During last year’s Martin Luther King holiday weekend, Taraji P. Henson had the #1 film with her Oscar nominated HiddenFigures. In 2018, she’s back in the action thriller ProudMary. The pic finds her cast as a Boston hitwoman from director Babak Najafi, best known for making poorly received sequel LondonHasFallen. Supporting players include Billy Brown, Danny Glover, Neal McDonough, and Margaret Avery.
While she’s best known for “Empire” television work, Henson’s big screen track record has been rather impressive with her roles in Figures, TheKarateKid remake, and NoGoodDeed.
ProudMary could have the advantage of attracting some genre fans, as well as African Americans and females (a demographic often underserved with action flicks). I believe this could post a high teens debut, which would put it above direct genre competition TheCommuter.
ProudMary opening weekend prediction: $18.5 million (Friday to Monday estimate)
It’s been nine years since Liam Neeson reinvented himself as everyone’s go to elder action star with Taken. The last couple of years have seen him focusing on other genres, but he’s back in kick ass mode next weekend with TheCommuter. This marks his fourth collaboration with director Jaume Collet-Serra after Unknown, Non–Stop, and RunAllNight. Costars include Patrick Wilson and Vera Farmiga (presumably doing no conjuring work), as well as Sam Neill, Jonathan Banks, and Elizabeth McGovern.
Mr. Neeson’s first two pictures with this director came while he was still packing in audiences with the Taken franchise. That helped propel Unknown and Non–Stop to openings above $20 million. RunAllNight (and another more recent Neeson action flick AWalkAmongtheTombstones) both failed to reach the teens in their debuts.
TheCommuter has received decent reviews so far and sits at 67% on Rotten Tomatoes. However, recent evidence has shown the star’s box office potency in the genre has waned. I’ll predict this reaches low to possibly higher teens for its four-day MLK weekend debut.
TheCommuter opening weekend prediction: $14.6 million (Friday to Monday estimate)
Apologies in advance for the pun, but Warner Bros is hoping for a “beary” pleasing result when Paddington2 debuts next weekend. It arrives three years after the original posted stellar results stateside during the MLK four-day frame. The family pic brings back Ben Whishaw as the voice of the title bear made famous by a series of childrens stories. Paul King returns in the director’s chair, as do cast returnees Hugh Bonneville, Sally Hawkins, Jim Broadbent, Julie Walters, and Peter Capaldi. New but familiar faces to the series include Hugh Grant and Brendan Gleeson.
The sequel received a bit of unexpected publicity this fall as it was originally to be distributed by the Weinstein Company. When controversy swirled around Harvey Weinstein, Warner swooped in and picked up distribution rights. The well-reviewed predecessor premiered in January 2015 to a $25 million long weekend opening with a $76 million eventual haul. Part 2 has already taken in nearly $100 million overseas and has critics on its side, with a 100% currently on Rotten Tomatoes.
There is still competition out there for family audiences as Jumanji should still be posting solid grosses. The sequel may not quite match the earnings of the first, but I’ll predict it manages to top $20 million out of the gate.
Paddington2 opening weekend prediction: $22.4 million (Friday to Monday estimate)
The first full weekend of 2018 begins with one major new release – Insidious: The Last Key, the fourth entry in the Blumhouse horror franchise. You can peruse my detailed prediction post on it here:
As I see it, the newbie looks poised for a third place showing. The top two should be held by Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle. However, unlike the last two weekends, I don’t see it in that order.
Jumanji came within a half million dollars of unseating Jedi for the four-day New Year’s weekend. I’ll predict it has a smaller percentage drop and rises to the top spot in weekend #3.
I also see The Greatest Showman vaulting above Pitch Perfect 3 to stay in the #4 position.
