2015 Early Oscar Predictions: Best Actress

This evening on the blog, we continue on with my very early and first predictions for the 2015 Oscars and we’ve come to Best Actress. This category, just like Supporting Actor and Actress, yielded two out of the five nominees when I made my predictions in 2014 with 1 other that was nominated being mentioned as an other possibility.

Astonishingly, the group of actresses that could be honored in 2015 encompasses seven out of the eight past winners of the award. 2007 winner Marion Cotillard is getting buzz for Macbeth, though it’s unclear whether she’ll be campaigned for here or in supporting. 2008 winner Kate Winslet has this fall’s The Dressmaker. 2009 winner Sandra Bullock headlines this October’s Our Brand is Crisis. 2011’s Meryl Streep had Ricki and the Flash last month. It’s always foolish to count her out, but the film’s low box office and mixed critical response could hinder her chances. 2012’s Jennifer Lawrence teams with David O. Russell again for Joy and her two previous films with him both landed her Oscar nods and a win for Silver Linings Playbook. 2013’s Cate Blanchett seems practically guaranteed a nod for Todd Haynes’s Carol, which premiered to raves at Cannes. 2014’s Julianne Moore has Freeheld out soon and it could make her a contender again.

Ultimately, however, my early predictions only have two of these women ending up with nominations. Alicia Vikander (who made a splash already this year with Ex Machina) is bound to get attention for Tom Hooper’s The Danish Girl. Carey Mulligan stars in the womens voting rights drama Suffragette. Saoirse Ronan has already gotten raves on the festival circuit for this autumn’s immigration tale Brooklyn.

More possibilities abound. Veteran comedian/actress Lily Tomlin is being praised for the indie pic Grandma. Emily Blunt stars in the action drama Sicario this September. Angelina Jolie directs and stars in By the Sea. And we can’t count out Charlize Theron in this summer’s Mad Max: Fury Road, even though it’s difficult for the action genre to give us acting nominees. It is worth noting that it happened with Sigourney Weaver nearly 30 years ago with Aliens.

This race looks to be one of the most competitive with a whole lot of huge stars going for the prize. And here’s my first take:

TODD’S EARLY PREDICTIONS – BEST ACTRESS

Cate Blanchett, Carol

Jennifer Lawrence, Joy 

Carey Mulligan, Suffragette

Saoirse Ronan, Brooklyn

Alicia Vikander, The Danish Girl

 

Other Possibilities:

Emily Blunt, Sicario

Sandra Bullock, Our Brand is Crisis

Marion Cotillard, Macbeth

Angelina Jolie, By the Sea

Julianne Moore, Freeheld

Meryl Streep, Ricki and the Flash

Charlize Theron, Mad Max: Fury Road

Lily Tomlin, Grandma

Kate Winslet, The Dressmaker 

For my previous posts with early predictions on Supporting Actor and Actress, click here:

https://toddmthatcher.com/2015/09/01/2015-early-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2015/08/30/2015-early-oscar-predictions-best-supporting-actress/

2015 Early Oscar Predictions: Best Supporting Actor

Continuing on with part two of my impossibly early Oscar predictions for 2015, we move to Best Supporting Actor. As I mentioned in the previous Supporting Actress piece, the predictions that I did at this time of the year in 2014 yielded two out of the five eventual nominees. Same goes for Supporting Actor last year, though it’s worth noting that last year in early September – I mentioned all five eventual nominees in the predicted or other possibilities category.

Unlike Supporting Actress, where Rooney Mara seems to be a shoo in for a nod in Carol, there are no obvious nominees in this category as of yet. One thing seems very possible – Quentin Tarantino has a knack for getting his supporting players attention and that may bode well for either Kurt Russell or Samuel L. Jackson. Right now, I’ll give Russell the edge.

David O. Russell is also known for his performers receiving Academy love and his December release Joy could mean nods for either Bradley Cooper or Robert De Niro. We’ll go with Mr. Cooper at press time.

Alejandro Gonzalez Inarritu’s The Revenant could garner plenty of attention and Tom Hardy could benefit from it in this category. It doesn’t hurt that he’s had a terrific year coming off the acclaimed Mad Max: Fury Road.

The Cannes Film Festival brought forth raves for the indie drama Youth and Harvey Keitel’s work in it while this fall’s Steven Spielberg drama Bridge of Spies seems to have a major supporting role for character actor Mark Rylance.

