Set in the late 19th century, the treasure themed adventure drama The Tale of King Crab hit the festival circuit last year and is premiering in limited release stateside this Easter weekend. The Italian production comes from documentary filmmakers Alessio Rigo de Righi and Matteo Zoppis, making their fiction debut.
Nearly all reviews are positive as it stands at 96% on Rotten Tomatoes. However, many of the critics aren’t gushing over it. I’m skeptical that its home country selects it as their entry for International Feature Film at the Oscars.
Italy got their contender in the final five in 2021 with The Hand of God. Don’t look for this Tale, despite some praise, to claw its way into the competition. My Oscar Prediction posts will continue…
My initial early take on the Oscar landscape in the major categories brings us to Best Picture! If you missed my posts covering Director and the four acting races, they’re here:
At this early stage in the proceedings, it’s a whole lotta guesswork going on. Some of these titles could end up getting pushed back to 2023. There’s no doubt some of these will fail to garner the critical raves they require to contend.
Yet we have to start somewhere so here’s the first look at my 10 projected BP nominees and 15 other possibilities!
Nicolas Cage may not always be picky with his projects and that gets him into hot water in The Unbearable Weight of Massive Talent, out April 22nd. The acclaimed comedy casts the eccentric national treasure as an exaggerated (?) version of himself who accepts $1 million from Pedro Pascal’s superfan to attend a birthday party. It goes downhill from there. Tom Gormican directs and the supporting cast includes Sharon Horgan, Ike Barinholtz, Neil Patrick Harris, and Tiffany Haddish.
When Weight premiered in March at South by Southwest, it did so to sizzling reviews. The Rotten Tomatoes meter stands at a clean 100%. That should get a decent amount of cinephiles in multiplexes to see what all the buzz is about.
That said, I wonder if the concept is a little too inside baseball for general audiences. Additionally, plenty of viewers have grown accustomed to dialing up Cage’s new pics on streaming services and not in theaters.
Some forecasts have this reaching double digits in its debut, but I’m going a bit under that.
The Unbearable Weight of Massive Talent opening weekend prediction: $7.9 million
Robert Eggers is an acclaimed director with two critical darlings (The Witch, The Lighthouse) to his credit. His third project is considerably bigger in scale with The Northman, out April 22nd. Budgeted at a rather shocking $90 million, the Viking epic stars Alexander Skarsgard with a supporting cast including Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Bjork, and Willem Dafoe.
Just like with his first two efforts, reviews are on the side of Eggers with a current 88% Rotten Tomatoes score. Yet I’m not seeing a marketing effort from Focus Features that inspires confidence (especially considering that price tag). The Witch is the director’s largest earner with $25 million. The Lighthouse took in $10 million. This should top both of them domestically, but certainly not by as much as its studio is hoping for.
If something like Ambulance couldn’t manage a gross north of $10 million, I’m skeptical that The Northman will. I realize it’s not an apples to apples comparison, but they’re both action oriented pictures with no nexus to known IP.
Perhaps I’m feeling generous in that I’ll say The Northman manages to barely squeak into double digits (with low confidence).
The Northman opening weekend prediction: $10.3 million
Having already premiered to decent grosses overseas, DreamWorks Animation is hoping for good returns for The Bad Guys when it debuts domestically on April 22nd. From first-time director Pierre Perifel, the crime comedy features the voices of Sam Rockwell, Marc Maron, Anthony Ramos, Craig Robinson, Awkwafina, Richard Ayoade, and Zazie Beetz.
Based on a series of children’s graphic novels, Guys arrives during an April with other high-profile family offerings. Sonic the Hedgehog 2 will be in its third weekend with Fantastic Beasts: The Secrets of Dumbledore in its sophomore frame.
That should dilute the money that this brings in. Impressive reviews (94% currently on Rotten Tomatoes), however, could help this open or perhaps exceed its expected $10-15 million range. I’ll give it the slight benefit of the doubt.
The Bad Guys opening weekend prediction: $16.7 million
If you prefer Mel Gibson playing Mark Wahlberg’s dad in a drama involving religion and inflammatory muscle diseases and not comedy sequels like Daddy’s Home 2, then Father Stu might be your jam. The biopic is out today and the faith-based experience (a rare one that’s rated R) hopes to cash in during Easter weekend.
A passion project for its star, the role for Wahlberg seems like the type of material meant to garner awards chatter. Yet an underwhelming 44% on Rotten Tomatoes tells a different tale. The artist formerly known as Marky has one Oscar nomination to his credit in Supporting Actor for 2006’s The Departed. Even though three of his cast members were up for The Fighter in 2010 (with Christian Bale and Melissa Leo winning), he failed to punch in.
Bottom line: Father Stu would need divine intervention to score a nod for Wahlberg or anything else. My Oscar Prediction posts will continue…
My super duper earliest Oscar predictions in the big races has reached Best Director with only Picture left. If you missed my posts covering the four acting derbies, you can peruse them here:
These will be monthly predictions until August when they become weekly. Here’s how I have the filmmakers performing at this early stage. I currently have four past winners and a first-time nominee in the mix.
