Gavin Hood’s EyeintheSky succeeds as a tense and strongly acted thriller which presents a moral test to the audience without being preachy. That’s a compliment to screenwriter Guy Hibbert for not feeling the need to bash us over the head with whatever his personal politics might be. We don’t know and don’t really need to.
The subject of drone warfare and its prevalence in recent conflicts is one that audiences will bring their own leanings to. This film presents a scenario in a matter of fact manner with characters on different sides of the fence. That situation is in the country of Kenya where a trio of high value targets are in the same location. The British government is in charge of deciding how to kill or capture them and many of the shots are being called by iron willed Colonel Powell (Helen Mirren). Her chain of command is superseded by fellow soldier General Benson (Alan Rickman in his second to last role). Their experience on the ground makes them simpatico when it comes to decisions, but they’re in a constant morass of government officials kicking the can up the chain.
It isn’t long before the capture order becomes a kill order and it’s an American Air Force pilot (Aaron Paul) tasked with dropping the drone from his base in Nevada. There’s one significant complication: a little girl is selling bread right outside the target zone. The question of her being likely collateral damage weigh on the conscience of our characters to varying degrees.
There are moments in the Sky that can’t help but be somewhat humorous even considering the potentially tragic circumstances, as many of the people shown can’t bring themselves to make any final decision. You may not feel like you should be amused by it, but there are times where it feels like the intent. This also extends to small moments where real life gets in the way of those making these massive judgment calls, from children’s toy shopping for one to a bout of food poisoning for another.
The acting is all first-rate with special credit to the always dependable Mirren and Rickman, whose characters disdain for their higher-ups indecisiveness is barely bubbling under the surface. When Eye concludes, it has managed to take the time to lay out the pros and cons of each momentous decision. Yet it invites us to make our judgment call on whether it was all worth it. In this case, that’s the sign of some filmmakers respecting their audience and successfully keeping us enthralled throughout.
A week ago, the prospect of this Wednesday’s Passengers receiving some Oscar attention didn’t seem totally far fetched. After all, the Academy has shown some love to the science fiction space pic genre three years ago with Gravity and last year with The Martian as they both received Best Picture nods. In addition, their respective leads Sandra Bullock and Matt Damon were nominated in the lead acting races.
Passengers is director Morten Tyldum’s follow-up to TheImitationGame, which was in the Picture race two years ago and for which he received a directing nod. And this space opera boasts Jennifer Lawrence, who’s been nominated four times since 2010 and won in 2012 for SilverLiningsPlaybook. So, again, not so far fetched.
And then reviews happened late this week for the sci fi romantic thriller which costars Chris Pratt. The verdict? A rather troubling 32% on Rotten Tomatoes and its Oscar chances evaporating. Passengers still has a remote shot at Visual Effects, but in all likelihood the pic will be sitting on the awards sideline.
The 20th and just wrapped season of “South Park” essentially posited a theory that a lot of the love for last year’s StarWars: TheForceAwakens was due to our nostalgia goggles being tuned up to 11. In short, Trey Parker and Matt Stone came to the conclusion that Force really wasn’t very good. It was just that we were hungry for that feeling we had from Episodes IV-VI (I-III not so much).
Comedy Central’s show made their position clear through the ingenious creation of Member Berries, talking fruits who constantly reminded us of StarWars characters and situations from decades ago. In other words, to Parker and Stone – TheForceAwakens was partially just two hours of ” ‘Memba Han Solo?!?!?!” and ” ‘Memba R2D2?!?!?!”.
This is a feeling that many of the StarWars legions of fans share in that Force was too much of a rehash of the beloved 1977 original. It’s fair criticism and somewhat true, but I personally felt it didn’t really take away from it being a very satisfying experience.
Another hallmark of South Park’s season (and the one before that) is that it’s been serialized into one long plot line over ten episodes. For 18 seasons, the show never did that. When we get to season 21, there are hints it could go back to the past as the finale was titled “The End of Serialization As We Know It”.