Danny Boyle’s Steve Jobs may mean nods for either Jeff Daniels or Seth Rogen. The Brian Wilson biopic Love and Mercy has both John Cusack and Paul Dano (depending on who the studio puts in which category). The Catholic Church sex scandal drama Spotlight has Michael Keaton and Mark Ruffalo. Past winner Benicio del Toro is said to be a standout in this September’s Sicario. And on and on.

In other words, lots of possibilities here and we shall see how it shakes out. For now:

TODD’S FIRST PREDICTIONS – BEST SUPPORTING ACTOR

Bradley Cooper, Joy

Tom Hardy, The Revenant

Harvey Keitel, Youth

Kurt Russell, The Hateful Eight

Mark Rylance, Bridge of Spies

Other Possibilities:

Steve Carell, Freeheld

John Cusack, Love and Mercy

Jeff Daniels, Steve Jobs

Paul Dano, Love and Mercy

Benicio del Toro, Sicario

Robert De Niro, Joy

Samuel L. Jackson, The Hateful Eight

Michael Keaton, Spotlight

Jude Law, Genius

Ewan McGregor, Miles Ahead

Seth Rogen, Steve Jobs

Mark Ruffalo, Spotlight

Billy Bob Thornton, Our Brand is Crisis

And that’ll do it for now! Best Actress coming up tomorrow…

You can peruse my Supporting Actress early picks here:

https://toddmthatcher.com/2015/08/30/2015-early-oscar-predictions-best-supporting-actress/

 

Box Office Predictions: September 4-7

Unlike most holiday weekend frames, Labor Day isn’t exactly known for studios bringing out heavy hitters and that remains unchanged in 2015. There are two new releases finding their way to theaters over the long weekend: franchise reboot The Transporter: Refueled and Robert Redford led A Walk in the Woods (which opens Wednesday). You can peruse my detailed prediction posts on each here:

https://toddmthatcher.com/2015/08/28/the-transporter-refueled-box-office-prediction/

https://toddmthatcher.com/2015/08/29/a-walk-in-the-woods-box-office-prediction/

I don’t expect much from either. While Transporter has a reasonable shot at debuting #1, a lot of summer holdovers end up doing more Labor Day weekend than they did the previous weekend. If that holds true for Straight Outta Compton, as I believe it will, that means it will be #1 for the fourth straight weekend. As I see it, Transporter could be second or third depending on how well Mission: Impossible – Rogue Nation increases its gross. The Christian themed War Room got off to a much better than anticipated start, but I actually see it losing close to a third of its opening weekend audience while No Escape (which also debuted above expectations) may lose about a fourth. That would leave Mr. Redford and his Woods in sixth place.

And with that, my predictions for the four day Labor Day weekend top six:

  1. Straight Outta Compton

Predicted Gross: $14.3 million (representing an increase of 9%)

2. The Transporter: Refueled

Predicted Gross: $10.2 million

3. Mission: Impossible – Rogue Nation

Predicted Gross: $9.9 million (representing an increase of 23%)

4. War Room

Predicted Gross: $7.7 million (representing a drop of 31%)

5. No Escape

Predicted Gross: $6 million

6. A Walk in the Woods

Predicted Gross: $4.3 million (Friday to Monday), $5.8 million (Wednesday to Monday)

Box Office Results (August 28-30)

The NWA biopic Straight Outta Compton made it a three peat this weekend with $13.1 million (just above my $12.5M estimate) to bring its impressive total to $134 million. While I pretty much got that right, I stumbled when it came to predicting the weekend’s newcomers.

The aforementioned War Room easily beat expectations with a terrific $11.3 million for second place (surging above my $5.7M prediction). Considering its reported $3M budget, this is a wonderful beginning for it.

Mission: Impossible – Rogue Nation took third with $8.1 million, just beyond my $7.4M projection for a total of $170M.

Just behind Mission was the Owen Wilson/Pierce Brosnan thriller No Escape which also made $8.1 million over the traditional weekend and $10.1 million since its Wednesday debut. This outshines my respective predictions of $4.7M and $6.3M and is a better start than most anticipated.

Rounding out the top five was Sinister 2 in its sophomore frame with $4.6 million. I incorrectly had it outside the top five and its two week total is an unimpressive $18M.

Where I really went wrong was with the Zac Efron flick We Are Your Friends, which had an absolutely putrid $1.7 million start for only 13th place. I had it second with $10.9M… oops! Clearly audiences had zero interest in Friends and it managed only an embarrassing $770 per screen average.

