Box Office Predictions: September 9-11

BLOGGER’S UPDATE (09/09/16): I can no longer ignore the strong signals that Sully will top the box office this weekend. I’m not changing my When the Bough Breaks forecast, but am upping Sully from $19.8M to $28.5M.

The second weekend of September brings us four new entries that will likely perform significantly different. There’s the Clint Eastwood/Tom Hanks collaboration Sully, romantic thriller When the Bough Breaks, horror pic The Disappointments Room and Belgian animated export The Wild Life. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2016/08/31/sully-box-office-prediction/

https://toddmthatcher.com/2016/08/31/when-the-bough-breaks-box-office-prediction/

https://toddmthatcher.com/2016/09/01/the-disappointments-room-box-office-prediction/

https://toddmthatcher.com/2016/09/02/the-wild-life-box-office-prediction/

As I see it, there could be a serious battle for the #1 slot between Bough and Sully. The latter debuted to positive reviews over the weekend (75% currently on Rotten Tomatoes). The former is a critic proof entity that could follow in the footsteps of September 2014’s No Good Deed and September 2015’s The Perfect Guy with grosses in the low to mid 20s. Meanwhile, I have Sully not quite reaching $20M, though it’ll likely have solid legs in subsequent weekends.

For those reasons, I’m giving Bough the edge to reach the top spot this weekend. I have a feeling there may be those who disagree. As for the other newcomers, I’m expecting wildly disappointing results. Neither The Disappointments Room or The Wild Life seem to have any momentum. My $2.3M and $3.2M estimates for them, respectively, leave them outside the top five.

Here’s how the blog readers feel about my newcomer predictions:

Sully – 64% Too Low, 31% Just About Right, 5% Too High

When the Bough Breaks – 53% Just About Right, 44% Too High, 3% Too Low

The Disappointments Room – 64% Just About Right, 22% Too Low, 14% Too High

The Wild Life – 50% Just About Right, 43% Too Low, 7% Too High

As for holdovers, current two-time champ Don’t Breathe should slip to third with Suicide Squad in fourth. Kubo and Pete’s Dragon are likely to battle for the five spot with similar grosses.

And with that, my top five predictions for the weekend:

1. Sully

Predicted Gross: $28.5 million

2. When the Bough Breaks

Predicted Gross: $22.7 million

3. Don’t Breathe

Predicted Gross: $7.5 million (representing a drop of 52%)

4. Suicide Squad

Predicted Gross: $5.1 million (representing a drop of 49%)

5. Kubo and the Two Strings

Predicted Gross: $3.8 million (representing a drop of 40%)

Box Office Results (September 2-5)

It was a typically sluggish Labor Day weekend as two newcomers failed to connect with audiences. The low-budget horror pic Don’t Breathe, on the other hand, continued to impress with $19.7 million (above my $16.7M estimate) for a total of $55 million.

Suicide Squad was second once again with $12.6 million (in line with my $12.9M projection) as it crossed the $300M line.

Kubo and the Two Strings was third with $8.7 million (I said $8M) for a $36M gross. The four and five spots were holdovers that I incorrectly had outside the top five: Pete’s Dragon with $8.4 million ($66M total) and Sausage Party with $6.4 million ($89M total).

As for the aforementioned newcomers… ouch. Romantic drama The Light Between Oceans was sixth with only $6.1 million (well under my $11.3M prediction).

Sci-fi thriller Morgan fared even worse with just $2.5 million for 18th place… less than a fourth of my generous $10.6M forecast.

And that will do it for now, blog readers! Until next time…

Oscar Watch: Wakefield

As the Telluride Film Festival has wound to a close, we have another contender in one particular category to discuss. Wakefield is a family drama from director Robin Swicord, a screenwriter known for works such as The Curious Case of Benjamin Button. It’s based on a short story from E.L. Doctorow.

Reviews for the film have been mostly strong. Yet its only chance at Academy recognition is likely with its star, Bryan Cranston. The three-time Emmy winner for “Breaking Bad” got his first Oscar nod just last year with Trumbo.

Critics have signaled this is another highly powerful performance and Telluride has entered his name into the Best Actor discussion over the Labor Day weekend.

Oscar Watch: Una

Rooney Mara burst onto the scene in 2011 in the Oscar nominated title role of The Girl with the Dragon Tattoo. She received her second nomination last year in Supporting Actress with Carol. This weekend’s Telluride Film Festival has opened up the possibility of a third nod in six years with Una.