Why all the South Park talk? ‘Memba you’re supposed to be writing a review of the new StarWars?!?!?! Well, I just love the show, but it also dovetails into RogueOne: AStarWarsStory, which marks the first interruption of this cherished franchise’s serialization. We have our inaugural spin-off in the series. The first without a Roman numeral episode behind the title. When Disney paid George Lucas billions of dollars to begin producing new titles, it was quickly revealed that we’d get individual stories without episode numbers involved about every other year.
RogueOne is the first and just as TheForceAwakens had large expectations attached, so does this. It must simultaneously introduce new characters into that far, far away galaxy while feeding us those Member Berries. It must especially do so because the events in Rogue happen between Episode III (2005’s Revengeof the Sith) and IV (that first entry nearly forty years ago). This is when Darth Vader is alive and well and developing his Death Star to wreak havoc on the planetary system.
‘Memba Daddy issues?!?!?! They’re prevalent everywhere in this franchise and here too. Our central hero is Jyn Erso (Felicity Jones), whose scientist father (Mads Mikkelsen) was recruited against his will to develop that evil device Vader pines for. Jyn is separated from him as a child after being rescued from being taken by Imperial forces by Rebel leader Saw Gerrera (Forest Whitaker). Flash forward to Jyn as a young lady when she teams up with defected Imperial pilot Bodhi (Riz Ahmed) and Rebel fighter Cassian (Diego Luna) to find her long captured Pops and stop Vader’s destructive deeds. In true StarWars fashion, there’s also sidekick droid K-2SO (voiced by Alan Tudyk) providing effective comic relief.
‘Memba strange looking CG effects that hindered the prequels?!?!?! I found them here, but explaining them in detail would move into spoiler territory. I’ll just say there’s one well-known returning character whose inclusion is badly hampered by what I’ll refer to as technical issues.
Gareth Edwards, who last directed 2014’s pretty cool Godzilla reboot, clearly has reverance for the world George Lucas created. Since the happenings here directly lead to what we saw in 1977, Edwards does an often remarkable job in getting the look down for what transitions into Luke, Leia, and Han. The final third of RogueOne is non-stop action and it’s well-developed and thrilling. There’s not a performance I can complain about (at least not the live-action ones) and particular stand-outs include Ben Mendelsohn, an Imperial baddie trying to impress Boss Vader and Donnie Yen as a blind warrior whose belief in the Force is quite strong.
Yet this end of serialization as we know it for StarWars presented this critic with some perhaps unavoidable challenges. I found it tough to get as involved in the central characters knowing that this is a one off picture. TheForceAwakens gave us newbies mixed with oldies where we know their saga will evolve and grow. That’s not the case here. Therefore it’s often the case in RogueOne that the most memorable moments involve Member Berries being served to us as opposed to enjoying what is new. ‘Memba that feeling of dread mixed with excitement hearing James Earl Jones voice one of the greatest villains in film history?!?!?! Of course you do. You loved it then and will love it again.
Well, folks, it’s been two weeks since I made my last Oscar predictions and a lot has happened in that time period. Both the Golden Globe and SAG nominations have been released, in addition to more critics association bestowing of honors.
The events of the last couple of weeks have led me to this conclusion: La La Land, Moonlight, and Manchester by the Sea are the current hot trio for Best Picture. There was the fascinating omission of La La for a SAG Best Ensemble Award. While I still believe it’s the front runner for the Academy, if it won it would be the first picture to do so without being nominated for the SAG race since 1995’s Braveheart.
Both SAG and Golden Globe weren’t kind to Martin Scorsese’s Silence, yet I still think it manages to get in the Picture race and nominate its director. Both organizations had their share of shocker nods – for SAG it was Emily Blunt for The Girl on the Train in Actress as opposed to Annette Bening in 20th Century Women. For the Globes, it was Aaron Taylor-Johnson’s getting a nom for Nocturnal Animals in Supporting Actor instead of his more expected costar Michael Shannon.
