My fourth and final post regarding actors who had a memorable 2021 on the big screen brings us to the only performer that wasn’t in Spider-Man: No Way Home and that’s Jodie Comer.
Prior to this year, the English actress was primarily known for her small screen leading role on the BBC’s Killing Eve (for which she’s won an Emmy). While that work continues, she made waves with audiences and critics alike in the multiplexes.
While box office success did not greet Ridley Scott’s The Last Duel, Comer earned raves as Marguerite de Carrouges in the historical yet timely drama. In a cast that included Matt Damon, Adam Driver, and Ben Affleck, Comer garnered the lion’s share of awards buzz and deservedly so.
A couple of months before Duel, she was widely seen alongside Ryan Reynolds in the family friendly action comedy Free Guy (which took in over $300 million worldwide). A sequel is already being planned.
For Comer, 2021 succeeded in transitioning her success from TV to film. This concludes my Year Of write-ups and here’s to 2022!
My third post covering actors who had a memorable 2021 reaches yet another one who appeared in (SPOILER ALERT)…
Spider-Man: No Way Home, the MCU juggernaut that jumpstarted a box office suffering from nearly two years in the COVID era. It started with Benedict Cumberbatch and continued with Zendaya. Now we’re at Andrew Garfield.
His reprisal of his web slinging part is garnering retribution comments for his two stint as the superhero which drew mixed audience and critical reaction. Yet that’s not the primary reason for Garfield’s inclusion.
As playwright Jonathan Larson in Lin-Manuel Miranda’s Netflix musical drama Tick, Tick… Boom!, Garfield looks to nab his second Oscar nomination five years after Hacksaw Ridge. He will vie for the prize along with Mr. Cumberbatch (The Power of the Dog) and Will Smith for King Richard.
As televangelist Jim Bakker alongside Jessica Chastain in The Eyes of Tammy Faye, Garfield earned further kudos for his embodiment of a real life figure.
Another Spidey actor whose work in other projects accuentated the 2021 output. My Year Of posts will continue…
Going into 2021, Zendaya had already collected an Emmy for her leading role on HBO’s Euphoria and was known to moviegoers for her parts in the Spider-Man franchise and The Greatest Showman. She is the subject of my second write-up for performers who had a meaningful 2021 and it’s no coincidence that she’s the second that appeared in Spider-Man: No Way Home (currently breaking all pandemic era box office records). The first was Benedict Cumberbatch… and we might not be done yet with Home costars.
Her inclusion isn’t just due to her onscreen (and apparently offscreen) pairing with Spidey himself, Tom Holland. The actress/singer began the year garnering Oscar chatter for the Netflix drama Malcolm & Marie with John David Washington. While she didn’t ultimately nab an Academy mention, she was on the Critics Choice Awards radar for her acclaimed performance.
By summertime, she lent her voice to Space Jam: A New Legacy (voicing Lola Bunny). Her involvement with Warner Bros/HBO Max continued in the fall with the long awaited sci-fi epic Dune. It looks to be her first picture that will achieve plenty of award nominations and the sequel is already lined up for 2023.
And, of course, she capped it all off with her third appearance as MJ in the massive MCU series. Zendaya expanded her reach in 2021 as her films reached plenty of homes this year. My Year of posts will continue…
The forecast in Adam McKay’s Don’t Look Up is a planet killing comet mixed with a heavy dose of condescension. This is an all-star experience about our home star being decimated. The writer/director is a Saturday Night Live veteran scribe who mastered the art of penning sketches with exaggerated characters. Even with all the talent involved (there’s lots of Oscar nods and wins among the cast), hardly any rise above caricature status. The nerdy but hot scientist, the clueless government officials, the spoiled pop princess, the pompous and feeble brained news anchors, the empathy devoid and weird billionaire…
These one-note types may fit a mold in a cleverly developed bit that runs five minutes. Not so much in this two and a half hour countdown. They’re mostly tiresome in McKay’s latest politically charged tale. In The Big Short, the filmmaker mixed a cast of familiar faces, complicated financial talk, and humor to rewarding payoffs. McKay’s comedies with Will Ferrell (particularly Anchorman: The Legend of Ron Burgundy) are already classics. The issue presented here isn’t complex… a scientific discovery (doubling as a metaphor for climate change) is on its way. McKay’s treatment of the subject matter isn’t subtle. And the screenplay often fails to be funny when showcasing its righteous indignation. Anger and laughter can be a potent combo if handled properly. It’s a test that isn’t met here.
