Tag: Netflix

2021 Oscar Nominations Reaction

And at last… they’re out! After months of speculating on the blog (starting all the way back with my initial predictions in August), the Oscar nominations for the 94th Academy Awards were unveiled early this morning.

As always, there’s shocking omissions and surprising additions. There’s races that went as planned. And (for me at least) there’s always that one tricky category where I end up going 2/5. This year it was Documentary Feature which is notoriously tough to figure out. On the flip side, I projected 4 out of the 20 feature film competitions with 5/5 accuracy. All in all – I went 82 for 105 on the picks.

Some initial thoughts before I break it down race by race. The Power of the Dog was easily the winner of the morning with 12 nods (even more than anticipated). It led all nominees with Dune second (10).

Other movies that either met or exceeded expectations: Drive My Car, King Richard, and Nightmare Alley (which was the only somewhat surprising BP addition). For others, it was more of a mixed bag. Belfast garnered 7 mentions but came up short in key tech indicators like Cinematography and Editing. The same can be said for Licorice Pizza. Seven was also the number for West Side Story, but it missed screenplay. Being the Ricardos got 3 acting nods but no Picture or screenplay. And even Dune, with the 10 nods, somehow missed a director nomination for Denis Villeneuve.

Then there’s House of Gucci, which showed up only in Makeup and Hairstyling. No Jared Leto (I predicted he’d be left off), but no Lady Gaga in Actress was perhaps the shocker of the day.

Let’s get into it and I’ll offer my initial take on what/who could win (my final predictions will come shortly before the March 27th show).

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

How I Did: 9/10

Commentary: My one miss was Alley coming in over Being the Ricardos. Make no mistake. With its 12 mentions, The Power of the Dog is undoubtedly the frontrunner. Yes, the Twitterverse will offer alternate theories. Could Drive My Car‘s impressive haul give us our second foreign BP winner in three years? Could Belfast or West Side Story spoil? I doubt it.

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Ryusuke Hamaguchi, Drive My Car

Steven Spielberg, West Side Story

How I Did: 4/5

Commentary: Hamaguchi getting in wasn’t unforeseen. If so, I figured he’d do so over Anderson, Branagh, or Spielberg and certainly not Villeneuve. That’s what happened. Campion made history today by becoming the first female nominee to get a second nomination. All signs point to her becoming the third (after Kathryn Bigelow and Chloe Zhao) to win.

Best Actress

Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Penelope Cruz, Parallel Mothers

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

How I Did: 4/5

Commentary: We now arrive at the biggest head scratcher of the major categories. Gaga’s aforementioned omission is truly unexpected (Cruz takes her slot). The precursors (BAFTA, Globes, SAG) have been all over the map and there’s no obvious favorite. I would say Cruz doesn’t stand much of a chance, but the other four do (it’s a lot like last year’s Actress derby). This is also the first time since 2005 where no Actress hopeful has their film in contention for Best Picture. Kidman’s Globe win could help and we’ll see what SAG does, but this is wide open.

Best Actor

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, Tick, Tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

How I Did: 5/5

Commentary: That’s more like it! Smith (especially after Richard‘s good morning) is out ahead though I could see Cumberbatch definitely threatening after Dog‘s very good morning. Fun tidbit: not since 1980 has the Best Actor race consisted entirely of previous nominees until today.

Best Supporting Actress

Nominees:

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Judi Dench, Belfast

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

How I Did: 3/5

Commentary: This was the first race announced today and the jaws of prognosticators dropped immediately. Buckley and (especially) Dench were not anticipated by most. I didn’t even have either as my runner-up or second alternate. They displace Ruth Negga (Passing) and Dench’s costar Caitriona Balfe. While the lineup is different than we thought, the frontrunner (DeBose) remains the same with Dunst (getting her first nod) as a possible upset pick.

Best Supporting Actor

Nominees:

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

How I Did: 4/5

Commentary: Simmons in over Bradley Cooper in Licorice Pizza. Mr. Cooper has two movies contending for BP but no singling out to show for it. Smit-McPhee may be out in front but a Kotsur victory is feasible.