The drama is an adaptation of the stage play Blackbird, dealing with the serious theme of child molestation. It’s heavy stuff according to early reviews (mostly raves) and critics have singled out Mara’s performance. Benedict Andrews makes his directorial debut here with Ben Mendelsohn and Riz Ahmed among the supporting cast.

Whether or not Mara can get the nomination is based on at least three factors. First and foremost, there is no set release date for it, though it’s likely to get a 2016 awards qualifying run. Second, the studio will need to mount a real campaign for the picture to be widely seen. Finally, the Best Actress race on paper looks as competitive as it’s been in recent memory. Still – Telluride gave the actress some needed exposure for a potential third nomination.

Oscar Watch: Hacksaw Ridge

It’s been a decade since Mel Gibson has been behind the camera with Apocalypto and these last 10 years have been bumpy ones for the Braveheart Oscar winner. He’s been the subject of controversies and tabloid fodder. His screen appearances have been primarily limited to B movie action flicks of varying quality.

Yet the Venice Film Festival has vaulted him back into the Oscar race with Hacksaw Ridge, his World War II drama which has screened to positive buzz and some sterling reviews. It stars Andrew Garfield, Vince Vaughn, Sam Worthington, Hugo Weaving, Teresa Palmer, and Rachel Griffiths. The Lionsgate release hits screens stateside in November.

Some of the reaction for Hacksaw has used the C word in describing it for Gibson. As in Comeback. Whether or not Academy voters are willing to overlook his personal life and past transgressions and nominate it for Picture or Director is very much an open question. Even with its solid notices, I have Hacksaw currently on the outside looking in. If the film hits with audiences in two months, that dynamic could change.

Oscar Watch: Bleed for This

The Telluride Film Festival is happening this weekend and that means a slew of autumn Academy hopefuls are getting their first exposure. My Oscar Watch series continues with Ben Younger’s Bleed for This. This is the true life tale of boxer Vinny Paz (Miles Teller), who defied all odds to make it back to the ring after breaking his neck.

Movies focused on the sweet science have had a history with Oscar voters. 1976’s Rocky came out of nowhere to punch out all competitors. 2004’s Million Dollar Baby also won Picture, as did its director (Clint Eastwood), Actress (Hilary Swank), and Supporting Actor (Morgan Freeman). 1980’s Raging Bull and 2010’s The Fighter received multiple nods. Just last year, Sylvester Stallone was nominated once again as Mr. Balboa in Creed.

As for the film in question, Bleed for This has received mostly positive notices thus far. However, some have mentioned it borrows plenty of cliches (some from the aforementioned films). It doesn’t appear to be a genuine threat in Picture or Director. Mr. Teller missed out on a nod with 2014’s Whiplash as all attention went to his costar J.K. Simmons in Supporting. The lead actor race looks lighter than usual on paper this year, but he still could face an uphill battle for inclusion. Aaron Eckhart is said to give strong work as his trainer here and he may stand the best chance at recognition (though I’m not currently putting him in).

The Oscar Watch will roll on as further hopefuls are unveiled.

Oscar Watch: Moonlight

The Telluride Film Festival, as expected, has given us another serious contender in the Oscar race as Barry Jenkins’ Moonlight has just had its premiere. Based on a play, the drama centers on the story of Chiron, an African American gay male growing up in Florida.

The pic debuted to rave reviews and its chances at Academy attention extends to numerous races. My initial round of early predictions has it nabbing a Best Picture nod and today’s buzz solidified that pick. I currently have director Jenkins on the outside looking in, but he’s certainly in the mix (he’s likely to get a nom for his Adapted Screenplay).

As for performers, Trevante Rhodes is among three actors who play Chiron at various stages of his life and he should be campaigned for in Best Actor. He’s got a real shot, as does Mahershala Ali in Supporting Actor as a drug dealer who warms to Chiron. Naomie Harris looks to be a player in Supporting Actress as the lead character’s drug addicted mother and she probably has an edge over singer Janelle Monae as Ali’s girlfriend.

Another day. Another contender in this busy week for Oscar hopefuls.

Oscar Watch: Sully

The Telluride Film Festival gave audiences and critics their first look at Sully, which lands (safely) in theaters Friday. This is the first paring of legends Clint Eastwood (who directs) and Tom Hanks. He plays the real life title character of the pilot credited with the Miracle on the Hudson in 2009.