Michigan St. Kate Dibiasky (Jennifer Lawrence) discovers said object hurtling toward Earth with a delivery date about six months out. Her professor, Dr. Randall Mindy (Leonardo DiCaprio) teams with her along with the head of the Planetary Defense Coordination Office (Rob Morgan) to warn a White House filled with scandal and nepotism. The President is Janie Orlean (Meryl Streep), whose Supreme Court nominee may be a porn star and her lover. Her Chief of Staff is her intellectually challenged but supremely confident son (Jonah Hill).
The 100% certainty of a deep impact causing armageddon is not music to the ears of the flailing administration. In fact, Kate and Dr. Mindy are booked in the back segment of a “news” hour hosted by a duo played by Cate Blanchett and Tyler Perry. The segment preceding them is about the romantic entanglements of a famous singer (Ariana Grande). Some of the country takes the threat seriously while another segment pretends it doesn’t exist (and yes it’s easy to draw comparisons to the pandemic era).
President Orlean and her bumbling bubble get more involved when eccentric tech mogul Peter Isherwell (Mark Rylance) figures out a way to monetize the materials from the potential Earth shatterer. And while Dr. Mindy becomes distracted with his new fame and social media status, Kate’s stern warnings make her an enemy of the state.
I won’t get to Kate’s two boyfriends or Dr. Mindy’s wife and kids or whether the snacks in the White House are free or not (actually a gag that’s pretty solid). There’s a whole lot of players in Don’t Look Up and I’m challenged to name a performance that sticks with me for the right reasons. DiCaprio and Lawrence are adequate, but we know they can be so much better. Others are outright annoying and that includes Hill, Rylance, and even Streep. That’s because McKay never writes them above the level of cartoonish morons.
Will your political viewpoints determine whether you dig this? I don’t think so. The frequent struggles to develop the principals and the jarring tone shifts (a late pivot to sentimentality falls flat) should offend both sides and those in between. I’ve watched McKay skewer his targets with far more precision that achieved more lasting results. He’s clear that we’re all doomed in Don’t Look Up. With the characters inhabiting his screenplay, you might find yourself pulling for the comet.
As has become a late December tradition on the blog, I will highlight some performers who had a fruitful year either at the box office or in terms of awards contention. Our first entry fits the description for both.
Benedict Cumberbatch is at the top of the Oscar conversation for Best Actor for his work in Jane Campion’s The Power of the Dog. The Netflix drama has already earned him some critics prizes and it appears he will vie for the gold statue along with Will Smith in King Richard or Andrew Garfield in Tick Tick… Boom! It will most certainly mark his second Academy nomination seven years after The Imitation Game.
The actor’s second streaming picture was The Electrical Life of Louis Wain. While the Amazon Prime pic drew mixed reactions, most write-ups praised Cumberbatch’s lead work as the kitten drawing artist.
And though his spy thriller The Courier (which opened last spring) flew under the radar, it generated solid reviews.
The box office potency, of course, comes from Spider-Man: No Way Home in which he reprises his role as Doctor Strange. The Marvel property scored the second largest domestic opening in history and has reignited a sleepy pandemic era marketplace. His appearance in Home should help with crowd anticipation for Doctor Strange in the Multiverse of Madness, the sequel to the 2016 original that hits multiplexes in March of next year.
Whether with Oscar voters or mass audiences, Cumberbatch had a visible presence in 2021. My Year Of posts will continue…
The last time Denzel Washington was behind the camera, 2016’s Fences scored four Oscar nominations for Picture, Actor (Washington), Supporting Actress (Viola Davis), and Adapted Screenplay. Ms. Davis won the gold for her work. And while Denzel looks to be in line for ninth acting nod for The Tragedy of Macbeth, his latest directorial effort A Journal for Jordan is generating little awards ink.
Based on a memoir by Dana Canedy, the romantic drama is out in wide release today. Jordan stars Michael B. Jordan and Chante Adams and reviews aren’t glowing. The Rotten Tomatoes rating sits at just 43%.
Bottom line: unlike Fences, don’t look for Denzel’s Journal to swing any mentions from Academy voters. My Oscar Prediction posts for the films of 2021 will continue…
My pre-Christmas Oscar predictions implements no changes in Director, the acting races, or Original Screenplay. However, the Best Picture landscape is altered slightly as Tick Tick… Boom! is back in the top 10 with Nightmare Alley falling out.
