In September of last year, Mike Flanagan’s The Life of Chuck was a surprise winner of the People’s Choice Award at the Toronto Film Festival. Yet it’s the Cannes Film Festival that may dash Chuck‘s hopes for awards love at the 98th Academy Awards.
Allow me to explain. The People’s Choice Award at TIFF has, for nearly two decades, been one of the more reliable indicators of an eventual Best Picture nomination at the Oscars. How much so? 15 of the last 16 Choice recipients achieved a BP mention including winners Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. The current streak of PCA’s to BP nominees stands at 12 in a row. In 2023, American Fiction instantly became an Academy player after the People’s prize and it resulted in five nominations.
However, distributor Neon did an unexpected thing after Chuck took the Toronto prize. They chose not to release the picture in calendar year 2024 and dated it for 2025. The sci-fi drama based on a 2020 Stephen King novella arrives in limited release on June 6th with a nationwide expansion the following week. Tom Hiddleston leads a cast that includes Chiwetel Ejiofor, Karen Gillan, Jacob Tremblay, and Mark Hamill.
Leaving a nine month gap between the TIFF publicity and its release date was a gamble. At Cannes, which concluded just days ago, Neon went on a spending spree. The distributor bought up the rights to Palme d’Or winner It Was Just an Accident from Iranian filmmaker Jafar Panahi as well as Grand Prix taker Sentimental Value from Joachim Trier and acclaimed Brazilian political thriller The Secret Agent. Conventional wisdom is that Value has already reserved a slot among the ten Oscar BP contenders. Accident and Agent could also factor into the competition.
Needless to say, that leaves Neon in the mode of picking and choosing their favorites. Unless Chuck becomes a sizable sleeper hit at the box office (which seems questionable), Neon may opt to put their full weight behind their international films. Last year when they delayed Chuck, they went all in on Sean Baker’s Anora and that obviously paid off with victories in Picture, Director, Actress (Mikey Madison), and Original Screenplay.
I’ve had Chuck in my 10 predicted BP nominees for the last several weeks, including my latest update from seven days ago. When I publish my updated predictions next weekend, I suspect it will drop out. I do think it stands a solid shot at Adapted Screenplay and maybe Mark Hamill in Supporting Actor. However, Neon’s fortunes at Cannes seem to have diminished Chuck‘s exposure a few months down the line. My Oscar Prediction posts will continue…
A month and change after the 97th ceremony, it is time for my first ranked predictions in Best Picture, Director, and the four acting derbies! I gave you my first numbered looks around the same juncture in 2023 and 2024. Two years ago, my April outlook yielded the winners being mentioned in Picture and Director (Oppenheimer and Christopher Nolan), Actress (Emma Stone for Poor Things), Actor (Oppenheimer‘s Cillian Murphy), Supporting Actress (Da’Vine Joy Randolph for The Holdovers), and Supporting Actor (Robert Downey Jr. in Oppenheimer). Last year… not so much.
Neither Anora, its maker (Sean Baker), or Anora herself (Mikey Madison) were named in April of 2024. The film would debut a month later at Cannes and vault itself into contention. The Brutalist also wasn’t on my radar so no mention of Adrien Brody in Actor. In the supporting fields, Zoe Saldaña for Emilia Pérez was initially ranked 11th while Kieran Culkin (A Real Pain) was listed in fourth. Hindsight is 20/20 for 2024, but I had Steve McQueen’s Blitz in first position in Best Picture exactly one year ago. It would go onto receive 0 nominations (pressure is on… After the Hunt).
Let’s get some key caveats out of the way. Some of the performers listed in lead will end up in supporting and vice versa. Some of the pictures will get pushed back to 2026. Obviously there will be movies that turn out underwhelming and disappear from the awards conversation. Festival titles not listed today will rise up and contend.
You can expect these predictions will be updated every couple of weeks before it turns into a weekly post (probably in the late summer or early fall when festival season goes into overdrive).
This inaugural preview comes as Ryan Coogler’s Sinners rules the box office with terrific reviews and word-of-mouth. At the moment, its Oscar future looks bright. Let’s see how that sentence reads several months down the line.
With all that out of the way – here are my first ranked takes!
