Tag: Netflix

Oscar Predictions: The School for Good and Evil

Currently among the top streaming pictures on Netflix is The School for Good and Evil, Paul Feig’s adaptation of Soman Chainani’s 2013 fairytale fantasy novel. Hoping for a Potter like franchise, the jury is still out on whether that occurs. Sophia Anne Caruso and Sofia Wylie are the leads with a supporting cast of familiar faces including Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Rob Delaney, and Patti LuPone.

School was released in select theaters and that qualifies it for awards consideration. Given its setting and influences, categories like Costume Design or Production Design or Makeup and Hairstyling are feasible. However, the critical reception this has generated is troubling. The Rotten Tomatoes meter is at 35% and the Audience Score is a meh 69%.

My guess is voters will hold back including this for any races. My Oscar Prediction posts will continue…

The Curse of Bridge Hollow Review

Marlon Wayans is a frequent presence in comedic horror mashups and they’ve been of the R rated variety with Scary Movie and its first sequel and A Haunted House and its follow-up. On the Netflix circuit, The Curse of Bridge Hollow ditches the scatological humor for a family friendly concoction about a Halloween obsessed town where the decorations come to life. It’s not hard to envision Adam Sandler or Eddie Murphy in the Dad role that Wayans fills. In fact, Sandler mined similar territory recently with Hubie Halloween. This one isn’t exactly a treat, but I found it more tolerable than that one.

Howard Gordon (Wayans) is a science teacher transported from Brooklyn to Bridge Hollow, a small New England town that looks quaint but is far from it. The residents wear their Patriots jerseys loudly and talk even more thunderously about the town’s spooky history. It involves the tale of Stingy Jack, whose mythology gave us the Jack-o’-lantern. You don’t want to wake him and that’s precisely what Howard’s teenage daughter Sydney does when they settle into their haunted house. She’s played by Priah Ferguson, a consistent bright spot on Netflix’s Stranger Things. The father/daughter relationship is a cliched one with Howard as the overbearing holiday skeptic who just needs to listen more. Mom (Kelly Rowland) really gets the short shrift. Her defining character trait is that she bakes inedible vegan desserts. The screenplay could’ve done better than “the wife can’t cook” material for the former Destiny’s Child and Freddy vs. Jason star.

Priah and Dad must get over their differences as they battle a slew of creatures of the crawly and skeletal variety. The special effects aren’t half bad. Hollow is aimed squarely at delighting kids and placating the adult supervision. It’s an easy and breezy watch and Wayans seems committed to the part. That’s more than I could say for Murphy, who appeared downright bored in The Haunted Mansion. Ferguson, on the other hand, doesn’t quite get to display the personality that’s so winning on her smash hit role as Erica Sinclair. A few chuckles come from a supporting cast including Rob Riggle, John Michael Higgins, and Lauren Lapkus as Bridge Hollow’s very New England accented Mayor.

Jeff Wadlow, whose traditional scary movies Truth or Dare and Fantasy Island were subpar, directs. Bridge Hollow is better than either of them. I realize all of my compliments likely sound hollow. That’s not inaccurate, but youngsters could do worse than dialing this up and the more seasoned viewer shouldn’t curse themselves for having to watch it.

**1/2 (out of four)

Mr. Harrigan’s Phone Review

Mr. Harrigan’s Phone is the second best Blumhouse Production this year with a phone featured prominently in the plot and adapted from a work by Stephen King or someone in his immediate family. That might be praiseworthy if there were ten, but there’s just The Black Phone (stemming from a story by Stephen’s son Joe Hill) and this one from Dad.

In 2003, young Craig (Colin O’Brien) loses his mother and leads a lonely life in Maine with his father (Joe Tippett). The grieving is broken up when the wealthiest man in the state Mr. Harrigan (Donald Sutherland) gives him a job. Craig travels to his mansion three times a week to read thick novels to the elderly listener whose eyesight is weak – from Crime and Punishment to Lady Chatterly’s Lover and Heart of Darkness. These classic tales hold more meaning for Craig as five years pass and he grows into Jaeden Martell (from a far stronger King adaptation It). So does his friendship with Harrigan as they both are seeking meaningful companionship.