In Adapted Screenplay, Ryusuke Hamaguchi’s Drive My Car makes the cut in place of Dune. In fact, Car is driving up higher in Picture and Director (where I have it placed in Other Possibilities for the first time). It’s also listed at #1 in International Feature Film over previous frontrunner A Hero. Don’t be surprised if Car keeps rising (it seems to be the foreign entry that could crash the BP derby).
Earlier this week, the shortlists came out in 7 feature film categories: International Feature Film, Documentary Feature, Makeup and Hairstyling, Original Score, Original Song, Sound, Visual Effects. I wrote about that activity and it obviously changes the landscape in each of the races:
All the movement is contained below and have a Happy Holidays y’all!
Best Picture
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Dune (PR: 4) (+1)
4. West Side Story (PR: 3) (-1)
5. Licorice Pizza (PR: 5) (E)
6. King Richard (PR: 6) (E)
7. CODA (PR: 7) (E)
8. Tick Tick… Boom! (PR: 11) (+3)
9. The Tragedy of Macbeth (PR: 10) (+1)
10. Don’t Look Up (PR: 8) (-2)
Other Possibilities:
11. Nightmare Alley (PR: 9) (-2)
12. Drive My Car (PR: Not Ranked)
13. Being the Ricardos (PR: 12) (-1)
14. The Lost Daughter (PR: 13 (-1)
15. A Hero (PR: 14) (-1)
Dropped Out:
C’Mon C’Mon
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Kenneth Branagh, Belfast (PR: 3) (E)
4. Steven Spielberg, West Side Story (PR: 4) (E)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Guillermo del Toro, Nightmare Alley (PR: 6) (E)
7. Joel Coen, The Tragedy of Macbeth (PR: 9) (+2)
8. Ryusuke Hamaguchi, Drive My Car (PR: Not Ranked)
9. Asghar Farhadi, A Hero (PR: 8) (-1)
10. Adam McKay, Don’t Look Up (PR: 7) (-3)
Dropped Out:
Maggie Gyllenhaal, The Lost Daughter
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)
3. Nicole Kidman, Being the Ricardos (PR: 3) (E)
4. Lady Gaga, House of Gucci (PR: 5) (+1)
5. Olivia Colman, The Lost Daughter (PR: 4) (-1)
Other Possibilities:
6. Jennifer Hudson, Respect (PR: 8) (+2)
7. Rachel Zegler, West Side Story (PR: 6) (-1)
8. Alana Haim, Licorice Pizza (PR: 7) (-1)
9. Penelope Cruz, Parallel Mothers (PR: 10) (+1)
10. Emilia Jones, CODA (PR: 9) (-1)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Peter Dinklage, Cyrano (PR: 5) (E)
Other Possibilities:
6. Nicolas Cage, Pig (PR: 7) (+1)
7. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (-1)
8. Leonardo DiCaprio, Don’t Look Up (PR: 8) (E)
9. Bradley Cooper, Nightmare Alley (PR: 10) (+1)
10. Javier Bardem, Being the Ricardos (PR: 9) (-1)
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 3) (+1)
3. Caitriona Balfe, Belfast (PR: 2) (-1)
4. Aunjanue Ellis, King Richard (PR: 4) (E)
5. Ruth Negga, Passing (PR: 5) (E)
Other Possibilities:
6. Ann Dowd, Mass (PR: 6) (E)
7. Marlee Matlin, CODA (PR: 8) (+1)
8. Rita Moreno, West Side Story (PR: 7) (-1)
9. Cate Blanchett, Nightmare Alley (PR: 10) (+1)
10. Meryl Streep, Don’t Look Up (PR: Not Ranked)
Dropped Out:
Judi Dench, Belfast
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Ciaran Hinds, Belfast (PR: 2) (E)
3. Troy Kotsur, CODA (PR: 3) (E)
4. Jamie Dornan, Belfast (PR: 4) (E)
5. Bradley Cooper, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Jared Leto, House of Gucci (PR: 6) (E)
7. Ben Affleck, The Tender Bar (PR: 8) (+1)
8. Mike Faist, West Side Story (PR: 7) (-1)
9. Jesse Plemons, The Power of the Dog (PR: Not Ranked)
10. Jason Isaacs, Mass (PR: 9) (-1)
Dropped Out:
J.K. Simmons, Being the Ricardos
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. King Richard (PR: 3) (E)
4. Don’t Look Up (PR: 4) (E)
5. Being the Ricardos (PR: 5) (E)
Other Possibilities:
6. A Hero (PR: 8) (+2)
7. C’Mon C’Mon (PR: 6) (-1)
