The Super Mario Bros. Movie Box Office Prediction

Blogger’s Update (04/05): I am revising my estimate slightly up from $92.6M for the three-day to $98.6M and from $128.7M for the five-day to $137.7M

Universal and Illumination hopes The Super Mario Bros. Movie earns a lot of coinage when it debuts Wednesday, April 5th. The animated adaptation of the wildly influential and popular Nintendo game (and numerous spin-offs) comes from the Teen Titans! Go team of Aaron Horvath and Michael Jelenic. Chris Pratt and Charlie Day voice the iconic Mario and Luigi with Anya Taylor-Joy as the Princess. Other performers behind the mic include Jack Black, Keegan Michael-Key, Seth Rogen, Fred Armisen, Sebastian Maniscalco, and Charles Martinet (who voiced the plumbers in the original 80s game).

Given how huge this property has been for decades, the lack of cinematic treatments is a little surprising. Nintendo, however, is leery of licensing for adaptations. That might have something to do with 1993’s Super Mario Bros,, the live-action version with Bob Hoskins, John Leguizamo, and Dennis Hopper that critics scorched. It bombed upon arrival that summer when the Jurassic dinosaurs ruled the season.

It’s probably a safe assumption that Illumination won’t drop the ball with the moneymaking potential of this franchise. They’ve repeatedly proven their moneymaking abilities with the Despicable Me and Sing series and more.

Arriving over the five-day Easter holiday, Mario should capitalize on youngsters being out of school and the adults who owned the various iterations of the game attending. This is one “kid’s pic” where many of the parents will be cool with tagging along.

Over the Wednesday to Sunday frame, I believe $100 million plus could be in the pipeline. It might even get to nine digits over the traditional weekend.

The Super Mario Bros. Movie opening weekend prediction: $98.6 million (Friday to Sunday); $137.7 million (Wednesday to Sunday)

For my Air prediction, click here:

March 31-April 2 Box Office Predictions

Blogger’s Update (03/29): I am significantly revising my His Only Son estimate from $6.1M to $3.9M. That puts it in sixth instead of third.

There could be a photo finish at this weekend’s box office between the premiere of Dungeons & Dragons: Honor Among Thieves and second frame of John Wick: Chapter 4 after it managed a franchise best premiere. Other than Thieves, the faith-based drama His Only Son also rises in multiplexes. You can peruse my detailed prediction posts on both newbies here:

While Dungeons certainly has a rabid fanbase and reviews are quite strong, I do wonder how limited its potential is with non-fans who may have zero interest. If this hit $40 million, I wouldn’t be surprised. Same goes for $25 million. That puts me in the middle.

Wick delivered the aforementioned series peak for Keanu and company (more on that below). If the sophomore frame dip is similar to predecessor John Wick: Chapter 3 – Parabellum, it might find itself just behind Dungeons in second. I’m expecting a close battle.

His Only Son, like other titles in its genre, could outdo expectations just as Jesus Revolution did a few weeks ago. My mid single digits projections put it in third with sequels Creed III, Shazam! Fury of the Gods, and Scream VI all in close proximity in the 4-6 slots.

Here’s how I envision it:

1. Dungeons & Dragons: Honor Among Thieves

Predicted Gross: $32.7 million

2. John Wick: Chapter 4

Predicted Gross: $31.5 million

3. Creed III

Predicted Gross: $4.6 million

4. Shazam! Fury of the Gods

Predicted Gross: $4.3 million

5. Scream VI

Predicted Gross: $4.2 million

6. His Only Son

Predicted Gross: $3.8 million

Box Office Results (March 24-26)

There was little doubt that John Wick: Chapter 4 would continue each entry improving upon the opening of the other. The question was by how much. With the best reviews of the quartet, 4 got off to a $73.8 million start. That’s well beyond the $56 million achieved by the third chapter. I went on the highest end of anticipated ranges with $85.5 million. It didn’t get there, but this is a terrific result.

Shazam! Fury of the Gods plummeted 69% in weekend #2 with $9.7 million. I was more generous at $12.9 million. The DCEU sequel (with $45 million) has made less in 10 days than its 2019 predecessor made in its first three. There’s no way to sugarcoat it. This is a bomb that may struggle to make $75 million domestically.

Creed III was third with $8.3 million, in line with $8.8 million take for $140 million after four weeks.

Scream VI was fourth and also did $8.3 million (I predicted a little more at $9.4 million). The horror sequel is at $89 million as it slashes to $100 million plus.

Finally, 65 rounded out the top five with $3.2 million (I said $3 million) for a weak $27 million after three weeks.

And that does it for now, folks! Until next time…

BUT in the meantime – check out my podcast on your favorite place to get podcasts. Simply search for Movies at the Speed of Speculation for your listening pleasure!