BEST PICTURE
Predicted Nominees:
1. After the Hunt
2. Marty Supreme
3. Sentimental Value
4. Wicked: For Good
5. Sinners
6. The Rivals of Amziah King
7. Hamnet
8. Jay Kelly
9. The Life of Chuck
10. Avatar: Fire and Ash
Other Possibilities:
11. One Battle After Another
12. Frankenstein
13. Bugonia
14. Deliver Me from Nowhere
15. The Smashing Machine
16. No Other Choice
17. The Ballad of a Small Player
18. Michael
19. Die, My Love
20. Highest 2 Lowest
21. Kiss of the Spider Woman
22. F1
23. Is This Thing On?
24. Ann Lee
25. Alpha
Best Director
Predicted Nominees:
1. Luca Guadagnino, After the Hunt
2. Josh Safdie, Marty Supreme
3. Ryan Coogler, Sinners
4. Andrew Patterson, The Rivals of Amziah King
5. Joachim Trier, Sentimental Value
Other Possibilities:
6. Jon M. Chu, Wicked: For Good
7. Chloe Zhao, Hamnet
8. Guillermo del Toro, Frankenstein
9. Paul Thomas Anderson, One Battle After Another
10. Yorgos Lanthimos, Bugonia
11. Noah Baumbach, Jay Kelly
12. James Cameron, Avatar: Fire and Ash
13. Scott Cooper, Deliver Me From Nowhere
14. Mike Flanagan, The Life of Chuck
15. Park Chan-wook, No Other Choice
Best Actress
Predicted Nominees:
1. Julia Roberts, After the Hunt
2. Cynthia Erivo, Wicked: For Good
3. Renate Reinsve, Sentimental Value
4. Jessie Buckley, Hamnet
5. Amanda Seyfried, Ann Lee
Other Possibilities:
6. Emma Stone, Bugonia
7. Rose Byrne, If I Had Legs I’d Kick You
8. June Squibb, Eleanor the Great
9. Jennifer Lawrence, Die, My Love
10. Tessa Thompson, Hedda
11. Emma Mackey, Ella McCay
12. Jessica Lange, Long Day’s Journey Into Night
13. Jodie Foster, Vie privée
14. Lucy Liu, Rosemead
15. Olivia Colman, The Roses
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme
2. Matthew McConaughey, The Rivals of Amziah King
3. Jeremy Allen White, Deliver Me from Nowhere
4. George Clooney, Jay Kelly
5. Daniel Day-Lewis, Anemone
Other Possibilities:
6. Leonardo DiCaprio, One Battle After Another
7. Paul Mescal, Hamnet
8. Dwayne Johnson, The Smashing Machine
9. Colin Farrell, The Ballad of a Small Player
10. Michael B. Jordan, Sinners
11. Willem Dafoe, Late Fame
12. Matthew McConaughey, The Lost Bus
13. Jaafar Jackson, Michael
14. Oscar Isaac, Frankenstein
15. Ethan Hawke, Blue Moon
Best Supporting Actress
Predicted Nominees:
1. Ariana Grande, Wicked: For Good
2. Gwyneth Paltrow, Marty Supreme
3. Angelina LookingGlass, The Rivals of Amziah King
4. Ayo Edebiri, After the Hunt
5. Teyana Taylor, One Battle After Another
Other Possibilities:
6. Elle Fanning, Sentimental Value
7. Jennifer Lopez, Kiss of the Spider Woman
8. Laura Dern, Jay Kelly
9. Emily Blunt, The Smashing Machine
10. America Ferrera, The Lost Bus
11. Regina Hall, One Battle After Another
12. Emily Watson, Hamnet
13. Glenn Close, Wake Up Dead Man: A Knives Out Mystery
14. Nia Long, Michael
15. Thomasin McKenzie, Ann Lee
Best Supporting Actor
Predicted Nominees:
1. Adam Sandler, Jay Kelly
2. Andrew Garfield, After the Hunt
3. Stellan Skarsgård, Sentimental Value
4. Colman Domingo, Michael
5. Jeremy Strong, Deliver Me from Nowhere
Other Possibilities:
6. Mark Hamill, The Life of Chuck
7. Delroy Lindo, Sinners
8. Sean Penn, One Battle After Another
9. Jonathan Bailey, Wicked: For Good
10. Denzel Washington, Highest 2 Lowest
11. Jeffrey Wright, Highest 2 Lowest
12. Andrew Scott, Blue Moon
13. Robert Pattinson, Die, My Love
14. Bradley Cooper, Is This Thing On?
15. Tyler, the Creator, Marty Supreme
You can expect another update shortly before the Cannes Film Festival kicks off where contenders like Sentimental Value, The Phoenician Scheme, Alpha, Eddington, Eleanor the Great, and Highest 2 Lowest will get their initial screenings.
