Sword fights abound literally and figuratively in Ridley Scott’s The Last Duel, which finds the legendary director covering familiar red stained territory in a unique storytelling format. Based on a true incident that transpired in late 14th century France, Good Will Hunting scribes Matt Damon and Ben Affleck collaborate with Nicole Holofcener for this three tiered tale of a tragic crime mixed with a touch of black comedy. It explores the horrors of machismo at a time when women were seen as property by the standards of thought and law. The most fascinating aspect of the film (and most appalling) is that the three principals may truly believe they’re the victim, including two that should not.
Shot in gray with a focus on grey areas, Duel is fashioned into triangular chapters (from a novel by Eric Jager). Each outlines the plot from these perspectives: Jean de Carrouges (Damon), who fancies himself a brave and noble knight; the philandering squire Jacques Le Gris (Adam Driver) who has the ear of the authoritative and even more philandering Count Pierre d’Alencon (Affleck); and Jean’s educated and strong wife Marguerite (Jodie Comer). Jean and Marguerite’s marriage is one of convenience and real estate opportunities for the former. He also desires a male heir that Marguerite has yet to produce. Jacques, meanwhile, has access to influence that Jean doesn’t possess. When he becomes smitten with his friend’s bride, the power dynamic turns more dangerous.
An accusation of rape is made in an era when most women didn’t dare do so (made clear in a potent monologue by Jean’s emotionally barren mother played by Harriet Walter). 600 plus years ago, that meant Jean and Jacques would participate in the picture’s title if a trial permitted it (and allow for Scott to play in some Gladiator type set pieces). Where the screenplay derives some humor is that the two leading men seem convinced that they are the aggrieved party and are oblivious to the damage inflicted on Marguerite. As nearly every male character is given a chance to bask in his laurels, we detect plenty of side eyes from the women around them. I suspect those sharp edges come courtesy of Holofcener’s script portions.
The Last Duel is fueled by Comer’s central performance as a victim who spoke up centuries before hashtags existed. The struggles to hold her perpetrator responsible are both centuries old and of today. Didn’t she remark that he was attractive? Maybe her no was a yes and she enjoyed it. Damon and especially Driver add sturdy support and Affleck commands the screen in his relatively brief runtime (once you get past the odd looking wigs).
The chaptered structure is occasionally repetitive. However, by the time the literal swordplay commences, the time spent with the trio builds a sense of genuine tension. Marguerite will be punished by a grisly death unless Jacques succeeds. In other words, her words mean little and she must rely on her husband to determine whether her time is up. That’s the wound that cuts the deepest as we await their fates.
A Journal for Jordan is not about Michael Jordan reading his diary (though I bet that would make some $$$). Instead it’s a military themed romantic drama from director Denzel Washington starring Michael B. Jordan. Coming out Christmas Day (meaning only the Saturday and Sunday will count for opening weekend), Jordan is based on a memoir from Dane Canedy and costars Chante Adams.
This is Denzel’s behind the camera follow-up to 2016’s Fences, which earned four Oscar nominations. Journal is missing that kind of buzz – currently sitting at just 43% on Rotten Tomatoes. Awards chatter might’ve helped and I look for this to be another adult themed drama that will struggle at multiplexes.
While it could over perform with African-American audiences, I’ll say $4-5 million would be generous for its two-day rollout and I’ll go lower.
A Journal for Jordan opening weekend prediction: $2.9 million
For my The Matrix Resurrections prediction, click here:
American Underdog tells the story of Kurt Warner, who went from undrafted quarterback to Super Bowl winner in his first season as a starter. It comes from directors Andrew and Joe Erwin, who have found success with faith based dramas like Woodlawn (another true life gridiron tale) and I Can Only Imagine. Zachary Levi of Shazam! fame is Warner with Anna Paquin as his wife and Dennis Quaid playing Coach Dick Vermeil.
Opening Christmas Day (a Saturday), Underdog will indeed be just that considering the holiday competition. The Erwin brothers have a commendable track record, but whether this registers with a Christian fanbase is an open question.
Underdog could surprise and reach double digits, but a gross of $6-8 million for its (rare) two-day opening weekend is likely where this plays.
