Tag: movies

2022 Oscar Predictions: November 6th Edition

Over the past week, I posted deep dives into 6 major categories: Picture, Director, and the four acting derbies. If you missed them, you can access them right there:

2022 Oscar Predictions: The State of the Best Picture Race
2022 Oscar Predictions: The State of the Best Director Race
2022 Oscar Predictions: The State of the Best Actress Race
2022 Oscar Predictions: The State of the Best Actor Race
2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

The numbers for those competitions are reflected below (therefore you won’t see Previous Rankings for them). For every other race, these are projections updated for the first time since October 23rd.

There’s less than two months left in the calendar year! We’re entering crunch time and here’s my state of the races as we sprint to the finish…

Best Picture

Predicted Nominees:

1. The Fabelmans

2. Everything Everywhere All at Once

3. Babylon

4. Women Talking

5. The Banshees of Inisherin

6. Top Gun: Maverick

7. Tár

8. The Whale

9. Triangle of Sadness

10. She Said

Other Possibilities:

11. All Quiet on the Western Front

12. Decision to Leave

13. Avatar: The Way of Water

14. Elvis

15. Glass Onion: A Knives Out Mystery

Best Director

Predicted Nominees:

1 . Steven Spielberg, The Fabelmans

2. Damien Chazelle, Babylon

3. Daniels, Everything Everywhere All at Once

4. Sarah Polley, Women Talking

5. Todd Field, Tár

Other Possibilities:

6. Edward Berger, All Quiet on the Western Front

7. Park Chan-wook, Decision to Leave

8. Martin McDonagh, The Banshees of Inisherin

9. James Cameron, Avatar: The Way of Water

10. Ruben Ostlund, Triangle of Sadness

Best Actress

Predicted Nominees:

1. Cate Blanchett, Tár

2. Michelle Yeoh, Everything Everywhere All at Once

3. Danielle Deadwyler, Till

4. Michelle Williams, The Fabelmans

5. Margot Robbie, Babylon

Other Possibilities:

6. Olivia Colman, Empire of Light

7. Naomi Ackie, I Wanna Dance with Somebody

8. Viola Davis, The Woman King

9. Jennifer Lawrence, Causeway

10. Rooney Mara, Women Talking

Best Actor

Predicted Nominees:

1. Brendan Fraser, The Whale

2. Colin Farrell, The Banshees of Inisherin

3. Austin Butler, Elvis

4. Bill Nighy, Living

5. Hugh Jackman, The Son

Other Possibilities:

6. Diego Calva, Babylon

7. Tom Cruise, Top Gun: Maverick

8. Jeremy Pope, The Inspection

9. Adam Driver, White Noise

10. Paul Mescal, Aftersun

Best Supporting Actress

Predicted Nominees:

1 . Claire Foy, Women Talking

2. Kerry Condon, The Banshees of Inisherin

3. Jessie Buckley, Women Talking

4. Hong Chau, The Whale

5. Carey Mulligan, She Said

Other Possibilities:

6. Stephanie Hsu, Everything Everywhere All at Once

7. Dolly De Leon, Triangle of Sadness

8. Nina Hoss, Tár

9. Jamie Lee Curtis, Everything Everywhere All at Once

10. Jean Smart, Babylon

Best Supporting Actor

Predicted Nominees:

1 . Ke Huy Quan, Everything Everywhere All at Once

2. Brendan Gleeson, The Banshees of Inisherin

3. Ben Whishaw, Women Talking

4. Judd Hirsch, The Fabelmans

5. Barry Keoghan, The Banshees of Inisherin

Other Possibilities:

6. Paul Dano, The Fabelmans

7. Brad Pitt, Babylon

8. Mark Rylance, Bones & All

9. Woody Harrelson, Triangle of Sadness

10. Eddie Redmayne, The Good Nurse

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)

2. The Banshees of Inisherin (PR: 3) (+1)

3. The Fabelmans (PR: 2) (-1)

4. Triangle of Sadness (PR: 4) (E)

5. Tár (PR: 5) (E)

Other Possibilities:

6. Babylon (PR: 6) (E)

7. Decision to Leave (PR: 7) (E)

8. Aftersun (PR: Not Ranked)

9. Broker (PR: 9) (E)

10. The Menu (PR: 10) (E)

Dropped Out:

Armageddon Time

Best Adapted Screenplay

Predicted Nominees:

1. Women Talking (PR: 1) (E)

2. The Whale (PR: 2) (E)

3. She Said (PR: 3) (E)

4. Glass Onion: A Knives Out Mystery (PR: 4) (E)

5. Living (PR: 5) (E)

Other Possibilities:

6. White Noise (PR: 6) (E)

7. Bones & All (PR: 7) (E)

8. Top Gun: Maverick (PR: 8) (E)

9. Guillermo del Toro’s Pinocchio (PR: Not Ranked)

10. All Quiet on the Western Front (PR: 9) (-1)

Dropped Out:

