As a down on her luck lottery winner who blew through the cash, Andrea Riseborough’s much discussed Best Actress nomination for To Leslie is next up in my Case Of posts.
The Case for Andrea Riseborough:
Even a week before Oscar nods came out, Riseborough (known for roles in mainstream and indie fare including Oblivion, Battle of the Sexes, and Mandy) was on no one’s radar screen for this small budget drama. Then a grassroots campaign emerged with shout-outs from fellow competitor Cate Blanchett and others. Most didn’t think she’d manage to get in, but lo and behold it happened. So it that can happen… why not a victory?
The Case Against Andrea Riseborough:
Well, there’s plenty of reasons why there probably won’t be a win. She was mentioned in zero precursors. The unconventional campaign for her to make the quintet – fairly or unfairly – has been criticized. And Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once) appear to be in a two-person race for the gold.
Previous Nominations:
None
The Verdict:
The biggest surprise of the 20 contestants in the four acting derbies, Riseborough’s inclusion could lead to changes in the Academy’s campaign rules or could revolutionize how small distributors mount their campaigns. It’s doubtful the end result of the nomination itself is a win.
My Case Of posts will continue with Brendan Fraser in The Whale!
For my write-ups on Riseborough’s fellow nominees, click here:
Cocaine Bear gets the animalistic truth in advertising award (previously held by Snakes on a Plane) as it blows into theaters on February 24th. Inspired by the true story of a creature who ingested the drug dropped by smugglers in Tennessee circa 1985, Elizabeth Banks directs. The cast (besides the bear) includes Keri Russell, O’Shea Jackson Jr., Alden Ehrenreich, Christian Convery, Brooklyn Prince, Jesse Tyler Ferguson, Isiah Whitlock Jr., Margo Martindale, and the late Ray Liotta.
The Universal release has garnered plenty of attention to the stranger than fiction storyline. Reviews aren’t available yet and they could determine how high this gets. While the advertising campaign has been robust, its appeal might be somewhat limited.
At best, I could see this reaching high teens. Bear could also struggle to reach double digits under a worst case scenario. I’ll split the difference.
Cocaine Bear opening weekend prediction: $14.3 million
Martin McDonagh’s direction of The Banshees of Inisherin is next up for the quintet in that category in my Case Of posts.
The Case for Martin McDonagh:
When a movie has a legit shot at winning Best Picture and the filmmaker is nominated, he’s got a chance. That’s the case here. For the tragicomedy, the acclaimed director/playwright has been nominated in the key precursors DGA, Golden Globes, BAFTA, and Critics Choice.
The Case Against Martin McDonagh:
At Critics Choice, the Daniels (Everything Everywhere All at Once) won. At the Globes, it was Steven Spielberg (The Fabelmans). McDonagh’s victory at the Globes came in screenplay and that could occur with the Academy (where he’s been nominated twice before for written works In Bruges and Three Billboards Outside Ebbing, Missouri).
Previous Nominations:
None for direction
Six other nominations for Live-Action Short Film (Six Shooter, 2005, WON); Original Screenplay (In Bruges, 2008); Picture and Original Screenplay (Three Billboards Outside Ebbing, Missouri), Picture and Original Screenplay (The Banshees of Inisherin)
The Verdict:
A sweeping Banshees night still could leave McDonagh out in director in favor of the Daniels or Spielberg. He could take screenplay instead under that scenario.
My Case Of posts will continue with Andrea Riseborough in To Leslie!
If you missed my other Director write-ups, they can accessed here:
The MCU hopes for enlarged returns for Ant-Man and the Wasp: Quantumania when its debuts Friday. This is the third film in the franchise with Paul Rudd and Evangeline Lilly as the title heroes with Jonathan Majors making his debut as villainous Kang.
31 pictures into the cinematic universe that began with Iron Man (2008), Marvel’s multi-billion grossing series has seen its share of Oscar nominations. This is particularly true in Visual Effects where 13 features have been up and none have yet to win (Black Panther: Wakanda Forever is unlikely to break that stat next month with competition from Avatar: The Way of Water).
None of the MCU’s previous nods belong to Quantumania predecessors Ant-Man (2015) or Ant-Man and the Wasp (2018). Based on reviews today, that stat should also stay intact. While Majors is picking up decent reviews, the pic is currently at 55% on Rotten Tomatoes. That’s the second lowest score of any MCU title (Eternals is 47%). By comparison, the original Ant-Man hit 83% and the sequel had 87%. Bottom line: the chances for any awards attention is quite small. My Oscar Prediction posts will continue…
Brian Tyree Henry’s performance in Causeway as a mechanic struggling with his involvement in a family tragedy is next up in my Case Of posts for the Supporting Actor hopefuls.