Here’s my top 5 estimates for the weekend ahead:
1. Jumanji: Welcome to the Jungle
Predicted Gross: $29.1 million (representing a drop of 41%)
2. Star Wars: The Last Jedi
Predicted Gross: $24.8 million (representing a drop of 52%)
3. Insidious: The Last Key
Predicted Gross: $18.6 million
4. The Greatest Showman
Predicted Gross: $10.6 million (representing a drop of 32%)
5. Pitch Perfect 3
Predicted Gross: $8 million (representing a drop of 52%)
Box Office Results (December 29-January 1)
The year ended with a box office photo finish between Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle, adding some excitement as Luke Skywalker and company nearly were knocked off their #1 perch.
Jedi managed to take the top spot with $66.8 million (below my four-day estimate of $77.8 million) to bring its total to $531 million. While this is well below what Force Awakens earned, Jedi did become 2017’s highest grossing film over Disney’s Beauty and the Beast.
Jumanji was right behind with $66.3 million (topping my $58 million forecast) for a total of $185 million thus far. As mentioned above, look for this to vault to #1 this weekend.
Pitch Perfect 3 was third with $21.6 million compared to my $25.1 million prediction in its second weekend for a $68 million overall gross.
The Greatest Showman was close behind in fourth with $20.9 million, displaying great legs and easily eclipsing my $14.9 million projection. It’s at $54 million overall.
Ferdinand rounded out the top five with $14.8 million (I said $12.5 million) for $57 million total.
Coco was sixth with $10 million (I said $9.8 million) for a $182 million tally.
All the Money in the World took the seven spot with a solid $7.2 million compared to my $5.2 million prediction for $14 million thus far.
Darkest Hour was eighth with $7 million (I said $7.3 million) and $19 million total.
Downsizing was ninth at $6.2 million (I said $6.1 million) for $16 million overall while The Shape of Water was 11th at $4.7 million (I said $5.7 million) and it’s also made $16 million.
I incorrectly had Father Figures outside the top ten, but it was 10th with $4.9 million and $14 million overall.
Back at it again with my first 2018 predictions for the Oscars! We are just three weeks away from the reveal of the nominations. On Sunday, a large awards precursor will occur when the Golden Globes air…
Here’s the major developments this week –
For the first time, I’m switching from a predicted nine pictures being nominated to eight. Why? Well, part of it is selfish. I feel rather confident about the eight features predicted. The nine (or ten) spot could be a mix of Darkest Hour, Phantom Thread, The Big Sick, or Mudbound. Perhaps one or two of them sneak in. For now, they’re all out.
Speaking of The Big Sick, I’ve finally put it in the Original Screenplay predictions, which leaves out The Post.
While there’s no changes in the acting races, let’s see how the next three weeks play out. For now, my initial 2018 estimates…
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. Three Billboards Outside Ebbing, Missouri (PR: 3)
3. The Post (PR: 2)
4. The Shape of Water (PR: 5)
5. Lady Bird (PR: 4)
6. The Florida Project (PR: 8)
7. Get Out (PR: 6)
8. Call Me by Your Name (PR: 7)
