Following its summertime premiere at the Tribeca Film Festival, Jessica Kingdon’s documentary Ascension has opened in limited release this month. Focused on economic conditions in China, the pic has received acclaim and stands at 95% on Rotten Tomatoes.
Picked up by MTV Films for distribution, Ascension was recently among the 12 nominees for the Critics’ Choice Documentary Awards. Of course, there’s only five features selected by the Academy next year. The Rescue and Flee are two nominees that seem likely to make the cut (though this branch of voters has often been unpredictable). Assuming there’s three spots for the taking, there will be a multitude of contenders. I currently have Summer of Soul, Attica, and The Lost Leonardo taking them. All 5 of my predicted nominees were also named in the Critics’ Choice selections.
However, the critical reaction for Ascension is strong enough that it certainly stands a shot at inclusion. My Oscar Prediction posts for the films of 2021 will continue…
The Marvel Cinematic Universe has been unleashing product at a furious pace following COVID delays and that continues November 5th with Eternals. Arriving four months after Black Widow, two months following Shang-Chi and the Legend of the Ten Rings and a month a half before Spider-Man: No Way Home, this is the 26th MCU superhero tale in the massive series. Chloe Zhao, fresh off a Best Picture and Director win for Nomadland, directs with a cast featuring Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Don Lee, Kit Harington, Salma Hayek, and Angelina Jolie.
Originally scheduled for November 2020 before the pandemic altered Disney’s plans, this is the long anticipated adaptation of Jack Kirby’s comics that debuted over half a century ago. Surprisingly, initial buzz is mixed in a way Marvel rarely sees. The Rotten Tomatoes meter currently sits at 63%. That’s the lowest score of any MCU offering to date (just below Thor: The Dark World‘s 66%).
If there’s any franchise that’s teflon, it would be this one. Reviews shouldn’t matter too much, but the word-of-mouth could keep Eternals from reaching COVID era records. Venom: Let There Be Carnage has the best three day start of the period with $90 million. In July, Black Widow took in $80 million out of the gate. Over Labor Day weekend, Shang-Chi surpassed projections with $75 million from Friday to Sunday and $94 million when adding the Monday haul.
Had Eternals achieved the glowing chatter of Shang-Chi, I might be discussing an opening weekend of over $100 million. Now I’m skeptical. I believe it’s more likely that Eternals could debut on pace with what its MCU predecessor did during the first three days. That’s just fine, but it’s an adjustment down from what I would’ve figured even a week or so ago.
Eternals opening weekend prediction: $77.8 million
Denis Villeneuve’s Dune hit box office expectations this past weekend and I’m more confident than ever that it makes the Best Picture ten. Belfast still maintains the #1 slot in Picture and I nearly put its maker Kenneth Branagh in the same spot in Director. Jane Campion (The Power of the Dog) is hanging on by a thread as I also believe Villeneuve could be rewarded for his technical bravura behind the camera.
Per usual, I’ve made a change in the #5 rank in Actor – swapping out Andrew Garfield (Tick, Tick… Boom!) for Joaquin Phoenix (C’Mon C’Mon). It was a good week for the upcoming Phoenix comedic drama as it reenters Original Screenplay over Spencer.
You can read all the latest activity below!
