Tiffany Boone, Kyle Chandler, Demian Bichir, and Caoilinn Springall.

The review embargo lifted today and it is most certainly a mixed bag. The Rotten Tomatoes rating is at only 54%. Numerous critics have brought up recent and similar genre fare in comparison, including Gravity (which also featured Clooney), Interstellar, The Martian, and Ad Astra. Several of them say that Sky doesn’t measure up.

It has been 15 years since Clooney’s work behind the camera has significantly attracted Oscar attention with Good Night, and Good Luck. His last two directorial efforts, The Monuments Men and Suburbicon, were both critical and commercial disappointments. With a number of write-ups skewing so-so or even negative, it’s hard to envision Sky aiming for a Picture nod or for any of the actors involved to contend.

On the other hand, reviews do suggest this could be a factor in some technical races. Most notable of them is Visual Effects, Production Design, and Sound. There is also plenty of praise for the Original Score by Alexandre Desplat, a two-time winner for his work on The Grand Budapest Hotel and The Shape of Water. 

Bottom line: it will be a struggle for The Midnight Sky to reach the attention of voters in the major races, but it could still end up with close to a handful of nominations. My Oscar Watch posts will continue…

Mank Review

David Fincher’s Mank is only about the making of one cinema’s greatest achievements Citizen Kane in a limited fashion. Its plot line is a disputed one in which the picture’s cowriter Herman J. Mankiewicz (Gary Oldman) takes the vast lions share of the credit for creating the masterpiece. This falls in direct contradiction with what some historians have said. There has been a decades long debate as to whether Mankiewicz or director/producer/star Orson Welles was the magic behind the scenes. And there’s no doubt that some viewers could be upset with what Mank is and is not about.

As for this viewer, I often marveled at it. This is David Fincher’s first feature in over six years and it’s a pleasure to have him back behind the camera. The screenplay is from the director’s late father. While it certainly falls more on the side of Mank being the force behind the landmark 1941 production, I found myself wrapped up in its stunning production values and dynamic performances. In other words, the debate of Kane‘s credit can be left to scholars. I was left mostly enthralled by the overall experience.

To say Mank is a movie for cinephiles is not inaccurate. A passing knowledge of the history of Citizen Kane is helpful. An understanding of California politics in the 1930s doesn’t hurt either. Oldman’s Mank is a rather young man when we first see him in 1940. The actor playing him is in his sixties while his subject is about 20 years younger. For those who believe that’s a stretch, I invite you to look at photos of Mankiewicz at that time period. He looked beyond his years due to severe alcoholism as he was climbing the Tinsel Town ladder with his brilliant words.

By 1940, he’s known around town as much for his boorish behavior as his screenplays. He’s laid up due to an auto accident when the new boy wonder from Hollywood Orson Welles (Tom Burke, nailing the legend’s vocal patterns) calls him with an offer. Mank gets working on a massive manuscript that draws on his past experiences. The caveat is that Mank will not receive credit for his contribution. The writer dictates his words to two assistants at a California ranch with his leg in cast. One is Rita Alexander (Lily Collins) and part of her duties is keeping Mank away from the hard liquor that serves as his liquid fuel. This job also falls to Orson’s right hand man John Houseman (Sam Troughton) and, less occasionally, to Mank’s wife (Tuppence Middleton). Everyone refers to her as “Poor Sara” (including her spouse) because just dealing with his personality is a full time occupation.

As he toils away at his pages, the flashbacks begin a decade earlier. In 1930, Mank makes the acquaintance of starlet Marion Davies (Amanda Seyfried). They hit it off and she soon brings him into the uber-wealthy universe of her older flame, newspaper magnate William Randolph Hearst (Charles Dance). Hearst takes a liking to our title subject partly because he’s good entertainment to be around and always has a witty quip at the ready.

In 1934, Mank’s connections with the titans of industry coincide with the political scene. The gubernatorial campaign of Upton Sinclair and his socialist Democratic policies has studio head Louis B. Mayer (Arliss Howard, in a memorable performance) spooked. Hollywood was far less liberal in these days, you see. MGM implements extraordinary measures to get their candidate elected and that involves their massive make believe factory usually dedicated to Civil War epics and Munchkins. Mank does not approve of these tactics that are ultimately green lit by Mr. Hearst.

These developments are what shape Mank’s screenplay years later as the characters in the eventual Kane treatment resemble both Hearst and Marion. Mank, more than anything, is about what drives the writing process. It’s about how one’s demons and one’s tragedies and shortcomings can result in something special on the page. As we watch the events unfold that result in Kane, we do so in sumptuous black and white with gorgeous cinematography from Erik Messerschmidt. Fincher has fashioned this to look like it was made in early 1940s and he certainly succeeds.

Mank is the latest reminder of Oldman’s ability to disappear into a performance. When he finally works up the nerve to (very) drunkenly confront Hearst at a lavish dinner party concerning the political drama, it’s a sight to behold. This is due to the acting of its lead, as well as Dance’s Hearst and Seyfried’s Marion. Any sequence with Mank and Marion is a fascinating one with their complicated relationship. It might be the most honest one he has.

Returning to historical accuracy, I’m reminded that it’s not particularly my business. Whether Mankiewicz or Welles raised Kane from the start is an enduring mystery. The director and his father present a side here. It’s certainly one Mank would cheers to. It is one that hardcore movie lovers also should.

***1/2 (out of four)

Oscar Watch: Let Them All Talk

HBO Max (which is certainly in the news today for other reasons involving Warner Bros) has teamed with Steven Soderbergh and Meryl Streep for the streaming debut of Let Them All Talk on December 10th. The dramedy casts 21-time Oscar nominee Streep as an author taking a cruise with friends including Candice Bergen and Dianne Wiest. Lucas Hedge and Gemma Chan round out the supporting cast.

The review embargo is up today and based on a dozen write-ups, it actually sits at 100% on Rotten Tomatoes. However, its Oscar chances seem iffy and that’s probably being generous. While some critics are quite positive, many of their takes do not indicate this will be any sort of awards hopeful. In fact, Streep’s 22nd nod is more likely to be in Netflix’s The Prom, which debuts just one day after Talk. 

Soderbergh and Streep had another collaboration in 2019 with The Laundromat. It was long thought of as a potential Academy player until mixed reviews sunk its prospects. With this teaming, it was never really thought of as a contender and that should hold true. My Oscar Watch posts will continue…