Tag: Netflix

PGA: The Rise of CODA

When it comes to the Producers Guild of America awards, there’s a 14/21 match between their best picture and the Academy’s in the 21st century. The two-thirds ratio is 3/5 in the past five years. In 2016, La La Land took PGA over the Oscar selection of Moonlight. For 2019, PGA went with 1917 while the big show went with Parasite. Other 21st century examples: The Big Short won PGA in 2015 (Oscar: Spotlight). For 2006, Little Miss Sunshine got the PGA prize while The Departed took Oscar.

The PGA’s for 2021 occurred last night and it’s another feather in the cap for CODA. Sian Heder’s coming-of-age drama built upon its recent SAG ensemble victory  to triumph here. If there was any doubt before, CODA has unquestionably positioned itself as the alternate to The Power of the Dog winning Best Picture at the Oscars. Not Belfast. Not King Richard or Dune. This is a two-horse race between Dog and CODA and they both have important precursor hardware. No matter which one grabs the gold, it will be the first BP win for a streamer (Netflix for Dog and Apple TV for CODA).

Jane Campion’s direction of Dog won the Director Guild of America (DGA) prize this week and that’s a reliable Academy precursor. She’s almost certain to be the Oscar winner (CODA‘s Sian Heder isn’t nominated). In fact, CODA only has three nominations overall: Picture, Supporting Actor (Troy Kotsur), and Adapted Screenplay. It didn’t seem feasible until recently, but it could legitimately go 3 for 3.

Having said that, I wouldn’t dream of counting Dog out. It’s the Globe and BAFTA recipient. The precursor bonafides for it are just as impressive as CODA‘s. Even a week ago, however, I would’ve said Dog had about a 90% chance to be the Oscar BP. Now… well, it’s considerably less and we’ll see what I predict when I make my final picks on Wednesday.

In the Animated Feature and Documentary races at PGA, the respective winners were Encanto and Summer of Soul and they maintain their status as Academy favorites.

The Lost City Box Office Prediction

Sandra Bullock is fresh off widely seen Netflix titles like Bird Box and The Unforgivable. Channing Tatum’s Dog is currently performing well in multiplexes. The two team up on March 25th for The Lost City, a romantic comedy adventure drawing comparisons to 1984’s Romancing the Stone. Adam and Aaron Nee co-direct. The two leads aren’t the only big names in the cast as Brad Pitt (said to be a standout) and Daniel Radcliffe join the party alongside Da’Vine Joy Randolph and Bowen Yang.

It’s a rare title in this era where the release date was pushed up (from April). City screened at South by Southwest last weekend to pleasing results. Based on 12 reviews thus far, it’s at 100% on Rotten Tomatoes.

This is exactly the type of escapist fare that should appeal widely to action fans and with a female demographic to boot. It could end The Batman‘s reign atop the charts. I do believe a gross north of $30 million is totally possible, but I’ll put it a bit below that mark. That should set up a showdown between this and the Caped Crusader for box office supremacy.

The Lost City opening weekend prediction: $28.4 million

Oscar Predictions: The Adam Project

Hitting Netflix today is Shawn Levy’s The Adam Project, a sci-fi adventure that re-teams the director with his Free Guy lead Ryan Reynolds. Costars include Mark Ruffalo, Jennifer Garner, Walker Scobell, Catherine Keener, and Zoe Saldana.

Focused on a 12-year-old who meets his fighter pilot future self, many reviews are kindly comparing this Project to 80s era Spielberg product. The Rotten Tomatoes score is a decent though not overly impressive 70%.

Since it’s available for some theatrical showings, this will be eligible for Oscar consideration. Levy and Reynolds, as mentioned, collaborated just last year for Free Guy and that resulted in a box office hit and a slot in the Visual Effects race (where it will almost certainly lose to Dune in two weeks).

Based on the write-ups, Free Guy appears to be a flashier experience than Adam and I doubt this manages to garner any awards attention. My Oscar Prediction posts will continue…

Oscars 2021: The Case of Andrew Garfield

Andrew Garfield’s acclaimed performance as Rent playwright Jonathan Larson in Tick, Tick… Boom! is next up in my Case Of posts for this year’s Best Actor contenders. If you missed the first two, you can peruse them here:

Oscars 2021: The Case of Javier Bardem

Oscars 2021: The Case of Benedict Cumberbatch

The Case for Andrew Garfield:

Garfield received some career best notices for Lin-Manuel Miranda’s Netflix musical drama. It also helps that the actor had a banner 2021. In addition to Boom!, critics lauded his work as Jim Bakker alongside Oscar nominated Jessica Chastain in The Eyes of Tammy Faye and he reprised his web slinger role in the box office behemoth Spider-Man: No Way Home. At the Golden Globes, he took the gold for Best Actor in Musical/Comedy.

The Case Against Andrew Garfield:

The Globes divide their lead races into Drama and Musical/Comedy. Will Smith received the Drama trophy for King Richard and he also just won the SAG Award. In other words, Garfield is definitely behind Smith and likely third in line after Benedict Cumberbatch for The Power of the Dog. 