The Son

Best Animated Feature

Predicted Nominees:

1. Guillermo del Toro’s Pinocchio (PR: 1) (E)

2. Turning Red (PR: 2) (E)

3. Wendell and Wild (PR: 3) (E)

4. Strange World (PR: 4) (E)

5. The Bad Guys (PR: 7) (+2)

Other Possibilities:

6. Marcel the Shell with Shoes On (PR: 5) (-1)

7. The Sea Beast (PR: 6) (-1)

8. My Father’s Dragon (PR: 8) (E)

9. Lightyear (PR: 10) (+1)

10. Minions: The Rise of Gru (PR: 9) (-1)

Best International Feature Film

Predicted Nominees:

1. All Quiet on the Western Front (PR: 2) (+1)

2. Decision to Leave (PR: 1) (-1)

3. Close (PR: 3) (E)

4. Bardo (PR: 4) (E)

5. Saint Omer (PR: 5) (E)

Other Possibilities:

6. Klondike (PR: 9) (+3)

7. Holy Spider (PR: 7) (E)

8. Argentina, 1985 (PR: 6) (-2)

9. EO (PR: 10) (+1)

10. Alcarras (PR: 8) (-2)

Best Documentary Feature

Predicted Nominees:

1. All the Beauty and the Bloodshed (PR: 1) (E)

2. Descendant (PR: 2) (E)

3. Navalny (PR: 3) (E)

4. All That Breathes (PR: 4) (E)

5. Last Flight Home (PR: 6) (+1)

Other Possibilities:

6. Fire of Love (PR: 5) (-1)

7. The Territory (PR: 7) (E)

8. Moonage Daydream (PR: 8) (E)

9. Good Night Oppy (PR: 9) (E)

10. Sr. (PR: Not Ranked)

Dropped Out:

Aftershock

Best Cinematography

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Avatar: The Way of Water (PR: 6) (+3)

4. Empire of Light (PR: 3) (-1)

5. All Quiet on the Western Front (PR: 5) (E)

Other Possibilities:

6. Bardo (PR: 4) (-2)

7. Top Gun: Maverick (PR: 8) (+1)

8. The Banshees of Inisherin (PR: 7) (-1)

9. Black Panther: Wakanda Forever (PR: Not Ranked)

10. Everything Everywhere All at Once (PR: 10) (E)

Dropped Out:

Tár

Best Costume Design

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 2) (E)

3. Black Panther: Wakanda Forever (PR: 3) (E)

4. Mrs. Harris Goes to Paris (PR: 4) (E)

5. The Woman King (PR: 7) (+2)

Other Possibilities:

6. Living (PR: 5) (-1)

7. The Fabelmans (PR: 6) (-1)

8. Three Thousand Years of Longing (PR: 9) (+1)

9. Corsage (PR: 8) (-1)

10. Everything Everywhere All at Once (PR: 10) (E)

Best Film Editing

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. Babylon (PR: 3) (+1)

3. Top Gun: Maverick (PR: 2) (-1)

4. The Fabelmans (PR: 4) (E)

5. Women Talking (PR: 7) (+2)

Other Possibilities:

6. Elvis (PR: 5) (-1)

7. All Quiet on the Western Front (PR: 9) (+2)

8. Avatar: The Way of Water (PR: 8) (E)

9. The Banshees of Inisherin (PR: Not Ranked)

10. Decision to Leave (PR: 10) (E)

Dropped Out:

Tár

Best Makeup and Hairstyling

Predicted Nominees:

1. The Whale (PR: 1) (E)

2. Babylon (PR: 3) (+1)

3. Elvis (PR: 2) (-1)

4. The Batman (PR: 4) (E)

5. Black Panther: Wakanda Forever (PR: 6) (+1)

Other Possibilities:

6. Everything Everywhere All at Once (PR: 5) (-1)

7. X (PR: 10) (+3)

8. Three Thousand Years of Longing (PR: 8) (E)

9. All Quiet on the Western Front (PR: 7) (-1)

10. The Woman King (PR: 9) (-1)

Best Original Score

Predicted Nominees:

1. The Fabelmans (PR: 1) (E)

2. Babylon (PR: 2) (E)

3. Empire of Light (PR: 3) (E)

4. The Banshees of Inisherin (PR: 7) (+3)

5. Women Talking (PR: 4) (-1)

Other Possibilities:

6. Tár (PR: 6) (E)

7. Guillermo del Toro’s Pinocchio (PR: 5) (-2)

8. Bardo (PR: Not Ranked)

9. Avatar: The Way of Water (PR: 8) (-1)

10. All Quiet on the Western Front (PR: 10 (E)

Dropped Out:

The Batman

Best Original Song

Predicted Nominees:

1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)

2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: Not Ranked)

3. “Naatu Naatu” from RRR (PR: 2) (-1)

4. “Nobody Like U” from Turning Red (PR: 3) (-1)

5. “This Is a Life” from Everything Everywhere All at Once (PR: 6) (+1)