Other Possibilities:
9. Darkest Hour (PR: 10)
10. Phantom Thread (PR: 9)
11. Mudbound (PR: 11)
12. The Big Sick (PR: 13)
13. I, Tonya (PR: 12)
14. Blade Runner 2049 (PR: 15)
15. Wonder Woman (PR: Not Ranked)
Dropped Out:
All the Money in the World
Best Director
Predicted Nominees:
1. Christopher Nolan, Dunkirk (PR: 1)
2. Guillermo del Toro, The Shape of Water (PR: 2)
3. Steven Spielberg, The Post (PR: 4)
4. Greta Gerwig, Lady Bird (PR: 3)
5. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 5)
Other Possibilities:
6. Sean Baker, The Florida Project (PR: 8)
7. Luca Guadagnino, Call Me by Your Name (PR: 7)
8. Jordan Peele, Get Out (PR: 6)
9. Dee Rees, Mudbound (PR: 9)
10. Paul Thomas Anderson, Phantom Thread (PR: 10)
Best Actor
Predicted Nominees:
1. Gary Oldman, Darkest Hour (PR: 1)
2. Daniel Day-Lewis, Phantom Thread (PR: 2)
3. Timothée Chalamet, Call Me by Your Name (PR: 3)
4. James Franco, The Disaster Artist (PR: 4)
5. Tom Hanks, The Post (PR: 5)
Other Possibilities:
6. Denzel Washington, Roman J. Israel, Esq. (PR: 6)
7. Daniel Kaluuya, Get Out (PR: 7)
8. Christian Bale, Hostiles (PR: 9)
9. Jake Gyllenhaal, Stronger (PR: 8)
10. Robert Pattinson, Good Time (PR: 10)
Best Actress
Predicted Nominees:
1. Saoirse Ronan, Lady Bird (PR: 1)
2. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 3)
3. Margot Robbie, I, Tonya (PR: 4)
4. Meryl Streep, The Post (PR: 2)
5. Sally Hawkins, The Shape of Water (PR: 5)
Other Possibilities:
6. Jessica Chastain, Molly’s Game (PR: 6)
7. Judi Dench, Victoria and Abdul (PR: 7)
8. Michelle Williams, All the Money in the World (PR: 9)
9. Kate Winslet, Wonder Wheel (PR: Not Ranked)
10. Emma Stone, Battle of the Sexes (PR: 8)
Dropped Out:
Annette Bening, Film Stars Don’t Die in Liverpool
Best Supporting Actor
Predicted Nominees:
1. Willem Dafoe, The Florida Project (PR: 1)
2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Richard Jenkins, The Shape of Water (PR: 3)
4. Woody Harrelson, Three Billboards Outside Ebbing, Missouri (PR: 4)
5. Armie Hammer, Call Me by Your Name (PR: 5)
Other Possibilities:
6. Michael Stuhlbarg, Call Me by Your Name (PR: 8)
7. Christopher Plummer, All the Money in the World (PR: 6)
8. Steve Carell, Battle of the Sexes (PR: 7)
9. Michael Shannon, The Shape of Water (PR: 9)
10. Jason Mitchell, Mudbound (PR: Not Ranked)
Dropped Out:
Mark Rylance, Dunkirk
Best Supporting Actress
Predicted Nominees:
1. Laurie Metcalf, Lady Bird (PR: 1)
2. Allison Janney, I, Tonya (PR: 2)
3. Mary J. Blige, Mudbound (PR: 3)
4. Holly Hunter, The Big Sick (PR: 5)
5. Hong Chau, Downsizing (PR: 4)
Other Possibilities:
6. Octavia Spencer, The Shape of Water (PR: 7)
7. Lesley Manville, Phantom Thread (PR: 6)
8. Melissa Leo, Novitiate (PR: 8)
9. Bria Vinaite, The Florida Project (PR: Not Ranked)
10. Kristin Scott Thomas, Darkest Hour (PR: Not Ranked)
Dropped Out:
Tiffany Haddish, Girls Trip
Lois Smith, Marjorie Prime
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 1)
2. Molly’s Game (PR: 2)
3. Mudbound (PR: 3)
4. The Disaster Artist (PR: 4)
5. Wonder (PR: 5)
Other Possibilities:
6. Victoria and Abdul (PR: 7)
7. Wonderstruck (PR: 6)
8. All the Money in the World (PR: 8)
9. Film Stars Don’t Die in Liverpool (PR: 10)