And that’s all for now, friends! Until next time…

Furious 7 Movie Review

The adrenaline fused junk food soap opera that is the Fast and Furious franchise has met with real life in its seventh installment, Furious 7. The pic faced the unenviable task of addressing the death of one its signature stars Paul Walker, who lost his life in a car accident in 2013. The filmmakers handle it in a delicate and touching way at the conclusion and manage to give fans of the franchise what they’ve come to anticipate from this multicultural action fest. It’s got everything you’d expect: ridiculous and often cringe inducing one liners, incredibly choreographed sequences with cars doing things they have no business doing, beautiful scenery on both the human and geographical scale, and lots of dialogue about family (which hits closer than normal considering the events with Walker).

The plot of these proceedings is always secondary, of course. Furious 7 actually picks up after the events of Tokyo Drift, the series third entry and its weakest. This would be after the death of team member Han and our new villain is Deckard Shaw (Jason Statham), the older brother of part 6’s dearly departed villain Owen. Deckard is out for revenge and that means he’s targeting the whole crew, led by Dom (Vin Diesel), Brian (Walker), and Letty (Michelle Rodriguez), who’s still suffering from her amnesia as a result of her near death in part 4. The other usual suspects return including Tyrese Gibson, Ludacris, and Jordana Brewster. And there’s Dwayne Johnson back as Hobbs, the gloriously over the top federal agent who is responsible for some of the silliest bits of dialogue. One notable newcomer is Kurt Russell as a shadowy government agent and the veteran performer seems to be having a lot of fun.

Where the Furious movies succeed or fail depends mostly on the action set pieces and 7 has some dandies. The whole midsection set in Abu Dhabi gives us some real thrills, particularly a sequence involving a multi million dollar car crashing through multiple buildings. The eventual climax back in the homeland of Los Angeles involves predator drones, a pretty far cry from a franchise that used to be concerned with just car tricks. When part 5 was released, the Onion newspaper hilariously pontificated that its screenwriter Chris Morgan was actually a kindergartner. He continues to write these pictures and by my math, he’d be in fourth grade now. Sometimes it still feels as if an elementary student is writing the words here, but that’s not really the point. In Furious world, what counts is the adventure on the screen. And there’s plenty of excitement that James Wan (a new director to the series) conjures up here. It’s pretty simple. If you like this franchise, you’ll like what you see the seventh time around. And you might be a little surprised at how just a completely unsubtle series handles the loss of one its biggest stars with a subtle touch.

*** (out of four)

A Walk in the Woods Box Office Prediction

A host of recognizable faces populate this Wednesday’s adventure comedy A Walk in the Woods, but that may not mean it will be granted box office success. Robert Redford, Nick Nolte, Emma Thompson, Nick Offerman and Mary Steenburgen headline this pic based on a 1998 novel by travel writer Bill Bryson, whom Mr. Redford portrays. Ken Kwapis directs and he’s certainly had a fascinating career with titles like the Cyndi Lauper 1988 vehicle Vibes and Fran Drescher’s Beautician and the Beast to his credit.

Critics have not been impressed and the Rotten Tomatoes meter is currently at 45%. The marketing campaign has been subdued and there could be many moviegoers who simply aren’t aware of Woods existence. Its five day opening number is unlikely to reach double digits and I question whether even $5 million is feasible. I think it’ll just top that, which isn’t exactly an accomplishment.

A Walk in the Woods opening weekend prediction: $4.3 million (Friday to Sunday), $5.8 million (Wednesday to Monday)

For my The Transporter: Refueled prediction, click here:

https://toddmthatcher.com/2015/08/28/the-transporter-refueled-box-office-prediction/

The Transporter Refueled Box Office Prediction

On Labor Day weekend, the fourth entry in the Transporter franchise hits theaters nearly seven years after the third edition with The Transporter: Refueled. A lot has changed in the meantime. Most notably, the series star Jason Statham is nowhere to be found and English rapper/actor Ed Skrein is the leading man. Cowritten by Luc Besson, who’s scripted the other films, Refueled will attempt to revitalize a franchise that had begun losing steam with part three.