Previous Nominations: 1

Hacksaw Ridge (2016 – Actor)

The Verdict:

Mr. Garfield probably has a better shot in 2021 than he did five years ago for Hacksaw Ridge, but he’s still in the middle of the pack and has yet to have a signature victory that proves he’s a threat to the frontrunners.

My Case Of posts will continue with the Supporting Actress hopefuls and Judi Dench in Belfast…

Oscars 2021: The Case of Jane Campion

The third entry in my Case Of posts for the Best Director nominees belongs to Jane Campion for The Power of the Dog. If you missed the first two, you can find them here:

Oscars 2021: The Case of Paul Thomas Anderson

Oscars 2021: The Case of Kenneth Branagh

The Case for Jane Campion:

After a 12 year absence from filmmaking, New Zealand’s Campion made an acclaimed return with the Netflix drama. It led all movies in terms of nods with an even better than anticipated 13. Already the winner of the Golden Globe, Campion has been the frontrunner ever since Dog‘s release. She would become just the third female to take this race after Kathryn Bigelow with 2009’s The Hurt Locker and Chloe Zhao for last year’s Nomadland. 

The Case Against Jane Campion:

If Dog is simply all nominations and very few wins (similar to The Irishman from two years ago), we could see plenty of upsets and that would include Campion losing here.

Previous Nominations: 1 (for directing only)

The Piano (1993)

The Verdict:

In 1993, Campion was probably runner-up in this category to Steven Spielberg for Schindler’s List. Even though Spielberg is up against her again with West Side Story, Campion comes into this ceremony as the sturdy favorite. Even if Power doesn’t take Best Picture, I’d still likely be forecasting Campion in this competition and in Adapted Screenplay. That would add Oscars two and three to her mantle after an Original Screenplay victory for The Piano. 

My Case Of posts will continue with the third Best Actress hopeful – Penelope Cruz in Parallel Mothers…

Oscars 2021: The Case of Olivia Colman

Olivia Colman’s turn in Netflix’s The Lost Daughter is the second Case Of post for the five women competing for Best Actress. If you missed the first on Jessica Chastain in The Eyes of Tammy Faye, you can find it here:

Oscars 2021: The Case of Jessica Chastain

The Case for Olivia Colman:

It’s another hailed performance from the Oscar winner who surprisingly took to the podium three years back for The Favourite (upsetting frontrunner Glenn Close in The Wife). Colman gets her third nod in four years. In addition to the victory from 2018, she was nominated last year in supporting for The Father. She nabbed precursor attention at the Globes, SAG, and Critics Choice. Daughter performed decently with the Academy with Jessie Buckley receiving an unexpected spot in Supporting Actress and director Maggie Gyllenhaal’s being recognized for her adapted screenplay. Furthermore, Best Actress looks wide open and anything could happen.

The Case Against Olivia Colman:

Had Daughter managed a Best Picture slot, I might feel more confident in calling for a potential second trophy for Colman. That said, none of the five Actress’s films are in the big dance. Critics liked this better than general audiences judging from Rotten Tomatoes. In an unexpected twist, BAFTA did not include Colman. What gives me the most pause is that Colman is the most recent recipient – Jessica Chastain and Kristen Stewart (Spencer) have never won, Penelope Cruz (Parallel Mothers) is a supporting winner from 13 years ago, and Nicole Kidman (Being the Ricardos) took Actress 19 years ago.

Previous Nominations: 2

The Favourite (2018 – Actress, WON); The Father (2020 – Supporting Actress)

The Verdict:

This is a tricky one and good luck figuring out Best Actress in 2021. The counterargument to the recency bias is that it didn’t hurt Frances McDormand (Nomadland) last year. However, that was a frontrunner for BP and that narrative doesn’t exist this time around. If Colman can get a win at SAG this weekend or Critics Choice later on, it increases her viability with the Academy. If not, I doubt she gets her second Oscar.

My Case Of posts will continue with Benedict Cumberbatch in The Power of the Dog…

Oscars 2021: The Case of Jessie Buckley

My Case Of posts for the upcoming Oscars brings us to our first contestant in Supporting Actress and that’s Jessie Buckley in Maggie Gyllenhaal’s Netflix drama The Lost Daughter.

The Case for Jessie Buckley:

She’s been an actress on the upswing especially since 2019’s Wild Rose earned her a BAFTA nod and some Academy chatter that never materialized.  With recent appearances in other buzzy projects like I’m Thinking of Ending Things, HBO’s Chernobyl, and FX’s Fargo – Buckley could be exactly the kind of rising performer that the voters would honor.

The Case Against Jessie Buckley:

Buckley’s inclusion in the race was definitely a surprise and she got here without precursors like SAG, the Globes, and Critics Choice. Of the four acting derbies, this might be the easiest to predict and that’s for Ariana DeBose in West Side Story. 