By 2008, a bad apple threatens to poison the bond. That would be Apple’s iPhone. The new device is all the rage and Craig eventually convinces his dad to get him one. This game of telephone continues when the teenager gifts one to his billionaire reading club compadre. The once uninterrupted reading sessions are briefly disrupted by the device’s easy ability to distract.

It takes an unnecessarily long time to reach this point, but (spoiler alert?) Harrigan dies (something revealed in the trailer). Craig makes the seemingly kind gesture of placing the departed’s Steve Jobs application in the casket. Saved under his contacts as The Pirate King (would’ve been a better title than this extremely generic one), Craig soon discovers a potentially supernatural connection with his late friend.

Phone comes from John Lee Hancock, whose biggest hits have been inspirational sports dramas like The Rookie and The Blind Side. This could’ve used a lot more pep as this is a frequently drab affair. There were creepier consistencies in his last picture The Little Things, which I found far more recommendable than this. In fact, this is about as frightening as The Rookie or The Blind Side. 

Sutherland and Martell are of no fault. Their chemistry makes the first half or so far more tolerable. The film’s concept probably better fit the short story format that the legendary author framed it in. When Harrigan is buried, this becomes a ho hum revenge saga with a boring high school bully (Cyrus Arnold) and then a kindly teacher (Kirby Howell-Baptiste) who is wronged. It also stumbles with its attempts to say something about our overuse of technology.

Despite the chemistry of the two leads, the screenplay from Hancock is a disservice to them. I took the novel approach with Mr. Harrigan’s Phone – meaning reading one by King or one of the ones Craig recites would have been a wiser use of my minutes.

** (out of four)

Oscar Predictions: Guillermo del Toro’s Pinocchio

2022 should be the year where Netflix makes significant waves in the Best Animated Feature category at the Oscars and Guillermo del Toro’s Pinocchio is its lead off hitter. The acclaimed filmmaker’s stop-motion passion project is out in select theaters next month with a streaming release on December 9th. Receiving a first look today at the London Film Festival, Pinocchio arrives a half decade after del Toro’s The Shape of Water took Best Picture (along with a directorial victory) and one year after his follow-up Nightmare Alley made the BP ten. Actors providing voiceovers include Ewan McGregor, David Bradley, Gregory Mann, Finn Wolfhard, Cate Blanchett, John Turturro, Ron Perlman, Tim Blake Nelson, Burn Gorman, Christoph Waltz, and Tilda Swinton.

Since I added Animated Feature in my predictions a few weeks back, I’ve had del Toro’s tale of the iconic puppet turned real boy listed in first place. Part of that is due to its maker’s track record. That’s not the only reason why. The other is that it might be a rare off year for Disney, who have taken the gold statue 15 out of 21 times. This summer’s Lightyear was a high profile flop that is likely to be omitted from the final five altogether. Turning Red from the spring achieved solid enough notices to make the cut, but I certainly don’t see it as an automatic winner. The Mouse Factory still has next month’s Strange World in their arsenal so we’ll see if that emerges as a major threat.

Several critics from the London screenings are proclaiming this Pinocchio to be great or near great. On the other hand, some reviews aren’t quite as effusive. I do think the early word-of-mouth is enough to take comfort in the #1 ranking. Yet I wouldn’t say it’s a slam dunk pick to take gold like, say, 2020’s Soul was. I would also keep an eye on Original Score with Alexandre Desplat composing. Visual Effects is also doable (if perhaps a stretch).