Here’s where I have all the races standing currently. Let’s get to it:
Best Picture
Predicted Nominees
1. La La Land (Previous Ranking: 1)
2. Moonlight (PR: 3)
3. Manchester by the Sea (PR: 4)
4. Silence (PR: 2)
5. Fences (PR: 5)
6. Lion (PR: 6)
7. Arrival (PR: 7)
8. Hacksaw Ridge (PR: 12)
9. Hidden Figures (PR: 8)
Other Possibilities
10. Hell or High Water (PR: 10)
11. Loving (PR: 9)
12. Jackie (PR: 11)
13. Sully (PR: 13)
14. Nocturnal Animals (PR: 16)
15. 20th Century Women (PR: 15)
16. Patriots Day (PR: 14)
17. Florence Foster Jenkins (PR: Not Ranked)
18. Live by Night (PR: 17)
19. The Jungle Book (PR: 19)
20. Gold (PR: Not Ranked)
Dropped Out:
Passengers
The Founder
Best Director
Predicted Nominees
1. Damien Chazelle, La La Land (PR: 1)
2. Barry Jenkins, Moonlight (PR: 3)
3. Kenneth Lonergan, Manchester by the Sea (PR: 5)
4. Martin Scorsese, Silence (PR: 2)
5. Denis Villeneuve, Arrival (PR: 6)
Other Possibilities
6. Mel Gibson, Hacksaw Ridge (PR: 8)
7. Denzel Washington, Fences (PR: 4)
8. Garth Davis, Lion (PR: 7)
9. David Mackenzie, Hell or High Water (PR: Not Ranked)
10. Jeff Nichols, Loving (PR: 9)
Dropped Out:
Theodore Melfi, Hidden Figures
Best Actor
Predicted Nominees
1. Casey Affleck, Manchester by the Sea (PR: 2)
2. Denzel Washington, Fences (PR: 1)
3. Ryan Gosling, La La Land (PR: 4)
4. Andrew Garfield, Hacksaw Ridge (PR: 9)
5. Tom Hanks, Sully (PR: 3)
Other Possibilities
6. Joel Edgerton, Loving (PR: 6)
7. Viggo Mortensen, Captain Fantastic (PR: 7)
8. Michael Keaton, The Founder (PR: 8)
9. Andrew Garfield, Silence (PR: 5)
10. Matthew McConaughey, Gold (PR: 10)
Best Actress
Predicted Nominees
1. Emma Stone, La La Land (PR: 1)
2. Natalie Portman, Jackie (PR: 2)
3. Annette Bening, 20th Century Women (PR: 3)
4. Amy Adams, Arrival (PR: 5)
5. Isabelle Huppert, Elle (PR: 6)
Other Possibilities
6. Meryl Streep, Florence Foster Jenkins (PR: 8)
7. Ruth Negga, Loving (PR: 4)
8. Jessica Chastain, Miss Sloane (PR: 7)
9. Taraji P. Henson, Hidden Figures (PR: 9)
10. Rebecca Hall, Christine (PR: 10)
Best Supporting Actor
Predicted Nominees
1. Mahershala Ali, Moonlight (PR: 1)
2. Dev Patel, Lion (PR: 3)
3. Lucas Hedges, Manchester by the Sea (PR: 4)
4. Jeff Bridges, Hell or High Water (PR: 6)
5. Michael Shannon, Nocturnal Animals (PR: 2)
Other Possibilities
6. Hugh Grant, Florence Foster Jenkins (PR: Not Ranked)
7. Mykelti Williamson, Fences (PR: 5)
8. Issey Ogata, Silence (PR: Not Ranked)
9. Kevin Costner, Hidden Figures (PR: 10)
10. Ben Foster, Hell or High Water (PR: Not Ranked)
Dropped Out:
Adam Driver, Silence
Liam Neeson, Silence
Stephen Henderson, Fences
Best Supporting Actress
Predicted Nominees
1. Viola Davis, Fences (PR: 1)
2. Naomie Harris, Moonlight (PR: 2)
3. Michelle Williams, Manchester by the Sea (PR: 3)
4. Nicole Kidman, Lion (PR: 4)
5. Octavia Spencer, Hidden Figures (PR: 7)
Other Possibilities
6. Greta Gerwig, 20th Century Women (PR: 5)
7. Helen Mirren, Eye in the Sky (PR: 9)
8. Janelle Monae, Hidden Figures (PR: 6)
9. Felicity Jones, A Monster Calls (PR: Not Ranked)
10. Molly Shannon, Other People (PR: 8)
