Well, the most high profile Oscar precursor has come and gone in a haze of bleeped out words, priceless Leo DiCaprio reactions to Lady GaGa, and the burgeoning bromance of host Ricky Gervais and Mel Gibson. Through all that craziness, there were actual awards given out and I had a spotty record predicting the winners.
Of the 14 film categories, I correctly predicted 8 (hey – over 50%, right??). Yet I certainly missed some biggies. This started with the fact that The Revenant performed much better than anticipated, winning Best Drama and Best Director with Alejandro Gonzalez Inarritu. I predicted that Spotlight (which was totally shut out) would win Picture with Mad Max: Fury Road‘s George Miller taking the director prize. What does this mean for the Oscars? Perhaps nothing, but it does reinforce the fact that if Spotlight is the Oscar front runner, it’s a soft one.
I also whiffed on the Best Musical or Comedy Picture race as Ridley Scott’s The Martian (even with its questionable category placement) won over my predicted winner The Big Short.
As for the lead acting races, I did manage to go four for four: Leo in Drama for The Revenant, Brie Larson in Actress (Drama) for Room, Matt Damon in Actor (Comedy or Musical) for The Martian, and Jennifer Lawrence in Actress (Comedy or Musical) for Joy. I also correctly said Sylvester Stallone in Supporting Actor for Creed, which provided one of the longest ovations of the evening (along with Leo). Supporting Actress was a bit of a dice roll, especially with likely Oscar contenders Rooney Mara (Carol) and Alicia Vikander (The Danish Girl) being nominated in Lead at the Golden Globes. I said Jennifer Jason Leigh for The Hateful Eight, but the Hollywood Foreign Press went with Kate Winslet’s work in Steve Jobs. That biopic about the tech giant also had a surprise win in Best Screenplay over my prediction, yet again, of Spotlight.
Others I got right: Ennio Morricone for Score (The Hateful Eight), Animated Feature (Inside Out), and Foreign Language Film (Son of Saul). And one more wrong guess as Sam Smith took Best Original Song for Spectre theme “Writing’s on the Wall”, even though it was received with mostly ambivalence. My prediction for Wiz Khalifa’s huge hit and Paul Walker tribute “See You Again” from Furious 7.
Of course, Thursday will bring us Oscar nominations and I’ll have my predictions up on the blog either tomorrow or Wednesday. Meanwhile, may visions of Jonah Hill in that Revenant bear costume continue to fill your mind…
We have arrived at my weekly Friday predictions for who and what will be nominated for the Oscars honoring 2015 pictures. This will be the last Friday I’ll be doing so because the nominations themselves come out this Thursday, January 14th. I will have one final post of predictions either on Tuesday or Wednesday next week.
One consistent source of consternation is whether Rooney Mara will be nominated in lead Actress or Supporting Actress for Carol (same goes, to a lesser degree, for Alicia Vikander’s work in The Danish Girl). Last week, I had her in Actress, but now I’m switching back to Supporting. We shall see. As with my posts every week, it will show where the movers and shakers have shifted around with chances of nomination.
So here goes… my penultimate Oscar predictions…
Best Picture
Spotlight (No Change)
The Big Short (+1)
Mad Max: Fury Road (+1)
Room (-2)
The Martian (+1)
The Revenant (+1)
Carol (-2)
Bridge of Spies (+1)
Brooklyn (-1)
Other Possibilities:
10. Straight Outta Compton (+3)
11. Star Wars: The Force Awakens (-1)
12. The Hateful Eight (No Change)
13. Inside Out (-2)
14. Sicario (+4)
15. Beasts of No Nation (-1)
16. Steve Jobs (No Change)
17. Trumbo (+2)
18. Ex Machina (Previously Unranked)
19. The Danish Girl (+1)
20. Son of Saul (-5)
21. Creed (-4)
DROPPED OUT: Anomalisa
WHAT’S CHANGED: No Changes
Best Director
George Miller, Mad Max: Fury Road (+1)
Tom McCarthy, Spotlight (-1)
Alejandro Gonzalez Inarritu, The Revenant (+1)
Ridley Scott, The Martian (-1)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Adam McKay, The Big Short (No Change)
7. Steven Spielberg, Bridge of Spies (+1)
8. Lenny Abrahamson, Room (-1)
9. John Crowley, Brooklyn (+3)
10. Quentin Tarantino, The Hateful Eight (-1)
11. F. Gary Gray, Straight Outta Compton (Previously Unranked)
12. J.J. Abrams, Star Wars: The Force Awakens (-1)
DROPPED OUT: Creed, Mad Max: Fury Road (moved to Original)
WHAT’S CHANGED: No Changes
Best Animated Feature
Inside Out (No Change)
Anomalisa (No Change)
Shaun the Sheep Movie (No Change)
Kahlil Gabran’s The Prophet (+1)
The Good Dinosaur (+1)
Other Possibilities:
6. The Peanuts Movie (-2)
7. When Marnie Was There (No Change)
DROPPED OUT: Minions
WHAT’S CHANGED – In: The Good Dinosaur. Out: The Peanuts Movie.