It won’t be an easy task. The original pic in 2002 debuted to $9 million with an eventual $25 million domestic take. 2005’s Transporter 2 marked the highs of the series with a $16 million premiere and $43 million eventual gross. 2008’s Transporter 3 made $12 million out of the gate with a $31 million haul. The absence of Statham and long wait between pics leads me to believe The Transporter: Refueled may struggle to reach double digits. I think it’ll just manage it, if only due to the lack of product currently in the marketplace.

The Transporter: Refueled opening weekend prediction: $10.2 million (Friday to Monday for Labor Day weekend)

For my A Walk in the Woods prediction, click here:

https://toddmthatcher.com/2015/08/29/a-walk-in-the-woods-box-office-prediction/

War Room Box Office Prediction

It happens sometimes and we have a late entry in my box office predictin’ business as the Christian themed drama War Room opens tomorrow on an estimated on 1100 screens. That’s enough exposure that the pic could sneak into the top five, considering this should be a lackluster weekend at the multiplex.

Director Alex Kendrick has seen modest box office successes before with his faith based works, particularly 2008’s Fireproof with Kirk Cameron. It opened with $6 million on its way to a $33 million domestic take. Kendrick’s last feature, 2011’s Courageous, opened with $3 million with an eventual $9 million gross. These are great numbers considering they cost very little to produce (War Room‘s budget is just a reported $3M).

I will be revising my top five predictions for the weekend as I believe Room will snag the #4 spot and outdo another newcomer, No Escape.

War Room opening weekend prediction: $5.7 million

For my We Are Your Friends prediction, click here:

https://toddmthatcher.com/2015/08/20/we-are-your-friends-box-office-prediction/

For my No Escape prediction, click here:

https://toddmthatcher.com/2015/08/21/no-escape-box-office-prediction/

The Superman We Never Saw

When you’ve got yourself a documentary about a major Hollywood production that never ended up being made and its director Tim Burton isn’t the most eccentric individual being interviewed, you’re probably in for something fascinating. And so it is with The Death of Superman Lives: What Happened?, which tells the tale of why Burton’s proposed reimagining of the Man of Steel never made it to the screen.

The more eccentric character is by far Jon Peters, the mega producer who had successfully worked with Burton to bring Batman to the masses in 1989. The two were deep into pre-production on the late 1990s Superman Lives project before the plug was pulled and some of this doc’s greatest moments involve Peters being interviewed and, even more so, other people talking about him. Peters started out as Barbara Streisand’s hairdresser before becoming a major producing player. We hear tales of Peters’ insistence on having a giant spider featured in the film, his preference on having scripts read to him while he lays on the couch, his proclivity for putting employees in headlocks and trying out his jiu jitsu moves on underlings.

There’s a lot more to the story of how Superman Lives died and director/writer Jon Schnepp explores it in great detail here. This documentary has had its own difficult history in finally being released and it was partly funded through a Kickstarter campaign. The Supes reboot went through three screenwriters during its gestation: Kevin Smith at first, who brought his comic book geek sensibility before being jettisoned by Warner Bros brass, Peters, and Burton; Wesley Strick, who would eventually suffer the same fate; and its final writer Dan Gilroy, who would go onto direct my favorite pic of last year, Nightcrawler. Nicolas Cage was to star in the title role and there’s even fascinating footage of him trying on the iconic Superman costume, which the doc spends a lot of time talking delving into. In the late 1990s, Cage seemed like a fairly logical choice as he was coming off an Oscar for 1995’s Leaving Las Vegas and headlining A list action projects like The Rock, Con Air, and Face/Off.  In other words, it was a few years prior to Cage seemingly accepting every single script that came his way. Other casting choices are discussed, including Sandra Bullock as Lois Lane, Chris Rock as Jimmy Olsen, Christopher Walken as Brainiac, and Kevin Spacey as Lex Luthor (that actor would go onto play him in 2006’s Superman Returns).

What emerges from the documentary is a film about a film never made (it was three weeks away from shooting) that probably would’ve been something to behold. Would it have been good? Hard to say. The two subsequent Superman reboots that would follow years later (the aforementioned Superman Returns and 2013’s Man of Steel) were both rather disappointing in my view and many comic book lovers felt the same way. Burton’s track record over the last quarter century has been hit and miss. While his take on Batman was a rousing success, his “reimagining” of Planet of the Apes in 2001 left much to be desired. What’s clear is that it would have been a much different Superman than we’ve ever seen and would have looked a whole lot different (the long portions about its production design are quite intriguing).