8. Mass (PR: 7) (-1)
9. The French Dispatch (PR: 10) (+1)
10. Parallel Mothers (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 4) (+1)
4. The Lost Daughter (PR: 3) (-1)
5. Drive My Car (PR: 6) (+1)
Other Possibilities:
6. Dune (PR: 5) (-1)
7. The Tragedy of Macbeth (PR: 9) (+2)
8. Tick Tick… Boom! (PR: 7) (-1)
9. Passing (PR: 10) (+1)
10. Nightmare Alley (PR: 8) (-2)
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. Luca (PR: 3) (E)
4. The Mitchells vs. the Machines (PR: 4) (E)
5. Belle (PR: 5) (E)
Other Possibilities:
6. Raya and the Last Dragon (PR: 6) (E)
7. The Summit of the Gods (PR: 7) (E)
8. Vivo (PR: 8) (E)
9. Ron’s Gone Wrong (PR: 9) (E)
10. Where Is Anne Frank (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 2) (+1)
2. A Hero (PR: 1) (-1)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. Compartment No. 6 (PR: 6) (E)
7. I’m Your Man (PR: 8) (+1)
8. Great Freedom (PR: Not Ranked)
9. Prayers for the Stolen (PR: Not Ranked)
10. Lamb (PR: Not Ranked)
Dropped Out:
Titane
Memoria
The Good Boss
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 2) (E)
3. Summer of Soul (PR: 3) (E)
4. Procession (PR: 4) (E)
5. Attica (PR: 6) (+1)
Other Possibilities:
6. The First Wave (PR: 5) (-1)
7. President (PR: 7) (E)
8. Faya Dayi (PR: Not Ranked)
9. Ascension (PR: Not Ranked)
10. The Velvet Underground (PR: 8) (-2)
Dropped Out:
The Lost Leonardo
Becoming Cousteau
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 4) (+2)
3. The Tragedy of Macbeth (PR: 3) (E)
4. West Side Story (PR: 2) (-2)
5. Belfast (PR: 5) (E)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. Licorice Pizza (PR: 9) (+2)
8. Spencer (PR: 7) (-1)
9. The French Dispatch (PR: 8) (-1)
10. C’Mon C’Mon (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 3) (+1)
3. West Side Story (PR: 2) (-1)
4. House of Gucci (PR: 4) (E)
5. Nightmare Alley (PR: 5) (E)
Other Possibilities:
6. Spencer (PR: 6) (E)
7. Licorice Pizza (PR: 7) (E)
8. The French Dispatch (PR: 9) (+1)
9. Last Night in Soho (PR: 10) (+1)
10. The Tragedy of Macbeth (PR: Not Ranked)
Dropped Out:
Cyrano
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. Licorice Pizza (PR: 7) (+3)
5. The Power of the Dog (PR: 4) (-1)
Other Possibilities:
6. Don’t Look Up (PR: 5) (-1)
7. King Richard (PR: 6) (-1)
8. Tick Tick… Boom! (PR: 8) (E)
9. Being the Ricardos (PR: 9) (E)
10. Nightmare Alley (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 4) (E)
5. Nightmare Alley (PR: 6) (+1)
Other Possibilities:
6. Coming 2 America (PR: Not Ranked)
7. Cyrano (PR: 9) (+2)
8. The Suicide Squad (PR: Not Ranked)
9. West Side Story (PR: 8) (-1)
10. No Time to Die (PR: Not Ranked)
Dropped Out:
Spencer
Being the Ricardos
The Last Duel
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Spencer (PR: 3) (E)
4. Don’t Look Up (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. The French Dispatch (PR: 7) (+1)
7. Parallel Mothers (PR: Not Ranked)
8. King Richard (PR: 10) (+2)
9. Encanto (PR: Not Ranked)
10. The Harder They Fall (PR: Not Ranked)
Dropped Out:
Nightmare Alley
Cyrano
Being the Ricardos
Best Original Song
Predicted Nominees:
1. “Be Alive” from King Richard (PR: 1) (E)
2. “No Time to Die” from No Time to Die (PR: 2) (E)
3. “Dos Oruguitas” from Encanto (PR: 3) (E)
4. “Down to Joy” from Belfast (PR: 4) (E)
5. “Just Look Up” from Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. “Beyond the Shore” from CODA (PR: 10) (+4)
7. “Guns Go Bang” from The Harder They Fall (PR: 7) (E)
8. “Here I Am” from Respect (PR: 6) (-2)
9. “So May We Start” from Annette (PR: 8) (-1)
10. “Somehow You Do” from Four Good Days (PR: Not Ranked)
Dropped Out:
“Believe” from The Rescue