Best Picture
Predicted Nominees:
1. Belfast (Previous Ranking: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. King Richard (PR: 4) (+1)
4. Dune (PR: 5) (+1)
5. Nightmare Alley (PR: 3) (-2)
6. Licorice Pizza (PR: 6) (E)
7. West Side Story (PR: 7) (E)
8. House of Gucci (PR: 8) (E)
9. Spencer (PR: 9) (E)
10. The Tragedy of Macbeth (PR: 10) (E)
Other Possibilities:
11. Don’t Look Up (PR: 12) (+1)
12. Mass (PR: 11) (-1)
13. Flee (PR: 14) (+1)
14. CODA (PR: 15) (+1)
15. Tick, Tick… Boom! (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Kenneth Branagh, Belfast (PR: 2) (E)
3. Denis Villeneuve, Dune (PR: 4) (+1)
4. Guillermo del Toro, Nightmare Alley (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Pablo Larrain, Spencer (PR: 6) (E)
7. Steven Spielberg, West Side Story (PR: 7) (E)
8. Joel Coen, The Tragedy of Macbeth (PR: 9) (+1)
9. Reinaldo Marcus Green, King Richard (PR: Not Ranked)
10. Julia Ducournau, Titane (PR: 10) (E)
Dropped Out: Ridley Scott, House of Gucci
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (+1)
3. Lady Gaga, House of Gucci (PR: 2) (-1)
4. Olivia Colman, The Lost Daughter (PR: 4) (E)
5. Jennifer Hudson, Respect (PR: 5) (E)
Other Possibilities:
6. Frances McDormand, The Tragedy of Macbeth (PR: 6)
7. Penelope Cruz, Parallel Mothers (PR: 8) (+1)
8. Jodie Comer, The Last Duel (PR: 7) (-1)
9. Rachel Zegler, West Side Story (PR: 9) (E)
10. Nicole Kidman, Being the Ricardos (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3) (E)
4. Peter Dinklage, Cyrano (PR: 4) (E)
5. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. Andrew Garfield, Tick, Tick… Boom! (PR: 5) (-1)
7. Nicolas Cage, Pig (PR: 8) (+1)
8. Bradley Cooper, Nightmare Alley (PR: 7) (-1)
9. Adam Driver, House of Gucci (PR: 9) (E)
10. Leonardo DiCaprio, Don’t Look Up (PR: Not Ranked)
Dropped Out:
Clifton Collins, Jr., Jockey
Best Supporting Actress
Predicted Nominees:
1. Caitriona Balfe, Belfast (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 3) (+1)
3. Ann Dowd, Mass (PR: 2) (-1)
4. Aunjanue Ellis, King Richard (PR: 4) (E)
5. Ariana DeBose, West Side Story (PR: 5) (E)
Other Possibilities:
6. Ruth Negga, Passing (PR: 7) (+1)
7. Judi Dench, Belfast (PR: 6) (-1)
8. Rooney Mara, Nightmare Alley (PR: Not Ranked)
9. Marlee Matlin, CODA (PR: 8) (-1)
10. Jayne Houdyshell, The Humans (PR: 9) (-1)
Dropped Out:
Martha Plimpton, Mass
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Licorice Pizza (PR: 1) (E)
2. Jamie Dornan, Belfast (PR: 2) (E)
3. Richard Jenkins, The Humans (PR: 3) (E)
4. Jason Isaacs, Mass (PR: 4) (E)
5. Jared Leto, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Jon Bernthal, King Richard (PR: 8) (+2)
7. Kodi Smit-McPhee, The Power of the Dog (PR: 6) (-1)
8. Ciaran Hinds, Belfast (PR: 7) (-1)
9. Ben Affleck, The Tender Bar (PR: 9) (E)
10. Troy Kotsur, CODA (PR: Not Ranked)
Dropped Out:
Andrew Garfield, The Eyes of Tammy Faye
Best Original Screenplay
Predicted Nominees:
1. Belfast (PR: 1) (E)
2. Licorice Pizza (PR: 2) (E)
3. King Richard (PR: 3) (E)
4. Mass (PR: 4) (E)
5. C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Don’t Look Up (PR: 7) (E)
8. The Worst Person in the World (PR: 9) (+1)
9. Parallel Mothers (PR: 9) (E)
10. A Hero (PR: 8) (-2)
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. Nightmare Alley (PR: 2) (E)
3. The Humans (PR: 3) (E)
4. The Lost Daughter (PR: 5) (+1)
5. The Tragedy of Macbeth (PR: 6) (+1)
Other Possibilities:
6. House of Gucci (PR: 4) (-2)
7. Dune (PR: 8) (+1)
8. West Side Story (PR: 7) (-1)
9. Passing (PR: 9) (E)
10. The Last Duel (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. Encanto (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 3) (E)
4. Luca (PR: 2) (E)
5. Belle (PR: 5) (E)
Other Possibilities:
6. Raya and the Last Dragon (PR: 6) (E)
7. The Summit of the Gods (PR: Not Ranked)