And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
We are just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take in the supporting fields and lead actor and they can be found here:
That brings us to Best Actress. When I gave you my first picks in April of 2024, I did not name any of the eventual nominees in my projected quintet (unlike the other acting races where I got at least one or two). Only Karla Sofia Gascón was listed as an other possibility for Emilia Pérez. The eventual winner Mikey Madison (Anora) and fellow nominees Cynthia Erivo (Wicked, whose category placement was uncertain at the time), Demi Moore (The Substance), and Fernanda Torres (I’m Still Here) had yet to reach my radar.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actresses listed here could end up being campaigned in supporting. And there will be movies we are not even anticipating that will rise up with performances currently not on the radar. This was clearly the case last year when Cannes vaulted Madison and Moore into an eventual tight competition for the victory.
This premiere post projects a repeat nod for Ms. Erivo for the second helping of Wicked in as many years and Julia Roberts back in the mix 25 years after taking this prize for Erin Brockovich.
Here’s the first snapshot with Best Director up next!
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTRESS AT THE 98TH ACADEMY AWARDS
After months of speculation and a whole lotta blog posts covering the various competitions, the 97th Academy Awards is now in the history books. It was a history making night for Anora maker Sean Baker. His four statues tie for the most Oscars received in a single evening. He’s in iconic company. The other individual to achieve it is Walt Disney.
Anora was the story of the night with five victories. I went 17 for 20 in my predictions and the three I missed is where I didn’t pick Anora. I correctly called it in Best Picture and Original Screenplay (wins 1 and 2 for Baker). I incorrectly selected Brady Corbet (The Brutalist) over Baker in director (win 3). Conclave was my wrong pick for Film Editing when went to Baker (win 4). Mikey Madison’s work in the title role was my third misstep as she took gold over Demi Moore (The Substance). Just as Everything Everywhere All at Once dominated the show two years back and Oppenheimer did so a year ago, it was Anora‘s night to shine.
The ceremony itself only ran about 15 minutes over with first-time host Conan O’Brien doing a solid if unspectacular job at the helm. Cynthia Erivo and Ariana Grande kicked things off in soaring fashion with their performance of “Defying Gravity” from Wicked. That was a high point. A rather pointless 007 tribute was a bit of a head scratcher. Overall the show was fine with a heartfelt Gene Hackman tribute from Morgan Freeman being another memorable moment.
Let’s run down what I got right quickly. That includes the other three acting derbies as Adrien Brody (The Brutalist) is now a two-time Best Actor with Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) completing their supporting sweeps.
Frankly, I didn’t think I’d pull off the hat trick of International Feature Film, Animated Feature, and Documentary Feature. I managed it with the respective winners I’m Still Here, Flow, and No Other Land.
Other than the aforementioned Film Editing, all other down the line contests were correct calls: Cinematography and Original Score to The Brutalist; Costume Design and Production Design for Wicked; The Substance in Makeup and Hairstyling; “El Mal” as Original Song for Emilia Pérez; Sound and Visual Effects to Dune: Part Two.
The win counts were as follows for the following pictures:
5 Wins
Anora
3 Wins
The Brutalist
2 Wins
Dune: Part Two, Emilia Pérez, Wicked
1 Win
Conclave, Flow, I’m Still Here, No Other Land, A Real Pain, The Substance
Now it’s time to shift focus to the 98th. So keep an eye on this blog for all the speculation that fits…
This is it. After months upon months of speculation and scores of individual Oscar Prediction posts…
After 35 Case Of entries making the argument for and against every Best Picture, Director, Actress, Actor, Supporting Actress, and Supporting Actor nominee…
After trying to pick up clues based on what happened at the Golden Globes, BAFTA, SAG, Critics Choice, PGA, DGA, and more…
After changing and re-changing my mind right up until I type these final words…
These are my final prediction for the 97th Academy Awards airing Sunday with Conan O’Brien hosting!
We’ve had endless chatter on this blog so let’s get to it. For each race, I’m giving you my winner pick with a runner-up and some brief commentary.
BEST PICTURE
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, Wicked
Unlike last year where Oppenheimer was the obvious pick to win, there is real suspense heading into the last category of the night. Anora took Critics Choice/DGA/PGA, Conclave nabbed BAFTA/SAG Best Ensemble while The Brutalist and Emilia Pérez won their respective Drama and Musical or Comedy competitions at the Globes.
