Tag: Neighbors

Summer 2014: The Top 10 Hits and More

In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).

Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.

Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.

10. How to Train Your Dragon 2

Domestic Gross: $177 million

While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.

9. Teenage Mutant Ninja Turtles

Domestic Gross: $191 million

With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.

8. 22 Jump Street

Domestic Gross: $191 million

Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.

7. Godzilla

Domestic Gross: $200 million

It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick

6. The Amazing Spider-Man 2

Domestic Gross: $202 million

While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.

5. Dawn of the Planet of the Apes

Domestic Gross: $208 million

The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.

4. X-Men: Days of Future Past

Domestic Gross: $233 million

This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.

3. Maleficent

Domestic Gross: $241 million

After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.

2. Transformers: Age of Extinction

Domestic Gross: $245 million

Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.

1. Guardians of the Galaxy

Domestic Gross: $233 million

This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.

And now let’s cover some other flicks from ’14 that had crowds and critics chatting.

Neighbors

Domestic Gross: $150 million

The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.

Lucy

Domestic Gross: $126 million

Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.

The Fault in Our Stars

Domestic Gross: $124 million

John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.

Edge of Tomorrow

Domestic Gross: $100 million

Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.

Let’s Be Cops

Domestic Gross: $82 million

This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.

Chef

Domestic Gross: $31 million

After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.

Boyhood

Domestic Gross: $25 million

Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.

Snowpiercer

Domestic Gross: $4 million

Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.

OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.

Hercules

Domestic Gross: $72 million

Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?

Jersey Boys

Domestic Gross: $47 million

The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.

Blended

Domestic Gross: $46 million

The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.

A Million Ways to Die in the West

Domestic Gross: $43 million

Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.

The Expendables 3

Predicted Gross: $39 million

The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.

Sex Tape

Predicted Gross: $38 million

Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.

Sin City: A Dame to Kill For

Domestic Gross: $13 million

The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.

And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!

Bros Box Office Prediction

Billing itself as the first gay rom com from a major studio and featuring an all LGBTQ+ main cast, Universal Pictures releases Bros on September 30th. Nicholas Stoller (director of successful comedies Forgetting Sarah Marshall and Neighbors) is behind the camera with Judd Apatow producing. Billy Eichner of Billy on the Street fame stars alongside Luke Macfarlane. The supporting cast includes Ts Madison, Monica Raymund, Guillermo Diaz, Guy Branum, Amanda Bearse, Jim Rash, Dot-Marie Jones, Bowen Yang, Harvey Fierstein, and Debra Messing.

While this particular humorous tale is making some history, it’s rare nowadays to find any comedy getting a wide release (at least one that’s not animated or filled with action). Bros premiered at the Toronto Film Festival earlier this month to glowing reviews. The Rotten Tomatoes score is 94%.

Prognosticators have the range here at $10-15 million. That sounds reasonable and I suspect it’ll start out at the middle of that spectrum. It’ll likely have to settle for a second place showing behind horror pic Smile. However, I could see this legging out well when word-of-mouth gets out. As an aside, I saw Bros at TIFF and can confirm it should be quite the crowdpleaser.

Bros opening weekend prediction: $12.1 million

For my Smile prediction, click here:

Smile Box Office Prediction

Oscar Predictions: Bros

Bros has made quite the splash in its premiere at the Toronto Film Festival prior to its September 30th stateside rollout. This is the first rom com to feature a primarily LGBTQ+ cast. Nicholas Stoller, who’s helmed successful genre fare like Forgetting Sarah Marshall and Neighbors, directs. Billy Eichner and Luke Macfarlane are the lead couple with a supporting cast including Ts Madison, Monica Raymond, Guillermo Diaz, Guy Branum, Amanda Bearse, Bowen Yang, and Debra Messing.