American Underdog opening weekend prediction: $7.2 million
For my The Matrix Resurrections prediction, click here:
In the Yuletide battle for franchise supremacy, The King’s Man will undoubtedly come in fourth among the contenders. A prequel to the two Kingsman features that preceded it, the spy thriller was originally set for release over two years ago. COVID delays have pushed it all the way to December 22nd.
Matthew Vaughn returns in the director’s chair with a cast including Ralph Fiennes, Gemma Arterton, Rhys Ifans (who’s also costarring in Spider-Man: No Way Home), Matthew Goode, Tom Hollander (not to be confused with Tom Holland of Spidey fame), Harris Dickinson, Daniel Bruhl, Djimon Hounsou, and Charles Dance.
The aforementioned Spider-Man juggernaut will most certainly reign supreme over the holidays, followed by The Matrix Resurrections and Sing 2 in the 2-3 slots (the order of that is up for debate). Moviegoers punching their tickets for the superhero and Neo will siphon away plenty of viewers that may have an interest in this.
In February 2015, Kingsman: The Secret Service exceeded expectations with a Presidents Day weekend haul of over $40 million. 2017 sequel Kingsman: The Golden Circle made $39 million in its September debut. Four years is quite a lag time between entries and the fact that it’s a prequel (and missing Colin Firth and Taron Egerton) doesn’t help. The 45% Rotten Tomatoes score doesn’t inspire great confidence either.
The five-day grosses should be able to reach low double digits to low teens, but it might only make single digits for the traditional Friday to Sunday frame. I believe the competition is just too steep for the King’s to shine.
The King’s Man opening weekend prediction: $8.8 million (Friday to Sunday); $13.1 million (Wednesday to Sunday)
For my The Matrix Resurrections prediction, click here:
There’s a sequence in Venom: Let There Be Carnage where Woody Harrelson’s serial killer villain engages in mayhem with his crazy girlfriend (Naomie Harris). The deadly duo wreak their havoc in a ’66 Mustang and, for a moment, I was reminded of the actor’s appearance nearly 30 years ago in Natural Born Killers. Call it Muckey and Mallory this time as the amount of extraterrestrial goo is easily doubled in this sequel.
Speaking of natural born killers, it’s an apt description for the title character. The alien symbiote longs to bite humans heads off, but he’s mostly under control due to his human host Eddie Brock (Tom Hardy). Poor Venom has to settle for chickens. Continuing the banter that was the highlight of the original, Carnage still allows for Hardy’s bizarre but oddly effective comedic performance.
For those who forgot (and 2018’s Venom was a bit forgettable), Eddie is a San Francisco based journalist whose expose into scientific experiments stuck him with the black liquid alien that now lives in his body. Our loony reporter is put on assignment when Detective Mulligan (Stephen Graham) tasks Eddie with extracting evidence from death row condemned psycho Cletus Kasady (Woody Harrelson).
Their jailhouse interview leads to chaos and Carnage – as in the name of a Venomous offspring that invades the already crazed Cletus. And there’s the aforementioned love interest played by Harris. Confined to the Ravencroft Institute (where we first met Cletus in a Venom post-credits bit), Frances Barrison can manipulate sound to get herself out of sticky situations. This earns her the moniker Shriek due to those deadly decibels.
Andy Serkis is in the director’s chair (replacing Ruben Fleischer) and he keeps Carnage short, light, and full of CG action. The screenplay strains a little to justify bringing back Michelle Williams as Eddie’s ex-flame. I suppose someone’s gotta get saved by the hero in the third act. Reid Scott reprises his role as her boyfriend and there are a couple of humorous moments with his character.
I couldn’t quite recommend Venom though I came close solely based on Hardy’s batty work. This is no comic book masterwork and even the great Harrelson’s villainous turn is passable at best. Yet I more or less came around with Carnage. I give it props for foregoing a bloated running time (it’s just an hour and a half). It’s hard to not be entertained by Hardy and his skull chomping companion. In the constantly growing universe of comic book based franchises, it’s getting common for the sequels to improve upon the originals. The first entries always have to go through the origin story while the follow-ups can be a little more fun. That applies here.