Best Production Design
The Danish Girl (+1)
Carol (-1)
Mad Max: Fury Road (No Change)
Bridge of Spies (No Change)
Brooklyn (+2)
Other Possibilities:
6. The Hateful Eight (-1)
7. Cinderella (-1)
8. MacBeth (+3)
9. The Revenant (-1)
10. Far From the Madding Crowd (No Change)
11. Star Wars: The Force Awakens (-2)
WHAT’S CHANGED – In: Brooklyn. Out: The Hateful Eight.
Best Cinematography
The Revenant (No Change)
Mad Max: Fury Road (+1)
The Hateful Eight (-1)
Sicario (No Change)
Bridge of Spies (No Change)
Other Possibilities:
6. The Martian (No Change)
7. Carol (+1)
8. The Assassin (Previously Unranked)
9. Son of Saul (-2)
DROPPED OFF: Star Wars: The Force Awakens
WHAT’S CHANGED: No Changes
Best Costume Design
The Danish Girl (+1)
Carol (-1)
Brooklyn (+1)
Cinderella (-1)
Far from the Madding Crowd (No Change)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Suffragette (+3)
8. Trumbo (Previously Unranked)
9. The Revenant (No Change)
10. MacBeth (-2)
11. Star Wars: The Force Awakens (No Change)
12. Mad Max: Fury Road (-5)
WHAT’S CHANGED: No Changes
Best Editing
Mad Max: Fury Road (No Change)
The Big Short (+5)
The Martian (+1)
The Revenant (-2)
Spotlight (-2)
Other Possibilities:
6. Steve Jobs (-1)
7. Bridge of Spies (+1)
8. Room (+4)
9. The Hateful Eight (No Change)
10. Sicario (-4)
11. Straight Outta Compton (Previously Unranked)
12. Star Wars: The Force Awakens (-2)
DROPPED OUT: Carol
WHAT’S CHANGED – In: The Big Short. Out: Steve Jobs.
Best Makeup and Hairstyling
Mad Max: Fury Road (No Change)
Black Mass (+1)
The Revenant (-1)
Other Possibilities:
4. The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+2)
5. Concussion (-1)
6. Mr. Holmes (-1)
7. Legend (No Change)
WHAT’S CHANGED: No Changes
Best Sound Mixing
Mad Max: Fury Road (No Change)
The Martian (+2)
Star Wars: The Force Awakens (-1)
Sicario (+1)
The Revenant (-2)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Jurassic World (+1)
8. In the Heart of the Sea (-1)
WHAT’S CHANGED: No Changes
Best Sound Editing
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (+1)
The Revenant (-1)
The Martian (No Change)
Sicario (+1)
Other Possibilities:
6. The Hateful Eight (+1)
7. In the Heart of the Sea (-2)
8. Jurassic World (No Change)
WHAT’S CHANGED – In: Sicario. Out: In the Heart of the Sea.