8. Where Is Anne Frank (PR: 7) (-1)
9. Vivo (PR: 8) (-1)
10. Ron’s Gone Wrong (PR: 10) (E)
Dropped Out:
Marcel the Shell With Shoes On
Best International Feature Film
Predicted Nominees:
1. A Hero (PR: 1) (E)
2. The Worst Person in the World (PR: 2) (E)
3. Flee (PR: 3) (E)
4. The Hand of God (PR: 4) (+2)
5. Titane (PR: 4) (-1)
Other Possibilities:
6. Drive My Car (PR: 5) (-1)
7. I’m Your Man (PR: 7) (E)
8. Compartment No. 6 (PR: 9) (+1)
9. Great Freedom (PR: Not Ranked)
10. Memoria (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. The Rescue (PR: 1) (E)
2. Flee (PR: 2) (E)
3. Summer of Soul (PR: 5) (+2)
4. Attica (PR: 3) (-1)
5. The Lost Leonardo (PR: 7) (+2)
Other Possibilities:
6. President (PR: 4) (-2)
7. Becoming Cousteau (PR: 8) (+1)
8. Ascension (PR: Not Ranked)
9. The First Wave (PR: 6) (-3)
10. The Velvet Underground (PR: 9) (-1)
Dropped Out:
Ailey
Best Cinematography
Predicted Nominees:
1. Dune (PR: 2) (+1)
2. The Tragedy of Macbeth (PR: 1) (-1)
3. Belfast (PR: 5) (+2)
4. Nightmare Alley (PR: 3) (-1)
5. The Power of the Dog (PR: 4) (-1)
Other Possibilities:
6. West Side Story (PR: 6) (E)
7. Spencer (PR: 7) (E)
8. The French Dispatch (PR: Not Ranked)
9. Licorice Pizza (PR: 9) (E)
10. The Last Duel (PR: Not Ranked)
Dropped Out:
Cyrano
C’Mon C’Mon
Best Costume Design
Predicted Nominees:
1. Spencer (PR: 1) (E)
2. Cruella (PR: 3) (+1)
3. House of Gucci (PR: 2) (-1)
4. Dune (PR: 6) (+2)
5. The French Dispatch (PR: 5) (E)
Other Possibilities:
6. West Side Story (PR: 4) (-2)
7. Nightmare Alley (PR: 7) (E)
8. Cyrano (PR: 9) (+1)
9. Licorice Pizza (PR: 8) (-1)
10. The Tragedy of Macbeth (PR: 10) (E)
Dropped Out:
The Last Duel
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. The Power of the Dog (PR: 6) (+3)
4. Licorice Pizza (PR: 5) (+1)
5. West Side Story (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 3) (-3)
7. Don’t Look Up (PR: 8) (+1)
8. King Richard (PR: 7) (-1)
9. House of Gucci (PR: 9) (E)
10. Spencer (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. House of Gucci (PR: 1) (E)
2. Dune (PR: 2) (E)
3. Spencer (PR: 3) (E)
4. Cruella (PR: 5) (+1)
5. The Eyes of Tammy Faye (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. The Suicide Squad (PR: 7) (E)
8. The Green Knight (PR: 8) (E)
9. The Last Duel (PR: 10) (+1)
10. Licorice Pizza (PR: Not Ranked)
Dropped Out:
Cyrano
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 3) (+1)
3. Spencer (PR: 2) (-1)
4. The Tragedy of Macbeth (PR: 5) (-1)
5. The French Dispatch (PR: 6) (+1)
Other Possibilities:
6. Nightmare Alley (PR: 4) (-2)
7. Belfast (PR: 7) (E)
8. King Richard (PR: 10) (-2)
9. Licorice Pizza (PR: 9) (E)
10. Cyrano (PR: Not Ranked)
Dropped Out:
Don’t Look Up
Best Original Song
Predicted Nominees:
1. “Be Alive” from King Richard (PR: 1) (E)
2. “No Time to Die” from No Time to Die (PR: 2) (E)
3. “Colombia, Mi Encanto” from Encanto (PR: 3) (E)
4. “Down to Joy” from Belfast (PR: 4) (E)
5. “Here I Am” from Respect (PR: 6) (+1)
Other Possibilities:
6. “So May We Start” from Annette (PR: 8) (+2)
7. “Believe” from The Rescue (PR: 7) (E)
8. “Every Letter” from Cyrano (PR: 5) (-3)
9. “Somehow You Do” from Four Good Days (PR: 9) (E)
10. “Guns Go Bang” from The Harder They Fall (PR: Not Ranked)
Dropped Out:
“Beyond the Shore” from CODA
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. Cyrano (PR: 6) (+1)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 7) (+1)
7. Belfast (PR: 9) (+2)
8. Spencer (PR: 5) (-3)
9. Licorice Pizza (PR: 10) (+1)
10. The Power of the Dog (PR: 8) (-2)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 4) (+1)
4. Nightmare Alley (PR: 5) (+1)
5. No Time to Die (PR: 3) (-2)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 6) (E)
7. The Last Duel (PR: 9) (+2)
8. The Matrix Resurrections (PR: 7) (-1)
9. A Quiet Place Part II (PR: 8) (-1)