Sing 2 hopes to make a joyful noise in theaters when it debuts December 22nd. Illumination Entertainment’s animated sequel arrives five years after the original scored $270 million domestically. Garth Jennings returns to direct as do the vocal stylings of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Nick Kroll, Taron Egerton, Tori Kelly, and Nick Offerman. New to the proceedings are Bobby Cannavale, Halsey, Pharrell Williams, Letitia Wright, Eric Andre, Chelsea Peretti, and Bono.
So will Universal find what they’re looking for in terms of box office? In 2016, part 1 made a splash with a $55 million haul over its five-day Christmas rollout. That was good for second place behind Rogue One: A Star Wars Story. The best hope here is also a runner-up showing as Spider-Man: No Way Home will most certainly be #1 in its sophomore weekend. However, Sing 2 might place third behind the premiere of The Matrix Resurrections.
I think it’s going to be a close competition between this and Matrix for the two spot. This animated follow-up is bound to leg out more strongly than Neo and company. I’ll say high 20s to low 30s for the traditional weekend and mid 40s the five-day.
Sing 2 opening weekend prediction: $31.3 million (Friday to Sunday); $46.8 million (Wednesday to Sunday)
For my The Matrix Resurrections prediction, click here:
We have arrived at my post Golden Globe and Critics Choice Awards predictions for the Oscars! This week’s update comes with two significant #1 switches… starting with Best Picture.
For months, I’ve had Belfast positioned in the top spot. That changes today. Don’t get me wrong: the Kenneth Branagh coming-of-age drama could win Picture, Director, Supporting Actress and Actor, and Original Screenplay. However, for the first time, it’s not listed at #1 in any of those categories.
The #1 Picture slot could’ve gone to West Side Story, but I’m going with The Power of the Dog as it continues to nab critics prizes and place high atop best of lists. In Supporting Actress, I’m swapping Belfast‘s Caitriona Balfe for Ariana DeBose in West Side.
There’s other alterations in Picture and Supporting Actress. I’m putting Don’t Look Up back in the ten BP hopefuls despite its mixed reviews. That’s to the detriment of Tick Tick… Boom!
I’m also elevating Ruth Negga (Passing) in supporting over Rita Moreno (West Side Story).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 2) (+1)
2. Belfast (PR: 1) (-1)
3. West Side Story (PR: 3) (E)
4. Dune (PR: 5) (+1)
5. Licorice Pizza (PR: 4) (-1)
6. King Richard (PR: 6) (E)
7. CODA (PR: 8) (+1)
8. Don’t Look Up (PR: 12) (+4)
9. Nightmare Alley (PR: 10) (+1)
10. The Tragedy of Macbeth (PR: 7) (-3)
Other Possibilities:
11. Tick Tick… Boom! (PR: 9) (-2)
12. Being the Ricardos (PR: 13) (+1)
13. The Lost Daughter (PR: Not Ranked)
14. A Hero (PR: 14) (E)
15. C’Mon C’Mon (PR: 11) (-4)
Dropped Out:
House of Gucci
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 3) (+1)
3. Kenneth Branagh, Belfast (PR: 2) (-1)
4. Steven Spielberg, West Side Story (PR: 4) (E)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Guillermo del Toro, Nightmare Alley (PR: 6) (E)
7. Adam McKay, Don’t Look Up (PR: Not Ranked)
8. Asghar Farhadi, A Hero (PR: 7) (-1)
9. Joel Coen, The Tragedy of Macbeth (PR: 8) (-1)
10. Maggie Gyllenhaal, The Lost Daughter (PR: Not Ranked)
Dropped Out:
Reinaldo Marcus Green, King Richard
Julia Ducournau, Titane
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)
3. Nicole Kidman, Being the Ricardos (PR: 4) (+1)
