Despite numerous critically acclaimed performances, Jake Gyllenhaal has but one Oscar nomination to his credit in Supporting Actor for 2005’s Brokeback Mountain. On October 1, his crime thriller The Guilty streams on Netflix. Based on a heralded 2018 Danish pic, it has premiered at the Toronto Film Festival over the weekend.
Early reviews are decent at 73% on Rotten Tomatoes. Interestingly enough, some claim viewers may like it more if they haven’t seen the superior original. The Guilty is helmed by Antoine Fuqua, who directed Denzel Washington to a Best Actor win and Ethan Hawke to a Supporting Actor nod in 2001’s Training Day. Hawke costars here along with Riley Keough, Christina Vidal, Eli Goree, Da’Vine Joy Randolph, Paul Dano, and Peter Sarsgaard.
In 2014, Gyllenhaal was snubbed (in the opinion of many, including this blogger) for Nightcrawler. More recently, the Academy bypassed his leading roles in Nocturnal Animals and Stronger. The Toronto verdict indicates that nomination #2 probably isn’t coming with The Guilty. My Oscar Predictions posts for the films of 2021 will continue…
Ben Platt has won a Tony, Emmy, and Grammy for his performance in the Broadway sensation Dear Evan Hansen. The cinematic version of the play comes from director Stephen Chbosky, best known for 2012’s acclaimed The Perks of Being a Wallflower and 2017’s hit Wonder.
Hansen has opened the Toronto Film Festival with Platt reprising his role. Costars include Amy Adams, Julianne Moore, and Kaitlyn Dever. The teen musical drama (where the 27-year-old Platt is a teen) is drawing wildly mixed reactions from critics – as evidence by its current 50% Rotten Tomatoes rating. Some are being kind while others are excoriating it.
That’s not a recipe for Oscars attention as I see it. Simply stated, its detractors should be loud enough to keep this out of contention. One possible exception could be a couple of original songs.
Bottom line: Platt’s EGOT is highly unlikely to happen with Hansen. My Oscar prediction posts for the films of 2021 will continue…
What’s happening in Venice? Well, Happening is. As in the 1960s set French drama from director Audrey Diwan (not to be confused with M. Night Shyamalan’s dreaded The Happening… and it won’t be). The pic surprisingly took the Venice Film Festival’s top award this afternoon – the Golden Lion.
In the past four years, the recipient of that honor has moved onto Oscar glory. Both 2017’s The Shape of Water and last year’s Nomadland took that Italian momentum to a Best Picture win. 2018’s Roma and 2020’s Joker both achieved nominations in BP and won other major categories.
My feeling is that Happening will break that streak. While France may select it for International Feature Film consideration and it could make that five, I don’t see this nabbing one of the ten slots for BP.
Diwan did not emerge victorious in Director. Instead, that went to Jane Campion for The Power of the Dog where she’s widely anticipated to follow suit with the Academy.
The Silver Lion (essentially runner-up) went to Paolo Sorrentino’s The Hand of God. While it got same raves, some critics were a little cooler. In my estimation, it has a stronger shot at BP and especially International Feature Film inclusion than Happening.
Best Actress was a category to keep an eye on as it included Oscar hopefuls like Kristin Stewart in Spencer, Olivia Colman for The Lost Daughter, and Penelope Cruz in Parallel Mothers. It was Cruz grabbing the prize (to the shock of many a Stewart fan) and it puts the three-time nominee and one-time victor in a sturdier position to make the cut come Oscar time. As for Stewart (and Colman to a lesser degree), they’ve still done what they need to do to be in the conversation.
There wasn’t many Academy players in the male actor competition and it was John Arcilla winning for On the Job: The Missing 8, an export from the Philippines. Don’t expect his name in the mix for Oscar.
The Screenplay race honored Maggie Gyllenhaal for The Lost Daughter, which was received very well overseas. This increases her chances to at least get an Adapted Screenplay recognition for her work. She also directed and a nod there could be a taller order.
Overall, I wouldn’t expect 2021’s Golden Lion selection to gain much traction at the big show. Other winners solidified their statuses in various categories.