Best Original Screenplay

Nominees:

Belfast

Don’t Look Up

King Richard

Licorice Pizza

The Worst Person in the World

How I Did: 3/5

Commentary: Worst Person is the surprise. I didn’t predict Richard though its  inclusion was expected. They’re in over Ricardos and Parallel Mothers (which was admittedly a bit of an upset pick from me). This should be between Belfast and Pizza and it may represent the best opportunity for either to grab a statue.

Tidbit: since 2001, there was at least one screenplay contender where it served as its only nomination. Until today.

Best Adapted Screenplay

Nominees:

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog

How I Did: 5/5

Commentary: Let’s not overcomplicate it when we don’t need to. Power is far and away the leader in this pack.

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

How I Did: 5/5

Commentary: This went as planned. There are three Disney products in the group, but the other two (Flee, Mitchells) are potential roadblocks to Encanto winning. Yet betting against Disney usually isn’t wise in this one and Encanto will probably take it.

Best International Feature Film

Nominees:

Drive My Car

Flee

The Hand of God

Lunana: A Yak in the Classroom

The Worst Person in the World

How I Did: 3/5

Commentary: I’m gonna go ahead and say Lunana is the first Oscar contender with Yak in its title without checking (correct me if wrong). It surprisingly gets in (along with far less surprising The Hand of God) over A Hero and Playground. This one’s simple: anything other than Car would be a massive upset.

Best Documentary Feature

Nominees:

Ascension

Attica

Flee

Summer of Soul

Writing with Fire

How I Did: 2/5

Commentary: There’s that blasted 2 for 5 race! Ascension, Attica, and Fire are up over my selections of Faye Dayi, Procession, and The Rescue (its omission is stunning considering it was a contender to win).

Flee made history by becoming the first film to be nominated for Animated Feature, International Feature Film, and here. This race probably marks its best chance to win, but I wouldn’t sleep on Summer of Soul. 

Best Cinematography

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

How I Did: 4/5

Commentary: Alley over Belfast. Get used to hearing this with the tech categories – Dune might be out in front. Dog could threaten.

Best Costume Design

Nominees:

Cruella

Cyrano

Dune

Nightmare Alley

West Side Story

How I Did: 4/5

Commentary: Cyrano‘s sole nod comes here. I had House of Gucci instead. Dune can’t win all the techs and Cruella could take this.

Best Film Editing

Nominees:

Don’t Look Up

Dune

King Richard

The Power of the Dog

Tick, Tick… Boom!

How I Did: 3/5

Commentary: Richard and Boom! over Belfast and Licorice Pizza. The Belfast omission is particularly notable as BP victors nearly always are nominated here. This could be more Dune gold.

Best Makeup and Hairstyling

Nominees:

Coming 2 America

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

How I Did: 4/5

Commentary: Went with Suicide Squad over Coming 2 America. Despite its bad performance this morning, Gucci could win this. Or it might just go to Dune.

Best Original Score

Nominees:

Don’t Look Up

Dune

No Time to Die

Parallel Mothers

The Power of the Dog

How I Did: 4/5

Commentary: Went with The French Dispatch (which goose egged) over Mothers. As for the winner (get ready for it) – expect Dune or Dog.

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“No Time to Die” from No Time to Die

“Somehow You Do” from Four Good Days

How I Did: 4/5

Commentary: Maybe the surprise here shouldn’t be with “Somehow You Do” over “Just Look Up” from Don’t Look Up. After all, this marks Diane Warren’s 13th nomination and sixth in the last seven years. She’s never won and won’t this time.

“Be Alive” from Beyonce or “Oruguitas” could get it, but “No Time to Die” from Billie Eilish could be the third Bond theme in a row to be celebrated.

Best Production Design

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

How I Did: 4/5

Commentary: Another category where I said French Dispatch and missed. Power gets in instead. While Dune is strong, I wouldn’t be startled to see this as the lone victory for Nightmare Alley.

Best Sound

Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

How I Did: 5/5

Commentary: You should hear Dune‘s name called.

Best Visual Effects

Nominees:

Dune

Free Guy

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

How I Did: 3/5

Commentary: Free Guy and Spidey over The Matrix Resurrections and Godzilla vs. Kong. As for the winner: See Best Sound.