Dropped Out:
Bryce Dallas Howard, Gold
Best Original Screenplay
Predicted Nominees
1. Manchester by the Sea (PR: 1)
2. La La Land (PR: 3)
3. Hell or High Water (PR: 4)
4. Captain Fantastic (PR: 10)
5. 20thCenturyWomen (PR: 6)
Other Possibilities
6. The Lobster (PR: 7)
7. Jackie (PR: 8)
8. Eye in the Sky (PR: Not Ranked)
9. FlorenceFosterJenkins (PR: Not Ranked)
10. I, DanielBlake (PR: Not Ranked)
Dropped Out:
Moonlight and Loving – *moved to Adapted Screenplay
Patriots Day
Best Adapted Screenplay
Predicted Nominees
1. Moonlight (PR: Not Ranked, was moved from Original Screenplay)
2. Fences (PR: 1)
3. Lion (PR: 3)
4. Silence (PR: 2)
5. Arrival (PR: 4)
Other Possibilities
6. HacksawRidge (PR: 7)
7. Nocturnal Animals (PR: 6)
8. Loving (Not Ranked – previously listed in Original Screenplay)
9. Hidden Figures (PR: 5)
10. Sully (PR: 8)
Dropped Out:
Elle
Indignation
Best Animated Feature
Predicted Nominees
1. Zootopia (PR: 1)
2. Kubo and the Two Strings (PR: 3)
3. Moana (PR: 2)
4. The Red Turtle (PR: 4)
5. Finding Dory (PR: 5)
Other Possibilities
6. The Little Prince (PR: 6)
7. My Life as a Zucchini (PR: 8)
8. April and the Extraordinary World (PR: 7)
9. Trolls (PR: Not Ranked)
10. Sausage Party (PR: 9)
Dropped Out:
Miss Hokusai
Best Documentary Feature
Predicted Nominees
1. 13th (PR: 1)
2. I Am Not Your Negro (PR: 5)
3. O.J.: Made in America (PR: 2)
4. Gleason (PR: 3)
5. Life, Animated (PR: 4)
Other Possibilities
6. Cameraperson (PR: 7)
7. Weiner (PR: Not Ranked)
8. The Eagle Huntress (PR: 6)
9. Fire at Sea (PR: 8)
10. The Ivory Game (PR: 10)
Dropped Out:
Miss Sharon Jones
Best Foreign Language Film
Predicted Nominees
1. Toni Erdmann (PR: 1)
2. Elle (PR: 4)
3. The Salesman (PR: 6)
4. Land of Mine (PR: 3)
5. Fire at Sea (PR: 2)
Other Possibilities
6. Neruda (PR: 10)
7. The Happiest Day in the Life of Olli Maki (PR: 9)
8. Julieta (PR: Not Ranked)
9. Ma’Rosa (PR: 7)
10. The Ardennes (PR: 8)
Dropped Out:
A Man Called Ove
Best Cinematography
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 3)
3. Silence (PR: 2)
4. Arrival (PR: 4)
5. Jackie (PR: 10)
Other Possibilities
6. Nocturnal Animals (PR: Not Ranked)
7. Lion (PR: 7)
8. Hell or High Water (PR: 9)
9. Hacksaw Ridge (PR: 8)
10. Live by Night (PR: 6)
Dropped Out:
The Jungle Book
Best Costume Design
Predicted Nominees
1. Jackie (PR: 1)
2. La La Land (PR: 2)
3. Allied (PR: 6)
4. Love & Friendship (PR: 3)
5. Fantastic Beasts and Where to Find Them (PR: Not Ranked)
Other Possibilities
6. Live by Night (PR: 4)
7. Florence Foster Jenkins (PR: 8)
8. Silence (PR: 5)
9. Rules Don’t Apply (PR: 7)
10. Fences (PR: 9)
Dropped Out:
Fences
Best Editing
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 3)
3. Silence (PR: 2)
4. Arrival (PR: 6)
5. Hacksaw Ridge (PR: 5)
Other Possibilities
6. Sully (PR: Not Ranked)
7. Lion (PR: 4)
8. Manchester by the Sea (PR: Not Ranked)
9. Fences (PR: 10)
10. Jackie (PR: 7)
Dropped Out:
Hell or High Water
Live by Night
Best Makeup and Hairstyling
Predicted Nominees
1. Jackie (PR: 1)
2. Star Trek Beyond (PR: 7)
3. Hacksaw Ridge (PR: 2)
Other Possibilities