A nomination seems assured and Netflix could hold 60% of the nominees this year. Wendell and Wild, another upcoming stop-motion pic from Henry Selick, should get in. Either The Sea Beast or My Father’s Dragon could as well (though probably not both). The streamer got their first contender in 2019 with Klaus and then Over the Moon in 2020 and The Mitchells vs. the Machines last year. They’re 0 for 3 in wins. That may change with del Toro in the company mix. My Oscar Prediction posts will continue…

Oscar Predictions: Matilda the Musical

Based on the 1988 Roald Dahl book as well as the musical stage show that followed years later, the cinematic rendering of Matilda the Musical streams on Netflix December 9th. That’s about two weeks after the UK rollout. It already made its festival debut in London to harmonious praise and a 100% rating on Rotten Tomatoes.

Matthew Warchus is behind the camera, adapting from his own onstage direction in England and on Broadway (where Olivier and Tony Awards abounded). This is the second reworking of the Dahl book behind 1996’s version helmed by Danny DeVito. Alisha Weir plays the title character with a supporting cast including Lashana Lynch, Emma Thompson, Andrea Riseborough, and Stephen Graham.

Despite the praise, it’s a stretch to consider this an Academy contender. That is with the possible exception of Best Original Song where there are reported to be tunes separate from the stage version that could be eligible for consideration.

I wouldn’t sleep on Matilda‘s chances at the Golden Globes. The Musical/Comedy category could have room for a couple of surprises and this would fit the bill. Of the actors, Thompson is getting lots of love. However, I suspect Globes voters may honor her in lead Actress in Musical/Comedy for Good Luck to You, Leo Grande (which premiered earlier this year). My Oscar (and Globe) Prediction posts will continue…

Oscar Predictions: My Father’s Dragon

It could be time to admit that I’ve slept on My Father’s Dragon when it comes to Oscar consideration. Based on the 1948 children’s book by Ruth Stiles Gannett, the 2-D fantasy makes its way to Netflix on November 11th. It had its unveiling at the London Film Festival. Dragon is the fifth animated feature from Cartoon Saloon and their track record is, shall we say, fire.

The Irish outlet is 4 for 4 when it comes to getting their pics nominated for Best Animated Feature: 2010’s The Secret of Kells, 2014’s Song of the Sea, The Breadwinner from 2017, and 2020’s Wolfwalkers. Despite their success rate getting their product in the final quintet, they’ve yet to win.

Dragon is directed by Nora Twomey, who co-directed Kells and solo helmed The Breadwinner. The sprawling voice cast includes Jacob Tremblay, Gaten Matarazzo, Golshifteh Farahani, Jackie Earle Haley, Whoopi Goldberg, Dianne Wiest, Rita Moreno, Chris O’Dowd, Judy Greer, Alan Cumming, Yara Shahidi, Mary Kay Place, Leighton Meester, and Ian McShane.

Reviews are just beginning to trickle out of London and so far so good. The initial buzz indicates this should be a contender. Like its earlier efforts, I’d say it’s a viable film for nomination and not a victory. My last estimates had it ranked seventh… pretty low for a production company with the aforementioned history.

Yet there could be roadblocks on the Saloon’s road to five in a row. The main one is internal competition from Netflix itself. Most prognosticators (myself included) have Guillermo del Toro’s Pinocchio from the streamer listed in first place. Even though that’s sight unseen, the pedigree would suggest it’ll be Netflix’s biggest push for the gold statue. Others that the company could be focused on include this summer’s acclaimed The Sea Beast and Wendell and Wild from Jordan Peele, which debuts later this month and nabbed positive feedback at the Toronto Film Festival.

That’s four legit contenders from Netflix and Disney (for one) will have something to say about them achieving four nominations (they won’t). Something’s gotta give and we’ll see how the next few weeks play out to determine which movies from the quartet don’t make the dance. My Oscar Prediction posts will continue…

Luckiest Girl Alive Review

Luckiest Girl Alive tackles weighty subjects and reinforces its messages by eventually having Mila Kunis’s Ani look directly to camera to state them in case you weren’t listening. Based on a 2015 bestseller by Jessica Knoll, Mike Barker’s adaptation juggles two 1999 tragedies – the first is kept under wraps for some time. It leads to a school shooting in which Kunis’s younger self is suspected of participating. In the present day, one of the wounded parties confined to a wheelchair (Alex Barone) is monetizing such a narrative.