4. Olivia Colman, The Lost Daughter (PR: 3) (-1)
5. Lady Gaga, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Rachel Zegler, West Side Story (PR: 6) (E)
7. Alana Haim, Licorice Pizza (PR: 9) (+2)
8. Jennifer Hudson, Respect (PR: 7) (-1)
9. Emilia Jones, CODA (PR: 10) (+1)
10. Penelope Cruz, Parallel Mothers (PR: 8) (-2)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Peter Dinklage, Cyrano (PR: 5) (E)
Other Possibilities:
6. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (E)
7. Nicolas Cage, Pig (PR: 7) (E)
8. Leonardo DiCaprio, Don’t Look Up (PR: 8) (E)
9. Javier Bardem, Being the Ricardos (PR: Not Ranked)
10. Bradley Cooper, Nightmare Alley (PR: 9) (-1)
Dropped Out:
Clifton Collins Jr., Jockey
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 2) (+1)
2. Caitriona Balfe, Belfast (PR: 1) (-1)
3. Kirsten Dunst, The Power of the Dog (PR: 4) (+1)
4. Aunjanue Ellis, King Richard (PR: 3) (-1)
5. Ruth Negga, Passing (PR: 8) (+3)
Other Possibilities:
6. Ann Dowd, Mass (PR: 6) (E)
7. Rita Moreno, West Side Story (PR: 5) (-2)
8. Marlee Matlin, CODA (PR: 7) (-1)
9. Judi Dench, Belfast (PR: 9) (E)
10. Cate Blanchett, Nightmare Alley (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Ciaran Hinds, Belfast (PR: 2) (E)
3. Troy Kotsur, CODA (PR: 4) (+1)
4. Jamie Dornan, Belfast (PR: 3) (-1)
5. Bradley Cooper, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Jared Leto, House of Gucci (PR: 6) (E)
7. Mike Faist, West Side Story (PR: 7) (E)
8. Ben Affleck, The Tender Bar (PR: Not Ranked)
9. Jason Isaacs, Mass (PR: 9) (E)
10. J.K. Simmons, Being the Ricardos (PR: Not Ranked)
Dropped Out:
Richard Jenkins, The Humans
Jon Bernthal, King Richard
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. King Richard (PR: 3) (E)
4. Don’t Look Up (PR: 7) (+3)
5. Being the Ricardos (PR: 6) (+1)
Other Possibilities:
6. C’Mon C’Mon (PR: 4) (-2)
7. Mass (PR: 8) (+1)
8. A Hero (PR: 5) (-3)
9. Parallel Mothers (PR: Not Ranked)
10. The French Dispatch (PR: 10) (E)
Dropped Out:
The Worst Person in the World
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. The Lost Daughter (PR: 3) (E)
4. CODA (PR: 4) (E)
5. Dune (PR: 5) (E)
Other Possibilities:
6. Drive My Car (PR: 10) (+4)
7. Tick Tick… Boom! (PR: Not Ranked)
8. Nightmare Alley (PR: 6) (-2)
9. The Tragedy of Macbeth (PR: 7) (-2)
10. Passing (PR: 9) (-1)
Dropped Out:
The Humans
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. Luca (PR: 4) (+1)
4. The Mitchells vs. the Machines (PR: 3) (-1)
5. Belle (PR: 5) (E)
Other Possibilities:
6. Raya and the Last Dragon (PR: 7) (+1)
7. The Summit of the Gods (PR: 6) (-1)
8. Vivo (PR: 8) (E)
9. Ron’s Gone Wrong (PR: 9) (E)
10. Where Is Anne Frank (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. A Hero (PR: 1) (E)
2. Drive My Car (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. Compartment No. 6 (PR: 8) (+2)
7. Titane (PR: 6) (-1)
8. I’m Your Man (PR: 7) (-1)
9. Memoria (PR: Not Ranked)
10. The Good Boss (PR: 9) (-1)
Dropped Out:
Prayers for the Stolen
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 2) (E)
3. Summer of Soul (PR: 3) (E)
4. Procession (PR: 5) (+1)
5. The First Wave (PR: 7) (+2)
Other Possibilities:
6. Attica (PR: 4) (-2)
7. President (PR: 8) (+1)
8. The Velvet Underground (PR: Not Ranked)
9. The Lost Leonardo (PR: 6) (-3)
10. Becoming Cousteau (PR: 10) (E)
Dropped Out:
Ascension
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. The Tragedy of Macbeth (PR: 3) (E)
4. The Power of the Dog (PR: 6) (+2)
5. Belfast (PR: 5) (E)
Other Possibilities:
6. Nightmare Alley (PR: 4) (-2)
7. Spencer (PR: 8) (+1)
8. The French Dispatch (PR: 7) (-1)
9. Licorice Pizza (PR: 9) (E)
10. C’Mon C’Mon (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. West Side Story (PR: 4) (+2)
3. Dune (PR: 3) (E)
4. House of Gucci (PR: 2) (-2)
5. Nightmare Alley (PR: 6) (+1)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Licorice Pizza (PR: 9) (+2)
8. Cyrano (PR: 7) (-1)
9. The French Dispatch (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 3) (+1)
3. Belfast (PR: 2) (-1)
4. The Power of the Dog (PR: 6) (+2)
5. Don’t Look Up (PR: 7) (+2)
Other Possibilities:
6. King Richard (PR: 5) (-1)
7. Licorice Pizza (PR: 4) (-3)
8. Tick Tick… Boom! (PR: 9) (+1)
9. Being the Ricardos (PR: 10) (+1)
10. Nightmare Alley (PR: 8) (-2)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 2) (+1)
2. House of Gucci (PR: 1) (-1)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 4) (E)
5. Spencer (PR: 6) (+1)
Other Possibilities:
6. Nightmare Alley (PR: 5) (-1)
7. Being the Ricardos (PR: 8) (+1)
8. West Side Story (PR: 7) (-1)
9. Cyrano (PR: 10) (+1)
10. The Last Duel (PR: 9) (-1)
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Spencer (PR: 3) (E)
4. Don’t Look Up (PR: 7) (+3)
5. The Tragedy of Macbeth (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 5) (-1)
7. The French Dispatch (PR: 6) (-1)
8. Cyrano (PR: 8) (E)
9. Being the Ricardos (PR: 10) (+1)
10. King Richard (PR: 9) (-1)
Best Original Song
Predicted Nominees:
1. “Be Alive” from King Richard (PR: 1) (E)
2. “No Time to Die” from No Time to Die (PR: 2) (E)
3. “Dos Oruguitas” from Encanto (PR: 5) (+2)
4. “Down to Joy” from Belfast (PR: 3) (-1)
5. “Just Look Up” from Don’t Look Up (PR: 6) (+1)
Other Possibilities:
6. “Here I Am” from Respect (PR: 10) (+4)
7. “Guns Go Bang” from The Harder They Fall (PR: Not Ranked)
8. “So May We Start” from Annette (PR: 7) (-1)
9. “Believe” from The Rescue (PR: 9) (E)
10. “Beyond the Shore” from CODA (PR: 8) (-2)
Dropped Out:
“Every Letter” from Cyrano
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 3) (+1)
3. Nightmare Alley (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. Being the Ricardos (PR: 9) (+4)
Other Possibilities:
6. Belfast (PR: 8) (+2)
7. The Tragedy of Macbeth (PR: 5) (-2)
8. Cyrano (PR: 7) (-1)
9. Spencer (PR: 6) (-3)
10. The Power of the Dog (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 6) (+2)
5. Tick Tick… Boom! (PR: 5) (E)
Other Possibilities:
6. The Matrix Resurrections (PR: Not Ranked)
7. Nightmare Alley (PR: 4) (-3)
8. The Tragedy of Macbeth (PR: 7) (-1)
9. A Quiet Place Part II (PR: 8) (-1)
10. The Last Duel (PR: Not Ranked)
Dropped Out:
Don’t Look Up
King Richard
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Spider-Man: No Way Home (PR: 5) (+2)
4. Don’t Look Up (PR: 7) (+3)
5. Godzilla vs. Kong (PR: 4) (-1)
Other Possibilities:
6. Shang-Chi and the Legend of the Ten Rings (PR: 6) (E)
7. Finch (PR: 8) (+1)
8. Free Guy (PR: 9) (+1)
9. Eternals (PR: 3) (-6)
10. No Time to Die (PR: Not Ranked)
Dropped Out:
The Suicide Squad
My current estimates mean these movies nabbing these numbers in terms of nominations:
11 Nominations
Dune
10 Nominations
Belfast
9 Nominations
The Power of the Dog, West Side Story
6 Nominations
Don’t Look Up
5 Nominations
King Richard
4 Nominations
Licorice Pizza, The Tragedy of Macbeth
3 Nominations
Being the Ricardos, CODA, Flee, House of Gucci, Nightmare Alley, Spencer
2 Nominations
Cruella, Encanto, The Eyes of Tammy Faye, The Lost Daughter, No Time to Die, Tick Tick… Boom!