Best Visual Effects
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
Jurassic World (+1)
The Martian (-1)
Ex Machina (No Change)
Other Possibilities:
6. In the Heart of the Sea (No Change)
7. The Walk (No Change)
8. Avengers: Age of Ultron (Previously Unranked)
9. Everest (-1)
DROPPED OFF: The Revenant
WHAT’S CHANGED: No Changes
Best Original Score
The Hateful Eight (No Change)
Bridge of Spies (No Change)
Carol (No Change)
The Danish Girl (+1)
Star Wars: The Force Awakens (-1)
Other Possibilities:
6. Spotlight (No Change)
7. Steve Jobs (No Change)
8. Mad Max: Fury Road (+1)
DROPPED OFF: Inside Out, The Revenant
WHAT’S CHANGED: No Changes
Best Original Song
“Til It Happens to You” from The Hunting Ground (No Change)
“So Long” from Concussion (+1)
“See You Again” from Furious 7 (-1)
“Simple Song #3” from Youth (No Change)
“Love Me Like You Do” from Fifty Shades of Grey (+2)
Other Possibilities:
6. “Earned It” from Fifty Shades of Grey (-1)
7. “Writing’s on the Wall” from Spectre (-1)
WHAT’S CHANGED – In: “Love Me Like You Do”. Out: “Earned It”.
These current predictions reflect the following breakdown of films getting these numbers:
9 Nominations
Mad Max Fury Road
8 Nominations
Carol, The Revenant
6 Nominations
Bridge of Spies, The Martian
5 Nominations
The Big Short, Brooklyn, The Danish Girl
4 Nominations
The Hateful Eight, Spotlight, Star Wars: The Force Awakens
3 Nominations
Room. Sicario, Steve Jobs
2 Nominations
Ex Machina, Inside Out
1 Nomination
Anomalisa, Beasts of No Nation, Black Mass, Cinderella, Concussion, Creed, Far from the Madding Crowd, Fifty Shades of Grey, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, Joy, Jurassic World, Kahlil Gabran’s The Prophet, Love and Mercy, Shaun the Sheep Movie, Trumbo, Youth
That’ll do it for now, folks! I’ll have my FINAL Oscar predictions up next week…
Lionsgate tries to get in on the animation action with Norm of the North, opening next Friday. The 3D computer animated pic features the voices of Rob Schneider, Heather Graham, and Ken Jeong (pulling double duty over the weekend with Ride Along 2).
On MLK weekend over the past couple of years, kiddie entertainment has performed quite nicely. Last year, Paddington debuted to $18.9 million and in 2013, The Nut Job opened with $19.4 million. This Arctic set tale seems be flying a bit more south of the radar. It could possibly benefit from a dearth of family entertainment now that Alvin and the Chipmunks: The Road Chip is winding down (though Star Wars is still out there), but I believe Norm may be lucky to reach double digits for its start.
Norm of the North opening weekend prediction: $9.3 million
Transformers director Michael Bay takes a robotic break next weekend with 13 Hours: The Secret Soldiers of Benghazi, which recounts the true story of the security team attempting to defend the diplomatic compound during Benghazi’s terrorist attack on September 11, 2012. The cast includes James Badge Dale and John Krasinski.
The film has generated plenty of publicity due its timely subject matter and that could lead to a stealthy gross out of the gate. Competition for male attention is strong, with Ride Along 2 premiering and the second weekend of The Revenant in its path.
That said, January has proven to be quite fruitful for military themed fare. Last year, Clint Eastwood’s American Sniper grossed an astonishing $89 million in its wide release opening weekend. In 2013, Lone Survivor with Mark Wahlberg earned nearly $38 million for its debut. In 2012, the February release of Act of Valor took in $24.4 million for its start.
I believe Benghazi‘s gross might fall somewhere between Survivor and Valor numbers (anything approaching Sniper‘s grosses seems out of reach). My prediction reflects a belief that 13 Hours could reach right near the $30M mark for a very solid opening.
13 Hours: The Secret Soldiers of Benghazi opening weekend prediction: $29.3 million
Kevin Hart and Ice Cube are back together again in Ride Along 2, exactly two years after the original became a breakout hit. Reuniting with director Tim Story, the action comedy sequel also features Olivia Munn, Ken Jeong, and Benjamin Bratt.
Ride Along kick started Hart’s burgeoning movie career with a three day debut of $41.5 million over the 2014 MLK Day weekend and $48.6 million over the long weekend on its way to a $134.9M domestic haul. Both stars have kept busy over the last two years, with Cube getting a special kind of exposure in last summer’s monster hit Straight Outta Compton.