One important through line that runs in the doc is the fact that Superman Lives was by no means guaranteed massive success in the late 1990s. We must remember that it wasn’t until the turn of the century that 2000’s X-Men truly helped usher in the golden age of comic book flicks that we’ve seen steadily over the last 15 years. When this project was gestating, 1997’s Batman and Robin had essentially killed that Caped Crusader franchise until Chris Nolan brought it back to life eight years later. Warner Bros. was nervous about a similar fate for Burton’s new project. Ironically, it was Batman and Robin director Joel Schumacher who killed Burton’s Batman series and helped pump the brakes on Burton’s budding Superman picture.

For comic book lovers, The Death of Superman Lives: What Happened? will be a treasure trove of intel on why this project never saw the light of day. Yet for movie fans in general, it provides key insight into how movies are made… and how some aren’t made. And how its possibly crazy main producer was obsessed with spiders and jui jitsu.

Box Office Predictions: August 28-30

BLOGGER’S NOTE (Thursday, August 27) – I am revising my top five predictions and accounting for the Christian themed drama War Room (opening on approximately 1100 screens). I believe it will manage to snag the #4 spot.

https://toddmthatcher.com/2015/08/27/war-room-box-office-prediction/

The last weekend of August should bring forth some serious box office doldrums as it usually does this time of year. There are two new entries out: the Zac Efron DJ drama We Are Your Friends and Owen Wilson action thriller No Escape. You can read my detailed prediction posts on each here:

https://toddmthatcher.com/2015/08/20/we-are-your-friends-box-office-prediction/

https://toddmthatcher.com/2015/08/21/no-escape-box-office-prediction/

I frankly don’t expect much from either, but Friends stands the better chance of over performing and possibly even nabbing the #1 spot. I don’t think it’ll quite get there though and that means Straight Outta Compton should manage to stay #1 for the third weekend in a row. Mission: Impossible – Rogue Nation should drop from 2nd to 3rd.

And with that, my predictions for the weekend’s top five:

  1. Straight Outta Compton

Predicted Gross: $12.5 million (representing a drop of 52%)

2. We Are Your Friends

Predicted Gross: $10.9 million

3. Mission: Impossible – Rogue Nation

Predicted Gross: $7.4 million (representing a drop of 37%)

4. War Room

Predicted Gross: $5.7 million

5. No Escape

Predicted Gross: $4.7 million (Friday to Sunday), $6.3 million (Wednesday to Sunday prediction)

Box Office Results (August 21-23)

The N.W.A. biopic continued to rule the charts as Straight Outta Compton took in $26.3 million in its sophomore frame, just above my $24.6M estimate. The acclaimed pic has amassed an impressive $111 million in ten days.

Staying in the runner-up spot was Mission: Impossible – Rogue Nation which added $11.4 million to its coffers, just ahead of my $10.4M projection. Its total stands at $157M.

Horror sequel Sinister 2 sputtered with just $10.5 million, well below my $16.2M prediction and well under the $18 million earned by the original for its start. Hitman: Agent 47 debuted in fourth with an unremarkable $8.3 million, though it did top my $6M estimate.

The Man from U.N.C.L.E. dropped to fifth in weekend #2 with $7.3 million, in line with my $7.1M prediction. Its sleepy two week total is at $26M. Finally, the Jesse Eisenberg/Kristen Stewart action comedy American Ultra tanked in sixth place with just $5.4 million, falling below my $9.8M estimate.

And that’s all for now, folks! Until next time…

No Escape Box Office Prediction

Seeing that a number of Owen Wilson comedies have under performed recently, it’s tough to envision a scenario where his late August action thriller No Escape gains any traction with moviegoers when it opens on Wednesday. The pic casts Wilson as a businessman trapped with his family in Southeast Asia during a military coup. Lake Bell and Pierce Brosnan costar.

The trailers and TV spots do little to inspire much confidence. Frankly, No Escape looks like something that could have as easily gone the direct to VOD route. It’s probably no accident this is arriving the final week of summer, which is primarily a dumping ground for product the studios don’t have much faith in. I believe Escape will struggle to make double digits, even in its expanded five day roll out and it’ll probably be available on the aforementioned VOD quite soon.

No Escape opening weekend prediction: $4.7 million (Friday to Sunday), $6.3 million (Wednesday to Sunday)

For my We Are Your Friends prediction, click here:

We Are Your Friends Box Office Prediction

For my War Room prediction, click here:

War Room Box Office Prediction