1 Nomination
Belle, Cyrano, Drive My Car, The First Wave, The French Dispatch, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, The Rescue, Spider-Man: No Way Home, Summer of Soul, The Worst Person in the World
Blogger’s Update (12/21): On the eve of its premiere, I’m revising down Resurrections prediction from $30.7 million for the three-day and $47.2 million for the five-day to $26.7 million and $40.3 million for the five-day
The Matrix Resurrections won’t be The One when it opens December 22nd, giving itself a five-day Christmas rollout. That’s thanks to what should be a robust sophomore frame for Spider-Man: No Way Home. It might not even be The Two if Sing 2 manages to squeak by it for the runner-up position.
Arriving 18 years after The Matrix Reloaded and Revolutions hit screens in 2003, this is the fourth franchise entry that began in 1999 and changed how we look at action blockbusters. The original Matrix is a landmark. The sequels that followed were met with considerably more mixed reaction (especially part 3).
Lana Wachowski directs without her sister Lilly (they made the trilogy together). Returning are Keanu Reeves, Carrie-Anne Moss, Lambert Wilson, and Jada Pinkett Smith. New to the game are Yahya Abdul-Mateen (taking over for Laurence Fishburne as a more youthful Morpheus), Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jones, and Christina Ricci. Once slated for May, it was postponed for pandemic purposes.
There’s no doubt that Resurrections is an event picture that has many devotees of the series ready to rush out. That said, it’s a major question mark as to how high this gets. While this is certainly an experience many will want to catch on the biggest screen possible, there is the option to view it simultaneously on HBO Max. Plenty of viewers not of the die-hard persuasion could choose to watch from the comfort of the couch. And while I’m sure many younger viewers are familiar with parts I-III – they may not have the reverence for it that fans, say, 35 and up do. Furthermore there is that pesky Spider-Man hanging around gobbling up the Yuletide dollars.
Don’t get me wrong. Resurrections could have a huge opening and amass $70 million from Wednesday to Sunday. Reloaded took in over $90 million for its start and held the title of highest grossing R-rated pic for over a decade until Deadpool replaced it. On the other hand, Revolutions couldn’t keep up and petered out with $139 million total.
One rather obvious comp is Dune, another sci-fi spectacle that followed 2021’s Warner Bros pattern of premiering their theatrical fare on HBO’s subscription service. It made $40 million over the traditional opening weekend. I’m estimating that Resurrections won’t hit that number from Friday to Sunday, but that the extra two days could bring in $45-$50 million.
The Matrix Resurrections opening weekend prediction: $26.7 million (Friday to Sunday); $40.3 million (Wednesday to Sunday)
When Tobey Maguire’s Spider-Man trilogy kicked off nearly 20 years ago, it managed to nab a Best Visual Effects nod (losing to Lord of the Rings: The Two Towers). Two years later, the 2004 sequel won the prize. Since then, the five Spidey features that followed (Maguire’s third, both Andrew Garfield iterations, and the first two Tom Holland MCU flicks) didn’t show up in the race. Will Spider-Man: No Way Home change that?
The 27th entry (and fourth this year) in the Marvel Cinematic Universe debuts Friday and I have it pegged for the fourth best domestic opening of all time (behind Avengers: Endgame, Avengers: Infinity War, and Star Wars: The Force Awakens). The review embargo lifted early this morning and it stands at an impressive 97% on Rotten Tomatoes.
While nearly all critical notices are positive, I don’t think this will be the second MCU title to nab a Best Picture nomination behind Black Panther. While Best Sound is feasible, Home‘s best hope at Academy inclusion is in Visual Effects. MCU movies vying for that prize is not unusual. The inaugural pic in the biggest franchise of all (2008’s Iron Man) made the cut. So have Iron Man 2, The Avengers, Iron Man 3, Captain America: The Winter Soldier, Guardians of the Galaxy, Doctor Strange, Guardians of the Galaxy Vol. 2, Infinity War, and Endgame. None have won.