10. Blade Runner 2049 (PR: Not Ranked)
Dropped Out:
The Beguiled
Best Original Screenplay
Predicted Nominees:
1. Three Billboards Outside Ebbing, Missouri (PR: 2)
2. Lady Bird (PR: 1)
3. Get Out (PR: 3)
4. The Shape of Water (PR: 5)
5. The Big Sick (PR: 6)
Other Possibilities:
6. The Post (PR: 4)
7. The Florida Project (PR: 8)
8. Phantom Thread (PR: 7)
9. I, Tonya (PR: 9)
10. Darkest Hour (PR: 10)
Best Animated Feature
Predicted Nominees:
1. Coco (PR: 1)
2. The Breadwinner (PR: 2)
3. Loving Vincent (PR: 3)
4. Cars 3 (PR: 5)
5. The Girl Without Hands (PR: 4)
Other Possibilities:
6. The LEGO Batman Movie (PR: 6)
7. Ferdinand (PR: 9)
8. Birdboy: The Forgotten Children (PR: 8)
9. The Big Bad Fox and Other Tales (PR: 7)
10. Despicable Me 3 (PR: 10)
Best Foreign Language Film
Predicted Nominees:
1. Foxtrot (PR: 1)
2. Loveless (PR: 4)
3. A Fantastic Woman (PR: 3)
4. The Insult (PR: 6)
5. The Square (PR: 2)
Other Possibilities:
6. In the Fade (PR: 5)
7. The Wound (PR: 7)
8. Felicite (PR: 8)
9. On Body and Soul (PR: 9)
Best Documentary Feature
Predicted Nominees:
1. Jane (PR: 1)
2. Faces Places (PR: 2)
3. City of Ghosts (PR: 5)
4. Strong Island (PR: 7)
5. Long Strange Trip (PR: 6)
Other Possibilities:
6. Icarus (PR: 3)
7. Last Men in Aleppo (PR: Not Ranked)
8. LA 92 (PR: 4)
9. Chasing Coral (PR: 9)
10. Ex Libris – The New York Public Library (PR: Not Ranked)
Dropped Out:
Human Flow
An Inconvenient Sequel: Truth to Power
Best Film Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. The Shape of Water (PR: 3)
3. The Post (PR: 2)
4. Three Billboards Outside Ebbing, Missouri (PR: 4)
5. I, Tonya (PR: 5)
Other Possibilities:
6. Baby Driver (PR: 6)
7. Lady Bird (PR: Not Ranked)
8. Blade Runner 2049 (PR: 7)
9. Get Out (PR: 8)
10. Darkest Hour (PR: 10)
Dropped Out:
Star Wars: The Last Jedi
Best Cinematography
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. The Shape of Water (PR: 4)
4. The Post (PR: 3)
5. Darkest Hour (PR: 5)
Other Possibilities:
6. Wonderstruck (PR: 7)
7. Mudbound (PR: 6)
8. Three Billboards Outside Ebbing, Missouri (PR: 9)
9. Call Me by Your Name (PR: 8)
10. Hostiles (PR: Not Ranked)
Dropped Out:
Lady Bird
Best Production Design
Predicted Nominees:
1. The Shape of Water (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. Dunkirk (PR: 3)
4. Beauty and the Beast (PR: 4)
5. Downsizing (PR: 8)
Other Possibilities:
6. Murder on the Orient Express (PR: 5)
7. The Post (PR: 7)
8. Darkest Hour (PR: 6)
9. Phantom Thread (PR: 10)
10. The Greatest Showman (PR: 9)
Best Costume Design
Predicted Nominees:
1. Phantom Thread (PR: 1)
2. Beauty and the Beast (PR: 2)
3. The Shape of Water (PR: 4)
4. The Greatest Showman (PR: 3)
5. Victoria and Abdul (PR: 8)
Other Possibilities:
6. Murder on the Orient Express (PR: 9)
7. The Beguiled (PR: 5)
8. The Post (PR: 7)
9. Darkest Hour (PR: 6)
10. Star Wars: The Last Jedi (PR: Not Ranked)
Dropped Out:
Blade Runner 2049
Best Makeup and Hairstyling
Predicted Nominees:
1. Darkest Hour (PR: 1)
2. Wonder (PR: 2)
3. Bright (PR: 6)
Other Possibilities:
4. I, Tonya (PR: 3)
5. Guardians of the Galaxy Vol. 2 (PR: 4)
6. Victoria and Abdul (PR: 5)
7. Ghost in the Shell (PR: 7)
Best Visual Effects
Predicted Nominees:
1. Blade Runner 2049 (PR: 1)