Due to its recent controversies, Pérez is out of the hunt. I honestly could see The Brutalist still emerging. I had it placed at #1 in my overall predictions for a long time during my weekly updates. That said, it’s probably third in the running. Even though one heckuva argument can be made for Conclave and recent momentum, I’m going with Anora.
PREDICTED WINNER: ANORA
Runner-Up: Conclave
BEST DIRECTOR
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), James Mangold (A Complete Unknown)
It is very dangerous to go against the DGA winner and that’s Sean Baker. Oscar/DGA match nearly every year. If you’re betting on this competition, probably go Baker. Yet Corbet took the Globe and BAFTA. Jon M. Chu (as an outlier) was the Critics Choice honoree. I could see Corbet still pulling this off.
PREDICTED WINNER: BRADY CORBET, THE BRUTALIST
Runner-Up: Sean Baker, Anora
BEST ACTRESS
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance), Fernanda Torres (I’m Still Here)
Torres (Globe winner for Actress in a Drama) isn’t impossible, but it’s a long shot. This is a real nail biter between Madison and Moore. The former was the surprise BAFTA recipient while Moore’s comeback narrative yielded her the Globe (Musical or Comedy), Critics Choice, and SAG. Had Madison taken SAG, I’d probably be predicting her. I’m sticking with Demi in what could be the closest race of the evening.
PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE
Runner-Up: Mikey Madison, Anora
BEST ACTOR
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)
Chalamet certainly made this race more intriguing when he took SAG, but Brody has the Globe/Critics Choice/BAFTA combo.
PREDICTED WINNER: ADRIEN BRODY, THE BRUTALIST
Runner-Up: Timothée Chalamet, A Complete Unknown
BEST SUPPORTING ACTRESS
Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
It was once thought that this could turn into a Grande v. Saldaña showdown. The latter has instead swept through the season. Saldaña appears immune to the Pérez negative publicity.
PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ
Runner-Up: Ariana Grande, Wicked
BEST SUPPORTING ACTOR
Yura Borisvov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)
It’s rare for the Supporting Actor winner not to come from a BP nominee, but Culkin has swept thus far and anyone else taking this would be a major upset at this juncture.
PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN
Runner-Up: Edward Norton, A Complete Unknown
BEST ORIGINAL SCREENPLAY
Anora, The Brutalist, A Real Pain, September 5, The Substance
This is not the slam dunk that I once assumed with Anora. Both A Real Pain and The Substance have picked up unexpected precursor prizes. I’m still going with my BP.
PREDICTED WINNER: ANORA
Runner-Up: A Real Pain
BEST ADAPTED SCREENPLAY
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing
Conclave should get this though a Nickel Boys upset is feasible.
PREDICTED WINNER: CONCLAVE
Runner-Up: Nickel Boys
BEST INTERNATIONAL FEATURE FILM
Emilia Pérez, Flow, The Girl with the Needle, I’m Still Here, The Seed of the Sacred Fig
This will be the largest test as to how much controversy truly hurt Pérez. A few weeks ago, I would’ve easily picked it. Then came bad press and I’m Still Here sneaking in the BP ten with Torres up in Best Actress. Pérez could still pull this off, but I’m saying Here.
PREDICTED WINNER: I’M STILL HERE
Runner-Up: Emilia Pérez
BEST ANIMATED FEATURE
Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Flow and Robot have both picked up precursors. So did Gromit, but that was BAFTA and they honored their own. This feels like a coin flip between Flow and Robot and my gut says the former in a squeaker.
PREDICTED WINNER: FLOW
Runner-Up: The Wild Robot
BEST DOCUMENTARY FEATURE
Black Box Diaries, No Other Land, Porcelain War, Soundtrack to a Coup d’Etat, Sugarcane
The doc branch is truly unpredictable and that’s compounded by precursors being all over the place. In fact, Super/Man: The Christopher Reeve Story picked up a couple honors and it’s not listed here. No Other Land was once thought of as a sweeper and that didn’t materialize. I’ll still say it wins with Porcelain as the most significant threat.
PREDICTED WINNER: NO OTHER LAND
Runner-Up: Porcelain War
BEST CINEMATOGRAPHY
The Brutalist, Dune: Part Two, Emilia Pérez, Maria, Nosferatu
Maria and Nosferatu are possible but I’ll say the epic Brutalist.