Ani is a talented writer penning witty relationship columns for a slightly trashy magazine. The work is noticed enough that she’s up for a gig at The New York Times. She’s engaged to Luke (Finn Wittrock), sweet and supportive and coming from money. We learn that status is important to Ani. Flashbacks (where Ani is played by Chiara Aurelia) show us a teenager attending a fancy private school. Unlike her peers, she’s not rich and her mom (Connie Britton) is constantly offering flawed advice on how to climb the societal ladder.

In addition to the story often shifting between the turn of the century and 2015, Kunis provides frequent voiceovers. Her biting inner monologue usually doesn’t match what she says out loud (expect in one humorous instance). Ani has learned to keep prior tragedies buried away. All of that is risked when a documentary filmmaker (Dalmar Abuzeid) finally convinces her to take part in his project. Its focus is to get to the bottom of everything that occurred when violence erupted in the halls. The acts of violation aren’t just unique to the shooters.

As mentioned, the screenplay (and book I assume) are told so that some crimes are slow rolled into big reveals. Perhaps it worked in novelistic form. It comes across as clunky in the adaptation and even a little cheap considering the seriousness of its themes. Characters are arbitrarily introduced like Ani’s kindly teacher (Scoot McNairy). He tends to pop up as the plot necessitates it.

Our lead strays far away from recent comedic roles and does a commendable job. Other players – like Britton as the boozy and conflicted mom – are saddled with one-note roles (that applies to Wittrock too). I wish the structure served its top actress and the others more smoothly. This meditation on trauma can feel too often like a rough draft.

** (out of four)

Emancipation Enters the Oscar Race

In an alternative universe, Emancipation might be in my top 10 predicted Best Picture nominees. I could potentially be discussing Will Smith’s chances of being the first back to back acting winner since Tom Hanks in 1993 and 1994.

I didn’t think this alternative universe could be a potential reality in the 2022 awards season. In 2021, Apple TV beat Netflix and others to the punch as CODA was the inaugural streaming Best Picture winner. For a while, Martin Scorsese’s Killers of the Flower Moon appeared to be Apple’s best shot at making it two years in a row. That’s until it got pushed to 2023. In recent weeks, there was speculation that Ridley Scott’s Napoleon starring Joaquin Phoenix could make a jump to 2022. It wasn’t to be.

This has left Apple without a legit across the board Oscar player… until maybe today. Why? The streamer announced that Antoine Fuqua’s historical drama Emancipation will hit theaters for an awards qualifying run on December 2nd and then be available for home viewing on December 9th. The trailer was unveiled this morning.

And in case you’re still wondering why I’m skeptical… two words: The Slap. Yes, the slap heard around the globe when Chris Rock presented Best Documentary Feature at the Academy Awards and cracked a joke about Jada Pinkett Smith. And, of course, slap provider Will Smith giving his acceptance speech a few minutes later when he was victorious in Best Actor for King Richard.

Since then, many of Smith’s planned projects have entered turnaround status. Emancipation, in which he plays a slave who joins the Union Army, was already filmed. And Apple made the surprising decision in early October to get it out two months later. This surely means Smith will be subject to interviews where he’ll address The Slap sooner than later.

So… the obvious question: can Smith get nominated? Can the film itself do so in other categories? Even though the star resigned from the Academy in the aftermath of the incident, he can still be nominated (and he can attend if invited by other members). So while the short answer is yes… the real answer is more complicated.

My gut is that Smith’s work in Emancipation would have to be undeniably awards worthy to make the final five. Even that could be a stretch. Time heals controversies and not much time has passed. As for the film itself, it could surely garner nods from Best Picture on down (I’m curious if Ben Foster gets any chatter for Supporting Actor). Yet it starts off at a unique disadvantage.