4. Fantastic Beasts and Where to Find Them (PR: 3)
5. Deadpool (PR: Not Ranked)
6. Suicide Squad (PR: 8)
7. Florence Foster Jenkins (PR: Not Ranked)
8. Nocturnal Animals (PR: 9)
9. Doctor Strange (PR: Not Ranked)
10. Rogue One: A Star Wars Story (PR: 4)
Dropped Out:
The BFG
Hidden Figures
Best Original Score
Predicted Nominees
1. La La Land (PR: 1)
2. Lion (PR: 2)
3. Jackie (PR: 4)
4. Moana (PR: 5)
5. NocturnalAnimals (PR: Not Ranked)
Other Possibilities
6. Rogue One: A Star Wars Story (PR: 7)
7. Moonlight (PR: Not Ranked)
8. The Jungle Book (PR: 6)
9. Florence Foster Jenkins (PR: Not Ranked)
10. The BFG (PR: Not Ranked)
Dropped Out:
Arrival
Hidden Figures
Hacksaw Ridge
Manchester by the Sea
Best Original Song
Predicted Nominees
1. “Audition (The Fools Who Dream)” from La La Land (PR: 1)
2. “We Know the Way” from Moana (PR: 2)
3. “City of Stars” from La La Land (PR: 3)
4. “Letter to the Free” from 13th (PR: 7)
5. “Rules Don’t Apply” from Rules Don’t Apply (PR: 9)
Other Possibilities
6. “Can’t Stop the Feeling” from Trolls (PR: 6)
7. “Drive It Like You Stole It” from Sing Street (PR: Not Ranked)
8. “Dancing with Your Shadow” from Po (PR: 4)
9. “I See Victory” from Hidden Figures (PR: 5)
10. “I’m Still Here” from Miss Sharon Jones (PR: 8)
Dropped Out:
“Runnin” from Hidden Figures
Best Production Design
Predicted Nominees
1. La La Land (PR: 1)
2. Jackie (PR: 3)
3. Silence (PR: 2)
4. Arrival (PR: 5)
5. Live by Night (PR: 4)
Other Possibilities
6. Fences (PR: Not Ranked)
7. Allied (PR: 10)
8. Hacksaw Ridge (PR: 8)
9. Rules Don’t Apply (PR: 7)
10. Love & Friendship (PR: 6)
Dropped Out:
Rogue One: A Star Wars Story
Best Sound Editing
Predicted Nominees
1. Hacksaw Ridge (PR: 1)
2. La La Land (PR: 2)
3. Rogue One: A Star Wars Story (PR: 4)
4. Sully (PR: 9)
5. The Jungle Book (PR: 3)
Other Possibilities
6. Deepwater Horizon (PR: 8)
7. Arrival (PR: 6)
8. Patriots Day (PR: 5)
9. Passengers (PR: 10)
10. Allied (PR: Not Ranked)
Dropped Out:
Silence
Best Sound Mixing
Predicted Nominees
1. La La Land (PR: 1)
2. Hacksaw Ridge (PR: 2)
3. Rogue One: A Star Wars Story (PR: 5)
4. Deepwater Horizon (PR: 7)
5. Arrival (PR: 8)
Other Possibilities
6. The Jungle Book (PR: 6)
7. Sully (PR: 4)
8. Patriots Day (PR: 3)
9. Deadpool (PR: Not Ranked)
10. Passengers (PR: 9)
Dropped Out:
Live by Night
Best Visual Effects
Predicted Nominees
1. The Jungle Book (PR: 1)
2. Rogue One: A Star Wars Story (PR: 3)
3. Arrival (PR: 6)
4. Doctor Strange (PR: 2)
5. Fantastic Beasts and Where to Find Them (PR: 9)
Other Possibilities
6. The BFG (PR: 7)
7. Sully (PR: Not Ranked)
8. Star Trek Beyond (PR: 8)
9. Deadpool (PR: Not Ranked)
10. A Monster Calls (PR: 4)
Dropped Out:
Passengers
Captain America: Civil War
That leaves the following breakdown for nominations:
14 Nominations
La La Land
9 Nominations
Arrival
7 Nominations
Moonlight
6 Nominations
Manchester by the Sea, Silence, Jackie, Hacksaw Ridge
5 Nominations
Lion
4 Nominations
Fences
3 Nominations
Moana, Rogue One: A Star Wars Story
2 Nominations