The Venice Film Festival is wrapping up and it has done so with a big debut in Ridley Scott’s medieval drama The Last Duel. The first of two Oscar contenders from Scott in 2021 (the other is the forthcoming House of Gucci), Duel was seen as the lesser of the duo when it comes to awards prospects.
That has turned out to be accurate based on the Italian buzz. Duel stands at 67% on Rotten Tomatoes. As generally expected, I wouldn’t anticipate Scott’s epic (out October 15) to factor into Best Picture, Director, or its Adapted Screenplay from Nicole Holofcener. Nor do I believe much attention will be paid to its trio of male leads (Matt Damon, Ben Affleck, Adam Driver). The latter will have another at bat for Gucci or possibly Annette in the lead Actor derby.
Jodie Comer, an Emmy winner for Killing Eve and recently seen in the hit Free Guy, has always been looked at as the real hopeful in Actress. Comer is getting the best reviews of the cast. She could sneak in, but I suspect her race could be quite competitive and she’s probably on the outside looking in. One of her strongest competitors might be Lady Gaga from (you guessed it) Gucci. That’s in addition to the already in Kristin Stewart (Spencer) and numerous others.
Duel could play in some technical races like Production and Costume Design or Sound. However, any hopes of a Gladiator like run at the Oscars (Scott’s 2000 Best Picture winning epic) has been thwarted in Venice. My Oscar Prediction posts for the films of 2021 will continue…
Blogger’s Note (09/16): On the eve of its premiere, I’m revising my estimate down from $8 million to $6.4M
At age 91, Clint Eastwood is still averaging about a movie a year and his latest is Cry Macho. The Western themed drama is based on a 1975 novel by N. Richard Nash. The cinematic version has been in development for so long that Burt Lancaster and Roy Scheider were once attached (as was Arnold Schwarzenegger close to 20 years ago).
Per usual, Eastwood directs. He also stars and it marks his first appearance onscreen since 2018’s The Mule. Costars include Dwight Yoakam and Eduardo Minett. As a Warner production, it will also be simultaneously available on HBO Max.
The question is whether fans of the filmmaker will pack theater seats… or will Eastwood mostly be talking to empty chairs? The Mule kicked off to a solid $17.5 million start nearly three years back. It had the advantage of having a higher profile December release date and more buzz.
Older audiences with streaming access may opt to view it at home. It seems a little risky to underestimate the legendary nonagenarian, but I’ll project Macho doesn’t quite reach double digits.
Cry Macho opening weekend prediction: $6.4 million
Blogger’s Note (09/16): On the eve of its premiere, I’m revising my estimate down from $6.4 million to $4.5M
Open Road Films is hoping that moviegoers stop, drop everything and help open up Copshop to solid numbers when it debuts September 17th. The action thriller from Joe Carnahan is headlined by Gerard Butler. Costars include Frank Grillo and Alexis Louder.
The pic will essentially rely solely on Butler’s star power. He’s often found his niche in the genre. This includes the trilogy where something (be it Olympus, London or Angel) has fallen. There were also low to mid teens starts for Den of Thieves and Geostorm. Butler’s recent Greenland did well on VOD services. On the other hand, 2018’s Hunter Killer only achieved $6.6 million out of the gate.
Butler has shown the ability to get rather generic seeming titles to decent debuts. Copshop hitting double digits wouldn’t be a huge surprise, but I’m thinking a debut more in the Hunter Killer range is the right call.
In the immortal words of Lloyd Christmas: I was way off! I’m speaking of the marvelous performance of Marvel’s Shang-Chi and the Legend of the Ten Rings, which smashed the Labor Day weekend all-time record. We’ll get to that in a second. The major release this weekend is James Wan’s latest horror offering Malignant. My detailed prediction post on it can be found here:
There’s arguably been an over saturation in the market lately for scary pics. Malignant doesn’t seem to have much heat, but I have to give the reminder that this genre often over performs. I’ll still go with under $10 million and that would be good for second place.