10. Cyrano (PR: Not Ranked)
Dropped Out:
Don’t Look Up
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 3) (+1)
3. Godzilla vs. Kong (PR: 4) (+1)
4. Shang-Chi and the Legend of the Ten Rings (PR: 6) (+2)
5. Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. Eternals (PR: 2) (-4)
7. Free Guy (PR: 7) (E)
8. Spider-Man: No Way Home (PR: 8) (E)
9. The Green Knight (PR: Not Ranked)
10. The Suicide Squad (PR: 9) (-1)
Dropped Out:
Finch
This adds up to these pictures nabbing the following numbers in terms of nominations:
10 Nominations
Dune
9 Nominations
Belfast
8 Nominations
The Power of the Dog
6 Nominations
Nightmare Alley
5 Nominations
House of Gucci, King Richard, Licorice Pizza, Spencer, The Tragedy of Macbeth, West Side Story
3 Nominations
Flee, The French Dispatch, Mass
2 Nominations
C’Mon C’Mon, Cruella, Cyrano, Encanto, The Eyes of Tammy Faye, The Humans, No Time to Die, Respect
1 Nomination
Attica, Belle, Don’t Look Up, Godzilla vs. Kong, The Hand of God, A Hero, The Lost Leonardo, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, The Rescue Shang-Chi and the Legend of the Ten Rings, Summer of Soul, Titane, The Worst Person in the World
Edgar Wright’s Last Night in Soho is about romanticism and the death (often the grisly variety) of it. In this ghost story, the filmmaker pays homage to a far gone thrilling and swinging era in mid 1960s London while maintaining that the nostalgia of those who didn’t live through it might be displaced.
Eloise Turner (Thomasin McKenzie) looks at the period from her starry eyes and an ear tuned to its luscious record. She’s only been to present era London as a young girl having grown up in the countryside with her grandmother (Rita Tushingham). Her mother is departed in tragic circumstances that hint she mentally couldn’t handle the glitzy big city life. Her father is as much an apparition as others she encounters.
A college student attending fashion school, Eloise is swiftly out of her element with her snooty dorm mates. Relocating to an upstairs room in a home run by the strict Ms Collins (the late Diana Rigg), her clairvoyance that often includes matriarchal visions moves right along with her. They involve Sandie (Anya Taylor-Joy), an aspiring singer in 1966 whose ambition introduces her to agent Jack (Matt Smith). He’s all charm at first, but darkness lurks with him and many other not so English gentlemen.
As Eloise begins to experience nightly visions of Sandie’s struggles, her own behavior rightfully begins to alarm those in her orbit. That includes John (Michael Ajao), a classmate and potential love interest who’s often the only Londoner that’s kind to her. On the not so nice list is a customer (Terence Stamp) at the local watering hole, a hub of both glamour and glumness 60 years ago, where Eloise works. He might be the key to Sandie’s backstory.
Whether in zombie comedies like Shaun of the Dead or Baby Driver (where he figured out a way to make car chases cool again), Wright is a filmmaker with style to spare. Soho is a glorious visual spectacle that shows its work in explaining how Eloise is so taken with the period. And he may be second only to Tarantino nowadays when it comes to killer needle drops in the soundtrack.
Last Night in Soho may not significantly alter the mix in the spirits genre, but Wright certainly has a flair for it. He cheekily employs some British legends like Rigg and Stamp in this ferocious happening. For the former especially, it’s a delicious final role. McKenzie and Taylor-Joy mirror each other in the quality of their performances that grow more terror struck as the clock ticks. Sandie’s London journey begins with hope and ends with her bridge to stardom falling down. Eloise is there to witness it while gasping in horror. We are there to witness Wright at the top of his game.