So despite the last quintet of web slinger sagas not being honored for their effects, Home should have no problem? I don’t think it’s quite that simple. There are two Warner Bros sci-fi extravaganzas (Dune and The Matrix Resurrections) that should get in. That leaves three slots. Warner has another hopeful with Godzilla vs. Kong. Marvel itself has Shang-Chi and the Legend of the Ten Rings and Eternals (and Black Widow to a lesser degree) vying for spots. Shang-Chi especially could get in (the Critics Choice Awards included it on their ballot). Don’t Look Up, Finch, and No Time to Die are other possibilities. It’s worth noting that whether Home makes the five, Dune is the very heavy favorite to take gold.
Here’s my hunch: by the time Academy voters cast their final votes, Home appears bound to have heightened box office numbers to their highest achievements in the pandemic era. That fact alone might get it some recognition from the Oscars and that would be for its visuals. Another interesting stat: of the ten current largest stateside premieres ever, only two (Avengers: Age of Ultron and Jurassic World) didn’t score at least one nomination from the Academy. That puts this in a decent position. My Oscar Predictions posts for the films of 2021 will continue…
**Blogger’s Note (12/14): After elevating my Spidey prediction from $193.7M to $223.7M – I’m reverting down to $188.7M… (12/16) – Spidey revised to $213.7M and Alley down to $3.3M
Marvel’s Spider-Man: No Way Home looks to demolish pandemic era records and possibly double the opening weekend record of these COVID times and then some. We also have Guillermo del Toro’s noir thriller Nightmare Alley with Bradley Cooper, Cate Blanchett, and plenty of other Oscar winners and nominees out. You can peruse my detailed prediction posts on the newbies right here:
Spidey is poised for numbers not seen since 2019. Some prognostications have this as high as $250 million. I’m going with a $223.7 million haul, but I must say I do so with some trepidation due to these continuing uncertain times. If it achieves my mark, that would be good for the 4th largest domestic debut of all time (right behind Star Wars: The Force Awakens and just ahead of its sequel The Last Jedi).
There’s obviously no question as to what will be #1. Home will do that by outgrossing the rest of the top five combined with possibly $200 million to spare. What’s #2 is a legitimate question. West Side Story had a disappointing debut and will hope to leg out well over the coming holiday frames. It may have a soft sophomore dip due to being counter programming to Spidey. Yet I’ll peg it for a 40% drop as it hopes to rebound over Christmas and with ongoing awards buzz. That could put it in a fierce battle for the runner-up position with Encanto.
Or… Nightmare Alley could open in second. I’m skeptical. Despite an all-star cast and coming from an acclaimed director, Alley is starting out at a distinct disadvantage with the web slinger siphoning away much of its intended crowd. I’ll say it kicks off with a subdued 4th place start. Ghostbusters: Afterlife should round out the top five.
And with that, my take on what should be a record breaking weekend:
1. Spider-Man: No Way Home
Predicted Gross: $213.7 million
2. Encanto
Predicted Gross: $6 million
3. West Side Story
Predicted Gross: $5.5 million
4. Ghostbusters: Afterlife
Predicted Gross: $3.6 million
5. Nightmare Alley
Predicted Gross: $3.3 million
Box Office Results (December 10-12)
There likely wasn’t a whole lot of celebratory dancing at 20th Century Studios as West Side Story struggled out of the gate. Its $10.5 million barely managed a #1 showing and came in under my $14.8 million call. As mentioned, the story may not be over as audiences could find it over the holidays. Its studio is certainly hoping so.
Encanto slipped to second with $9.9 million, above my $8.5 million take for $71 million overall.
Ghostbusters: Afterlife was third at $7.1 million (ahead of my $5.8 million prediction) for $112 million total.
Fourth place was House of Gucci with $4.1 million. My projection was on the money at $4 million. Tally is $41 million.
Eternals was in the five spot with $3.1 million (I said $2.8 million) as it’s up to $161 million.
Last and least, the football drama National Champions fumbled terribly. I thought it might manage $1.6 million. Not so much. It was an unlucky 13th with $321,000. Oof.
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