Here’s the overall nominations break down:

12 Nominations

The Power of the Dog

10 Nominations

Dune

7 Nominations

Belfast, West Side Story

6 Nominations

King Richard

4 Nominations

Don’t Look Up, Drive My Car, Nightmare Alley

3 Nominations

Being the Ricardos, CODA, Encanto, Flee, Licorice Pizza, The Lost Daughter, No Time to Die, The Tragedy of Macbeth

2 Nominations

Cruella, The Eyes of Tammy Faye, Parallel Mothers, Tick, Tick… Boom!, The Worst Person in the World

1 Nomination

Ascension, Attica, Coming 2 America, Cyrano, Four Good Days, Free Guy, The Hand of God, House of Gucci, Luca, Lunana: A Yak in the Classroom, The Mitchells vs. the Machines, Raya and the Last Dragon, Shang-Chi and the Legend of the Ten Rings, Spencer, Spider-Man: No Way Home, Summer of Soul, Writing with Fire

Starting very shortly, you can peruse my Case Of posts in which I write individualized posts for all the contenders in Picture, Director, and the four acting races!

2021 PGA and DGA Nominations Reaction

Two major Oscar precursors dropped today and it’s a good day to be the Ricardos as Aaron Sorkin’s Lucy and Desi pic make the PGA’s top ten cut, as did Netflix’s musical Tick, Tick… Boom!

Here are your 10 PGA nominees:

Being the Ricardos

Belfast

CODA

Don’t Look Up

Dune

King Richard

Licorice Pizza

The Power of the Dog

Tick, Tick… Boom!

West Side Story

That means I went 8 out of 10 for my projections. The general thinking (and one that I shared) is that 8 pictures were safe: Belfast, CODA, Don’t Look Up, Dune, King Richard, Licorice Pizza, The Power of the Dog, West Side Story. That turned out to be accurate.

The real battle was for the last 2 spots and they went to Ricardos and Boom! PGA has a history of nominating moneymakers and that’s why I chose No Time to Die to make the list (others were putting Spider-Man: No Way Home in the mix). Neither did so and that might end discussions on whether either of them could make it  with the Academy.

I also had House of Gucci getting in and its PGA omission decreases its viability in the Oscar BP derby. Other notables to miss include Drive My Car, The Lost Daughter, Nightmare Alley, and The Tragedy of Macbeth. 

Truth be told – the PGA lineup could easily be the Oscar one. However, that is hardly ever the case and we’ll see how it shakes out when I update my predictions tomorrow.

It’s also true that the five contenders in the Directors Guild Awards rarely match the Oscars (usually it’s 4 out of five). My quintet of Academy hopefuls has stayed steady over recent weeks: Paul Thomas Anderson (Licorice Pizza), Kenneth Branagh (Belfast), Jane Campion (The Power of the Dog), Steven Spielberg (Wet Side Story), and Denis Villeneuve (Dune).

And that’s exactly the lineup that DGA revealed today. I went 4 of 5 because I had Adam McKay (Don’t Look Up) in over Anderson. A DGA nod could have helped others on the outside looking in like Ryusuke Hamaguchi (Drive My Car) or Joel Coen (Macbeth).

As I explained in my predictions yesterday, you have to go back to 2009 for the last year in which DGA/Oscar matched in Best Director. It could absolutely happen in 2021 and, unlike PGA, I may continue to project it that way.

As mentioned, look for my penultimate 2021 Oscar updates tomorrow!

Benedict Cumberbatch vs. Will Smith: A Best Actor Showdown

When King Richard came out in November, the preceding reviews and buzz pointed to a likelihood in the Best Actor race for this year’s Oscars – Will Smith would be on his way to his first gold statue. Playing Richard Williams, patriarch of the family that gave us tennis royalty Venus and Serena Williams, the film provides us multiple Academy bait scenes for the actor.

Mr. Smith has gone to the Oscars before as a nominee. 20 years ago, he was up for Ali (where to lost to Denzel Washington in Training Day). 15 years back, he scored his second nod for The Pursuit of Happyness (coming up short to Forest Whitaker in The Last King of Scotland).