Early word out of Canada is that this is an entertaining and alternately sweet and raunchy romp (something I can confirm having been at the world premiere last night). The Rotten Tomatoes meter stands at 89%. I’m not sure Bros is as much an Oscar player (where there’s a comedic allergy) as it is a Globes contender. Since they differentiate between Drama and Musical/Comedy, I could easily see the Hollywood Foreign Press nominating this for Best Picture and for Eichner in Best Actor.

That said, I wouldn’t say its Academy hopes are completely dashed. There’s usually a lone screenplay nominee that receives no other nods and Stoller and Eichner’s original screenplay could fit that particular bill. My Oscar Prediction posts will continue…

The House Movie Review

I’m not sure if I’m “spoiling” anything here, but Jeremy Renner takes a break from franchises and shows up in the final third of The House. Playing a bad guy, the mere fact of his presence is meant to elicit laughter because… well, I’m not entirely sure why. That’s emblematic of the film itself. You have a lot of famous performers (most known for their comedic skills unlike Renner) trapped in a flimsy concept that only manages to wring less than 90 minutes of material. And there certainly isn’t an hour and a half’s worth of funny.

Will Ferrell and Amy Poehler are Scott and Kate Johansen, a middle-class couple about to become empty nesters as their daughter Alex (Ryan Simpkins) is about to enter college. It’s the summer before her exit and her folks are trying to maximize their time with her. They’re a bit of the overprotective type who smother their kid and guilt her into Walking Dead nights instead of visiting her friends. Alex’s higher ed plans take a hit when the Johansens learn a long-planned for scholarship is kaput because a corrupt city councilman (Nick Kroll) would rather spend it on a community pool.

With the need to make some fast money, what’s this seemingly normal couple to do? In this high concept exercise, the answer is teaming with down on his luck divorcee neighbor Frank (Jason Mantzoukas) and opening an illegal casino. The scheme yields dollars but other complications that come with the high roller life. Criminal elements enter the mix and this new job also gives the Johansens a personality transplant into a hard partying couple who start to believe their dangerous notoriety.

Bottom line is that we see Ferrell do his goofy Everyman type turned goofy comedic hard ass. If you find that irresistible, maybe there’s enough to sustain you here. Yet this effort from director Andrew J. Cohen (who co-wrote the much more satisfactory Neighbors) hits its marks with infrequency. Adam McKay is a producer here and he’s done better work with Ferrell. I couldn’t help but wonder if the sometimes sharp political commentary McKay brings to his work would have helped here. I’m pretty sure the script is trying to say something about the plight of the middle class and their earning power, but it’s buried in spurting blood gags and believing Jeremy Renner turning up will work as a gag on its own terms. There’s humorous moments peppered throughout, but nowhere near enough to recommend it.

** (out of four)

The House Box Office Prediction

Blogger’s Note (06/29): On eve of debut, revising estimate against to $13.8 million

Bloggers’s Note (06/27): Revising estimate to $18.3M from $22.3M

Will Ferrell and Amy Poehler are a married couple who start up an illegal gambling establishment to pay for their daughter’s college in The House next weekend. It’s the directorial debut of Andrew J. Cohen, writer of the Neighbors pics and Mike and Dave Need Wedding Dates. Costars include Ryan Simpkins, Jason Mantzoukas, Nick Kroll, and Jeremy Renner.

As far as leading roles go, Ferrell has had a good run lately as Get Hard and Daddy’s Home both debuted in the mid to high 30s range. The former had the benefit of costarring Kevin Hart. The latter benefited from a Christmas release. I don’t see The House reaching those numbers and I see it more likely to be in range (perhaps a bit less) with Ferrell’s The Campaign, which opened to $26 million five summers ago.

Considering its relatively low $40 million reported budget and if it receives decent buzz, this should be a nice size hit for Warner Bros.