Other Possibilities:

6. “Applause” from Tell It Like a Woman (PR: 4) (-2)

7. “Stand Up” from Till (PR: 7) (E)

8. “Carolina” from Where the Crawdads Sing (PR: 5) (-3)

9. “New Body Rhumba” from White Noise (PR: 8) (-1)

10. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: Not Ranked)

Dropped Out:

“On My Way” from Marry Me

“At the Automat” from The Automat

Best Production Design

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Avatar: The Way of Water (PR: 3) (+1)

3. Black Panther: Wakanda Forever (PR: 4) (+1)

4. Elvis (PR: 2) (-2)

5. The Fabelmans (PR: 5) (E)

Other Possibilities:

6. Everything Everywhere All at Once (PR: 8) (+2)

7. Guillermo del Toro’s Pinocchio (PR: 6) (-1)

8. Empire of Light (PR: 7) (-1)

9. Glass Onion: A Knives Out Mystery (PR: 9) (E)

10. All Quiet on the Western Front (PR: Not Ranked)

Dropped Out:

Bardo

Best Sound

Predicted Nominees:

1. Top Gun: Maverick (PR: 1) (E)

2. Avatar: The Way of Water (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Black Panther: Wakanda Forever (PR: 7) (+3)

5. All Quiet on the Western Front (PR: 5) (E)

Other Possibilities:

6. The Batman (PR: 4) (-2)

7. Elvis (PR: 6) (-1)

8. Everything Everywhere All at Once (PR: 8) (E)

9. The Fabelmans (PR: Not Ranked)

10. Nope (PR: 10) (E)

Dropped Out:

Tár

Best Visual Effects

Predicted Nominees:

1. Avatar: The Way of Water (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. Everything Everywhere All at Once (PR: 3) (E)

4. Black Panther: Wakanda Forever (PR: 7) (+3)

5. Guillermo del Toro’s Pinocchio (PR: 4) (-1)

Other Possibilities:

6. The Batman (PR: 6) (E)

7. RRR (PR: 8) (+1)

8. Doctor Strange in the Multiverse of Madness (PR: 5) (-3)

9. All Quiet on the Western Front (PR: 9) (E)

10. Good Night Oppy (PR: 10) (E)

That equates to these movies garnering these numbers in terms of nominations:

10 Nominations

Babylon

9 Nominations

The Fabelmans

8 Nominations

Everything Everywhere All at Once, Women Talking

7 Nominations

The Banshees of Inisherin

6 Nominations

Black Panther: Wakanda Forever

5 Nominations

Top Gun: Maverick, The Whale

4 Nominations

Avatar: The Way of Water, Elvis, Tár

3 Nominations

All Quiet on the Western Front, She Said

2 Nominations

Empire of Light, Guillermo del Toro’s Pinocchio, Living, Triangle of Sadness, Turning Red

1 Nomination

All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, The Batman, Close, Decision to Leave, Descendant, Glass Onion: A Knives Out Mystery, Last Flight Home, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, The Son, Strange World, Till, The Woman King, Wendell and Wild

The Man from Toronto Review

The buddy action comedy shenanigans of The Man from Toronto are as generic as the title. Kevin Hart and Woody Harrelson can’t save a lazy script that could’ve used a potent punch up. The stars are dropped into scenarios we’ve seen on countless occasions in this mistaken identity caper where a wimpy everyman must masquerade as a tough guy. There’s not a new ingredient to be found unless you count the hitman secretly hoping to be a chef.

Woody Harrelson is The Man from Toronto, that culinary minded assassin with a legendary reputation for extracting sensitive information from his captors. His methods of doing so aren’t any more creative than your run-of-the-mill bad guy. However, he’s got a conscience and a story about a bear mauling his grandpa on a frozen lake. It’s as pointlessly strange as it sounds.

Kevin Hart is struggling fitness instructor Teddy, who can’t sell his get rich quick idea of contactless boxing. While treating his wife Lori (Jasmine Mathews) to a birthday celebration weekend, the hapless entrepreneur checks into the wrong cabin. This is due to a low toner issue printing off a smudgy address. To the best of my knowledge, Toronto was not shot over a decade ago. That’s when Teddy might have actually printed off directions instead of having them handy on his phone or programmed into the GPS. The Man from Toronto is scheduled for interrogation of a hostage at the cabin. When Teddy arrives first, he is forced to play the part.

When the FBI show up, the charade must continue. I might forget why as I’m typing because the screenplay is so forgettable. It involves the potential assassination of the Venezuelan President who’s visiting Washington D.C. Woody (I’m not going to keep saying The Man from Toronto) takes his orders from The Handler (Ellen Barkin), who has employees all over the globe. There’s The Man from Miami (Pierson Fode), who’s called in when Woody is busy dealing with Teddy’s intrusion. There’s Moscow and Tokyo! There’s the Men from Tacoma because they are siblings. Maybe a compelling picture could be made about how they’re selected. Do major metro areas get more than one Man? Why would Cody, Wyoming with its population of 10,000 get the same number as Beijing which has 24 million citizens? Shouldn’t they have more contract killers? What’s the nepotism backstory that allowed the brothers Tacoma to have double the hitmen as Tokyo?