2023 Oscar Predictions: March Edition (Best Supporting Actress)

My impossibly early and speculative first Oscar predictions for the 96th Academy Awards arrives at Best Supporting Actress! If you missed my post regarding the Supporting Actor hopefuls, you can find it here:

Before you know it, I’ll moving to my weekly (or every two weeks) forecasts for the main races. When I did these inaugural picks in this category last year, it correctly identified one eventual nominee (Michelle Williams in The Fabelmans) that made the quintet. However, she did so in lead Actress. Another (Hong Chau for The Whale) was listed in Other Possibilities.

Let’s get to it and Best Actor is up tomorrow!

TODD’S MARCH 2023 OSCAR PREDICTIONS: BEST SUPPORTING ACTRESS

Danielle Brooks, The Color Purple

Viola Davis, Air

Lily Gladstone, Killers of the Flower Moon

Taraji P. Henson, The Color Purple

Julianne Moore, May December

Other Possibilities:

Jodie Foster, Nyad

Claire Foy, Strangers

Vanessa Kirby, Napoleon

Lashana Lynch, Untitled Bob Marley Movie

Audra McDonald, Rustin

Carey Mulligan, Saltburn

Margaret Qualley, Poor Things

Da’Vine Joy Randolph, The Holdovers

Amy Ryan, Beau is Afraid

Moon Seung-ah, Past Lives

2023 Oscar Predictions: March Edition (Best Supporting Actor)

Just as I did last year, I waited an entire two weeks from the previous ceremony before pontificating on the next Oscars. There is my impossibly early look at the six major categories for the 96th Academy Awards and it begins with Supporting Actor.

Let’s be clear that many of the 15 names I mention today will probably not be on the radar screen a little less than a year from now. Release dates will get pushed back and make some hopefuls ineligible. Some pictures will simply fizzle out. Roles will be smaller than anticipated or even bigger and perhaps contend in the lead derby.

With the four acting races and director, I’ll give you my five current picks with ten other possibilities. When it gets to Picture later this week, I’ll project my ten and list fifteen others.

In 2022, when I made my super duper early picks in Supporting Actor, it yielded none of the eventual contenders. Like I said… it’s early. Some of the names I said last time around were Mark Ruffalo for Poor Things, Glynn Turman in Rustin, and Robert De Niro in Killers of the Flower Moon. All three of those movies were pushed to 2023 and that’s why they materialize again.

Best Supporting Actress will be posted tomorrow. This is my snapshot of Supporting Actor.

TODD’S MARCH 2023 OSCAR PREDICTIONS: BEST SUPPORTING ACTOR

Corey Hawkins, The Color Purple

Samuel L. Jackson, The Piano Lesson

Josh O’Connor, Challengers

Jesse Plemons, Killers of the Flower Moon

Mark Ruffalo, Poor Things

Other Possibilities:

Ben Affleck, Air

Benedict Cumberbatch, The Book of Clarence

Willem Dafoe, Poor Things

Robert De Niro, Killers of the Flower Moon

Robert Downey, Jr., Oppenheimer

Matthew Goode, Freud’s Last Stand

Stephen Graham, Blitz

Richard E. Grant, Saltburn

Tahar Rahim, Napoleon

Glynn Turman, Rustin

Scream VI Review

There’s more than one way to clean a knife after piercing a victim’s skin in the Scream flicks. The filmmakers appear determined to give this series nine lives or more as the sixth installment finds new terrorizers to fill the Ghostface mask. Let’s quickly go through the strange name game as 2022’s Scream was really Scream V. Termed as a requel, Urban Dictionary considers that a “sequel to a movie that functions somewhere between a sequel, a reboot, and a remake”. Unfortunately Scream (’22 version) didn’t function that well at all. With directors Matt Bettinelli and Tyler Gillett taking over directorial duties from the late Wes Craven, they showed lots of appreciation for the original from 1996. Like the other follow-ups, it couldn’t compare to the fresh satiric edge that part 1 had. In fact, despite a well-executed slashing or two, I’d rank it fifth of the lot.

Now I’d rank it sixth because Scream VI is a minor improvement. It picks up a year after the events of the fifth. We’re not in Woodsboro anymore as Sam Carpenter (Melissa Barrera), daughter of the OG Ghostface Billy Loomis, has relocated to the Big Apple. She’s there mostly to keep watch over little sister Tara (Jenna Ortega), now a college freshman along with sister and brother Mindy (Jasmin Savoy Brown) and Chad (Mason Gooding). They call themselves the Core 4 since they managed to survive the havoc wreaked by Sam’s ex-bf Richie in the last go-round.