PREDICTED WINNER: THE BRUTALIST
Runner-Up: Nosferatu
BEST COSTUME DESIGN
A Complete Unknown, Conclave, Gladiator II, Nosferatu, Wicked
Academy voters should ride with Wicked.
PREDICTED WINNER: WICKED
Runner-Up: A Complete Unknown
BEST FILM EDITING
Anora, The Brutalist, Conclave, Emilia Pérez, Wicked
This is a tough one between Anora, The Brutalist, and Conclave. The Brutalist is tempting and so is going with the BP pick Anora. This feels like a dart board selection and I’m landing on BAFTA honoree Conclave.
PREDICTED WINNER: CONCLAVE
Runner-Up: Anora
BEST MAKEUP AND HAIRSTYLING
A Different Man, Emilia Pérez, Nosferatu, The Substance, Wicked
All signs point to The Substance.
PREDICTED WINNER: THE SUBSTANCE
Runner-Up: Wicked
BEST ORIGINAL SCORE
The Brutalist, Conclave, Emilia Pérez, Wicked, The Wild Robot
I wouldn’t rule out Conclave, but The Brutalist is the pick.
PREDICTED WINNER: THE BRUTALIST
Runner-Up: Conclave
BEST ORIGINAL SONG
“El Mal” from Emilia Pérez; “The Journey” from The Six Triple Eight; “Like a Bird” from Sing Sing; “Mi Camino” from Emilia Pérez; “Never Too Late” from Elton John: Never Too Late
Who knows? Maybe the Academy just goes with Elton John. They could also finally honor songwriter Diane Warren after 15 nomination and zero wins. And this is another test for Pérez with Globe winner “Mi Camino”. I’ll say “Camino” in a pick ’em.
PREDICTED WINNER: “MI CAMINO” FROM EMILIA PÉREZ
Runner-Up: “The Journey” from The Six Triple Eight
BEST PRODUCTION DESIGN
The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked
If The Brutalist over performs and takes BP, I could see this happening. Wicked is the safer pick.
PREDICTED WINNER: WICKED
Runner-Up: The Brutalist
BEST SOUND
A Complete Unknown, Dune: Part Two, Emilia Pérez, Wicked, The Wild Robot
The musicals could surprise. Dune: Part Two is likelier.
PREDICTED WINNER: DUNE: PART TWO
Runner-Up: A Complete Unknown
BEST VISUAL EFFECTS
Alien: Romulus, Better Man, Dune: Part Two, Kingdom of the Planet of the Apes, Wicked
This should be Dune‘s other victory.
PREDICTED WINNER: DUNE: PART TWO
Runner-Up: Better Man
And there you have it! I’ll have a recap up Sunday evening and here’s the breakdown of win totals for the pictures…
4 Wins
The Brutalist
2 Wins
Anora, Conclave, Dune: Part Two, Emilia Pérez, The Substance, Wicked
1 Win
Conclave, Flow, I’m Still Here, No Other Land, A Real Pain
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our fifth and final entry in Best Actress and that’s Fernanda Torres in I’m Still Here from Walter Salles. If you missed my posts covering the other Actress nominees, they’re linked at the bottom.
Previous Acting Oscar Nominations:
None
The Case for Fernanda Torres:
The Brazilian performer had her stateside awards breakthrough with the acclaimed political drama. This culminated in a fairly surprising victory at the Golden Globes for Actress in a Drama, beating out stalwarts like Angelina Jolie (Maria), Nicole Kidman (Babygirl), and Kate Winslet (Lee).
The Case Against Fernanda Torres:
That Globe win is a bit misleading since she’s only nominee of the six to make the Academy’s cut. The other four Oscar contenders were all up for Actress in a Musical or Comedy. This includes BAFTA recipient Mikey Madison (Anora) and Globe/Critics Choice honoree Demi Moore (The Substance). Torres failed to achieve nominations at BAFTA, SAG, and Critics Choice.
The Verdict:
It’s not an impossibility that Torres could upset, but she is a distant third behind Madison and Moore.
My Case Of posts will continue with the fifth hopeful in Best Actor and that’s Sebastian Stan in The Apprentice…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our fourth entry in Best Actress and that’s Demi Moore in Coralie Fargeat’s The Substance. If you missed my posts covering the first three Actress nominees, they’re linked at the bottom.