These burning questions aside, The Man from Toronto would be far more tolerable if Hart and Harrelson had a scintilla of funny dialogue. Or if the action sequences were choreographed with more precision. The rare laughs come from (I suspect) Hart’s ad libbing and delivery. They don’t come from Kaley Cuoco, a talented comedienne who appears for about 5 minutes as Lori’s fun seeking friend. I wonder if her part got cut down? Cuoco never finds the entertainment she’s looking for and we can relate.

*1/2 (out of four)

Weird: The Al Yankovic Story Review

There is an ultrahigh funny consistency in Weird: The Al Yankovic Story before the hilarity frequency is turned down a notch as it plays on. Focused on pop’s most famous parody artist, it’s appropriate that the film is a sendup of the musical biopic genre. Director Eric Appel and Yankovic himself penned the screenplay which cheekily casts Daniel Radcliffe as the man with the accordion.

As a youngster, Al’s father (Toby Huss) would rather see his boy working in the factory (where they make mysterious “things”) than making songs. Mom (Julianne Nicholson) buys him the harmonious box organ behind Dad’s back. Soon a teenage Al is busted for experimenting with the instrument at a party (the accordion uproariously stands in for hard drugs) and he’s on his own. At college and with the encouragement of three roommates turned bandmates, he becomes the biggest pop star in the world with his spoof tracks.

Similar to Bohemian Rhapsody, we take a journey through the creation of “My Bologna”, “Another One Rides the Bus”, “Eat It”, and “Like a Surgeon”. These segments are more exaggerated (slightly) than those in Rhapsody. The latter tune is manifested through his whirlwind tryst with the ambitious and conniving Madonna (Evan Rachel Wood, doing a fine impersonation). As for his largest smash “Eat It”, the script cleverly insists it was Michael Jackson ripping off Al.

Radcliffe is a pleasure to watch (the real Al plays a music exec) as he makes the tragic rock star journey. There are cameos galore including Jack Black as a taunting Wolfman Jack and a noted late night host as Andy Warhol (pay attention). Rainn Wilson is Dr. Demento, the radio host who gave the Weird one his big break (no exaggeration).

When we reach a Hot Shots! level of silliness with Al going Rambo at Pablo Escobar’s birthday bash, it all begins to wear a bit thin. Most of the time this is as fun and irreverent as its subject’s creations. No bologna.

*** (out of four)

2022 Oscar Predictions: The State of the Best Picture Race

My deep dives into 6 high profile Oscar races reaches the top one with Best Picture. If you missed my posts on Director and the four acting competitions, you can find them here:

2022 Oscar Predictions: The State of the Best Director Race
2022 Oscar Predictions: The State of the Best Actress Race
2022 Oscar Predictions: The State of the Best Actor Race
2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

At this early November period from 2019-21, here’s how accurate I was with my BP forecast. Three years ago, I correctly called 8 of the 9 eventual nominees. That includes the winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The ninth hopeful was Joker and it was listed in Other Possibilities. In the wildly unpredictable 2020, I was right about 5 of 8 with two months left in the calendar – Nomadland (which won), The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named in Other Possibilities while Promising Young Woman and Sound of Metal were not yet in my top 15. In 2021, the Academy went back to a set number of 10 BP nominees. I rightly identified 7 of the 10 with Belfast, Dune, King Richard, Licorice Pizza, Nightmare Alley, The Power of the Dog, and West Side Story. The film that emerged victorious – CODA was not yet predicted but in Other Possibilities. So was Don’t Look Up while Drive My Car wasn’t among the 15.

Moving to 2022 – I can’t recall a year where four sequels were viable for inclusion. That’s where we stand at the moment. The top grosser of the year is Top Gun: Maverick and I do believe the Academy will reward it for bringing older audiences back to multiplexes (and of course for its quality). In a few weeks, we’ll have a better idea about Avatar: The Way of Water. I’m not ready to vault into my ten, but that could change soon. Knives Out missed out on BP in 2019 so I’m skeptical for Glass Onion: A Knives Out Mystery. And while Black Panther made the lineup in 2018, Wakanda Forever seems like a stretch despite the solid buzz. Nevertheless it’s not crazy to think that 40% of the BP players could be sequels.

On the non-sequel front, we begin with The Fabelmans. Steven Spielberg’s autobiographical coming-of-age tale has been listed at #1 for weeks on the blog. Only one of the filmmaker’s works – 1993’s Schindler’s List – has won BP. Shakespeare in Love was a surprise recipient in 1998 over the favored Saving Private Ryan. Nearly 30 years later, Fabelmans could have the credentials to be the second.