We won’t know until reviews start surfacing and that could be a few weeks. I can only assume Apple will give this a major push for consideration. It’s a campaign that is an uphill battle for reasons unfathomable just a few months ago.

Oscar Predictions: Descendant

Documentary filmmaker Margaret Brown explores her Alabama roots through the tracking of a slave ship in Descendant, which arrives in theaters in limited fashion and streams on Netflix October 21st. This is the latest venture from Higher Ground Productions, founded by former President and First Lady Barack and Michelle Obama.

The company’s critical and awards history has been impressive. In 2019, American Factory won Best Documentary Feature. A year later, Crip Camp made the final five for consideration. Descendant, following its Sundance unveiling back in January, is garnering acclaim. The Rotten Tomatoes score is 100%.

I’ve had Descendant listed in either 2nd or 3rd place in my projections for the Doc derby. I expect it to get in and it could win. My Oscar Prediction posts will continue…

2022 Oscar Predictions: September 28th Edition

For the time being at least, I’m settling on Edward Berger’s antiwar epic All Quiet on the Western Front as Netflix’s strongest contender. It moves into my predicted BP hopefuls for the first time and that takes out Triangle of Sadness. Additionally, Berger is in the quintet for Director and it’s Park Chan-wook (Decision to Leave) that drops. The Quiet love shows up in International Feature Film where it moves to first place with Leave sliding to runner-up status.

We also have a category placement change to discuss. While nothing has been announced, it makes a lot of sense for Babylon‘s Margot Robbie to move to Supporting Actress after Michelle Williams (rather inexplicably) elevated to Best Actress for The Fabelmans. Robbie moves there (hopefully Paramount lets us know soon) so Danielle Deadwyler is back in Best Actress. Stephanie Hsu (Everything Everywhere All at Once) is now on the outside looking in for supporting.

There’s a change in Actor as I’m finally putting Diego Calva (Babylon) in over Bill Nighy (Living). In Original Screenplay, The Fabelmans is now #1 over Everything. 

The New York Film Festival starts this weekend. By the time of my next update, we will know what the real prospects are for Till with She Said soon to follow.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. The Fabelmans (Previous Ranking: 1) (E)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Women Talking (PR: 4) (E)

5. The Banshees of Inisherin (PR: 5) (E)

6. Top Gun: Maverick (PR: 6) (E)

7. Tar (PR: 8) (+1)

8. The Whale (PR: 7) (-1)

9. All Quiet on the Western Front (PR: 11) (+2)

10. Decision to Leave (PR: 9) (-1)

Other Possibilities: 

11. Triangle of Sadness (PR: 10) (-1)

12. The Woman King (PR: Not Ranked)

13. Elvis (PR: 15) (+2)

14. Avatar: The Way of Water (PR: Not Ranked)

15. Empire of Light (PR: 13) (-2)

Dropped Out:

She Said

Glass Onion: A Knives Out Mystery

Best Director

Predicted Nominees:

1. Steven Spielberg, The Fabelmans (PR: 1) (E)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Sarah Polley, Women Talking (PR: 3) (E)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Edward Berger, All Quiet on the Western Front (PR: 8) (+3)

Other Possibilities:

6. Todd Field, Tar (PR: 6) (E)

7. Park Chan-wook, Decision to Leave (PR: 5) (-2)

8. Martin McDonagh, The Banshees of Inisherin (PR: 7) (-1)

9. Ruben Ostlund, Triangle of Sadness (PR: 9) (E)

10. James Cameron, Avatar: The Way of Water (PR: Not Ranked)

Dropped Out:

Darren Aronofsky, The Whale 

Best Actress

Predicted Nominees:

1. Cate Blanchett, Tar (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Michelle Williams, The Fabelmans (PR: 3) (E)

4. Olivia Colman, Empire of Light (PR: 5) (+1)

5. Danielle Deadwyler, Till (PR: 6) (+1)

Other Possibilities:

6. Viola Davis, The Woman King (PR: 7) (+1)

7. Ana de Armas, Blonde (PR: 9) (+2)

8. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (+1)