Previous Acting Oscar Nominations:
None
The Case for Demi Moore:
After a high profile career on the big screen spanning over four decades and including smash hits like Ghost, A Few Good Men, and Indecent Proposal, Moore has at last entered the awards conversation. As a film star whose fame is fading, her portrayal of Elisabeth Sparkle generated the strongest reviews of her career. Victories at the Golden Globes and Critics Choice have followed with SAG still in the mix on Sunday. Hollywood loves a comeback narrative and this is a significant one. Moore’s stirring Globes speech is a bonus.
The Case Against Demi Moore:
Mikey Madison (Anora) interrupted Moore’s potential sweep with a surprising BAFTA win last weekend. Anora in general seems to be peaking and that could help its lead. Perhaps The Substance‘s sheer audacity will turn off some voters.
The Verdict:
SAG could definitely indicate whether it’s Moore or Madison in the lead, but this race will have suspense until the envelope is opened.
My Case Of posts will continue with the fourth hopeful in Best Actor and that’s Ralph Fiennes in Conclave…
The 31st SAG Awards hosted by Kristen Bell air on Netflix this Sunday and are the last major precursor before the Oscars on March 2nd. The winners here will not influence the Academy since voting closed this week.
That said, the correlation between SAG victors and Oscar winners can be high. In Actress over the past decade, it’s 7 out of 10. For Actor – 8 out of 10. In the supporting fields, we’re looking at a whopping 9/10 for both.
At SAG, the top prize is Best Ensemble and not Best Picture. Therefore we have less frequency between those competitions matching. Yet it’s a decent 6 out of 10 including the last 3 with CODA, Everything Everywhere All at Once, and Oppenheimer.
Let’s walk through each race and I’ll give you my winner pick and a runner-up. I’ll have a recap posted Sunday evening!
Outstanding Performance by a Cast in a Motion Picture
Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked
All 5 nominees here are BP hopefuls at Oscar and that’s the first occurrence of that since 2014. Unknown and the scandal plagued Pérez are long shots. The other three are all stronger possibilities. Conclave is fresh off the BAFTA coronation while Anora recently completed the hat trick of DGA/PGA/Critics Choice. That said, Wicked really over performed with nods in Actress, both supporting fields, and Stunt Ensemble. And (spoiler alert) I’m not predicting it to win any of those. It isn’t rare for the Ensemble recipient to blank everywhere else – Black Panther, Parasite, and The Trial of the Chicago 7 all did so from 2018-2020. I’ll give a slight edge to the musical adaptation.
PREDICTED WINNER: WICKED
Runner-Up: Anora
Outstanding Performance by Female Actor in a Leading Role
Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)
This really has the feel of a coin flip after Madison is the recently minted BAFTA winner while Moore has the Golden Globe and Critics Choice. I just think this group of actors might be swayed by the comeback narrative. Nevertheless this seems so close.
PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE
Runner-Up: Mikey Madison, Anora
Outstanding Performance by a Male Actor in a Leading Role
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave)
Many believe this is Chalamet’s best opportunity to interrupt Brody’s potential sweep. I wouldn’t be surprised if that happens since Felicity Jones and Guy Pearce from The Brutalist both missed here and are Oscar nominees. The smart money is on Brody but I’m going with the mild upset in this one.
PREDICTED WINNER: TIMOTHÉE CHALAMET, A COMPLETE UNKNOWN
Runner-Up: Adrien Brody, The Brutalist
Outstanding Performance by a Female Actor in a Supporting Role
Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)
Don’t discount Grande with Wicked‘s nomination haul. However, Saldaña has swept thus far and seems immune to any controversy with the picture.
PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ
Runner-Up: Ariana Grande, Wicked
Outstanding Performance by a Male Actor in a Supporting Role
Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)
Norton is maybe the only real threat to Culkin’s seasonal sweep. I don’t believe it’ll be interrupted.
PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN
Runner-Up: Edward Norton, A Complete Unknown
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked
This could go to Dune: Part Two (though the first one lost to No Time to Die) or even Wicked, but this might be a layup for SAG to honor the movie about stunt ensembles.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Actress and that’s Mikey Madison in Sean Baker’s Anora. If you missed my posts covering Cynthia Erivo (Wicked) and Karla Sofia Gascón (Emilia Pérez), they’re linked at the bottom.