However, the frontrunner at this stage often doesn’t cross the finish line and Spielberg’s latest feels like a soft frontrunner. I could easily envision a scenario where the voters go outside the box with Everything Everywhere All at Once. A24’s multi-genre pic achieved wide acclaim and did great business at the box office. While spring releases rarely make the journey all the way through the awards calendar, Everything could buck that trend.

Other spoilers include The Banshees of Inisherin and Women Talking, which both garnered kudos at film festivals and will have their ardent admirers. I believe that logic also applies to Tár and The Whale though I don’t see either having a shot to win. And we are still waiting to see if Damien Chazelle’s Babylon is as viable as its pedigree suggests (we’ll know in a few days when it screens).

It’s become more common for an international feature film to get in and the two most likely to do so are All Quiet on the Western Front (which might just be Netflix’s most serious hopeful) and Decision to Leave. The reviews for Alejandro Gonzalez Inarritu’s Bardo should leave it out (it might not even make the separate international race).

While Guillermo del Toro’s Pinocchio is the favorite to be Best Animated Feature, I don’t see it breaking into the big dance. It’s probably the only animated title with any sort of chance.

The festival circuit always lessens the viability of some pics. In 2022, I would put the following on that list: Empire of Light, The Son, and Armageddon Time.

The Academy could choose to honor some moneymakers like Elvis and The Woman King (though putting Maverick in could check that box). Till may only show up in Best Actress for Danielle Deadwyler. And it’s tough to know what to make of the upcoming Emancipation considering it’s led by Will Smith (who has some, um, recent history with the ceremony).

Bottom line: there is a lot of uncertainty about BP. I feel fairly confident about The Fabelmans, Everything Everywhere, Women Talking, The Banshees of Inisherin, Top Gun: Maverick, Tár, and The Whale (more than others with that one). We’ll know about Babylon shortly so that leaves two spots. I could definitely see a sequel or a foreign flick jumping up. For now, the 9th and 10th entries go to Triangle of Sadness and She Said. Expect movement as the weeks roll along.

Best Picture

Predicted Nominees:

1 . The Fabelmans (Previous Ranking: 1) (Even)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Women Talking (PR: 4) (E)

5. The Banshees of Inisherin (PR: 5) (E)

6. Top Gun: Maverick (PR: 6) (E)

7. Tár (PR: 7) (E)

8. The Whale (PR: 8) (E)

9. Triangle of Sadness (PR: 9) (E)

10. She Said (PR: 12) (+2)

Other Possibilities:

11. All Quiet on the Western Front (PR: 11) (E)

12. Decision to Leave (PR: 10) (-2)

13. Avatar: The Way of Water (PR: 14) (+1)

14. Elvis (PR: 13) (-1)

15. Glass Onion: A Knives Out Mystery (PR: 15) (E)

Stay tuned for estimates on all the races coming up soon!

2022 Oscar Predictions: The State of the Best Director Race

Best Director is on deck for my closeup looks at six major categories at the Oscars. If you missed my posts covering the four acting derbies, you can find them here:

2022 Oscar Predictions: The State of the Best Actress Race
2022 Oscar Predictions: The State of the Best Actor Race
2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

As I have with the other competitions, let’s see how accurate my estimates were from 2019-21 at the same early November time period. In 2019, I correctly had 4 of the 5 eventual directors: winner Bong Joon-ho (Parasite), Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was identified in Other Possibilities. 2020 was a trickier year due to COVID complications and I had 2 of the contenders rightly pegged: Chloe Zhao for Nomadland (who won) and David Fincher for Mank. Lee Isaac Chung (Minari) was in Other Possibilities while Emerald Fennell (Promising Young Woman) and Thomas Vinterberg (Another Round) were not yet in my top ten. Last year, I had 3 of 5 with the victorious Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Paul Thomas Anderson (Licorice Pizza). Steven Spielberg (West Side Story) was in Other Possibilities and I didn’t have Ryusuke Hamaguchi (Drive My Car) yet in the mix.

I don’t have Spielberg down as an Other Possibility in 2022. This time around, he could be in line for his third Best Director statue behind 1993’s Schindler’s List and 1998’s Saving Private Ryan. It would mark his ninth overall nom. If he wins, he would become only the fourth filmmaker with three or more victories. John Ford has 4 while Frank Capra and William Wyler have 3.

The last four years have given us a nominee with an International Feature Film contender. In addition to Joon-ho in 2019 and Vinterberg and Hamaguchi the following years, Alfonso Cuaron took the prize in 2018 for Roma. There are two in 2022 that stand the best shot: Edward Berger (All Quiet on the Western Front) and Park Chan-wook (Decision to Leave). If you want to be brave and predict an out of nowhere selection (like Vinterberg kinda was in 2020), look to Lukas Dhont (Close) or Jerzy Skolimowski (EO). Maybe even Alejandro Gonzalez Inarritu for Bardo though he faces a tough road due to mixed critical reception.

However, I’m not quite ready to elevate any of them to the forecasted quintet. Damien Chazelle’s Babylon will soon screen prior to its December bow. It has the looks of a contender and he’s in unless the buzz tells me differently in a few days.