The Case for Brian Tyree Henry:
After critically appreciated roles in Widows and If Beale Street Could Talk and being singled out in genre fare such as Godzilla vs. Kong and Bullet Train, he earned his strongest reviews yet for the Apple TV drama costarring Jennifer Lawrence. He’s also up for a Critics Choice nod.
The Case Against Brian Tyree Henry:
In addition to missing out on precursors such as SAG, BAFTA, and the Golden Globes, Ke Huy Quan (Everything Everywhere All at Once) is the overwhelming favorite in the race. He represents the indie pic’s sole mention and he was a surprise addition on nomination morning.
Previous Nominations:
None
The Verdict:
Even if a major upset occurs in Supporting Actor, it’s highly doubtful Henry will be the cause of it.
My Case Of posts will continue with Martin McDonagh’s direction for The Banshees of Inisherin!
If you’ve missed the write-ups for the other Supporting Actors in the field, they can be found here:
Blogge’s Update (02/16): It has been announced that Magic Mike’s Last Dance is significantly increasing its screen count from 1500 venues to over 3000 in weekend #2. Therefore I’m upping my estimate from $4 million to $5.5 million along with giving slight bumps to Avatar and Puss in Boots. Ant-Man remains unchanged.
The Marvel Cinematic Universe begins Phase Five as their 31st picture Ant-Man and the Wasp: Quantumania looks to easily have the biggest debut since Avatar: The Way of Water. We also have low-budget British slasher Winnie-the-Pooh: Blood and Honey straying far from its Disney version out on Wednesday. You can peruse my detailed prediction posts on the duo here:
Keep in mind that this is a holiday weekend so my projections are for Friday to Monday. Ant-Man and the Wasp from 2018 built upon the premiere of the 2015 original – $75 million vs. $57 million. Quantumania should continue that trend with a four-day haul of over $100 million.
The rest of the top five should be holdovers and I have Magic Mike’s Last Dance sliding the furthest from 1st to 5th after a shaky start (more on that below). That said, Winnie is a potential spoiler. Reportedly shot for under $100k, it could capture the attention of horror fans and exceed my estimate of $3.5 million from Friday to Monday and $4.7 million when factoring in Wednesday and Thursday. I currently have it just outside the high five. Keep an eye on this post. That could change by lock time on Thursday.
Here’s how I envision the top 5 playing out:
1. Ant-Man and the Wasp: Quantumania
Predicted Gross: $109.1 million
2. Avatar: The Way of Water
Predicted Gross: $6.1 million
3. Puss in Boots: The Last Wish
Predicted Gross: $5.8 million
4. Magic Mike’s Last Dance
Predicted Gross: $5.5 million
5. 80 for Brady
Predicted Gross: $4.2 million
Box Office Results (February 10-12)
Moviegoers mostly stayed home this weekend and not just on Sunday for the Super Bowl and/or Rihanna concert. Everything came in a tad shy (or more than a tad in a couple of cases) of my predictions.
Magic Mike’s Last Dance was a muted #1 with $8.3 million. Warner Bros didn’t seem to have much faith in it as its release was on a scant 1500 screens. So while the per theater average surpassed predecessor Magic Mike XXL (2015), it fell far short in terms of actual gross. I said it would $10.7 million.
Avatar: The Way of Water rose a spot to second with $7.2 million, in line with my $7.5 million take as it hit $647 million. Per above, it should stay put in second this weekend.
The 25th anniversary re-release of Titanic couldn’t match my expectations. James Cameron’s first picture to become the highest grosser of all time added $6.7 million to its coffers. I thought it would be #1 and guesstimated $11.6 million. Don’t feel sorry for Leo and Kate. After a quarter century, it is now at a devilish $666 million stateside.
80 for Brady, with sturdy competition for the female demo with Magic Mike and Titanic, suffered in its sophomore outing with $5.8 million. I projected $8.1 million. The 54% plummet is a little troubling and it is now at $24 million after ten days.
Puss in Boots: The Last Wish rounded out the top five with $5.5 million (I said $5.6 million) for $158 million overall.
Finally, M. Night Shyamalan’s Knock at the Cabin was burned in weekend #2, falling from 1st to 6th. It plummeted 62% with $5.4 million (under my $5.9 million forecast) for a mere $23 million thus far.
Hong Chau’s performance as the blunt and compassionate caretaker to Brendan Fraser in Darren Aronofsky’s The Whale is next up in my Case Of posts for the Supporting Actress hopefuls.
The Case for Hong Chau:
After being surprisingly left out of this race five years ago for Downsizing, Chau nabs her first nomination. It caps off a 2022 that includes an acclaimed role in The Menu. Significant precursor mentions include BAFTA and SAG.