2. War for the Planet of the Apes (PR: 2)
3. Star Wars: The Last Jedi (PR: 3)
4. The Shape of Water (PR: 4)
5. Dunkirk (PR: 5)
Other Possibilities:
6. Okja (PR: 7)
7. Kong: Skull Island (PR: 8)
8. Guardians of the Galaxy Vol. 2 (PR: 6)
9. Valerian and the City of a Thousand Planets (PR: 9)
10. Alien: Covenant (PR: 10)
Best Sound Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. Star Wars: The Last Jedi (PR: 3)
4. The Shape of Water (PR: 7)
5. War for the Planet of the Apes (PR: 5)
Other Possibilities:
6. Baby Driver (PR: 4)
7. Wonder Woman (PR: 6)
8. Detroit (PR: Not Ranked)
9. Coco (PR: 10)
10. Spider-Man: Homecoming (PR: 9)
Dropped Out:
Darkest Hour
Best Sound Mixing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. Baby Driver (PR: 3)
4. Star Wars: The Last Jedi (PR: 4)
5. The Greatest Showman (PR: 5)
Other Possibilities:
6. The Shape of Water (PR: 8)
7. War for the Planet of the Apes (PR: 6)
8. Coco (PR: 10)
9. Beauty and the Beast (PR: 7)
10. Detroit (PR: Not Ranked)
Dropped Out:
Darkest Hour
Best Original Score
Predicted Nominees:
1. The Shape of Water (PR: 2)
2. Dunkirk (PR: 1)
3. Phantom Thread (PR: 3)
4. The Post (PR: 4)
5. Darkest Hour (PR: 5)
Other Possibilities:
6. Victoria and Abdul (PR: 8)
7. Blade Runner 2049 (PR: 9)
8. Star Wars: The Last Jedi (PR: 6)
9. Wonderstruck (PR: 7)
10. Three Billboards Outside Ebbing, Missouri (PR: 10)
Best Original Song
Predicted Nominees:
1. “Stand Up for Something” from Marshall (PR: 1)
2. “Remember Me” from Coco (PR: 2)
3. “This is Me” from The Greatest Showman (PR: 5)
4. “It Ain’t Fair” from Detroit (PR: 4)
5. “Mighty River” from Mudbound (PR: 8)
Other Possibilities:
6. “Evermore” from Beauty and the Beast (PR: 3)
7. “The Mystery of Love” from Call Me by Your Name (PR: 9)
8. “I Don’t Wanna Live Forever” from Fifty Shades Darker (PR: 6)
9. “Prayers for this World” from Cries from Syria (PR: 7)
10. “The Star” from The Star (PR: 10)
And that leaves the following breakdown of nominations for each picture:
12 Nominations
The Shape of Water
9 Nominations
Dunkirk
7 Nominations
Three Billboards Outside Ebbing, Missouri, The Post
5 Nominations
Lady Bird, Blade Runner 2049
4 Nominations
Call Me by Your Name, Darkest Hour
3 Nominations
Phantom Thread, I, Tonya, Mudbound, The Greatest Showman, Star Wars: The Last Jedi
2 Nominations
The Florida Project, Get Out, The Disaster Artist, The Big Sick, Downsizing, Wonder, Coco, Beauty and the Beast, War for the Planet of the Apes
1 Nomination
Molly’s Game, Victoria and Abdul, Bright, Baby Driver, Marshall, Detroit, The Breadwinner, Loving Vincent, Cars 3, The Girl Without Hands, Foxtrot, Loveless, A Fantastic Woman, The Insult, The Square, Jane, Faces Places, City of Ghosts, Strong Island, Long Strange Trip
Now that Harry Potter’s wand has been cinematically retired (at least until Warner Bros figures out how to eventually resuscitate him), it’s J.K. Rowling to the rescue with FantasticBeastsandWheretoFindThem. This is the first entry in the wizardry world with a screenplay directly from the famed author who created it. This expands greatly on her 2001 novel (which is when Harry debuted onscreen) to create another franchise meant to draw youngsters into its spell, as well as Potter fans of all ages.