The House opening weekend prediction: $13.8 million

For my Despicable Me 3 prediction, click here:

https://toddmthatcher.com/2017/06/21/despicable-me-3-box-office-prediction/

For my Baby Driver prediction, click here:

https://toddmthatcher.com/2017/06/21/baby-driver-box-office-prediction/

For my The Beguiled prediction, click here:

https://toddmthatcher.com/2017/06/26/the-beguiled-box-office-prediction/

Neighbors 2: Sorority Rising Movie Review

As has been discussed on the blog before, comedy is typically the genre that lends itself least to sequels. A major reason: most of ’em aren’t made with a planned follow-up in mind and therefore contrivances must be invented for them to exist.

This general rule applies to Neighbors 2: Sorority Rising, which arrives two years after the success of the original. In 2014, the teaming of Seth Rogen and Rose Byrne vs. Zac Efron’s wild frat next door was a mostly effective raunchy pic with a couple of gags (air bags) that soared. $150 million domestic later, returning director Nicholas Stoller and his stars picked a pretty simple premise for another installment. Put a sorority there instead of a frat and watch similar hijinks ensue!

This happens when college freshman Shelby (Chloe Grace Moretz) goes to pledge at sororities and discovers they aren’t allowed to hold the wild bashes that their male counterparts are. So she enlists some other girls and Beastie Boys’s it beside the Radners (Rogen, Byrne) who are now expecting their second child. Kappa Nu is formed with an assist from Teddy (Efron), who’s still a bit salty from what went down when he inhabited the property. He’s also painfully still a man-child and the screenplay does get some decent mileage out of that (his changed friendship with frat bro Dave Franco is an example).

As with the first Neighbors installment, games of one upmanship (or upgirlship I guess) go down. The Radners are terrified because the house is in escrow as they’re set to become suburbanites and the new tenants might not appreciate the newly minted party pad. Shelby and her newfound sisters are determined to stay. And if that all sounds a lot like 2014, it is. Same story, different gender.

Rising gets a some solid chuckles out of exploiting the physique of both Mr. Efron and Mr. Rogen. The best moments come from our lead couple acting as de facto parents to Teddy, yet they’re few and far between. This is due to the familiar tale of Kappa Nu and their schemes that involve some serious felonies that the frat guys would’ve balked at.

There have been plenty of comedic #2’s far worse than this. The trio of Rogen, Byrne, and Efron do give it their all and don’t just go through the motions. Still – this one feels mostly uninspired despite the talent involved and keeps that general comedy sequel rule intact.

**1/2 (out of four)

Storks Box Office Prediction

Warner Bros keeps the onslaught of animated titles being delivered to theaters going with Storks, opening next weekend. The comedic adventure comes from Nicholas Stoller and Doug Sweetland. Mr. Stroller is known for his live-action genre titles like Forgetting Sarah Marshall, Get Him to the Greek, and the Neighbors franchise. The pic features the voices of Andy Samberg, Jennifer Aniston, Keegan-Michael Key, Jordan Peele, Kelsey Grammer, and Ty Burrell.

2016 has been a banner year for animated material with mega-hits like Zootopia, Finding Dory, and The Secret Life of Pets and critically acclaimed fare like Kubo and the Two Strings and Sausage Party. With all those titles mentioned, it’s a distinct possibility that an animated feature will really have to stand out now for family audiences to plunk down their dollars. Whether Storks fits that bill is a legit question.

September has been an occasionally fruitful month for the genre. Hotel Transylvania and its sequel are responsible for the month’s two largest openings at $42 and $48 million, respectively. The two Cloudy with a Chance of Meatballs flicks both opened above $30 million. Warner Bros should be ecstatic if Storks manages those numbers.

I don’t believe this will quite reach that level and a debut in the mid to high 20s seems more probable.