This time around felt different. Obviously Smith is a beloved figure across the entertainment spectrum from movies to music to TV and he’s had blockbuster upon blockbuster in the last quarter century. Richard seemed like the right role for him to get that Oscar. Third time’s the charm.

That could still absolutely happen. In fact, I still have him ranked #1 in the Actor derby where he’s been perched for months. Yet I must admit, doubts are creeping in.

Why? A couple of reasons. First off, King Richard underwhelmed at the box office and that’s being kind. The sports drama has taken in less than $15 million. Part of the reason has to be due to its simultaneous release on HBO Max, but there’s no sugarcoating that it’s a subpar performance.

Secondly, there’s the rise of Benedict Cumberbatch in Netflix’s The Power of the Dog. The actor (who’s about to land his second nod after 2014’s The Imitation Game) is becoming the critical favorite and he’s picking up hardware from their associations. It also helps that Cumberbatch has been highly visible in 2021 with four pics (including financial behemoth Spider-Man: No Way Home).

In that sense, the 2021 Best Actor race is starting to look like what we witnessed in 2020. As an aside, I do see this a two-person competition at the moment (though Andrew Garfield from Tick Tick, Boom! may have a remote shot). There’s a head vs. heart vibe emerging. Last year, the sentimental favorite was the late Chadwick Boseman for Ma Rainey’s Black Bottom. The performance that was equally if not more hailed by critics came from Anthony Hopkins in The Father. And it was Hopkins who ultimately and somewhat surprisingly prevailed.

Could we see a repeat in 2021 and a slight upset by Cumberbatch over the favored Smith? Stay tuned…

2021: The Year of Andrew Garfield

My third post covering actors who had a memorable 2021 reaches yet another one who appeared in (SPOILER ALERT)…

Spider-Man: No Way Home, the MCU juggernaut that jumpstarted a box office suffering from nearly two years in the COVID era. It started with Benedict Cumberbatch and continued with Zendaya. Now we’re at Andrew Garfield.

His reprisal of his web slinging part is garnering retribution comments for his two stint as the superhero which drew mixed audience and critical reaction. Yet that’s not the primary reason for Garfield’s inclusion.

As playwright Jonathan Larson in Lin-Manuel Miranda’s Netflix musical drama Tick, Tick… Boom!, Garfield looks to nab his second Oscar nomination five years after Hacksaw Ridge. He will vie for the prize along with Mr. Cumberbatch (The Power of the Dog) and Will Smith for King Richard. 

As televangelist Jim Bakker alongside Jessica Chastain in The Eyes of Tammy Faye, Garfield earned further kudos for his embodiment of a real life figure.

Another Spidey actor whose work in other projects accuentated the 2021 output. My Year Of posts will continue…

2021: The Year of Zendaya

Going into 2021, Zendaya had already collected an Emmy for her leading role on HBO’s Euphoria and was known to moviegoers for her parts in the Spider-Man franchise and The Greatest Showman. She is the subject of my second write-up for performers who had a meaningful 2021 and it’s no coincidence that she’s the second that appeared in Spider-Man: No Way Home (currently breaking all pandemic era box office records). The first was Benedict Cumberbatch… and we might not be done yet with Home costars.

Her inclusion isn’t just due to her onscreen (and apparently offscreen) pairing with Spidey himself, Tom Holland. The actress/singer began the year garnering Oscar chatter for the Netflix drama Malcolm & Marie with John David Washington. While she didn’t ultimately nab an Academy mention, she was on the Critics Choice Awards radar for her acclaimed performance.

By summertime, she lent her voice to Space Jam: A New Legacy (voicing Lola Bunny). Her involvement with Warner Bros/HBO Max continued in the fall with the long awaited sci-fi epic Dune. It looks to be her first picture that will achieve plenty of award nominations and the sequel is already lined up for 2023.

And, of course, she capped it all off with her third appearance as MJ in the massive MCU series. Zendaya expanded her reach in 2021 as her films reached plenty of homes this year. My Year of posts will continue…

2021: The Year of Benedict Cumberbatch

As has become a late December tradition on the blog, I will highlight some performers who had a fruitful year either at the box office or in terms of awards contention. Our first entry fits the description for both.