Previous Acting Oscar Nominations:
None
The Case for Mikey Madison:
She’s the titular character in arguably the Best Picture frontrunner. and Cannes Palme d’Or recipient. The 25-year-old has been nominated at the Golden Globes, Critics Choice, SAG, and BAFTA. Just yesterday, she won the BAFTA in an unexpected development over the favored Demi Moore (The Substance).
The Case Against Mikey Madison:
Her BAFTA trophy was a bit of a surprise because Moore was victorious over her at the Globes and Critics Choice. Moore’s narrative might be too enticing for Academy voters to ignore and they might figure Madison has plenty of time for a return engagement.
The Verdict:
This race definitely seems headed for a showdown between Madison and Moore. All eyes are on SAG this weekend to determine who might have the slight edge.
My Case Of posts will continue with the third hopeful in Best Actor and that’s Colman Domingo in Sing Sing…
The 78th British Academy Film Awards (or BAFTAs) have occurred across the pond. What will be the ripple effect for the Oscars in two weeks? Let’s get into it!
Last weekend, the PGA/DGA/Critics Choice Awards troika rightfully vaulted Sean Baker’s Anora to frontrunner status at the Academy Awards. My feeling (shared by plenty of prognosticators) is that Anora would have a tougher time taking top prize at BAFTA. That turned out to be true, but it did nab an award that could shake up another major competition.
Edward Berger’s Conclave is your BAFTA Best Film and I correctly called that. It wins two years after the director’s All Quiet on the Western Front did the same. A very important reminder: Best Picture at the Oscars and Best Film at BAFTA have matched just twice in the past decade. For those thinking this vaults Conclave into winning status in two weeks, think again. If it can be named Best Ensemble at SAG next weekend, chances improve.
Brady Corbet is Best Director for The Brutalist (another correct call). This adds intrigue to the Academy’s directorial competition as Sean Baker won DGA last weekend for Anora. They should battle it out for Oscar.
Overall I went 17 for 24 in my projections. Before I get into the acting derbies and screenplay contests, let’s do a quick review on where I went right elsewhere. Wallace & Gromit: Vengeance Most Fowl is the honoree for Animated Film while Emilia Pérez escaped its controversies to become Best Film Not in the English Language. The Brutalist took Cinematography and Original Score. Wicked is both your Costume Design and Production Design victor. Make Up & Hair went to The Substance. Conclave won Editing with Dune: Part Two emerging in Sound. Outstanding British Debut by a Writer, Director or Producer went to Kneecap with Conclave predictably taking Outstanding British Film.
Here’s where I went wrong in the down the line competitions. I went out on a limb with Better Man in Special Visual Effects and it was Dune: Part Two. In the Rising Star Competition, the Brits chose one of their own (David Jonsson) instead of Mikey Madison. Jonsson received plenty of complimentary notices in 2024 for Alien: Romulus. We are not done with Madison though.
In the newly created Children’s and Family Film race, it was Wallace & Gromit again and not my predicted The Wild Robot. And Anora aced Best Casting over Conclave. Finally, Super/Man: The Christopher Reeve Story is your Best Documentary despite not being up at Oscar. I went with No Other Land which is considered the soft Academy favorite.
Now let’s get to our acting and writing showdowns. In maybe the biggest upset of all, Jesse Eisenberg won Original Screenplay for A Real Pain. I had Anora projected with The Brutalist as my runner-up. Truth be told, my second runner-up would’ve been The Substance so Pain managing this was truly unexpected. On the other hand, Conclave is the Adapted Screenplay winner which was expected.
Three of the four frontrunners in the acting races made English podium walks today and solidified their positions. That would be Adrien Brody (The Brutalist) as Best Actor and Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) in their respective supporting fields. For any of this trio to be denied a sweep, the SAG Awards would need to provide that disruption next weekend.
The other frontrunner after winning the Golden Globe and Critics Choice was Demi Moore in The Substance. Yet the BAFTAs went with Mikey Madison (Anora) and this sets up an unpredictable competition between them.
Bottom line: the BAFTAs made Best Actress and Director more intriguing while I wouldn’t read too much into the Conclave selection. Keep an eye on the blog for more speculation as we hurdle toward Oscar night.
Here’s the breakdown of movies that won BAFTAs:
4 Wins
The Brutalist, Conclave
2 Wins
Anora, Dune: Part Two,Emilia Pérez, A Real Pain, Wallace & Gromit: Vengeance Most Fowl, Wicked
1 Win
Kneecap, The Substance, Super/Man: The Christopher Reeve Story
All My Life... I Wanted To Be A Blogster 