This follow-up should be in a position to possibly even improve on the original’s numbers. It helps that only a couple years have passed and the first Ride is still fresh in moviegoers minds.
I’ll project Ride Along 2 does just manage to top what came before it and the pic should be the one to finally knock Star Wars from its perch atop the charts.
Ride Along 2 opening weekend prediction: $45.5 million
For my 13 Hours: The Secret Soldiers of Benghazi prediction, click here:
With 2015 by the wayside, it’s time to focus on the upcoming releases for the New Year and that means listing my 16 most eagerly awaited features! Obviously, I’m going by pedigree alone pretty much and not buzz (I’ll note that Fantastic Four made my 2015 cut, if that tells you something).
2016 appears to be jam packed with both sequels and superhero pics. Just to give you an idea, here’s some sequels that didn’t make the cut: Zoolander No. 2, London Has Fallen, Ride Alone 2, The Divergent Series: Allegiant, My Big Fat Greek Wedding 2, Rings, Barbershop: The Next Cut, The Huntsman Winter’s War, Neighbors 2: Sorority Rising, Alice Through the Looking Glass, Teenage Mutant Ninja Turtles: Out of the Shadows, The Conjuring 2, Now You See Me 2, Finding Dory, Independence Day: Resurgence, Ice Age: Collision Course, The Purge 3, Bridget Jones’s Baby, Underworld 5, Jack Reacher: Never Go Back, Ouija 2, Bad Santa 2, and Inferno (the third Tom Hanks Robert Langdon flick). As for comic book related fare, X-Men: Apocalypse, Doctor Strange, and Gambit didn’t make the list of sweet 16.
Others that closely missed the cut: The Jungle Book remake from director Jon Favreau; The Magnificent Seven remake with Denzel Washington, Chris Pratt, and Ethan Hawke; and Jodie Foster’s political thriller Money Monster starring George Clooney and Julia Roberts.
So what DID make it? Here’s my alphabetical list:
Batman v Superman: Dawn of Justice
Never mind that the trailer looks like a bit of a mess. And maybe ignore that Zack Snyder’s Man of Steel was a major mixed bag. This “sequel” brings Ben Affleck’s Caped Crusader in to fight with Henry Cavill’s Supes with Wonder Woman joining the party as well, in addition to Jesse Eisenberg’s Lex Luthor. The curiosity factor alone allows it to make this list. (March 25)
The BFG
This fantasy adventure has some seriously impressive pedigree: it’s based on Roald Dahl’s book and the screenplay is written by the late Melissa Mathison, who penned E.T. The director? Steven Spielberg. ‘Nuff said. (July 1)
Captain America: Civil War
The second Captain America pic, 2013’s Winter Soldier, ranks high in pantheon of MCU titles and this third go round is basically a quasi-Avengers experience with Robert Downey Jr.’s Iron Man, Paul Rudd’s Ant-Man, and our new Spider-Man Tom Holland joining the mix. (May 6)
Deadpool
Our third comic book adaptation sounds in many ways to be the most intriguing (save for one a little further down this list). Deadpool casts Ryan Reynolds (whose superhero movie history include a pretty bad Green Lantern flick) in this hard R rated pic infused with comedy and its trailers inspire hope. This is said to tie in with the X-Men franchise at some future juncture. (February 12)
Fantastic Beasts and Where to Find Them
Based on J.K. Rowling’s novel and from Harry Potter director David Yates comes this return to the world of wizardry that stars Oscar winner Eddie Redmayne. Warner Bros. is anticipating at least a trilogy out of this. (November 18)
The Founder
From the director of The Blind Side and Saving Mr. Banks comes this biopic of McDonald’s founder Ray Kroc, played by Michael Keaton. Don’t be surprised to see this one surrounded by Oscar buzz. (November 25)
NO TRAILER AT PRESS TIME
Ghostbusters
Bridesmaids and Spy maker Paul Feig reboots the famous 80s franchise with Melissa McCarthy, Kristin Wiig, and current SNL castmates Leslie Jones and Kate McKinnon. (July 15)
NO TRAILER AT PRESS TIME
Hail, Caesar!
