Throwback Review: Poseidon

We’re gonna need a more interesting boat. That was basically the constant thought running through my mind while watching 2006’s Poseidon, the big-budget loose remake of 1972’s The Poseidon Adventure. I never saw it when it was released a dozen years ago. Neither did plenty of other moviegoers as this proved to be a costly flop for Warner Bros. I understand why.

The remake comes from Wolfgang Petersen, maker of far more successful action entries like Air Force One, The Perfect Storm, and Troy. With Storm and his 1981 acclaimed feature Das Boot, he’s a filmmaker who’s charted unstable waters before. Poseidon takes place on a luxury cruise liner on New Years Eve. The singing of “Auld Lang Syne” and midnight smooching is a short-lived celebration because a nasty wave capsizes the ship.

Sadly, there’s not many interesting characters around the disaster. Pro poker player Dylan (Josh Lucas) is a former Navy man who assumes the action hero role. He’s overshadowed by former New York City Mayor Robert Ramsey (Kurt Russell). This is because Russell is a far more engaging performer and we’ve grown accustomed to seeing him in these precarious situations. He escapes relatively unscathed. Ramsey has his daughter (Emmy Rossum) and boyfriend (Mike Vogel) with him. They have a perfunctory subplot about getting engaged with Rossum essentially in the same role she played in The Day After Tomorrow. Jacinda Barrett is a single mom with a young son among the survivors. Kevin Dillon is a sleazy gambler whose fate seems certain upon meeting him. And there’s Richard Dreyfuss, whose character apparently has suicidal tendencies that are rapidly forgotten within the first fifteen minutes. His character is indicative of the script’s laziness. It begins to give him a back story and then develops amnesia.

None of this would matter as much if the special effects carried the day. And Poseidon has its moments of visual splendor, but not enough to lift its quality above water. Even the 98 minute running time suggests its team might’ve known they didn’t have much to work with. This is one hour of an uninteresting group trying to get off the sinking boat. You’re better off never boarding.

 

The Case for Christ Box Office Prediction

This Friday, The Case for Christ will attempt to capitalize on the upcoming Easter holiday by bringing in faith-based audiences. Pictures in this genre have over performed in the past. Christ focuses on proving the existence of Jesus with a cast that includes Mike Vogel, Erika Christensen, Robert Forster, and Faye Dunaway (last seen accidentally proclaiming La La Land as Best Picture instead of Moonlight).

The pic comes from Pure Flix Entertainment and they specialize in these Christian themed dramas. Their biggest success was 2014’s God’s Not Dead, which surprised prognosticators with a $9 million opening and $60 million eventual domestic gross. Christ is slated to premiere on around 1100 screens, which isn’t a huge number.

I don’t believe this will enter the territory of the studio’s largest success. Instead, I could see a gross similar to their 2015 effort Do You Believe?, which made $3.5 million out of the gate on a similar (1320 screens) number of venues.

The Case for Christ opening weekend prediction: $3.4 million

For my Smurfs: The Lost Village prediction, click here:

https://toddmthatcher.com/2017/03/29/smurfs-the-lost-village-box-office-prediction/

For my Going in Style prediction, click here:

https://toddmthatcher.com/2017/03/29/going-in-style-box-office-prediction/