The dwindling legacy characters returning are Gail Weathers (Courtney Cox), the reporter who’s always looking for a way to make a buck from the mayhem. There’s also Kirby Reed (Hayden Panettiere), who played an integral role in Scream 4. She was the best friend to the eventual Ghostface in that one. And while part four was one of the better sequels, I would understand if you forgot her character. Now Kirby is an FBI agent who shows up to help (which obviously makes her a quick suspect). I wonder if her appearance might be due to Sidney (Neve Campbell) not being present. Word is they didn’t want to show her the money to appear.

While the predecessor often paid homage to Scream ’96 (released the same month when Mason Gooding’s dad Cuba was screaming “Show me the money!” to Tom Cruise in Jerry Maguire), this has its winks to Scream 2 from 1997 by being set in the higher ed world. Some of the brutal sequences are well-constructed. The opening with Samara Weaving as a college professor on a blind date is a clever way to start.

Part of the fun in the Scream pics is figuring out the slayers and it’s usually more than one. There’s a few to consider with Sam’s neighbor and secret lover (Josh Segarra), the detective father (Dermot Mulroney) of her roommate Quinn (Liana Liberato), and Chad’s roommate Ethan (Jack Champion). And who knows? Maybe Papa Billy’s demonic genes are infecting Sam.

As we’ve seen before in this franchise, there’s a scene where a character explains that the “rules have changed!”. And nothing is as it seems. The NYC locale change is welcome (Ghostface brandishing a shotgun in a bodega is fresh new territory). Scream VI gets by for a while in the new setting and with its furious piercings. Sadly it is not faster. The 122 minute runtime is a series record and when we reach the third act, the rules haven’t changed much with the unmasking reveals. That portion is the biggest letdown. There’s only so many ways to inject life into these deaths, but they’ll find ways as long as we continue to show them the money.

**1/2 (out of four)

His Only Son Box Office Prediction

Blogger’s Update (03/29): I am significantly revising my estimate down from $6.1M to $3.8M

Christian streaming service Angel Studios (perhaps best known for their crowdfunded series The Chosen) is branching into features. His Only Son, recounting the Biblical story of Abraham and Isaac, opens in theaters a week before Easter on March 31st. David Helling writes and directs with a cast including Daniel da Silva, Nicolas Mouawad, Sara Seyed, and Edaan Moskowitz.

We have seen faith-based material rise above expectations numerous times. Just last month, Jesus Revolution managed to double most projections with nearly $16 million for its start.

I wouldn’t anticipate those kinds of numbers. Angel’s previous experiences in multiplexes has been with Chosen episodes having special engagements. While Jesus was raking in the dough, the season finale of the TV show made $3.6 million in its first three days of theatrical availability. The first two episodes back in November fared better with almost $9 million.

Forecasting this genre is never an easy task and a screen count could alter my prediction. I’ll say somewhere in the middle of Chosen grosses is where this lands.

His Only Son opening weekend prediction: $3.8 million

For my Dungeons & Dragons: Honor Among Thieves prediction, click here:

Dungeons & Dragons: Honor Among Thieves Box Office Prediction

Paramount hopes audiences are game for a night of fantasy mixed with action and comedy when Dungeons & Dragons: Honor Among Thieves debuts March 31st. Based on the role playing game that debuted nearly a half century ago and inspired many filmmakers and scribes, Jonathan Goldstein and John Francis Daley (who made 2018’s Game Night) co-direct. Chris Pine and Michelle Rodriguez headline a cast that also includes Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, and Hugh Grant.

With a reported budget north of $150 million, this is a gamble for the studio. While the IP is certainly well-known, a previous cinematic rendering did not fare well. A 2000 version featuring Thora Birch, Marlon Wayans, and Jeremy Irons from New Line Cinema made a sorry $15 million domestically.

Nearly a quarter century later, this Dragons tale appears to have more heat behind it. After premiering at South by Southwest, word-of-mouth is positive and the Rotten Tomatoes score is 86% (the 2000 pic had 10%).

Most forecasts have this between $25-30 million for a so-so start considering the price tag (this will clearly need sturdy overseas earnings to turn a profit). My feeling is this could exceed the current projections and get to the low or mid 30s.

Dungeons & Dragons: Honor Among Thieves opening weekend prediction: $32.7 million

For my His Only Son prediction, click here:

Oscar Predictions: A Good Person

Zach Braff returns to the director’s seat as A Good Person opens in limited release on Friday before a wider output on March 31st. It casts Florence Pugh (a 2019 Supporting Actress contender for Little Women) and Morgan Freeman (five-time nominee who took Supporting Actor for 2004’s Million Dollar Baby) as individuals brought together by a tragedy involving the latter’s daughter. Molly Shannon, Chinaza Uche, Celeste O’Connor, and Zoe Lister-Jones costar.