9. Jennifer Lawrence, Causeway (PR: 8) (-1)

10. Carey Mulligan, She Said (PR: Not Ranked)

Dropped Out:

Margot Robbie, Babylon – moved to Supporting Actress

Best Actor

Predicted Nominees:

1. Brendan Fraser, The Whale (PR: 1) (E)

2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)

3. Austin Butler, Elvis (PR: 3) (E)

4. Diego Calva, Babylon (PR: 6) (+2)

5. Hugh Jackman, The Son (PR: 4) (-1)

Other Possibilities:

6. Bill Nighy, Living (PR: 5) (-1)

7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)

8. Song Kang-ho, Broker (PR: 8) (E)

9. Adam Driver, White Noise (PR: 9) (E)

10. Paul Mescal, Aftersun (PR: Not Ranked)

Dropped Out:

Jeremy Pope, The Inspection 

Best Supporting Actress

Predicted Nominees:

1. Claire Foy, Women Talking (PR: 1) (E)

2. Jessie Buckley, Women Talking (PR: 2) (E)

3. Margot Robbie, Babylon (PR: Not Ranked) – moved from Best Actress

4. Kerry Condon, The Banshees of Inisherin (PR: 3) (-1)

5. Hong Chau, The Whale (PR: 4) (-1)

Other Possibilities:

6. Stephanie Hsu, Everything Everywhere All at Once (PR: 5) (-1)

7. Thuso Mbedu, The Woman King (PR: Not Ranked)

8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 7) (-1)

9. Zoe Kazan, She Said (PR: 9) (E)

10. Sadie Sink, The Whale (PR: 10) (E)

Dropped Out:

Vanessa Kirby, The Son

Jean Smart, Babylon 

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Brad Pitt, Babylon (PR: 4) (+1)

4. Paul Dano, The Fabelmans (PR: 3) (-1)

5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)

Other Possibilities: 

6. Ben Whishaw, Women Talking (PR: 6) (E)

7. Judd Hirsch, Women Talking (PR: 7) (E)

8. Jeremy Strong, Armageddon Time (PR: Not Ranked)

9. Micheal Ward, Empire of Light (PR: 8) (-1)

10. Woody Harrelson, Triangle of Sadness (PR: 9) (-1)

Dropped Out:

Anthony Hopkins, Armageddon Time 

Best Original Screenplay

Predicted Nominees:

1. The Fabelmans (PR: 3) (+2)

2. Everything Everywhere All at Once (PR: 1) (-1)

3. The Banshees of Inisherin (PR: 2) (-1)

4. Triangle of Sadness (PR: 5) (+1)

5. Babylon (PR: 4) (-1)

Other Possibilities:

6. Tar (PR: 6) (E)

7. Decision to Leave (PR: 7) (E)

8. Armageddon Time (PR: Not Ranked)

9. Bros (PR: 8) (-1)

10. Broker (PR: 9) (-1)

Dropped Out:

Empire of Light

Best Adapted Screenplay

Predicted Nominees:

1. Women Talking (PR: 1) (E)

2. The Whale (PR: 2) (E)

3. She Said (PR: 3) (E)

4. Glass Onion: A Knives Out Mystery (PR: 4) (E)

5. White Noise (PR: 5) (E)

Other Possibilities:

6. All Quiet on the Western Front (PR: 10) (+4)

7. Top Gun: Maverick (PR: 7) (E)

8. Till (PR: 9) (+1)

9. Living (PR: 6) (-3)

10. The Son (PR: 8) (-2)

Best Animated Feature

Predicted Nominees:

1. Guillermo del Toro’s Pinocchio (PR: 1) (E)

2. Turning Red (PR: 2) (E)

3. Strange World (PR: 5) (+2)

4. Marcel the Shell with Shoes On (PR: 4) (E)

5. Wendell and Wild (PR: 3) (-2)

Other Possibilities:

6. My Father’s Dragon (PR: 7) (+1)

7. The Sea Beast (PR: 6) (-1)

8. The Bad Guys (PR: 8) (E)

9. Minions: The Rise of Gru (PR: 10) (+1)

10. Lightyear (PR: 9) (-1)

Best International Feature Film

Predicted Nominees:

1. All Quiet on the Western Front (PR: 2) (+1)

2. Decision to Leave (PR: 1) (-1)

3. Close (PR: 3) (E)

4. Saint Omer (PR: 4) (E)

5. Argentina, 1985 (PR: 7) (+2)

Other Possibilities:

6. Holy Spider (PR: 8) (+2)

7. Bardo (PR: 6) (-1)

8. Klondike (PR: Not Ranked)

9. EO (PR: 9) (E)

10. Alcarras (PR: Not Ranked)

Dropped Out:

The Eight Mountains 

Plan 75

Best Documentary Feature

Predicted Nominees:

1. All the Beauty and the Bloodshed (PR: 1) (E)

2. Navalny (PR: 3) (+1)

3. Descendant (PR: 2) (-1)

4. All That Breathes (PR: Not Ranked)

5. Fire of Love (PR: 4) (-1)

Other Possibilities:

6. The Territory (PR: 6) (E)

7. Good Night Oppy (PR: 9) (+2)

8. Moonage Daydream (PR: 8) (E)

9. Last Flight Home (PR: 5) (-4)

10. Sr. (PR: Not Ranked)

Dropped Out:

Black Ice

Riotsville, U.S.A.

Best Cinematography

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. The Fabelmans (PR: 3) (+1)

3. Empire of Light (PR: 2) (-1)

4. All Quiet on the Western Front (PR: 7) (+3)

5. Avatar: The Way of Water (PR: 5) (E)

Other Possibilities:

6. Top Gun: Maverick (PR: 4) (-2)

7. Bardo (PR: 6) (-1)

8. The Banshees of Inisherin (PR: 9) (+1)

9. Everything Everywhere All at Once (PR: 8) (-1)

10. The Batman (PR: Not Ranked)

Dropped Out:

Tar

Best Costume Design

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 2) (E)

3. Black Panther: Wakanda Forever (PR: 3) (E)

4. Mrs. Harris Goes to Paris (PR: 5) (+1)

5. The Woman King (PR: 4) (-1)

Other Possibilities:

6. The Fabelmans (PR: 6) (E)

7. Everything Everywhere All at Once (PR: 8) (+1)

8. Corsage (PR: 7) (-1)

9. Living (PR: Not Ranked)

10. Amsterdam (PR: Not Ranked)

Dropped Out:

Three Thousand Years of Longing 

Don’t Worry Darling 

Best Film Editing

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. The Fabelmans (PR: 4) (E)

5. Elvis (PR: 6) (+1)

Other Possibilities:

6. All Quiet on the Western Front (PR: 9) (+3)

7. Women Talking (PR: 5) (-2)

8. Tar (PR: 10) (+2)

9. Avatar: The Way of Water (PR: 7) (-2)

10. The Banshees of Inisherin (PR: Not Ranked)

Dropped Out:

Glass Onion: A Knives Out Mystery 

Best Makeup and Hairstyling

Predicted Nominees:

1. The Whale (PR: 1) (E)

2. Elvis (PR: 3) (+1)

3. Babylon (PR: 2) (-1)

4. Everything Everywhere All at Once (PR: 6) (+2)

5. Black Panther: Wakanda Forever (PR: 5) (E)

Other Possibilities:

6. The Batman (PR: 4) (-2)

7. The Woman King (PR: 7) (E)

8. All Quiet on the Western Front (PR: 9) (+1)

9. Three Thousand Years of Longing (PR: 8) (-1)

10. X (PR: 10) (E)

Best Original Score

Predicted Nominees:

1. Babylon (PR: 2) (+1)

2. The Fabelmans (PR: 1) (-1)

3. Women Talking (PR: 4) (+1)

4. Empire of Light (PR: 3) (-1)

5. Tar (PR: 8) (+3)

Other Possibilities: 