Anything from the Coen Brothers is worthy of my anticipation and this 1950s Hollywood set comedy features George Clooney, Josh Brolin, Scarlett Johansson, Jonah Hill, Tilda Swinton, Channing Tatum, and Ralph Fiennes. (February 5)
The Nice Guys
A little over a decade ago, screenwriter/director Shane Black started off Robert Downey Jr.’s improbable comeback with the hilarious action comedy Kiss Kiss Bang Bang before move onto direct Iron Man 3. This 70s set action comedy looks extremely promising and stars Russell Crowe and Ryan Gosling. (May 20)
Passengers
Little is known about this sci-fi romance from The Imitation Game director Morten Tyldum. Yet it is headlined by mega-stars Jennifer Lawrence and Chris Pratt. I’m in. (December 25)
NO TRAILER AT PRESS TIME
Rogue One: A Star Wars Story
The Force Awakens just became the biggest domestic grosser of all time (in under four weeks) and this December brings the first spin-off, taking place between episodes III and IV. It focuses on a team of rebels tasked with stealing the plans for the Death Star and is directed by Gareth Edwards, who made 2014’s effective Godzilla reboot. This should rule the holiday season in 2016. (December 16)
NO TRAILER AT PRESS TIME
Silence
Like the Coens, anything from Martin Scorsese is worthy of inclusion and this historical epic focused on Jesuit priests in Japan stars Andrew Garfield, Adam Driver, and Liam Neeson. (No Release Date at Press Time)
NO TRAILER AT PRESS TIME
Star Trek Beyond
J.J. Abrams has exited the franchise as director to concentrate on a different one while Justin Lin (maker of four Fast and Furious entries) takes over. Let’s see if he keeps the momentum Abrams brought fourth speeding along. (July 22)
Suicide Squad
This is my most anticipated comic book adaptation of the many in 2016. Fury director David Ayer gathers a group of super villains together to hopefully do some good. The cast includes Will Smith, Margot Robbie, and Jared Leto as The Joker. The trailer is terrific. (August 5)
Sully
Clint Eastwood follows up his cultural phenomenon American Sniper with this biopic of the pilot who famously landed on the Hudson, with Tom Hanks in the title role. Another pic that could be ripe for Oscar bait. (September 9)
NO TRAILER AT PRESS TIME
Untitled Bourne Film
When Jeremy Renner stepped in for Matt Damon for this celebrated action franchise, audiences reacted with mostly ambivalence. So Damon is back, paired with Paul Greengrass, director of the winning second and third pics in the series. Tommy Lee Jones and Alicia Vikander costar. (July 29)
NO TRAILER AT PRESS TIME
And there you have it! We’ll see you at the movies in 2016 and I hope this helped you a little bit…
Chronicling approximately a decade of time following the three most notable members of gangsta rap supergroup N.W.A. and named after their landmark debut album, Straight Outta Compton is a musical biopic that often approaches the large proportions these artists deserve. This is not “Behind the Music” nor the chintzy examples of this genre that we sometimes find on VH-1 or Lifetime. F. Gary Gray’s movie is a timely tale about timeless music that was thought to be a total fad when Dr. Dre first spun his iconic beats for fellow group members Eazy-E, Ice Cube, DJ Yella, and MC Ren.
It begins in 1986 with the group’s formation in the drug infested Los Angeles suburb of Compton. Talented DJ Andre “Dr. Dre” Young (Corey Hawkins) recruits local drug dealer Eric “Eazy E” Wright (Jason Mitchell) to help fund the group. O’Shea Jackson aka Ice Cube (played by Cube’s real life son O’Shea Jackson Jr.) is the fiery rapper and lyricist along their side. MC Ren and DJ Yella… well, they’re also in N.W.A. I don’t say this to minimize their contributions. The film just really doesn’t spend any time exploring them. This is understandable because Compton has a lot on its plate and packs a lot in during its two and a half hour run time.
The period of time covered here does explore two managers who both helped make the group’s and Dre’s solo masterworks occur and employed nefarious tactics that wreaked havoc. For N.W.A., it’s Jerry Heller (played with gusto by Paul Giamatti) and later on it’s notorious Death Row cofounder Suge Knight (R. Marcos Taylor). For those familiar with the story, we get the expected high and lowlights beyond the corporate intrigue – the young men adjusting to fame, Cube’s controversial exit, Eazy’s eventual health issues, and the group’s dealings with police brutality both before and after they achieved fame. Of course, some of those instances lead to their most notable tracks.