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 3) (+1)
3. West Side Story (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 7) (+2)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Spencer (PR: 9) (+2)
8. The Power of the Dog (PR: 10) (+2)
9. Being the Ricardos (PR: 5) (-4)
10. Cyrano (PR: 8) (-2)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 4) (E)
5. Tick Tick… Boom! (PR: 5) (E)
Other Possibilities:
6. Spider-Man: No Way Home (PR: Not Ranked)
7. The Matrix Resurrections (PR: 6) (-1)
8. The Power of the Dog (PR: Not Ranked)
9. A Quiet Place Part II (PR: 9) (E)
10. Last Night in Soho (PR: Not Ranked)
Dropped Out:
Nightmare Alley
The Tragedy of Macbeth
The Last Duel
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Spider-Man: No Way Home (PR: 3) (E)
4. Godzilla vs. Kong (PR: 5) (+1)
5. Shang-Chi and the Legend of the Ten Rings (PR: 6) (+1)
Other Possibilities:
6. Free Guy (PR: 8) (+2)
7. No Time to Die (PR: 10) (+3)
8. Eternals (PR: 9) (+1)
9. Ghostbusters: Afterlife (PR: Not Ranked)
10. Black Widow (PR: Not Ranked)
Dropped Out:
Don’t Look Up
Finch
And that works out to these films garnering these numbers for nominations:
10 Nominations
Belfast, Dune
9 Nominations
The Power of the Dog, West Side Story
5 Nominations
King Richard, Licorice Pizza, The Tragedy of Macbeth
4 Nominations
Don’t Look Up
3 Nominations
CODA, Flee, House of Gucci, Nightmare Alley, Tick Tick… Boom!
2 Nominations
Being the Ricardos, Cruella, Drive My Car, Encanto, The Eyes of Tammy Faye, The Lost Daughter, No Time to Die, Spencer
1 Nomination
Attica, Belle, Cyrano, The French Dispatch, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, Summer of Soul, The Worst Person in the World
In the last year of our previous century, The Matrix was a game changing action spectacle that influenced many pictures that followed in the 21st century. The Oscars took notice. It was nominated for four Academy Awards (Film Editing, Sound, Sound Effects Editing, Visual Effects) and won all of them. In fact, it came in second in terms of number of victories behind only Best Picture winner American Beauty.
Four years later, the series became a trilogy when The Matrix Reloaded and The Matrix Revolutions both premiered in 2003. The story was different that time around. Neither film received a single nomination. That was a year in which The Lord of the Rings: Return of the King was crowned in many a race (including three that The Matrix took).
Tomorrow marks the release of The Matrix Revolutions from Lana Wachowski with Keanu Reeves and Carrie-Anne Moss reprising their iconic roles. Today is when the Oscar shortlists were revealed in Sound (now just one competition) and Visual Effects. Revolutions showed up as a hopeful on each top ten list.
So will the fourth Matrix manage the nod or two that its two predecessors could not? Probably. Visual Effects seems likely even though it would be shocking if fellow Warner Bros property Dune doesn’t win. Sound is a bit more iffy though it’s got a 50/50 shot.
Bottom line: Resurrectionsappears poised to put this franchise back in contention in those two races and those two races only. My Oscar Prediction posts for the films of 2021 will continue…
It’s a big day for us Oscar prognosticators as the shortlists were revealed this afternoon. For the uninitiated, there are seven feature film races where the Academy releases contenders ranging from 10-15 nominees. For Original Score, Song, International Feature Film, and Documentary Feature – we are given 15 hopefuls. In Makeup and Hairstyling, Sound, and Visual Effects – the list is dwindled to 10.
Let’s walk thru them one by one and I’ll talk about some surprises and omissions!