Early reviews have been solid across the board. It’s no surprise that a bulk of the acclaim has gone to Hanks, who’s said to give a typically great performance. I use that term for a reason as it now appears to be easy for Oscar voters to take him for granted. Exhibit A is 2013’s Captain Phillips, another heralded true life tale in which the Academy passed him over for Best Actor, even though I believe it to be among his finest work. If Hanks couldn’t get a nod for it, I’m skeptical he will here.

Sully stands a nice chance at connecting with moviegoers, but I don’t feel at this juncture that it’ll get much Oscar attention. This applies to Best Picture, Director, the supporting categories with costars Aaron Eckhart and Laura Linney, and even its huge lead who hasn’t been nominated in 16 years.

2016 Early Oscar Predictions: Best Picture

We have reached day 6 of my earliest Oscar predictions and that means the big one – Best Picture!

This week, the Venice Film Festival has helped make the scene a little clearer in a couple of ways. For one, Damien Chazelle’s La La Land not only looks like an easy pick for a nomination, but it could potentially be a winner. Tom Ford’s Nocturnal Animals and Denis Villenueve’s Arrival are also in the mix. For now – I’m leaving Arrival out and Animals in (obviously this could certainly change over the next weeks and months).

There’s plenty that we haven’t seen that appear strong – Martin Scorsese’s Silence. Denzel Washington’s Fences. Ang Lee’s Billy Lynn’s Long Halftime Walk. Barry Jenkins’ Moonlight.

And there are others that have already screened at other festivals that look like contenders: Kenneth Lonergan’s Manchester by the Sea. Jeff Nichols’ Loving. This list also includes Nate Parker’s The Birth of a Nation and whether or not news stories involving its director prevent it from being nominated is a legit question. For now, I’ve got it in.

A host of other possibilities abound that have yet to be screened and I’ll be keeping you up to date with numerous prediction posts over the fall. At this juncture, I have nine movies being nominated (there can be anywhere from 9-10).

They are:

TODD’S EARLY OSCAR PREDICTIONS – BEST PICTURE

Billy Lynn’s Long Halftime Walk

The Birth of a Nation

Fences

La La Land

Loving

Manchester by the Sea

Moonlight

Nocturnal Animals

Silence

Other Possibilities:

The 13th

20th Century Women

Allied

American Pastoral

Arrival

Collateral Beauty

The Founder

The Girl on the Train

Gold

Hell or High Water

Hidden Figures

I, Daniel Blake

Jackie

LBJ

Live by Night

The Lobster

Lion

Miss Sloane

Passengers

Rogue One: A Star Wars Story

Rules Don’t Apply

Snowden

Sully

A United Kingdom

Oscar Watch: Nocturnal Animals

Another piece of the potential Oscar puzzle has come into focus with Tom Ford’s Nocturnal Animals, which screened at the Venice Film Festival. The thriller has garnered a number of very positive critical notices and looks to be a player come awards season.

The feature is the second directorial feature from famed clothing designer Ford, who drew positive reactions from his first effort – 2009’s A Single Man (which earned Colin Firth a Best Actor nomination). Animals boasts an impressive cast – Amy Adams, Jake Gyllenhaal, Michael Shannon, Laura Linney, Armie Hammer, Isla Fisher, and Aaron Taylor-Johnson.

Based on early word, this looks to be a factor in Best Picture, Director, and Adapted Screenplay (tech categories such as Cinematography and Editing as well). As for the performers, it will be an interesting story to watch with Adams, as she’s likely to compete against herself with Arrival (which also screened at Venice). Gyllenhaal could be in the mix for Actor while Shannon has had a solid 2016 and could compete for Supporting Actor.

Another day. Another strong possibility for Oscar attention. Nocturnal Animals hits screens on November 18th.

The Wild Life Box Office Prediction

2016 has been a terrific year for animated movies with mega-hits like Zootopia, Finding Dory, and The Secret Life of Pets. The love isn’t likely to extend to The Wild Life, opening next weekend. It comes from Belgium and centers on a story involving Robinson Crusoe.

StudioCanal is releasing Life on approximately 2200 screens, so the opportunity is certainly there for family audiences to sign up. Yet this seems to be flying way under the radar and many younger moviegoers and their parents will probably just sit this one out. In fact, this could come in lower than the dismal opening of Ratchet & Clank, which earned just $4.8 million out of the gate in April. I’ll predict it will.

The Wild Life opening weekend prediction: $3.2 million