What helps Compton achieve more than most of its contemporaries is likely due to director F. Gary Gray, who early in his career directed videos for Cube and Dre and helmed 1995’s weed classic Friday, which starred and was cowritten by Cube. Mr. Jackson and Mr. Young are also producers and this all leads to an air of authenticity that permeates the production. It elevates this material to superior heights, even if we’ve seen these tales (whether based in truth or not) before.
Mitchell stands out as Eazy and he is given the most emotional story arch to work with. Jackson, as you’d expect, has probably had plenty of practice mimicking his old man and does a commendable job and Hawkins is a suitable Dre. And of course, there’s the music. A sound that was dangerous to so many ears and still is. It was also brilliant and Dre’s incredible contributions to the sound of the last 30 years is given its proper due.
Straight Outta Compton sometimes does feel like its trying to pack in so much recent history that it feels fragmented. The N.W.A. tale and Death Row saga could easily be separate pics (brief glimpses of Snoop and 2Pac make you wish for that 2 1/2 hours of devotion). For what we’ve been presented, though, Compton is on the higher (not a Chronic reference) end of these tales with beats by Dre that keep its propulsive rhythm humming.
Four days before Oscar nominations are revealed, Hollywood will throw their annual party and awards ceremony known as the Golden Globes, put on by the Hollywood Foreign Press (whoever they are). The always entertaining Ricky Gervais is back to host and the show honors 2015’s best in movies and television. I won’t bother with the TV stuff (just because I haven’t followed it anywhere close to what I do with film). As you may know, the Globes divide the picture and lead actor races in two: Drama and Musical/Comedy. This has been a source of some controversy recently with titles like The Wolf of Wall Street and American Hustle being questionably placed into Comedy. The ante was upped this year when Ridley Scott’s The Martian made that category. It has laughs to be sure, but really?
I’ll go through each race and predict the winners (and potential runner-up) and will update the blog either Sunday evening or Monday with how I did:
Best Picture (Drama)
Nominees:
Carol
Mad Max: Fury Road
The Revenant
Room
Spotlight
Outlook: Early critical precursors have placed Spotlight in the position of soft front runner for the Oscars and here. In fact, one of its main competitors The Big Short is in the other category so that helps even more. Potential spoilers could be Carol or just maybe Mad Max, but Spotlight is the odds on favorite here.
Predicted Winner: Spotlight
Runner-Up: Carol
Best Picture (Musical/Comedy)
Nominees:
The Big Short
Joy
The Martian
Spy
Trainwreck
Outlook: Let’s dispense with the two outright comedies – Spy and Trainwreck – as they stand no real chance. Joy‘s mixed critical reaction probably leaves it out, too. So we’re down to The Big Short and The Martian. With the deserved controversy of having The Martian even here in the first place aside, Short seems to have the bigger momentum right now and it should edge out its main competitor.
Predicted Winner: The Big Short
Runner-Up: The Martian
Best Actor (Drama)
Nominees:
Bryan Cranston, Trumbo
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Will Smith, Concussion
Outlook: While he’s famously never won an Oscar, Leo did take a Globe two years ago (in Comedy) for Wolf of Wall Street. Look for his dramatic work here to be recognized and it would frankly be fairly surprising if he didn’t win. I’d say Fassbender or maybe Cranston pose the only real upset threats.
Predicted Winner: DiCaprio
Runner-Up: Fassbender
Best Actress (Drama)
Nominees:
Cate Blanchett, Carol
Brie Larson, Room
Rooney Mara, Carol
Saoirise Ronan, Brooklyn
Alicia Vikander, The Danish Girl
Outlook: My inkling here is that Blanchett and Mara will pretty much cancel each other out for their work in Carol. Vikander is a double nominee this year, but appears to be a long shot in this race especially. Ronan is certainly a possibility, but Larson is the likely recipient for her lauded work.