6. The Banshees of Inisherin (PR: 5) (-1)

7. Avatar: The Way of Water (PR: 6) (-1)

8. All Quiet on the Western Front (PR: 7) (-1)

9. The Batman (PR: 9) (E)

10. Guillermo del Toro’s Pinocchio (PR: Not Ranked)

Dropped Out:

Top Gun: Maverick 

Best Original Song

Predicted Nominees:

1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)

2. “Nobody Like U” from Turning Red (PR: 2) (E)

3. “Applause” from Tell It Like a Woman (PR: 3) (E)

4. “On My Way” from Marry Me (PR: 5) (+1)

5. “Carolina” from Where the Crawdads Sing (PR: 4) (-1)

Other Possibilities: 

6. “This Is a Life” from Everything Everywhere All at Once (PR: 6) (E)

7. “Vegas” from Elvis (PR: Not Ranked)

8. “I Ain’t Worried” from Top Gun: Maverick (PR: Not Ranked)

9. “Naatu Naatu” from RRR (PR: 7) (-2)

10. “New Body Rhuma” from White Noise (PR: 8) (-2)

Dropped Out:

“Good Tonight” from The Bad Guys

“Paper Airplanes” from A Jazzman’s Blues 

Best Production Design

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 2) (E)

3. Avatar: The Way of Water (PR: 4) (+1)

4. Black Panther: Wakanda Forever (PR: 6) (+2)

5. The Fabelmans (PR: 3) (-2)

Other Possibilities:

6. Empire of Light (PR: 5) (-1)

7. All Quiet on the Western Front (PR: 7) (+1)

8. Amsterdam (PR: Not Ranked)

9. Glass Onion: A Knives Out Mystery (PR: 7) (-2)

10. The Batman (PR: 9) (-1)

Dropped Out:

Bardo 

Best Sound

Predicted Nominees:

1. Top Gun: Maverick (PR: 1) (E)

2. Avatar: The Way of Water (PR: 2) (E)

3. Elvis (PR: 3) (E)

4. Babylon (PR: 4) (E)

5. All Quiet on the Western Front (PR: 5) (E)

Other Possibilities: 

6. The Batman (PR: 6) (E)

7. Nope (PR: 8) (+1)

8. Everything Everywhere All at Once (PR: 9) (+1)

9. Black Panther: Wakanda Forever (PR: 7) (-2)

10. The Fabelmans (PR: 10) (E)

Best Visual Effects

Predicted Nominees:

1. Avatar: The Way of Water (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. Everything Everywhere All at Once (PR: 3) (E)

4. The Batman (PR: 4) (E)

5. Doctor Strange in the Multiverse of Madness (PR: 5) (E)

Other Possibilities: 

6. Guillermo del Toro’s Pinocchio (PR: 10) (+4)

7. Nope (PR: 8) (+1)

8. All Quiet on the Western Front (PR: 7) (-1)

9. Black Panther: Wakanda Forever (PR: 6) (-3)

10. RRR (PR: 9) (-1)

And that equates to these movies getting these numbers of nominations:

13 Nominations

Babylon

9 Nominations

The Fabelmans

8 Nominations

Everything Everywhere All at Once

6 Nominations

The Banshees of Inisherin, Elvis, Women Talking 

5 Nominations

All Quiet on the Western Front, Top Gun: Maverick, The Whale

4 Nominations

Avatar: The Way of Water

3 Nominations

Black Panther: Wakanda Forever, Empire of Light, Tar

2 Nominations 

Decision to Leave, Turning Red

1 Nomination

All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, The Batman, Close, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Marry Me, Mrs. Harris Goes to Paris, Navalny, Saint Omer, She Said, The Son, Strangle World, Tell It Like a Woman, Till, Triangle of Sadness, Wendell and Wild, Where the Crawdads Sing, White Noise, The Woman King