In order to achieve that goal, David Yates is back directing. He’s responsible for the last four features in the Potterverse. Our central character this time around is Newt Scamander (Eddie Redmayne), a magizoologist from London who comes to New York City circa 1926 with a briefcase full of creatures. It’s not clear immediately why he’s in the Big Apple, but his back story tells us of his time at a little school called Hogwarts where he was expelled and was tutored by a much younger Dumbledore.
Wizards need to be registered stateside and Newt finds himself generating the skepticism of Tina (Katherine Waterston), who works for MACUSA, the Magical Congress of the United States of America (obviously). She’s frustrated with her job, which is headed by its President (Carmen Ejogo) and enforced by Colin Farrell’s head of security. Newt and Tina team up to protect his various beasts and those who wish to destroy them. It’s not a two-person team as Newt befriends aspiring baker and World War I vet Jacob (Dan Fogler). Tina’s mind reading sister Queenie (Alison Sudol) is also involved and is the apple of Jacob’s eye. Before we continue with the rest of the review, let me declare that the subplot of Jacob and Queenie’s flirtation and budding romance was my favorite thing about the movie. Fogler serves as the general comic relief here anyway and does so quite wonderfully. Sudol shines in her first role. Their chemistry has genuine magic and if there was ever a case for a rom com spin-off of a hoped for multi-billion dollar franchise, this is it.
Moving on, that’s a small but very winning part of the two-hour plus running time. I wish I could say the chemistry between Newt and Tina was as impressive, but it’s not. Tina is a bit of a blank slate in this first installment and it certainly remains to be seen whether Redmayne’s Newt will come anywhere close to being as beloved as you know who. He’s got a long way to go. Not even Harry Potter could have sold doing a “mating dance” with a titillated CG rhino and neither can Newt. On the other hand, Beasts has its own version of a StarWars-like cantina scene with Ron Perlman’s cool voicing of a nefarious creation and it’s a highlight.
There are other performances worthy of note, including Ezra Miller as an abused teen with mysterious powers and Samantha Morton as his wizard hating adopted mom doing the abuse. Our main villain Grindelwald is mostly just spoken of but not seen (kind of like Voldemort was for a bit), but we know he’ll play a bigger role as the series moves along.
FantasticBeasts is heavy on effects (most of them eye-catching) and creating the visually arresting template for sequels. I didn’t think it reached a Sorcerer’sStone level of quality as far as part 1’s, but Rowling is generally successful in making us curious about what comes next with this real and generated crop of characters.
Like yesterday’s Year of 2017 honoree Kumail Nanjiani, Tiffany Haddish started 2017 as a stand-up comic not known to a large swath of the American public. Yet as the year draws to its close, Haddish is now quite well-known due to her scene stealing performance in the summer’s comedic sleeper hit.
Alongside Regina Hall, Queen Latifah, and Jada Pinkett Smith, it was Haddish who garnered the most buzz in GirlsTrip, which surprised all prognosticators when it grossed $115 million. It was 2016’s Keanu that gave Haddish her first notable role, but that picture was largely ignored. Yet her raw, profane and outlandish Dina character gave the actress a showcase filled with standout moments.
Critics groups and Hollywood have certainly taken notice. Haddish became the first African American comic to host “Saturday Night Live” this fall. In 2018, she will reunite with Trip director Malcolm D. Lee for NightSchool with Kevin Hart.
Expect to see lots of Haddish in the coming years and 2017 was unquestionably her breakout.
A glossy and often relevant retelling of one of the most famous matches ever, Valerie Faris and Jonathan Dayton’s Battle of the Sexes is centered on both the tennis court and the court of public opinion. Both matters are firmly on the focused mind of Billie Jean King (Emma Stone), the famed pro who was demanding equal pay for women in 1973 when the picture is set.
King and her fellow female players aren’t getting near that, so they start a league of their own, under the sponsorship of Virginia Slim cigarettes (it was a different time). Another player sees an opportunity to cash in on the publicity and that’s Bobby Riggs (Steve Carell), a former champion now in his mid 50s who spends most of his time as a compulsive gambler (though he doesn’t see it that way). His challenge to King to meet on the court generated a divide among the sexes and many eyeballs on the eventual event – apparently about 90 million.