I’m also feeling good about the Daniels (Dan Kwan and Daniel Scheinert) for Everything Everywhere All at Once. Same goes for Sarah Polley (Women Talking). Both appear to be surefire BP selections and would mark the Academy’s first mentions for them in this race.

As for the fifth spot, there’s plenty of names beyond the aforementioned international auteurs. Todd Field for Tár tops that list with Martin McDonagh (The Banshees of Inisherin) not far behind. If Avatar: The Way of Water approaches the reception that the original received, James Cameron could enter the conversation.

If She Said or The Whale pick up even more steam in BP, I wouldn’t discount Maria Schrader or Darren Aronofsky respectively. That same logic applies to Ruben Ostlund for Triangle of Sadness. I’ve had him in my five previously.

Perhaps the voters will honor the maker of the year’s biggest blockbuster with Joseph Kosinski for Top Gun: Maverick. The more likely path is a BP nom and a few tech inclusions.

This race can and will evolve over the next couple of months. Here’s the state of the race right now:

Best Director

Predicted Nominees:

1 . Steven Spielberg, The Fabelmans (Previous Ranking: 1) (Even)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Daniels, Everything Everywhere All at Once (PR: 3) (E)

4. Sarah Polley, Women Talking (PR: 4) (E)

5. Todd Field, Tár (PR: 5) (E)

Other Possibilities:

6. Edward Berger, All Quiet on the Western Front (PR: 7) (+1)

7. Park Chan-wook, Decision to Leave (PR: 6) (-1)

8. Martin McDonagh, The Banshees of Inisherin (PR: 8) (E)

9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)

10. Ruben Ostlund, Triangle of Sadness (PR: 9) (-1)

Best Picture is up next, folks! Stay tuned…

Oscar Predictions – Selena Gomez: My Mind & Me

Selena Gomez My Mind & Me drops on Apple TV tomorrow after premiering at AFI Fest earlier this week. The film documents six years in the life of the pop singer and costar of Hulu’s hit comedy series Only Murders in the Building. Alek Keshishian is no stranger to the genre. Over 30 years ago, he was behind the camera for Madonna: Truth or Dare.

The streaming service premiering Mind is no stranger to the genre. Last year, Billie Eilish: The World’s a Little Blurry made the shortlist of titles in contention for Documentary Feature. It didn’t end up making the final five. Blurry also had the benefit of a limited theatrical release. Unless I missed it, I’ve yet to find evidence that Mind is receiving an awards qualifying run.

While early reviews are uniformly positive (100% on Rotten Tomatoes), it may simply not be eligible for consideration. Even it is, if Billie couldn’t get in, I doubt Selena would. My Oscar Prediction posts will continue…

Black Panther: Wakanda Forever Box Office Prediction

Blogger’s Note (11/09): I am revising my estimate down from $205.2M to $195.2M. As opposed to the narrative below, that would now give it the #9 opening of all time behind its 2018 predecessor.

On November 11th, Black Panther: Wakanda Forever looks to score the second largest opening of the young decade and add another MCU pic to the top 10 debuts of all time. The sequel to 2018’s phenomenon has Ryan Coogler returning to the director’s chair. Early reactions are very positive saying that part 2 pays touching tribute to Chadwick Boseman, who played the title character in the original and passed away in 2020. Letitia Wright, Lupita Nyong’o, Danai Gurira, Winston Duke, Dominique Thorne, Tenoch Huerta, Martin Freeman, and Angela Bassett are among the large cast.

Wakanda is not expected to approach the $260 million that Spider-Man: No Way Home made out of the gate last December. It should, however, get beyond the $191 million that Doctor Strange in the Multiverse of Madness earned in May. If it does, it would land the #2 opening of the decade and the pandemic era.

In February of 2018, Black Panther rode a wave of sizzling buzz to a $202 million start over the Friday to Sunday portion of President’s Day weekend. For the four-day frame, it topped out at $242 million before eventually grossing $700 million domestically. The three-day premiere still stands at #8 all-time while the overall haul is 6th.

I do believe that all the Wakanda stars are lining up for a Friday to Sunday take that surpasses the original by a small margin. My estimate would give the new Panther the #8 opening while moving its predecessor down to ninth. Time will tell if it eventually approaches the $700 million that the first part amassed.

Black Panther: Wakanda Forever opening weekend prediction: $195.2 million

See How They Run Review

You know a genre has made a real comeback when the passably forgettable entries pop up. That’s an apt description for Tom George’s See How They Run which features lovely production design, a few humorous bits, and a murder mystery that’s hard to get invested in. The 2017 remake of Murder on the Orient Express and 2019’s Knives Out made whodunits a valuable commodity again as Run catches up with the trend.