Back to Shang-Chi. The acclaimed 25th MCU entry claimed the second highest COVID era debut (barely behind the other Marvel premiere from 2021 – Black Widow). Scarlett Johansson’s stand-alone title fell a steep 68% in its sophomore frame. I don’t foresee that occurring with Shang-Chi. With an A Cinemascore grade and it not being available on Disney Plus, a mid 50s dip seems more likely as it could foreseeably be #1 for the entire month of September.
Here’s how I see the top 5 shaking out:
1. Shang-Chi and the Legend of the Ten Rings
Predicted Gross: $36.4 million
2. Malignant
Predicted Gross: $7.6 million
3. Free Guy
Predicted Gross: $5.5 million
4. Candyman
Predicted Gross: $5.1 million
5. Jungle Cruise
Predicted Gross: $2.4 million
Box Office Results (September 3-6)
Mark it down as one of my incorrect forecasts ever. I thought the challenges facing Shang-Chi (COVID and the fact that big movies don’t really come out at this time of year) meant a $58.9 million four-day gross. Whoops. Try $94.6 million! Its $75 million traditional three-day take, as mentioned, is just after the $80 million that Widow made. Simply put, this is another testament that theatrical only can still be a moneymaking venture and that’s music to industry ears. To put it in perspective, the previous Labor Day record was 2007’s Halloween at $30 million. Rings tripled that and then some.
On the flip side, I was a little too generous to the holdovers. Candyman earned $12.5 million in its sophomore frame (a bit under my $13.4 million projection). The horror sequel/reboot, after its better than expected start, is up to $41 million.
Free Guy was third with $11.2 million (I said $14.2 million) and it’s made $94 million as it hurls towards the century mark.
PAW Patrol: The Movie sat in the four spot with $5.3 million compared to my $6.7 million prediction. Tally is $31 million.
Rounding out the top five was Jungle Cruise with $5.1 million. Once again, I went with more at $6.9 million. It has sailed off with $106 million.
Where to even begin? It’s been 11 days since I updated my Oscar predictions (a longer break than normal) but there’s good reason. A lot has transpired since then. That would be the Venice and Telluride Film Festivals where numerous contenders have been unveiled.
That means there are significant changes in all of the 8 major races that I’m currently forecasting. Let us count the ways:
Jane Campion’s The Power of the Dog was certainly one of the most awaited arrivals. Before Venice, I had it placed #1 in Picture, Director, and Actor (Benedict Cumberbatch). The reviews do not automatically indicate it will win the prize. However, they were enough raves that I have not moved it out of the top spot in Picture and Director. Yet there is a new #1 in Actor…
That would be Will Smith in King Richard. While Cumberbatch only slips to #2, the reaction to Smith’s work has me thinking a narrative could develop where he sweeps the season.
Richard also moves into the top ten in my Best Picture rankings. So does Kenneth Branagh’s Belfast, another major story of the past few days. I didn’t have the black and white period drama getting any nods a week and a half ago. It’s now listed in Picture, Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), and Original Screenplay. There is a question with how the studio will figure out placement for its ensemble. I currently have Caitriona Balfe and Jamie Dornan as possibilities in the lead derbies with both falling short.
The two newcomers in Best Picture takes out West Side Story and The Hand of God. Branagh’s rise in Director removes Joel Coen (The Tragedy of Macbeth).
In Actress, the festival praise for Olivia Colman (The Lost Daughter) has me thinking she’s in at this juncture. Falling off the top five: Frances McDormand in The Tragedy of Macbeth. I nearly put McDormand in Supporting Actress and I wouldn’t be surprised if she contends there instead.
Another development in Actress is the vaulting of Kristen Stewart (Spencer) to the #1 slot over Lady Gaga (House of Gucci). The Venice love indicates she’s the strong frontrunner to win gold.
Peter Dinklage’s title role as Cyrano makes the top five in Actor to the detriment of Leonardo DiCaprio (Don’t Look Up).
Judi Dench’s inclusion in Belfast for Supporting Actress has Jayne Houdyshell (The Humans) on the outside looking in. I desperately wanted to put Aunjanue Ellis (King Richard) in the five and wouldn’t be surprised if she makes it in soon. I just couldn’t decide who to take out.