Previous Nominations:

None

The Verdict:

The glaring lack of precursors makes Buckley a major outsider with this first nomination. Luckily for her, it might not be her last.

The Case Of posts will continue with our first hopeful in Supporting Actor – Ciaran Hinds in Belfast…

Oscars 2021: The Case of The Power of the Dog

Jane Campion’s The Power of the Dog is my ninth Case Of post covering the Best Picture nominees for the 2021 Academy Awards. If you missed the previous entries, you can access them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

Oscars 2021: The Case of Dune

Oscars 2021: The Case of King Richard

Oscars 2021: The Case of Licorice Pizza

Oscars 2021: The Case of Nightmare Alley

The Case for The Power of the Dog:

And it’s quite a case to be made. Last week, the Netflix period drama ruled Oscar nominations morning with an even better than expected 12 nods. It even garnered unexpected mentions in Sound and for Jesse Plemons in Supporting Actor (alongside his costars Benedict Cumberbatch, Kirsten Dunst, and Kodi Smit-McPhee). In doing so, Dog landed placements in all of the down the line races where a BP win is key: directing, performances, adapted screenplay, editing, and so forth. At the Golden Globes (where many were predicting a Belfast victory), it took Best Drama. It’s also been the beneficiary of numerous critics groups awards for Best Pic.

The Case Against The Power of the Dog:

Being the frontrunner doesn’t always pan out and we’ve seen it in three of the past five Oscars. Just ask La La Land (which lost to Moonlight in 2016), Roma (which fell to Green Book in 2018), and 1917 (which came up short to Parasite in 2019). Getting the most nominations also doesn’t mean you’re taking the big prize. Just ask Mank from last year. Or Joker two years ago. Or The Favourite or Roma from 2018.

The Verdict:

While the case against is somewhat persuasive, there’s no denying that Dog is unquestionably the favorite to win. Yet there’s compelling evidence that an upset is certainly feasible.

My Case Of posts will continue with West Side Story…

Oscars 2021: The Case of Don’t Look Up

My Case Of posts for the 10 Best Picture nominees is down to our third entry and that’s Adam McKay’s end of the world black comedy Don’t Look Up. If you missed the first two covering Belfast and CODA, you can find them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

The Case for Don’t Look Up: 

The Netflix property has probably received more social media chatter and buzz than any of the other hopefuls (with the possible exception of Dune). The streaming numbers were said to be massive so it is certainly one of the most widely seen contenders. For McKay, it marks his third BP nominee in a row behind 2015’s The Big Short and 2018’s Vice. 

The Case Against Don’t Look Up:

That aforementioned chatter was definitely not all positive. Reviews were mixed and Up‘s 56% Rotten Tomatoes score is easily the worst of the lot (the next lowest is Nightmare Alley at 80%). While some viewers sang its praises, plenty more derided it. This also missed key races like Director and any of the actors involved (Leonardo DiCaprio was likely close but no cigar in Actor).

The Verdict:

Netflix could be well on its way to its inaugural BP statue and that would be for The Power of the Dog. Their other hopeful is too divisive to have a shot and its total of four nominations is on the low end of the scale.

My Case Of posts will continue with Drive My Car…

Oscars 2021: The Case of Belfast

Now that the nominations for 94th Academy Awards are out, I’m moving to the next phase of speculation. Welcome to my “Case Of” posts where I dive deeper into the contenders for Best Picture, Director, and the four acting categories.

Here’s how it works. Over the next few weeks before the March 27th ceremony airs, I’m doing individualized entries for the 35 hopefuls in the aforementioned races. With each one, I’ll make the best case for the movie or person winning as well as the case against them and a final verdict as I see it now.

It starts with the 10 BP nominees (alphabetically) before switching up between Director, Actress, Actor, Supporting Actress, and Supporting Actor. We begin with Kenneth Branagh’s Belfast:

The Case for Belfast

For several weeks after its premiere at the Telluride Film Festival, the Irish set coming of age tale and passion project from Branagh appeared to be out front in the BP derby. If Academy voters go with the feel good pic of the ten contenders, this could certainly come out on top (though it’s got competition with CODA and King Richard). Belfast had a decent showing on Tuesday morning with 7 nominations including key races like Director, Original Screenplay, and two supporting mentions for Judi Dench (surprisingly making the cut over costar Caitriona Balfe) and Ciaran Hinds.

The Case Against Belfast

The early buzz has waned a bit and much of that is due to The Power of the Dog. The Netflix drama amassed a better than expected 12 nods and is rightfully being called the frontrunner. Power has already shown early precursor love by winning Best Drama at the Golden Globes. And then there’s the categories where Belfast missed – Editing, Cinematography, and Production Design. This indicates that several Academy branches weren’t bowled over by it. Editing, in particular, is a major miss. It’s extremely rare for a BP winner not to make the final five for that one.

The Verdict

There’s certainly a path for Belfast to take the top prize and it likely sits at #2 behind Dog. However, I would say Dog is a heavy favorite and it might be hard for anything to overcome it.

My Case Of posts will continue with CODA…