Hidden Figures, Sully, Hell or High Water, Elle, 13th, Fantastic Beasts and Where to Find Them, The Jungle Book, 20th Century Women, Nocturnal Animals
1 Nomination
Captain Fantastic, Zootopia, Kubo and the Two Strings, The Red Turtle, Finding Dory, I Am Not Your Negro, O.J.: Made in America, Gleason, Life, Animated, Toni Erdmann, The Salesman, Land of Mine, Fire at Sea, Allied, Love & Friendship, Star Trek Beyond, Rules Don’t Apply, Live by Night, Deepwater Horizon, Doctor Strange.
And there you have it, folks! Updated predictions will be up next Thursday. Stay tuned…
Based on the acclaimed August Wilson play with the same two stars appearing in the film version, Fences hits theaters on Christmas Day. Denzel Washington directs and headlines the 1950s set family drama along with Viola Davis. Other costars include Mykelti Williamson, Stephen Henderson and Jovan Adepo.
Fences has been considered an awards contender ever since the project was announced. Reviews have mostly been strong and it stands at 86% on Rotten Tomatoes, yet it did receive less Golden Globe nods this week than was expected. Still, Washington and Davis are considered shoo-ins for Oscar nominations.
How does this translate to box office dollars? The reported $30 million production, as mentioned, will go wide on the actual holiday date, meaning Sunday. My prediction, therefore, is only for two days. I’ll project that Fences manages to nearly reach double digits in that 48 hour window as it hopes to play well throughout awards season.
Fences opening weekend prediction: $8.6 million (Sunday-Monday)
Audiences looking for laughs over the holidays have an option with WhyHim?, the latest comedy from John Hamburg, director of AlongCamePolly and ILoveYou, Man. The pic casts James Franco as an eccentric tech billionaire who doesn’t meet the approval of his fiancée’s pop Bryan Cranston. Zoey Deutch, Megan Mullaly, Griffin Gluck, and Keegan-Michael Key costar.
Him opens on Friday the 23rd, unlike three other big releases that debut on Wednesday, so my estimate is a simple four-day here. This could benefit from being the only new comedy out on a packed Christmas weekend (OfficeChristmasParty will be in its third weekend).
That said, reviews have been rather weak as it stands at 42% on Rotten Tomatoes. Last year, Daddy’sHome cleaned up on the festive weekend with nearly $40 million out of the gate. Yet that one had the more bankable Will Ferrell and Mark Wahlberg. WhyHim? might be lucky to do a bit over a third of that for its start.
WhyHim? opening weekend prediction: $13.2 million (Friday to Monday)
Based on the video game franchise that’s been going strong for nearly a decade, Assassin’sCreed hits theaters over the long Christmas weekend. The action adventure pic, with its reported budget of at least $130 million, will hope to bring in gamers who’ve been plying its many iterations over the past few years. Michael Fassbender headlines with a supporting cast that includes Marion Cotillard, Jeremy Irons, Brendan Gleeson and Charlotte Rampling. Justin Kurzel, who directed Fassbender in last year’s Macbeth, is behind the camera.