Back in 2004, Braff’s debut behind the camera drew critical acclaim with Garden State (taking the Grand Jury prize at Sundance). Follow-ups Wish I Was Here (2014) and Going in Style (2017) drew more mixed reaction and so too has this. The drama stands at 50% on Rotten Tomatoes. Based on that reaction, A Good Person is a bad bet for any awards attention. My Oscar Prediction posts will continue…

March 24-26 Box Office Predictions

John Wick: Chapter 4 is set to easily achieve a franchise best record this weekend. It’s the only new wide release burning up the screens and you can peruse my detailed prediction post on it here:

When I did my initial projection last week, I had Keanu and company hitting close to $70 million. Sizzling buzz now has me projecting in the mid 80s for a series that keeps growing financially with each entry.

The rest of the top 5 will be holdovers. Shazam! Fury of the Gods got off to a middling start (more on that below) and it should fall a bit further than the 54% decline of its predecessor in 2019.

It could be a close call for #3 between Scream VI (which I have dipping in the mid 40s) and Creed III (which could see a lower 40s fall). 65 looks to round out the high five.

Here’s how I see it shaking out:

1. John Wick: Chapter 4

Predicted Gross: $85.5 million

2. Shazam! Fury of the Gods

Predicted Gross: $12.9 million

3. Scream VI

Predicted Gross: $9.4 million

4. Creed III

Predicted Gross: $8.8 million

5. 65

Predicted Gross: $3 million

Box Office Results (March 17-19)

Shazam! Fury of the Gods could’ve used Irish luck or any other type as it came nowhere near the $53 million that its predecessor debuted at. The DCEU sequel made $30.1 million. While it managed to barely top my $27.9 million call, this is a subpar start to be kind. On the heels of Ant-Man and the Wasp: Quantumania not matching expectations, there seems to be some superhero fatigue. With a B+ Cinemascore (compared to part 1’s “A”), look for this to suffer substantial declines in the weeks ahead.

Scream VI was second after a franchise high opening with $17.3 million. That’s right on pace with my $17.6 million forecast for a ten-day haul of $75 million (just below the $81 million that #5 earned in total stateside).

Creed III was third with $15.3 million (I said $16.5 million) for a three-week tally of $127 million. That puts it beyond the $115 million that part II made overall.

65 was fourth with $5.8 million, a smidge ahead of my $4.8 million projection. Adam Driver’s dino adventure stands at a muted $22 million thus far.

Ant-Man and the Wasp: Quantumania rounded out the top five with $4.2 million, in line with my $4.3 million prediction. Total is $205 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Air

Air is the fifth feature directed by Ben Affleck and it closed out the South by Southwest festival this weekend prior to its April 5th theatrical release. The 1984 set sports drama focuses on Nike’s decision to make a shoe deal with an NBA rookie by the name of Michael Jordan. In addition to being behind the camera, Affleck costars as the company’s co-founder Phil Knight. The director’s buddy Matt Damon headlines as marketing exec Sonny Vaccaro with a supporting cast including Jason Bateman, Marlon Wayans, Chris Tucker, Chris Messina, Matthew Maher, and real life married couple Viola Davis and Julius Tennon as MJ’s parents and chief negotiators. #23 himself is not played by an actor and appears only in archival footage.

Early reactions from Austin indicate that Air might be the first legit awards hopeful to be released on the ’23 calendar. Several of the reviews are outright raves with comparisons to Jerry Maguire and Moneyball (both nominated for Best Picture). If this hits with audiences (and indications are it’s a crowdpleaser), that only increases its chances to make the big dance.

Affleck, of course, was famously snubbed by the Academy in 2012 even though his second directorial effort Argo won Best Picture. He’s yet to be nominated for his filmmaking. However, three of his previous four pics (Gone Baby Gone, The Town, Argo) achieved one or more mentions from Oscar voters. The one that didn’t was his last – 2016’s flop Live by Night.

It’s early, but the chances of Air garnering nominations is high. I don’t know if Affleck will get his first directing nod, but this already looks like it’s shooting for one of the ten slots in BP. The original screenplay by Alex Convery, cinematography from three-time winner Robert Richardson, and editing from William Goldenberg are all possibilities.

As for the cast, I’m curious to see category placement. Damon could be put in lead and vie for his fourth overall acting nom behind Good Will Hunting, Invictus, and The Martian. Amazon could also choose to campaign everyone in supporting. The other male performer drawing lots of attention is Chris Messina as MJ’s agent David Falk. Fresh off her EGOT, Viola Davis might have the best chance and it would be her fifth nom after Doubt, The Help, Fences (where she won), and Ma Rainey’s Black Bottom. It might help that many felt she was just snubbed for The Woman King.

Bottom line: Air is a real contender in the game of Oscar and my prediction posts will continue…