Benedict Cumberbatch is at the top of the Oscar conversation for Best Actor for his work in Jane Campion’s The Power of the Dog. The Netflix drama has already earned him some critics prizes and it appears he will vie for the gold statue along with Will Smith in King Richard or Andrew Garfield in Tick Tick… Boom! It will most certainly mark his second Academy nomination seven years after The Imitation Game. 

The actor’s second streaming picture was The Electrical Life of Louis Wain. While the Amazon Prime pic drew mixed reactions, most write-ups praised Cumberbatch’s lead work as the kitten drawing artist.

And though his spy thriller The Courier (which opened last spring) flew under the radar, it generated solid reviews.

The box office potency, of course, comes from Spider-Man: No Way Home in which he reprises his role as Doctor Strange. The Marvel property scored the second largest domestic opening in history and has reignited a sleepy pandemic era marketplace. His appearance in Home should help with crowd anticipation for Doctor Strange in the Multiverse of Madness, the sequel to the 2016 original that hits multiplexes in March of next year.

Whether with Oscar voters or mass audiences, Cumberbatch had a visible presence in 2021. My Year Of posts will continue…

The Power of the Dog Review

Jane Campion’s The Power of the Dog is exceedingly gorgeous in its landscapes where New Zealand fills in for Montana circa 1925. It features four superb performances ranging from borderline or full throttle psychopaths to one character trying to keep a semblance of order on the remote cattle ranch setting. The score by Johnny Greenwood is haunting as each chapter ratchets up the tension. A lot of Power is indeed compelling, but I’d be untruthful if I didn’t say you have to comb through some laborious sections as well.

Based on a 1967 novel by Thomas Savage (where the themes were far more taboo than in 2021), we open with Peter (Kodi Smit-McPhee) declaring a need to protect his fragile mother Rose (Kirsten Dunst) at all costs. Widowed under tragic circumstances, she runs an inn frequented by cowboys and their bosses. When kindly ranch owner George Burbank (Jesse Plemons) comes into town, a rather unromantic bond is formed with Rose and they marry. This does not sit well with George’s opposite of kindly brother Phil (Benedict Cumberbatch) who sees his new sister-in-law as an oppotunist. He also takes to mocking Peter, an effeminate aspiring surgeon.

When the dysfunctional new family reaches the cold Burbank estate (in temperature and atmosphere), Phil’s tormenting continues for the new houseguests. This leads to Rose’s alcoholism while George is a helpless bystander. Yet Phil’s own backstory, including a mentorship with a departed male figure known as Bronco Henry, hints that Peter’s presence may cut a bit too close to the bone.

An unwashed bully walking a tightrope of repression, Cumberbatch is given a scenery chewing role. And what scenery as we forget that Campion’s native New Zealand doesn’t really look like Montana. Dunst is a sorrowful figure who can’t play piano at a fancy party dinner that the Governor (Keith Carradine) attends. She can’t play the happy wife either and her union with George seems born out of convenience. Plemons is saddled with least developed character. All three are first-rate in the portrayals.

Smit-McPhee is the most intriguing of them all. Peter’s character is certainly ahead of his time given the era and it turns out he’s steps ahead of where we still the plot eventually turn.

I say eventually because the pacing of Power is a bit off. It takes awhile to ramp up. That’s made more tolerable by the beauty surrounding the ugly situation this quartet finds themselves in. The source material is over a half century old though it does feature a call for personal protective equipment that feels urgent. The catcalls greeting Peter in the near century old time are tragic but his response reaps narrative rewards. This Dog saves most of the bite for later. Getting there is ultimately worth it.

*** (out of four)

The Lost Daughter Finds Gotham Love

The Gotham Awards, which honors independent pictures, held its annual ceremony tonight with category shifts, surprises, and ties. The NYC based event is not exactly seen as a reliable barometer of what will happen at the Oscars. However, it’s worth noting that since the Best Feature category was established in 2004, there’s only been three years (2007, 2008, 2018) in which none of the nominees made the Academy’s Best Picture cut. Four recent Gotham winners (Birdman, Spotlight, Moonlight, and last year’s Nomadland) ended up being the Oscar selection.