There are two changes in Supporting Actor. The Power of the Dog buzz provided a bit of a shocker. Kodi Smit-McPhee appears to hold a better chance at getting in over Jesse Plemons (who falls out of the mix). Also, the addition of Ciaran Hinds removes Corey Hawkins (The Tragedy of Macbeth). For those keeping score, that’s two Supporting Actor hopefuls in the five that weren’t even ranked 11 days ago.
In Original Screenplay, it’s Belfast and Spencer in and The French Dispatch (whose fortunes are falling in my opinion) and The Hand of God out. In Adapted Screenplay, I have put CODA back in (sorry to The Humans… which we’ll know more about when it debuts in days up in Toronto).
Whew. Got all that? You can peruse all the movement below. And you can bet that I’ll be posting about all the fresh updates from Toronto. Until then…
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1)
2. House of Gucci (PR: 2)
3. Nightmare Alley (PR: 4)
4. Belfast (PR: 14)
5. The Tragedy of Macbeth (PR: 3)
6. Dune (PR: 7)
7. Soggy Bottom (PR: 5)
8. Don’t Look Up (PR: 6)
9. King Richard (PR: 21)
10. CODA (PR: 9)
Other Possibilities:
11. West Side Story (PR: 8)
12. Mass (PR: 13)
13. Spencer (PR: 17)
14. The Humans (PR: 11)
15. A Hero (PR: 15)
16. Flee (PR: 16)
17. The Hand of God (PR: 10)
18. Cyrano (PR: Not Ranked)
19. The French Dispatch (PR: 12)
20. Tick, Tick… Boom! (PR: 19)
21. The Last Duel (PR: 20)
22. Being the Ricardos (PR: 24)
23. Parallel Mothers (PR: 22)
24. Passing (PR: 23)
25. C’Mon C’Mon (PR: 25)
Dropped Out:
Last Night in Soho
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1)
2. Guillermo del Toro, Nightmare Alley (PR: 2)
3. Denis Villeneuve, Dune (PR: 5)
4. Ridley Scott, House of Gucci (PR: 4)
5. Kenneth Branagh, Belfast (PR: 12)
Other Possibilities:
6. Paul Thomas Anderson, Soggy Bottom (PR: 6)
7. Joel Coen, The Tragedy of Macbeth (PR: 3)
8. Adam McKay, Don’t Look Up (PR: 7)
9. Pablo Larrain, Spencer (PR: 15)
10. Steven Spielberg, West Side Story (PR: 9)
11. Asghar Farhadi, A Hero (PR: 10)
12. Reinaldo Marcus Green, King Richard (PR: Not Ranked)
13. Jonas Poher Rasmussen, Flee (PR: 14)
14. Sian Heder, CODA (PR: 13)
15. Paolo Sorrentino, The Hand of God (PR: 8)
Dropped Out:
Wes Anderson, The French Dispatch
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 4)
2. Lady Gaga, House of Gucci (PR: 1)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3)
4. Olivia Colman, The Lost Daughter (PR: 14)
5. Jennifer Hudson, Respect (PR: 5)
Other Possibilities:
6. Penelope Cruz, Parallel Mothers (PR: 6)
7. Frances McDormand, The Tragedy of Macbeth (PR: 2)
8. Jodie Comer, The Last Duel (PR: 7)
9. Caitriona Balfe, Belfast (PR: Not Ranked)
10. Nicole Kidman, Being the Ricardos (PR: 8)
11. Cate Blanchett, Nightmare Alley (PR: 9)
12. Jennifer Lawrence, Don’t Look Up (PR: 12)
13. Emilia Jones, CODA (PR: 10)
14. Renate Reinsve, The Worst Person in the World (PR: 11)
15. Rachel Zegler, West Side Story (PR: 13)
Dropped Out:
Halle Berry, Bruised
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 3)
2. Benedict Cumberbatch, The Power of the Dog (PR: 1)
3. Denzel Washington, The Tragedy of Macbeth (PR: 2)
4. Adam Driver, House of Gucci (PR: 4)
5. Peter Dinklage, Cyrano (PR: 14)
Other Possibilities:
6. Leonardo DiCaprio, Don’t Look Up (PR: 5)
7. Joaquin Phoenix, C’Mon C’Mon (PR: 6)
8. Bradley Cooper, Nightmare Alley (PR: 7)
9. Clifton Collins, Jr., Jockey (PR: 9)
10. Andrew Garfield, Tick, Tick… Boom! (PR: 8)
11. Jamie Dornan, Belfast (PR: Not Ranked)