Storks opening weekend prediction: $27.9 million

For my The Magnificent Seven prediction, click here:

https://toddmthatcher.com/2016/09/14/the-magnificent-seven-box-office-prediction/

Box Office Predictions: May 27-30

It’s Memorial Day weekend coming up at the summer box office with two high-profile sequels debuting – X-Men: Apocalypse and Alice Through the Looking Glass. You can peruse my detailed prediction posts on each here:

https://toddmthatcher.com/2016/05/18/x-men-apocalypse-box-office-prediction/

https://toddmthatcher.com/2016/05/18/alice-through-the-looking-glass-box-office-prediction/

I expect the Mutants to fairly easily top The Mad Hatter, with Apocalypse just edging the century mark for its four-day holiday frame with Looking Glass getting to the mid-60s. That would mean both entries would come in below what their predecessors managed in 2014 and 2010, respectively.

As for holdovers, The Angry Birds Movie should slide to third after a robust 1st place debut (more on that below) with Captain America: Civil War and Neighbors 2: Sorority Rising (which struggled this last weekend) rounding out the top five.

And with that, my top 5 predictions for the Memorial Day frame which encapsulates my three and four-day forecasts:

  1. X-Men: Apocalypse

Predicted Gross: $82.8 million (Friday to Sunday), $100.4 million (Friday to Monday)

2. Alice Through the Looking Glass

Predicted Gross: $53.6 million (Friday to Sunday), $67.7 million (Friday to Monday)

3. The Angry Birds Movie

Predicted Gross: $20.4 million (Friday to Sunday), $24.5 million (Friday to Monday)

4. Captain America: Civil War

Predicted Gross: $18.1 million (Friday to Sunday), $22.2 million (Friday to Monday)

5. Neighbors 2: Sorority Rising

Predicted Gross: $10.4 million (Friday to Sunday), $12.2 million (Friday to Monday)

Box Office Results (May 20-22)

The first feature film based on an app nabbed the #1 spot as The Angry Birds Movie soared to a $38.1 million opening, a bit above my $34.5M projection. This was on the higher end of expectations for the animated pic.

After two weeks on top, Captain America: Civil War slipped to second with $32.9 million, just under my $35.1M forecast for a three-week total of $347M.

The news was not good for Seth Rogen, Zac Efron, and company as Neighbors 2: Sorority Rising grossed an unimpressive $21.7 million for third. I went way over with $38.2M, which I should predicted for those ill-tempered birds. Considering the original made $49M out of the gate, we can safely assume Neighbors 3 won’t happen. This continues a recent trend of comedy sequels (think: Horrible Bosses, Zoolander) under performing.

Despite mostly glowing reviews, The Nice Guys with Russell Crowe and Ryan Gosling finished fourth with $11.2 million in its opening, under my $14.4M prediction.

The Jungle Book rounded out the top five with $10.9 million and I predicted… $10.9M! Yay! Almost makes up for the Neighbors thing, but not really…

And there you have it, folks! Until next time…

Neighbors 2: Sorority Rising Box Office Prediction

Seth Rogen, Zac Efron, and Rose Byrne are back experiencing homeowner drama in a hopefully funny way with Neighbors 2: Sorority Rising, out next weekend. This time, it’s the ladies turn to wreak havoc on Mr. Rogen’s famiy with Chloe Grace Moretz leading the way. Nicholas Stoller returns to direct with Dave Franco and Ike Barinholtz back in supporting roles.

Two years ago, Neighbors turned into a major summer hit with a $49 million opening and $150 million domestic gross. A sequel was quickly greenlit and here we are today with the follow-up hoping to match its predecessor’s numbers.

It could be tough to do. There is some genre competition with Russell Crowe/Ryan Gosling’s The Nice Guys opening on the same day. Additionally, many comedic sequels open under the original in general. The fact that only two years has passed could help though. Reviews have been decent as it stands at 66% on Rotten Tomatoes, just under the 73% of the first.

I’ll predict Neighbors 2 rises to just under $40M, about $10M less than what came before it and it’ll probably manage to just reach triple digits when all is said and done.