TODD’S APRIL 2022 OSCAR PREDICTIONS: BEST DIRECTOR
For my first Oscar picks for the 95th Academy Awards, I’ve arrived at Best Actress. If you missed the posts covering the other three acting categories, you can access them here:
Obviously release dates and category placements can (and will) change, but I honestly had a tough time whittling this list down to 15 names. Leaving out Jennifer Lawrence (Red, White and Water) and Tilda Swinton (Three Thousand Years of Living) or Florence Pugh (Don’t Worry Darling) seems a bit risky. It’s a sign of how competitive Actress could be for 2022 – just as it was the past two years.
Like with the other derbies, here’s how I see the race playing out nearly a year ahead of time.
To call The Northman a box office gamble is an understatement. This is a fantasy bloodbath about Vikings (budgeted at a reported $90 million) from a filmmaker known for low-budget (though beautifully shot) horror tales. Robert Eggers directs with a cast led by Alexander Skarsgard and supporting players consisting of Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Bjork, and Willem Dafoe. Its Oscar prospects are iffy as well.
Ahead of its April 22nd stateside bow, the review embargo is lifted. Like 2016’s The Witch and 2019’s The Lighthouse (the director’s previous movies), this is garnering solid reviews at 88% currently on Rotten Tomatoes. Whether audiences take to it is yet to be determined.
Critics are particularly praising some of the tech aspects. Costume Design, Production Design, Sound, Visual Effects, and Cinematography could all be in play come awards time. Three years ago, The Lighthouse received a Cinematography nod for Jarin Blaschke and he returns behind the camera. For TheLighthouse, Willem Dafoe likely came close to a Supporting Actor nod. I don’t envision any of the cast vying for acting prizes in the third Eggers effort.
Bottom line: don’t expect The Northman to be up for Best Picture or in other major categories. Down the line races could be another story… or it could just as easily end up like 2021’s The Green Knight and come up empty-handed. My Oscar Prediction posts will continue…
**Blogger’s Note (04/13): Updated to include Everything Everywhere All at Once in the top five after finding out it is expanding to approximately 2000 screens from its current 1250
Warner Bros is hoping for good returns from a potentially fading franchise as Fantastic Beasts: The Secrets of Dumbledore debuts this Easter weekend. We also have the Mark Wahlberg led faith-based drama Father Stu as it hopes to capitalize on the holiday. You can peruse my detailed prediction posts on both of them here:
I have Dumbledore conjuring up about $15 million less than 2018 predecessor The Crimes of Grindelwald. The gross just north of $50 million should be enough to nab it the #1 slot with Sonic the Hedgehog 2 (after a terrific start) sliding to second. The video game adapted sequel may lose around half its audience.
Father Stu is a bit of a head scratcher. It could over perform. With a Wednesday premiere, my mid single digits Friday to Sunday estimate puts it in fourth just behind The Lost City.
Ambulance and Morbius, both struggling, might battle it out for the five spot. And with that, my take on the top 7:
1. Fantastic Beasts: The Secrets of Dumbledore
Predicted Gross: $48.1 million
2. Sonic the Hedgehog 2
Predicted Gross: $35.8 million
3. The Lost City
Predicted Gross: $6.3 million
4. Father Stu
Predicted Gross: $5.7 million (Friday to Sunday); $8.5 million (Wednesday to Sunday)
5. Everything Everywhere All at Once
Predicted Gross: $5.5 million
6. Ambulance
Predicted Gross: $4.5 million
7. Morbius
Predicted Gross: $4.3 million
Box Office Results (April 8-10)
Paramount had plenty to celebrate as Sonic the Hedgehog 2 posted the high score with a better than anticipated $72.1 million. That’s nearly $10 million ahead of my $62.5 million prediction. You can bet a third installment is already being planned as this grossed more from Friday to Sunday than the 2020 original took in during the long President’s Day weekend.
Morbius was second with a steep 74% tumble in its sophomore outing with $10.2 million, a bit shy of my $11.2 million projection. The vampire tale is not bringing in new blood after a weak beginning.
The Lost City was third with $9 million (I said $8 million) and the Sandra Bullock comedy stands at $68 million with $100 million in its sights.
Jake Gyllenhaal’s action flick Ambulance stalled in fourth with only $8.6 million, well below my generous $13.7 million estimate. The Michael Bay directed enterprise (which earned decent reviews) couldn’t find a crowd as moviegoers may simply wait until streaming.
The Batman made $6.4 million and I incorrectly had it outside the top five. The grand tally is $358 million.
Finally, the critically heralded Everything Everywhere All at Once was sixth with $6 million. While not reaching my guesstimate of $8.4 million, the trippy sci-fi pic had the second best per theater average on its 1200+ screens.
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