Predicted Winner: Larson
Runner-Up: Ronan
Best Actor (Musical/Comedy)
Nominees:
Christian Bale, The Big Short
Steve Carell, The Big Short
Matt Damon, The Martian
Al Pacino, Danny Collins
Mark Ruffal0, Infinitely Polar Bear
Outlook: First things first – Pacino and Ruffalo have zero shot. Like the previously discussed race, I could see Bale and Carell canceling one another out and that leaves Mr. Damon.
Predicted Winner: Damon
Runner-Up: Bale
Best Actress (Musical/Comedy)
Nominees:
Jennifer Lawrence, Joy
Melissa McCarthy, Spy
Amy Schumer, Trainwreck
Maggie Smith, The Lady in the Van
Lily Tomlin, Grandma
Outlook: Schumer had her breakout role with Trainwreck and stands a chance, but this is probably Lawrence’s race to lose.
Predicted Winner: Lawrence
Runner-Up: Schumer
Best Supporting Actor
Nominees:
Paul Dano, Love and Mercy
Idris Elba, Beasts of No Nation
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Sylvester Stallone, Creed
Outlook: This race is a little trickier and could be ripe for an upset (Elba or Shannon wouldn’t shock me). However, this probably comes down to Rylance (who’s picked up numerous critic precursor notices) and Stallone (for the sentimental vote). I’m going with sentimentality trumping all else.
Predicted Winner: Stallone
Runner-Up: Rylance
Best Supporting Actress
Nominees:
Jane Fonda, Youth
Jennifer Jason Leigh, The Hateful Eight
Helen Mirren, Trumbo
Alicia Vikander, Ex Machina
Kate Winslet, Steve Jobs
Outlook: Another race that could feature an upset (any one of these ladies are possible), but I’ll give the slight momentum to Leigh’s work.
Predicted Winner: Leigh
Runner-Up: Winslet
Best Director
Nominees:
Todd Haynes, Carol
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Outlook: Don’t see Haynes or Inarritu prevailing, so that leaves this question: will the HFPA go with the likely Best Drama Picture winner’s director (McCarthy) or the outstanding visual work from Miller or Scott. Miller has picked up a number of precursor awards, so I give him the edge over Scott and I ultimately believe he’ll eek out the victory here.
Predicted Winner: Miller
Runner-Up: McCarthy
As for the other categories – here are my picks
Best Screenplay
Predicted Winner: Spotlight
Runner-Up: The Big SHort
Best Score
Predicted Winner: The Hateful Eight
Runner-Up: Carol
Best Song
Predicted Winner: “See You Again” from Furious 7
Runner-Up: “Love Me Like You Do” from Fifty Shades of Grey
Best Animated Feature
Predicted Winner: Inside Out
Runner-Up: Anomalisa
Best Foreign Language Film
Predicted Winner: Son of Saul
Runner-Up: Mustang
And there you have it, folks! My Golden Globe predictions…
Oh, what a lovely story it is with Mad Max: Fury Road. Some three decades after George Miller made the third in his Mad Max trilogy, he’s returned to helm this new entry. Obviously, the visual capabilities possible nowadays have advanced exponentially and yet Miller eschews the CGI we’ve grown so accustomed to whenever possible. We also have a new Max in the form of Tom Hardy, who in every way equals the strong and mostly silent charisma that OG Max Mel Gibson brought. And we have action heroine Furiosa (Charlize Theron) who might be the most badass female character in this particular type of genre since Sigourney Weaver’s Ripley.
It is not necessary to know Miller’s original pics to follow Fury Road. Max’s family history from the 1979 original is brought forth, but not explored in any meaningful way. Having said that – if you haven’t seen them, you really should. Instead we have a new story with Max as a captured man in a post apocalyptic world. He’s being held by the evil Immortan Joe (Hugh Keays-Byrne) as a blood donor for an injured War Boy named Nux (Nicholas Hoult). Our main villain controls his land’s water supply and lords over a group of beautiful and captive women that he impregnates to keep his blood line flowing. Hell breaks loose when Furiosa, one of his top errand girls, veers off course on a mission to pick up oil. She takes Joe’s girls with him and Max soon ends up in her presence along with Nux as a near two hour chase ensues.