Best Original Score
The 15 Contenders:
Being the Ricardos
Candyman
Don’t Look Up
Dune
Encanto
The French Dispatch
The Green Knight
The Harder They Fall
King Richard
The Last Duel
No Time to Die
Parallel Mothers
The Power of the Dog
Spencer
The Tragedy of Macbeth
Commentary:
Based on my latest Oscar forecast from December 15th, my five predicted nominees (Dune, The Power of the Dog, Spencer, Don’t Look Up, The Tragedy of Macbeth) all made the cut. So did my #7 (The French Dispatch), #9 (Being the Ricardos), and #10 (King Richard). The two omissions from my top 10: (6) Nightmare Alley and (8) Cyrano.
The biggest surprise might be the inclusion of Candyman.
Best Original Song
The 15 Contenders:
“So May We Start” from Annette
“Down to Joy” from Belfast
“Right Where I Belong” from Brian Wilson: Long Promised Road
“Automatic Woman” from Bruised
“Dream Girl” from Cinderella
“Beyond the Shore” from CODA
“The Anonymous Ones” from Dear Evan Hansen
“Just Look Up” from Don’t Look Up
“Dos Oruguitas” from Encanto
“Somehow You Do” from Four Good Days
“Guns Go Bang” from The Harder They Fall
“Be Alive” from King Richard
“No Time to Die” from No Time to Die
“Here I Am” from Respect
“Your Song Saved My Life” from Sing 2
Commentary:
My only top 10 ditty from 12/15 not on this list is “Believe” from The Rescue. I will note that “Every Letter” from Cyrano just dropped from my 10 last week and that turned out to be the correct call. This race still likely boils down to Beyonce (“Be Alive”) vs. Billie (“No Time to Die”).
Best Makeup and Hairstyling
The 10 Contenders:
Coming 2 America
Cruella
Cyrano
Dune
The Eyes of Tammy Faye
House of Gucci
Nightmare Alley
No Time to Die
The Suicide Squad
West Side Story
Commentary:
A race where Cyrano isn’t left out! Last week I had Spencer in fifth position and it falls out. Same goes for Being the Ricardos (7) and The Last Duel (10). This is a competition that could go for Dune, Gucci, or Tammy as I see it.
Best Sound
The 10 Contenders:
Belfast
Dune
Last Night in Soho
The Matrix Resurrections
No Time to Die
The Power of the Dog
A Quiet Place Part II
Spider-Man: No Way Home
Tick Tick… Boom!
West Side Story
Commentary:
My predicted five from six days ago (Dune, West Side Story, Belfast, No Time to Die, Tick Tick… Boom!) are intact as are my #6 (Matrix) and #9 (A Quiet Place Part II). Not so for the films I had at 7, 8 and 10: Nightmare Alley, The Tragedy of Macbeth, The Last Duel). Fresh off its gargantuan box office, the Spidey mention shows potential strength at making the shorter shortlist.
Best Visual Effects
The 10 Contenders:
Black Widow
Dune
Eternals
Free Guy
Ghostbusters: Afterlife
Godzilla vs. Kong
The Matrix Resurrections
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
Commentary:
All 4 MCU movies from 2021 make it in as do three Warner Bros spectacles (Dune, Matrix, Godzilla). I had Don’t Look Up placed fourth but it falls out. So does Finch which I rated seventh. This certainly increases the chances for Marvel to have at least two in the final five, but there’s Dune and then everything else in this race.
Best Documentary Feature
The 15 Contenders:
Ascension
Attica
Billie Eilish: The World’s A Little Blurry
Faya Dayi
The First Wave
Flee
In the Same Breath
Julia
President
Procession
The Rescue
Simple As Water
Summer of Soul
The Velvet Underground
Writing with Fire
Commentary:
It’s tough luck for my #9 (The Lost Leonardo) and #10 (Becoming Cousteau) as this fascinating race plays out between The Rescue, Flee, and Summer of Soul.
Best International Feature Film
The 15 Contenders:
Compartment No. 6
Drive My Car
Flee
The Good Boss
Great Freedom
The Hand of God
A Hero
Hive
I’m Your Man
Lamb
Lunana: A Yak in the Classroom
Playground
Plaza Catedral
Prayers for the Stolen
The Worst Person in the World
Commentary:
A Lamb and a Yak walk into the international competition, but the shocker of the day might be France’s Titane (which I had it 7th) not being mentioned. Same goes for #9 Memoria. This could be the category where Flee wins, but A Hero has been my #1. When I update my projections tomorrow, don’t be surprised if the rising Drive My Car from Japan takes over the top spot.