Neighbors 2: Sorority Rising opening weekend prediction: $38.2 million

For my The Angry Birds Movie prediction, click here:

https://toddmthatcher.com/2016/05/11/the-angry-birds-movie-box-office-prediction/

For my The Nice Guys prediction, click here:

https://toddmthatcher.com/2016/05/11/the-nice-guys-box-office-prediction/

Summer 2015 Movies: The Predicted Century Club

The 2015 Summer Movie Season officially kicks off two weeks from today when Avengers: Age of Ultron blasts into theaters. It will compete for the largest domestic opening of all time (where it needs to beat its predecessor) and is highly likely to be the season’s highest earner. That got me to thinking – while Ultron is poised to gross $500 million or higher, it’s been the $100 million mark that studios still like to brag about. This prompted me to look at the past five summer flick seasons and how many pictures reached that milestone.

In 2010, it was 13 movies that reached the mark: Toy Story 3, Iron Man 2, Twilight Saga: Eclipse, Inception, Despicable Me, Shrek Forever After, The Karate Kid, Grown Ups, The Last Airbender, The Other Guys, Salt, Robin Hood, and The Expendables.

Things improved in 2011 with 18 films reaching the century club: Harry Potter and the Deathly Hallows Part 2, Transformers: Dark of the Moon, The Hangover Part II, Pirates of the Caribbean: On Stranger Tides, Cars 2, Thor, Rise of the Planet of the Apes, Captain America: First Avenger, The Help, Bridesmaids, Kung Fu Panda 2, X-Men: First Class, The Smurfs, Super 8, Horrible Bosses, Green Lantern, Bad Teacher, and Cowboys and Aliens.

The low mark was the following year in 2012 with just 12: The Avengers, The Dark Knight Rises, The Amazing Spider-Man, Brave, Ted, Madagascar 3, Men in Black 3, Ice Age: Continental Drift, Snow White and the Huntsman, Prometheus, Magic Mike, and The Bourne Legacy.

Yet the high mark came the following summer in 2013 with 19: Iron Man 3, Despicable Me 2, Man of Steel, Monsters University, Fast and Furious 6, Star Trek Into Darkness, World War Z, The Heat, We’re the Millers, The Great Gatsby, The Conjuring, Grown Ups 2, The Wolverine, Now You See Me, Lee Daniels’ The Butler, The Hangover Part III, Epic, Pacific Rim, and This is the End.

2014 dipped with 14: Guardians of the Galaxy, Transformers: Age of Extinction, Maleficent, X-Men: Days of Future Past, Dawn of the Planet of the Apes, The Amazing Spider-Man 2, Godzilla, 22 Jump Street, Teenage Mutant Ninja Turtles, How to Train Your Dragon 2, Neighbors, Lucy, The Fault in Our Stars, and Edge of Tomorrow. 

That averages out to 15 pictures earning $100M plus per summer over this decade.

So where do I have 2015 matching up? Not breaking records, but in good shape. My predictions for the year’s $100M earners is 16 and they are as follows (in order of release date): Avengers: Age of Ultron, Mad Max: Fury Road, Pitch Perfect 2, Tomorrowland, San Andreas, Spy, Jurassic World, Inside Out, Ted 2, Magic Mike XXL, Terminator: Genisys, Minions, Ant-Man, Trainwreck, Mission: Impossible – Rogue Nation, and Fantastic Four. 

Of course, there’s always sleepers. And there’s others that I could have predicted but think will fall short: the Reese Witherspoon/Sofia Vergara comedy Hot Pursuit, horror remake Poltergeist, the film version of Entourage, the Adam Sandler video game inspired action comedy Pixels, the Vacation reboot, and the NWA biopic Straight Outta Compton are among them.

As predicted, summer 2015 should see its number of century club inductees on the slightly high end without reaching the heights of 2013. And as always, you’ll see box office predictions every Saturday from me on each and every one of ’em!