Along this chase, we learn some fascinating details of Furiosa’s background in particular as this vast and desolate world soon reveals more about itself. And yet the chase rarely stops. Fury Road is an astonishing example of how cinematography, editing, sound, music stunt work, and visual effects can come together. Frankly, it makes most action pictures look small. We have grown highly accustomed to an amazing shot and visual here and there in our Fast and Furious and Mission: Impossible pics and efforts from your Bays and Emmerichs. This is something entirely different and for a fourth feature in a franchise, something that feels completely fresh. For a film not particularly concerned with it, the plot is totally interesting yet Miller and his cowriters know not to spend too much valuable time on backstory.
George Miller and his wizard team hit the gas peddle and fly here. It’s over the top non-stop excitement that is a constant eyeball feast. Fury Road was stuck in what those in Hollywood call “development hell” for thirty years. Who knew it would emerge from that designation as this? An action flick that is truly gorgeously made with characters that we genuinely care about as they hurl furiously down their road back to redemption.
Unless Leonardo DiCaprio’s awards contender The Revenant has a much bigger than anticipated debut, it should be weekend #4 atop the charts for record breaker Star Wars: The Force Awakens on this second 2016 frame. As I see it – Han, Leia and company should garner about another $50M+ to add to its astonishing total.
The Revenant is certainly the heavy hitter newbie this weekend and it should have no trouble posting runner-up status. The weekend’s other fresh offerings are horror pic The Forest and faith based sports drama The Masked Saint. You can peruse my detailed prediction posts on them all here:
The Forest should manage to place fifth unless some leftovers hold up better than my estimates while The Masked Saint may have to settle for an 11th place showing. Daddy’s Home and The Hateful Eight should populate the three and four spots.
And with that, my top five predictions for the weekend:
Star Wars: The Force Awakens
Predicted Gross: $51.6 million (representing a drop of 43%)
2. The Revenant
Predicted Gross: $33.2 million
3. Daddy’s Home
Predicted Gross: $16.8 million (representing a drop of 42%)
4. The Hateful Eight
Predicted Gross: $10.5 million (representing a drop of 33%)
5. The Forest
Predicted Gross: $8.7 million
Box Office Results (January 1-3)
The Force continued to be incredibly strong as Star Wars three-peated with $90.2 million, a bit under my $98.7M projection. The acclaimed seventh episode of the iconic franchise has amassed $742M at press time and looks to become the highest domestic grosser in history on Wednesday – surpassing Avatar‘s $760M.
Daddy’s Home remained in second with $29.2 million, ahead of my $25.9M estimate for a terrific 10 day haul of $93M. The Will Ferrell/Mark Wahlberg comedy has proven itself to be quite the breakout.
Quentin Tarantino’s The Hateful Eight expanded wide and could not match my lofty expectations. Coming in behind his previous pics Inglourious Basterds and Django Unchained, the three hour pic grossed $15.7 million over the traditional three day weekend and $22.3 million since its wide Wednesday opening. While this is considerably under my $27.2M and $36.1M respective predictions, this is still a decent debut and it hopes to hold up well in subsequent frames.
The Tina Fey/Amy Poehler comedy Sisters continued its fine run in fourth with $12.7 million (outpacing my $9.2M estimate) for a three week total of $61M. It could manage to reach close to the century mark and maybe even top it.
Alvin and the Chipmunks: The Road Chip held up solidly in weekend #3 with $12 million for fifth, ahead of my $9.1M projection for a total of $67M.
The David O. Russell/Jennifer Lawrence collaboration Joy was sixth in its second weekend with $10.2 million, in line with my $10.7M estimate. Its just OK two week cume is at $38M.
In seventh was Oscar contender The Big Short, holding nicely at $9 million (above my $7.8M guess) for a tally of $33M. A potential Golden Globe win this coming weekend in the Musical/Comedy race could help continue its sterling performance.
Will Smith’s underwhelming Concussion was eighth with $7.8 million (I was in the ballpark with $8.6M) for ten days earnings of $25M.
Point Break held up stronger than my $5.4M estimate with $6.8 million for a still weak 10 day tally of only $22M.
Rounding out the top ten was The Hunger Games: Mockingjay Part 2 at $4.6 million (I said $3.6M) for a $274M overall gross.
And that’ll do it for now, folks! Until next time…
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