Halloween weekend brings five (yes five) pictures either debuting or expanding nationally. Some of them may not treat theirselves to a top 5 finish. The contenders are Edgar Wright’s 60s set psychological horror pic Last Night in Soho, Scott Cooper’s creature feature Antlers, Wes Anderson’s latest comedy The French Dispatch, Japanese animated sequel My Heroes Academia: World Heroes’ Mission, and Amanda Seyfried in the drama A Mouthful of Air. You can peruse my detailed prediction posts on the quintet at these links:
I’ll begin with the low hanging fruit. Mouthful is only opening in 800 theaters and has barely been advertised. My tiny $846,000 estimate leaves it outside of the top ten.
Of all the premieres, I suspect Academia could actually make the most and it might be the only one in the top 5. This is based on the assumption that Soho and Antlers will both struggle.
The French Dispatch is more of a question mark. It debuted in 52 venues this weekend and its $1.3 million take (good for ninth place) represents the highest per screen average in the COVID era. However, that could be misleading as it expands across the nation and non-Anderson fanatics may not turn out.
As for holdovers, Dune met expectations in its start (more on that below) and seemed to garner the audience stamp of approval with an A- Cinemascore. It should easily maintain the top spot and I’ll say a 50-55% dip is most feasible. Halloween Kills, No Time to Die, Academia, and maybe even Venom (or Soho or Antlers or Dispatch if they exceed my forecasts) could battle it out for the runner-up position.
With all the new product, my typical top 5 expands to a top 10 as we close out October. Here’s how I see it:
1. Dune
Predicted Gross: $18.5 million
2. No Time to Die
Predicted Gross: $6.3 million
3. Halloween Kills
Predicted Gross: $6.1 million
4. My Hero Academia: World Heroes’ Mission
Predicted Gross: $6.1 million
5. Venom: Let There Be Carnage
Predicted Gross: $5.6 million
6. Last Night in Soho
Predicted Gross: $5.2 million
7. Ron’s Gone Wrong
Predicted Gross: $4.1 million
8. The French Dispatch
Predicted Gross: $3.8 million
9. The Addams Family 2
Predicted Gross: $3.3 million
10. Antlers
Predicted Gross: $3.2 million
Box Office Results (October 22-24)
Despite its simultaneous availability on HBO Max, Denis Villeneuve’s long awaited sci-fi epic Dune performed in the range of anticipation with $41 million, just under my $42.8 million prediction. Considering its streaming dollars, that should certainly be enough for the expected part II.
Halloween Kills was slashed steeply in weekend #2 with $14.4 million. I was a tad higher at $15.4 million. The middle pic in the trilogy is up to a solid $73 million.
No Time to Die was third with $12.2 million, right on pace with my $12.1 million take. The 25th Bond adventure sits at $120 million.
Venom: Let There Be Carnage took fourth with $9.3 million (I said $9.5 million) for $182 million overall.
Finally, the animated Ron’s Gone Wrong didn’t connect with family audiences. Despite complimentary critical reaction, it opened in the five spot with $7.3 million (not matching my $8.4 million projection).
Chloe Zhao was the big winner at the previous Academy Awards when Nomadland took Best Picture and she became the second female filmmaker to take the trophy for her direction. Her follow-up is a high profile one in Marvel’s Eternals, which opens November 5th and had its review embargo lifted today.
With an eclectic cast including Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Kit Harington, Salma Hayek, and Angelina Jolie, MCU entry #26 is undoubtedly one of 2021’s most anticipated blockbusters. However, critical reaction is certainly mixed. The 74% Rotten Tomatoes score is on the lower side for this series. Just this year, Black Widow stands at 79% while Shang-Chi and the Legend of the Ten Rings got to 92%.
Any thought of Zhao’s having two Best Picture winners or nominees in a row (or being mentioned again in Director) has fallen by the wayside. The one race where I did feel hope for Eternals sprung was in Visual Effects. That could still happen, but I’m not near as confident. Competition will be fairly strong. Dune is easily the frontrunner and will likely win. Other notable contenders include The Matrix Resurrections, Don’t Look Up, Godzilla vs. Kong, Nightmare Alley, Jungle Cruise, Finch, and Free Guy. And then there’s the other MCU rivals like Shang-Chi and the upcoming Spider-Man: No Way Home.