20th Century Fox is hoping that weak numbers from video adaptations (Warcraft is a recent example) doesn’t apply here. Audiences looking for some action do have more choices over the holiday frame as RogueOne will be in its second weekend (and very likely still atop the charts) and Passengers with Jennifer Lawrence and Chris Pratt also debuts. Still, Creed should have enough of a built-in following for it to reach high teens to low 20s over the four-day portion of the weekend and high 20s from its Wednesday bow.
Assassin’sCreed opening weekend prediction: $19.8 million (Friday to Monday), $28.1 million (Wednesday to Monday)
Illumination Entertainment has become a force in the animated world with huge hits including the Despicable Me franchise, spin-off Minions, and this summer’s The Secret Life of Pets.
They’re back at it again looking for a Christmas cash in with 3D animated musical Sing. The $75 million production should have no trouble bringing in kids and their parents over the holiday season. Singing animals is usually a decent formula for a blockbuster and this should be a strong #2 to the second weekend of Rogue One. There’s plenty of recognizable faces behind their characters including Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Seth MacFarlane, John C. Reilly, Taron Egerton, and Nick Kroll.
I’ll predict Sing takes in high 40s during the long holiday weekend while reaching mid 60s when you include its Wednesday debut.
Sing opening weekend prediction: $55.3 million (Friday to Monday), $74.1 million (Wednesday to Monday)
There’s some serious star power coming to multiplexes this Christmas when Passengers debuts a week from today. The science fiction romantic thriller stars Jennifer Lawrence and Chris Pratt, who have both seen their share of blockbusters over the last few years. Morten Tyldum directs (his previous effort was the Oscar nominated The Imitation Game) and costars include Laurence Fishburne, Michael Sheen, and Andy Garcia.
The reported $120 million production finds Katniss and Star Lord stranded in space when they wake up way earlier than the other inhabitants of their vessel. There may not be a whole lot of actors who can assist in opening a movie, but the combo of these two may do the trick.
Predicting exact numbers over the Christmas weekend is a tricky proposition. Passengers debuts on Wednesday and we are going to factor in Wednesday-Monday. The 26th is a federal holiday and grosses of years past have shown that to sometimes be a bigger movie going day than even Christmas. Rogue One will likely reign supreme over the long weekend with the animated Sing giving it a run for its money. That probably puts Passengers in third place with a low 30s four-day and mid 40s six-day.
Passengers opening weekend prediction: $31.4 million (Friday to Monday), $42 million (Wednesday to Monday)
As you may have heard, there’s this movie coming out on Friday called Rogue One: A Star Wars Story. It’s the first spin-off in the heralded franchise (taking place between Episodes III and IV) and the eighth entry overall in the series.
At noon sharp, the review embargo on Rogue lapsed and we’ve seen a flood of critical reactions come in this afternoon. The verdict? Pretty darn good so far. It stands at 82% at press time on Rotten Tomatoes with several reviewers calling it an action-packed ride geared more towards adult and mega-fans. Not all write-ups have been totally positive. The bottom line is this: Rogue One will not get a Best Picture nomination at this year’s Academy Awards nor will its director, Gareth Edwards.
However, that wasn’t really expected. The real question is whether or not it receives any nominations. If it didn’t, Rogue One would the first Star Wars entry not to do so. Let’s take a trip down franchise lane, shall we?
1977’s Star Wars received a whopping nine nominations and won six. The three it missed out on were all biggies and they were all to Woody Allen’s Annie Hall: Picture, Director, and Original Screenplay. 1980’s The Empire Strikes Back was nominated for three and was victorious in Sound Mixing. The rest of the sequels and prequels – 1983’s Return of the Jedi, 1999’s The Phantom Menace, 2002’s Attack of the Clones, 2005’s Revenge of the Sith, last year’s The Force Awakens – received a total of 14 nominations (all in technical and musical score races) and won zero.
My feeling is that Rogue One has little chance of breaking the no nomination streak. I’ve got it currently predicted for three categories: Sound Editing, Sound Mixing, and Visual Effects. It also stands a shot at Original Score. Yet like the five pics before it, I would estimate it also will not win in those races.
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