The court of public opinion doesn’t extend to gender issues. King is married to Larry (Austin Stowell) who helps run her fledgling empire. Yet when she meets free spirit hairdresser Marilyn (Andrea Riseborough), a romance quickly develops. King is smitten, but she knows it must stay in the closet to protect her career.
Battle of the Sexes tells this tale entertainingly and somewhat superficially. The themes of gender equality are ones that render four decades later. Stone has the most material to work with in her nuanced and strong portrayal of King. There’s not much nuance to Carell’s Riggs, though he’s certainly fun to watch.
The screenplay doesn’t delve too deep into his story, but Carell plays it well enough to avoid him becoming a total caricature. King seems to know Bobby isn’t quite the chauvinist louse he purports to be. The same cannot be said for Bill Pullman’s Jack Kramer, a prominent former pro turned announcer who doesn’t understand anything about women’s liberation. The pic is peppered with familiar faces in smaller parts, including Elisabeth Shue as Bobby’s wealthy and frustrated wife and Alan Cumming as the team’s outfit designer who quickly figures out Billie’s affair.
King would eventually earn the Presidential Medal of Freedom due to her advocacy for gay rights and equal pay. Sexes sees her at the advent of that life’s work. We see her drive as she tirelessly practices to beat a man at his game when so few think it’s possible. In fact, hearing Howard Cosell’s actual play-by-play during the game is both a treat and a stark reminder that it was a different era. We know eventually that King’s relentless work ethic will be applied elsewhere and for an even greater cause. Battle doesn’t delve overly deep into how she got there, but it serves up its replay of history admirably enough.
The first new wide release of 2018 is out next Friday when Insidious: The Last Key enters theaters. This is the fourth chapter in the franchise that began in 2011. Like Chapter 3, it’s a prequel to the events of the first two. In other words, no Patrick Wilson or Rose Byrne (the stars of the originals). James Wan, director and 1 and 2, produces with Adam Robitel behind the camera. Leigh Whannell, who’s served as writer for all of them, costars along with Lin Shaye, Angus Sampson, Josh Stewart, and Bruce Davison.
One factor that could assist The Last Key is the absence of horror flicks in the marketplace at the moment. That said, this franchise has been losing its luster. The 2011 original debuted to $13 million but legged out very nicely for its genre with an eventual $54 million gross. The 2013 sequel was the pinnacle with a terrific $40 million opening weekend and $83 million total tally. Chapter 3 in 2015 premiered to $22 million, but ended up as the lowest earner of the series with $52 million.
I don’t see a compelling reason why part 4 will rebound. For comparison sake, I could see this performing similarly to 2014’s Paranormal Activity: The Marked Ones, which opened in the first weekend of January to just over $18 million. Like this, that was an entry in a franchise whose steam had dissipated. That number seems to be where Key fits best.
Insidious: The Last Key opening weekend prediction: $18.6 million
It was early in 2017 when The Big Sick started garnering buzz from its screening at the Sundance Film Festival. Nearly one year later, the unique rom com was a smashing box office success and established its star/co-writer as a fresh and exciting new voice on the big screen.
Kumail Nanjiani was best known for his role on HBO’s “Silicon Valley” and stand-up. He had appeared in numerous supporting roles in comedies such as Central Intelligence and Mike and Dave Need Wedding Dates, but The Big Sick was something else entirely.
The Pakistani born performer penned the screenplay with wife Emily V. Gordon. Loosely based on their relationship and their dealings with her illness and cultural issues, the pic resonated with critics and audiences. The reported $5 million production took in $43 million stateside with a sizzling 98% Rotten Tomatoes score. Sick could soon attract Oscar attention, especially for Best Original Screenplay and Holly Hunter in Supporting Actress.
For Nanjiani, the year began with a festival screening that turned his movie into an audience favorite throughout the year. 2017 ends with his many new fans eager to see his next move.
All My Life... I Wanted To Be A Blogster 