In 2021, none of the five nominees for the big race were listed in my latest Oscar estimates. In fact, none of the quintet were in my top 15 possibilities. That would be going against the grain for what Gotham typically produces and the big winner tonight is undoubtedly Maggie Gyllenhaal’s directorial debut The Lost Daughter (which hits theaters on December 17 and Netflix on New Years Eve). The psychological drama took the top prize over The Green Knight, Passing, Pig, and Test Pattern. I only foresee Daughter and Passing as having viable paths to a Best Pic nod and the former’s victory here gives it more exposure.

In addition to Best Feature, Daughter was honored for Breakthrough Director and Screenplay. I am confident an Adapted Screenplay nod from the Academy is coming its way.

As for those category shifts, the Gothams chose to eliminate gender distinction in the lead acting derbies. Yet, ironically, there was a tie bestowing the award for a male and female. That provided another statue for Daughter and its lead Olivia Colman (as her Best Actress chances are looking stronger each day). The male was a surprise with character actor Frankie Faison for The Killing of Kenneth Chamberlain. You may know him best as orderly Barney in The Silence of the Lambs, but his lead role here got him attention over Joaquin Phoenix (C’Mon C’Mon). I wouldn’t count on Academy members taking notice.

This is the first year in which Gotham had a supporting race (also gender neutral) and it went to Troy Kotsur in CODA. This will feels a bit more significant as the scene stealer won over stellar competition like his costar Marlee Matlin and Ruth Negga in Passing. In an Oscar year where Supporting Actor is wide open, awards like this could propel Kotsur to make the final cut.

Elsewhere Flee took Documentary (it’s a likely shoo-in with the Academy) while Drive My Car helped its case in the foreign race over Titane and The Worst Person in the World. 

Bottom line: Daughter found a precursor in Gotham that should raise the profile as the Oscar folks are starting to pay attention.

Oscar Predictions: The Summit of the Gods

The French language animated effort The Summit of the Gods premiered at the Cannes Film Festival this summer and is in limited release prior to its Netflix bow on November 30th. From director Patrick Imbert, Summit is based on a Japanese manga series and is receiving praise from critics across the board with a 100% Rotten Tomatoes score.

The mountaineering tale set around Mount Everest could be a trendy spoiler pick to make the five selections competing for Best Animated Feature at the Oscars. It’s certainly doable, but it will need to climb past several other viable contenders. Disney has three potential hopefuls with Encanto, Luca, and Raya and the Last Dragon. Foreign competitors Flee and Belle may both make the cut and Netflix also has The Mitchells vs. the Machines. 

That competition makes it a challenge for Summit‘s inclusion, but the solid reviews could assist in nabbing it a spot. My Oscar Prediction posts for the films of 2021 will continue…

Oscar Predictions: Sing 2

Sing 2 is likely to make loud box office noises when it’s released December 22nd. The sequel to the animated musical comedy arrives five years after the original took in $270 million domestically. From Illumination Entertainment, Garth Jennings returns to direct as do the voices of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Nick Kroll, Taron Egerton, Tori Kelly, and Nick Offerman. Newbies include Bobby Cannavale, Halsey, Pharrell Williams, Letitia Wright, Eric Andre, and Bono.

Despite part one being a smash hit, it did not manage to nab a Best Animated Feature nod. The first Sing achieved a decent 71% Rotten Tomatoes rating. There’s just a handful of reviews out for the follow-up and it’s currently lower at 60%.

With a trio of Disney efforts (Encanto, Luca, Raya and the Last Dragon), two Netflix properties (The Mitchells vs. the Machines, The Summit of the Gods), and acclaimed foreign features Flee and Belle all in the mix, Animated Feature is already crowded. I don’t foresee a sequel to something that couldn’t get in the first time around being viable.

In Best Original Song, a band that Bono started that you might be familiar with (U2) has “Your Song Saved My Life”. This is another category with plenty of high profile contenders (Beyonce and Billie Eilish among them). Bono and his mates probably won’t make the cut. My Oscar Prediction posts for the films of 2021 will continue…