There could still be room for Eternals in VE, but I’m thinking it may on the outside looking in. Even some of the reviews aren’t gushing about the visuals. Bottom line: Eternals took itself out of the running for the big races and could be iffy in the one tech competition where I thought it stood an excellent shot. My Oscar Prediction posts for the films of 2021 will continue…
Amanda Seyfried headlines the postpartum depression drama A Mouthful of Air, which releases in approximately 800 theaters on October 29th. From writer/director Amy Koppelman (adapting her own novel), Air costars Finn Wittrock, Jennifer Carpenter, Amy Irving, and Paul Giamatti.
The soft output screen wise likely means small returns for the feature. While Air will hope to attract a female audience, I believe it could struggle to reach $1 million for its start. That means it could and probably will premiere outside of the top ten.
A Mouthful of Air opening weekend prediction: $846,000
Wes Anderson’s latest comedy The French Dispatch is being delivered to 52 theaters on October 22nd before its wide release the following weekend. The anthology pic arrives a year after its COVID delay. It received a premiere at the Cannes Film Festival over the summer.
Like most of his unique tales, Dispatch features a massive cast (many of whom have appeared in multiple previous works from the director). That list includes Benicio del Toro, Adrien Brody, Tilda Swinton, Frances McDormand, Timothee Chalamet, Lyna Khoudri, Mathieu Amalric, Stephen Park, Owen Wilson, Anjelica Huston, Elisabeth Moss, Liev Schrieber, Willem Dafoe, Edward Norton, Fisher Stevens, Henry Winkler, Bob Balaban, Rupert Friend, Griffin Dunne, and three actors from No Time to Die (Lea Seydoux, Jeffrey Wright, and Christoph Waltz).
There is no question that Anderson has an ardent fanbase. However, there’s some drawbacks. Reviews are not quite up to the level of other features like Moonrise Kingdom or The Grand Budapest Hotel. The Rotten Tomatoes score is 79% and it is not thought to be an awards contender. That’s unlike his previous live-action film Hotel, which was nominated for nine Oscars and won four. It ended up with $59 million domestically after a long and leggy run in multiplexes. This might be fortunate to nab a couple of tech nods from the Academy.
Dispatch‘s wide release on October 29th comes with caveats in terms of my prediction. I have yet to see a theater count and that could easily alter my projection once known. However, I’m leaning towards this being one of Anderson’s lesser earning titles. This is somewhat of a placeholder estimate, but I’ll say $3-5 million seems likeliest.
The French Dispatch opening weekend prediction: $3.8 million
Just prior to the COVID era in February 2020, the second feature in the animated superhero franchise from Japan My Hero Academia: Heroes Rising took in $5.8 million at the domestic box office. From director Kenji Nagasaki, the Toho distributed pic placed fourth on the charts and ended its stateside run at $13.5 million.
On October 29th, the follow-up hits multiplexes. My Hero Academia: World Heroes’ Mission debuted in its home country back in August. Earning $29 million, it became the highest grossing entry in the series thus far. Will American audiences turn out again?
I don’t see why not. This particular genre has a devoted fanbase that should show up in similar numbers to its predecessor. In fact, I suspect Heroes could outgross the competition (Last Night in Soho, Antlers) opening directly against it. I’ll give this third Mission a slight bump over what part II achieved.
My Hero Academia: World Heroes’ Mission opening weekend prediction: $6.1 million
Premiering this weekend in limited theatrical release before its November 6th bow on Showtime, the documentary Attica focuses on the prison riot that took place 50 years ago. From filmmaker Stanley Nelson, the pic was unveiled at the Toronto Film Festival last month to laudatory reaction. The Rotten Tomatoes score is 100% based on 26 reviews.
Attica could definitely make the final five in the Documentary Feature category with the Academy. I have it ranked third in my latest weekly projections behind The Rescue and Flee. Those two docs appear to be the ones vying for the victory, but don’t be surprised if Attica is deemed a dark horse contender for a surprise win. My Oscar Prediction posts for the films of 2021 will continue…
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