The Case Against Hong Chau:
Significant precursor omissions include the Golden Globes and Critics Choice Awards. If voters honor The Whale, a victory for Brendan Fraser (who won at Critics Choice) is a far likelier. Angela Bassett (Black Panther: Wakanda Forever) is a frontrunner due to previous podium trips.
Previous Nominations:
None
The Verdict:
Chau was certainly on the bubble for even making this quintet. Supporting Actress has seen a couple of upsets in the 21st century, but Chau would need BAFTA or SAG to realistically put a win on the menu. I wouldn’t count on it.
My Case Of posts will continue with Brian Tyree Henry in Causeway!
For the other posts covering Supporting Actress, click here:
This ain’t your Disney bear coming to the big screen when Winnie-the-Pooh: Blood and Honey drops on February 15th. The low-budget British slasher film is the result of the 1926 book that introduced Winnie becoming public domain last year. That means the Mouse Factory no longer has exclusive rights to the title character, Christopher Robin, Piglet, and so forth.
Shot in 10 days for reportedly under $100k, Pooh garnered lots of free publicity due to its unique existence involving characters usually seen in G or PG circumstances. Rhys Frake-Waterfield directs a cast of unknowns that including Nikolai Leon, Craig David Dowsett, Chris Cordell, and Maria Taylor.
In late January, this premiered in Mexican cinemas and has taken in a robust $500k+ thus far. In the U.S. and Canada, it was originally slated for October 2022 as a one-night event through Fathom’s distribution. Pooh buzz changed that planned release pattern and it is rumored for approximately 1500 venues starting Wednesday.
Obviously many moviegoers will be preoccupied with Ant-Man and the Wasp: Quantumania. However, if that theater count holds, this should top its $100k price tag in the first six days (counting the Monday for the President’s Day longer frame) many times over.
Winnie-the-Pooh: Blood and Honey opening weekend prediction: $3.5 million (Friday to Monday); $4.7 million (Wednesday to Monday)
For my Ant-Man and the Wasp: Quantumania prediction, click here:
Colin Farrell’s first Oscar nomination as an Irish lad with a donkey and a drinking buddy who ghosts him in Martin McDonagh’s The Banshees of Inisherin is next up in my Case Of posts for the Best Actor contenders.
The Case for Colin Farrell:
After two decades in roles both lead and supporting, Farrell had his most acclaimed role with Banshees. It caps off an impressive 2022 that included praised performances in After Yang, The Batman, and Thirteen Lives. For Banshees, he’s won a slew of critics groups honors in addition to the Golden Globe for Best Actor in a Musical or Comedy (which he also took home for his previous collaboration with McDonagh In Bruges). If Banshees takes Best Picture, Farrell could be swept in with it.
The Case Against Colin Farrell:
At the Globes, he didn’t have to compete against Austin Butler (Elvis) and Brendan Fraser (The Whale) since they were in the Drama quintet. They are the other two hopefuls in an Actor race where any of the three could realistically take gold. At Critics Choice, it was Fraser who emerged victorious. Of the three, Farrell’s role is the least showy.
Previous Nominations:
None
The Verdict:
Figuring out whether Butler, Farrell, or Fraser end up as the victor should come down to the wire. The upcoming BAFTA and SAG Awards could be key in determining the soft frontrunner. It may also make it even more confusing if the groups go with different recipients.
My Case Of posts will continue with Supporting Actress hopeful Hong Chau in The Whale!
If you missed my other Best Actor write-ups, you can find them here:
Ana de Armas is Marilyn Monroe in Andrew Dominik’s Blonde and she’s the second Best Actress hopeful in my Case Of Posts.
The Case for Ana de Armas:
Despite the film itself garnering mixed reactions (more on that below), de Armas was widely praised. This resulted in nods at the Globes, SAG, and BAFTAs.
The Case Against Ana de Armas:
I’m talking really mixed reactions for the film. Blonde received the most Razzie nominations (8) of any 2022 title. Some critics and viewers outright despised the Netflix effort as evidenced by the 42% Rotten Tomatoes score and even lower 32% audience rating. She has yet to win anywhere.
Previous Nominations:
None
The Verdict:
The fact that so many had their knives out for Blonde makes her a non-factor in this competition (unless we see a shocking SAG or BAFTA victory). We should see the Academy’s ladies and gentlemen prefer Cate Blanchett (Tár) or Michelle Yeoh (Everything Everywhere All at Once).
My Case Of posts will continue with Colin Farrell in The Banshees of Inisherin!
If you missed my other write-ups for the Actress nominees, you can find them here:
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