I’ll have fresh estimates in ALL feature categories posted tomorrow!
Blogger’s Update (12/21): On the eve of its premiere, I’m revising down Resurrections prediction from $30.7 million for the three-day and $47.2 million for the five-day to $26.7 million and $40.3 million for the five-day. This puts Sing 2 in the 2 spot.
The Christmas box office weekend is nearly upon us as a quintet of newcomers are presented either Wednesday or Saturday. We have the return of Neo and Trinity in The Matrix Resurrections, animated sequel Sing 2, Kingsman prequel The King’s Man, true life gridiron tale American Underdog, and the Denzel Washington directed romantic drama A Journal for Jordan. You can peruse my detailed prediction posts on them here:
None of the newcomers stand a chance at dethroning the reign of Spider-Man atop the charts after it achieved the second largest opening of all-time (more on that below). No Way Home should dominate yet again and the question is how much it falls in weekend #2. The MCU juggernaut scored a rare A+ Cinemascore average meaning audiences are loving what they see.
One potential comp could be Star Wars: The Force Awakens which dropped 40% in its sophomore holiday frame. I’ll say Spidey falls a bit more than that (more in the 50-55% percent range).
With the webslinger secure in first position, there could be a real fight for the runner-up spot. I have Matrix barely getting by Sing 2 (though the latter will almost certainly leg out stronger in subsequent weekends). I’m only forecasting a $400k difference between them.
The King’s Man could be the odd sequel/prequel out as far as interest in concerned. I have it falling under double digits for the traditional Friday to Sunday portion of the weekend. That should be good enough for fourth place.
Underdog and Journal both premiere on Christmas Day and will only have two days tallied toward their grosses. I have the former at just over $6 million and the latter a tad shy of $3 million.
Holdovers not named Spider-Man should experience declines in the 40s and up range (this appears to be case when Christmas falls on a Saturday and Christmas Eve is a somewhat smaller day for earnings). Encanto could be an outlier and probably suffers the smallest drop.
Finally, Paul Thomas Anderson’s acclaimed awards contender Licorice Pizza expands and could deliver a $1-2 million showing (I’ll skew toward the middle of the range as it’s out on approximately 750 screens).
With all this Yuletide activity, I’m expanding my normal top 5 to a top 10 and here’s how I see it:
1. Spider-Man: No Way Home
Predicted Gross: $125.2 million
2. Sing 2
Predicted Gross: $31.3 million (Friday to Sunday); $46.8 million (Wednesday to Sunday)
3. The Matrix Resurrections
Predicted Gross: $26.7 million (Friday to Sunday); $40.3 million
4. The King’s Man
Predicted Gross: $8.8 million (Friday to Sunday); $13.1 million (Wednesday to Sunday)
5. American Underdog
Predicted Gross: $7.2 million
6. Encanto
Predicted Gross: $4.3 million
7. A Journal for Jordan
Predicted Gross: $2.9 million
8. Ghostbusters: Afterlife
Predicted Gross: $2 million
9. West Side Story
Predicted Gross: $2 million
10. Licorice Pizza
Predicted Gross: $1.8 million
Box Office Results (December 17-19)
Spider-Man: No Way Home swung to unprecedented heights (regardless of pandemic times) as it demolished box office records and accomplished the #2 highest domestic opening of all-time (behind only the MCU’s Avengers: Endgame). Coming in just ahead of previous runner-up Star Wars: The Force Awakens, the Spidey sequel made $260.1 million (laying my estimate of $213.7 million to waste). While other pics are struggling in the marketplace, audiences were clearly primed for the event flick.
Encanto took second with $6.4 million, in range with my $6 million for projection and the Disney toon is up to $81 million.
West Side Story plummeted a troubling 65% for third in its sophomore outing with $3.6 million (below my $5.5 million take). Steven Spielberg’s musical has managed only $18 million in its ten days of release.
Ghostbusters: Afterlife was fourth with $3.4 million (I said $3.6 million) for $117 million overall.
Finally, Guillermo del Toro’s Nightmare Alley struggled to find a crowd preoccupied with Spider-Man. Despite star power and its Oscar winning filmmaker, the noir thriller debuted in fifth with a measly $2.8 million compared to my $3.3 million prediction.
And that does it for now, folks! Have a Happy Holidays!
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