12. Nicolas Cage, Pig (PR: 11)
13. Amir Jadidi, A Hero (PR: 10)
14. Adam Driver, Annette (PR: 13)
15. Javier Bardem, Being the Ricardos (PR: 15)
Dropped Out:
Steven Yeun, The Humans
Best Supporting Actress
Predicted Nominees:
1. Ann Dowd, Mass (PR: 1)
2. Kirsten Dunst, The Power of the Dog (PR: 2)
3. Judi Dench, Belfast (PR: 11)
4. Marlee Matlin, CODA (PR: 3)
5. Ariana DeBose, West Side Story (PR: 4)
Other Possibilities:
6. Jayne Houdyshell, The Humans (PR: 5)
7. Aunjanue Ellis, King Richard (PR: 15)
8. Toni Collette, Nightmare Alley (PR: 6)
9. Ruth Negga, Passing (PR: 10)
10. Meryl Streep, Don’t Look Up (PR: 9)
11. Martha Plimpton, Mass (PR: 8)
12. Rooney Mara, Nightmare Alley (PR: 7)
13. Nina Arianda, Being the Ricardos (PR: 13)
14. Olga Merediz, In the Heights (PR: 12)
15. Jessie Buckley, The Lost Daughter (PR: Not Ranked)
Dropped Out:
Rebecca Ferguson, Dune
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Soggy Bottom (PR: 1)
2. Kodi Smit-McPhee, The Power of the Dog (PR: Not Ranked)
Two years ago, the film festival circuit paved the road for Joaquin Phoenix’s Oscar-winning triumph in Joker. In 2021, the actor headlines his first post Joker role and it showcases the softer side of Phoenix.
C’Mon C’Mon is a black and white drama from writer/director Mike Mills. He’s no stranger to awards attention. In 2011, he guided Christopher Plummer to a Best Supporting Actor victory. 2016’s 20th Century Women nabbed him a Best Original Screenplay nod.
I’ve yet to see a negative review for C’Mon from Telluride or Venice, but I’m also skeptical it has the goods for Picture consideration. Casting Phoenix as a radio DJ put in charge of caring for his young nephew (Woody Norman, garnering solid notices), its best chances are with him and the script.
Best Actor probably has two tickets punched already: Will Smith in King Richard and Benedict Cumberbatch for The Power of the Dog. Peter Dinklage (Cyrano) also put himself in contention over the weekend. There’s a whole lot of performances left to be screened that could play: Denzel Washington (The Tragedy of Macbeth), Adam Driver (House of Gucci), Bradley Cooper (Nightmare Alley), and Leonardo DiCaprio (Don’t Look Up) among them. I currently should have Phoenix on the outside looking in when I update my estimates tomorrow, but he could absolutely rise. Same goes for the screenplay. My Oscar Prediction posts for the films of 2021 will continue…
The Telluride Film Festival unveiled Joe Wright’s musical version of the nearly 125-year-old play Cyrano de Bergerac with Games of Thrones Emmy winner Peter Dinklage in the title role. The director is no stranger to awards attention as both Atonement and Darkest Hour nabbed Best Picture nods.
Early critical reaction for Cyrano in Colorado has thus far yielded an 83% Rotten Tomatoes. Much of the praise is devoted to Dinklage, who has likely put himself in position for his first Best Actor recognition. I doubt the same holds true for his costars including Haley Bennett, Kelvin Harrison Jr., and Ben Mendelsohn. If Dinklage makes final cut, he will follow Jose Ferrer (who Cyrano take won lead in 1950) and Gerard Depardieu (whose 1990 version garnered him a nod).
Dinklage’s wife Erica Schmidt serves as screenwriter. Adapted Screenplay is a possibility, but initial reaction tells me this is probably the Dinklage show with Production Design and Cinematography possible as well. My Oscar Prediction posts for the film of 2021 will continue…
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