This one is a little meta (very much of the times) as the killing occurs in London’s West End circa 1953. The Mousetrap, a play written by Agatha Christie, is celebrating its 100th performance. Side note: for some fun research, look up how long the actual play ran. American film director Leo Köpernick (Adrien Brody), a drunken louse, is slated to make the film adaptation. His inappropriate behavior puts him at odds with the stage performance’s lead Dickie Attenborough (Harris Dickinson), producers John Woolf (Reece Shearsmith) and Petula Spencer (Ruth Wilson), and screenwriter Mervyn Cocker-Norris (David Oyelowo). Another side note as my 90s kid upbringing only left me slightly distracted that Dickie Attenborough would become a famed director who also happens to be John Hammond from Jurassic Park.

Moving on, Leo’s early narration correctly surmises that the most contemptible character in these stories usually gets offed. Therefore his time is short-lived and everyone onscreen seems to have a motive. Another drunken louse is in charge of the crime solving when Inspector Stoppard (Sam Rockwell) is assigned the case. Shadowing him is the eager but inexperienced Constable Stalker (Saoirse Ronan).

The chemistry between the two investigators is meant to carry the load for most of the snappy runtime (98 minutes). This is where the screenplay from Mark Chappell isn’t quite up to snuff. Rockwell speaks his lines in a woozy register that recalls Johnny Depp’s Jack Sparrow. Lady Bird‘s Ronan (like the rookie she’s portraying) gives it her all. Unfortunately the material is pretty thin. It might be considered a lesser tome from Christie, who factors into the plot in numerous ways. To put it simply, the case that Stoppard and his trusty Stalker are looking into isn’t that compelling.

See How They Run goes by quickly and there are a handful of inspired bits. When the action reaches a snowed in mansion in the third act, I wished the whole picture could’ve been set there. Much of it is as disposable as the victim.

**1/2 (out of four)

2022 Oscar Predictions: The State of the Best Actress Race

We have reached Best Actress in my deep dives of the major Oscar races. If you didn’t catch my takes on the supporting derbies and lead actor, you can access them here:

2022 Oscar Predictions: The State of the Best Actor Race
2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

Before we get to this very competitive Actress competition, let’s see how I did at this point in the calendar from 2019-21. Three years ago, I managed to identify all 5 eventual nominees – winner Renee Zellweger (Judy), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For the late October/early November frame in 2020 and 2021, I correctly called 3 of the 5. In 2020, that was Frances McDormand (Nomadland), who won her third Oscar along with Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were mentioned in Other Possibilities. The victor was also named last year with Jessica Chastain for The Eyes of Tammy Faye as well as Olivia Colman (The Lost Daughter) and Kristen Stewart (Spencer). Penelope Cruz (Parallel Mothers) and Nicole Kidman (Being the Ricardos) were in Other Possibilities.

So if the last three years are any precursor, you should find the eventual quintet in my ten picks! Frances McDormand could have company with performers sporting a trio of gold statues. A Supporting Actress winner in 2004 for The Aviator and lead actress recipient for 2013’s Blue Jasmine, Cate Blanchett is drawing some career best kudos for Tár. She’s been in my #1 spot for weeks and if she wins, she’d join McDormand, Katherine Hepburn, and Ingrid Bergman as the only actresses to win more than two Oscars.

Her main competition could come from several performers. Michelle Yeoh is receiving a massive push for Everything Everywhere All at Once, which is a threat to win numerous big races including Best Picture. There’s another Michelle and it’s a surprise… Michelle Williams. As I discussed in my Supporting Actress write-up, her performance in The Fabelmans would likely be a guaranteed winner in that category. With the more competitive vibe of lead actress, it’s not even a guarantee that she makes it in.

While Till may struggle to get recognition elsewhere despite strong reviews and an A+ Cinemascore, Danielle Deadwyler looks pretty strong to make the cut. On the other hand, so-so critical reaction could prevent Olivia Colman (Empire of Light) from getting her fourth nod in five years.

There are two performances yet to be seen that could both make a splash: Margot Robbie for Babylon and Naomi Ackie as Whitney Houston in I Wanna Dance with Somebody. It’s easy to envision either rising up if the reactions are positive enough.

Despite solid box office, Viola Davis could face an uphill battle for The Woman King. That narrative could change if both Robbie and Ackie falter. Some intensely negative audience and critical buzz for Blonde may leave Ana de Armas out. And there’s always potential dark horses. Emma Thompson will probably get a Golden Globes nom for Good Luck to You, Leo Grande, but Academy inclusion could be a reach. Women Talking‘s Rooney Mara might be ignored in favor of her supporting costars like Claire Foy and Jessie Buckley. Causeway may not draw enough attention for Jennifer Lawrence to make it and the same holds true for The Wonder‘s Florence Pugh. Decision to Leave (despite having a chance to take International Feature Film) may not see its cast be a factor. That would leave out Tang Wei.

Here’s my state of this race!

Best Actress

Predicted Nominees:

1 . Cate Blanchett, Tár (Previous Ranking: 1) (Even)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Danielle Deadwyler, Till (PR: 3) (E)

4. Michelle Williams, The Fabelmans (PR: 4) (E)

5. Margot Robbie, Babylon (PR: 5) (E)

Other Possibilities:

6. Olivia Colman, Empire of Light (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)

8. Viola Davis, The Woman King (PR: 7) (-1)

9. Jennifer Lawrence, Causeway (PR: 9) (E)

10. Rooney Mara, Women Talking (PR: 10) (E)

Best Director is up next!

2022 Oscar Predictions: The State of the Best Actor Race

My detailed look at six of the top Oscar categories – Picture, Director, and the four acting derbies – arrives at Best Actor. If you missed the posts covering the supporting races, you can find them here:

2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

At this late October/early November stage of forecasting in the previous three years, my picks in the lead acting competitions have been more accurate than the supporting ones.

In 2019 at this juncture, I managed to correctly identify four of the five eventual nominees: winner Joaquin Phoenix (Joker), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), and Jonathan Pryce (The Two Popes). The fifth was Antonio Banderas in Pain and Glory and he was listed in Other Possibilities.

Three of five was the story in 2020 and 2021. Two years ago, I had The Father‘s Anthony Hopkins (who won), Chadwick Boseman in Ma Rainey’s Black Bottom, and Gary Oldman (Mank) pegged with Riz Ahmed (Sound of Metal) and Steven Yeun (Minari) as possibles.

You may remember that Will Smith took gold last year for King Richard. I had him correctly called with two months remaining on the calendar. Same with Benedict Cumberbatch in The Power of the Dog and Denzel Washington for The Tragedy of Macbeth. Andrew Garfield (Tick, Tick… Boom!) was mentioned in Other Possibilities. Javier Bardem (Being the Ricardos) had yet to enter my top ten.

Had a certain slap heard around the world not occurred, it’s totally possible that Will Smith (Emancipation) might be listed in my top 5. However, with his current ban from attending the ceremony, I question whether he could make a return to the ballot so quickly after the controversy. Therefore he’s not in my top 10. We’ll see if the reviews (coming soon) change the dynamic.

We do have a frontrunner and that’s Brendan Fraser in The Whale. Since its Venice and Toronto fest bows, he’s drawn raves. This is also a comeback narrative that the Academy should fall for. I’ve had Fraser listed in 1st for several weeks and I see no reason to change that.

There are two viable runners-up in Colin Farrell (The Banshees of Inisherin) and Austin Butler (Elvis). I’ve been switching them in 2nd and 3rd place over the past few posts. Farrell is 2nd because I think Banshees stands a better shot at a BP nod. You have to go back to 2009 and Jeff Bridges (Crazy Heart) where the Best Actor recipient’s movie didn’t achieve BP inclusion. If Elvis makes the big dance – an argument could be made that Butler is Fraser’s most serious competition to shake the race up.

After those three names, it could be a free for all for the final two slots. The only other performer I had listed in 1st place other than Fraser was Hugh Jackman for The Son. This was before it premiered at the festivals and garnered middling reviews. Now the question is whether Jackman gets in at all.

Someone who has fared well on the fest circuit is Bill Nighy for Living. Sony Pictures will need to mount a spirited campaign, but they’re good at that kinda thing. I’m starting to feel better about Nighy than Jackman.

Diego Calva is the biggest remaining question mark for Babylon. Screenings coming up in two weeks should help answer his viability. There’s a pair of indie performances that could bubble up if critics groups assist – Paul Mescal for Aftersun and Jeremy Pope in The Inspection. One possible hindrance for both of them is their movies are both A24 and that studio could be distracted with crowning Fraser. We could see foreign film leads Song Kang-ho (Broker) and Park Hae-il (Decision to Leave) make a play.

Netflix is apparently going in on a spirited campaign for Adam Sandler in Hustle. I have a hard time seeing that pan out (especially since he couldn’t get in for Uncut Gems). The streamer could also focus on Christian Bale (The Pale Blue Eye) or Adam Driver (White Noise). Bale also has Amsterdam, but it failed with critics and audiences.

Finally… there’s Tom Cruise. A three-time nominee, it’s been 23 years since he was in the mix. And a little pic called Top Gun: Maverick was easily the largest blockbuster of his career and the runaway hit of 2022. I’m not ready to put him in my five. I wouldn’t be shocked if he ends up there.

Here’s my current state of this race:

1 . Brendan Fraser, The Whale (Previous Ranking: 1) (Even)

2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)

3. Austin Butler, Elvis (PR: 3) (E)

4. Bill Nighy, Living (PR: 4) (E)

5. Hugh Jackman, The Son (PR: 5) (E)

Other Possibilities:

6. Diego Calva, Babylon (PR: 6) (E)

7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)

8. Jeremy Pope, The Inspection (PR: 8) (E)

9. Adam Driver, White Noise (PR: 9) (E)

10. Paul Mescal, Aftersun (PR: Not Ranked)

Dropped Out:

Song Kang-ho, Broker

Best Actress is up next!