The highly unpredictable Gotham Awards released nominations today for their 2023 best. And, as expected, it was… unpredictable. There was added intrigue because the organization (dedicated to independent film) dropped their “low” budget requirements (traditionally $35 million or under) to qualify for inclusion. However, likely Oscar heavy hitters such as Killers of the Flower Moon, Oppenheimer, and The Color Purple took themselves out of contention.
That was not the case with Barbie, but it managed just one nomination in Outstanding Supporting Performance for Ryan Gosling. His costar from The Notebook Rachel McAdams will compete against him for her work in Are You There God? It’s Me, Margaret. Last year, the Gothams dropped their gender divisions with ten nominees in the lead and supporting derbies. We’ll cover those momentarily.
We start with Best Feature which showcases five pictures. From 2014-16, the Gotham recipient matched the Academy’s BP with Birdman, Spotlight, and Moonlight. The same occurred in 2020 with Nomadland and last year with Everything Everywhere All at Once. In other recent years, there’s been at least one nominee that got into BP at the big dance, including The Favourite, Marriage Story, and Tár. The only recent exception in the last decade was in 2021.
This year’s contenders are Passages, Past Lives, Reality, Showing Up, and A Thousand and One. Only Past Lives seems poised to make BP at the Oscars and even that isn’t a foregone conclusion.
Andrew Haigh’s romantic ghost tale All of Us Strangers actually led all nominees with four: Screenplay, International Feature, Outstanding Lead Performance (Andrew Scott), and Outstanding Supporting Performance (Claire Foy).
Last year, four of the ten leading performance nominees managed Oscar nominations. That includes the two winners (Brendan Fraser for The Whale and Michelle Yeoh in Everything Everywhere All at Once) as well as Paul Mescal (Aftersun) and Cate Blanchett (Tár). Danielle Deadwyler (Till), who was snubbed by the Academy, won.
In addition to the aforementioned Scott for Strangers, the other nine up for lead in 2023 are Aunjanue Ellis-Taylor (Origin), Lily Gladstone (The Unknown Country), Greta Lee (Past Lives), Franz Rogowski (Passages), Babetida Sadjo (Our Father, the Devil), Cailee Spaeny (Priscilla), Teyana Taylor (A Thousand and One), Michelle Williams (Showing Up), and Jeffrey Wright (American Fiction). I would argue that unlike Fraser, Yeoh, and Blanchett from the previous ceremony, none of the nominees here are guaranteed Oscar spots. Those with the best chance? Probably Lee, Wright, Spaeny, and Scott. Gladstone should get in, but it will be for Killers of the Flower Moon and not Country.
The supporting derby in 2022 yielded three eventual nominees including Supporting Actor victor Ke Huy Quan (Everything Everywhere) as well as Hong Chau (The Whale) and Brian Tyree Henry (Causeway). Quan also took the Gotham.
Our ten supporting players for this year’s ceremony are the aforementioned Foy (All of Us Strangers) and McAdams (Margaret) and Gosling (Barbie). Then there’s Juliette Binoche (The Taste of Things), Penelope Cruz (Ferrari), Jamie Foxx (They Cloned Tyrone), Glenn Howerton (BlackBerry), Sandra Hüller (The Zone of Interest), Charles Melton (May December), and Da’Vine Joy Randolph (The Holdovers). With the exception of Foxx, I would say all nine have solid to at least feasible shots at making the Oscar cut (especially Gosling and Randolph).
How will it all shake out? Don’t look for the Gothams to provide too much guidance. Yet today’s announcement at least gives us a peek at movies and performers who could keep or gain momentum. Movies like The Holdovers, Poor Things, Anatomy of a Fall, and more that came up short today? They shouldn’t worry too much.
The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.
Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).
I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.
For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.
The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.
In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.
Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.
My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.
Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Color Purple (PR: 6) (+1)
6. Past Lives (PR: 5) (-1)
7. Maestro (PR: 8) (+1)
8. The Holdovers (PR: 7) (-1)
9. Anatomy of a Fall (PR: 9) (E)
10. The Zone of Interest (PR: 11) (+1)
Other Possibilities:
11. American Fiction (PR: 10) (-1)
12. Air (PR: 12) (E)
13. Napoleon (PR: 15) (+2)
14. Spider-Man: Across the Spider-Verse (PR: 14) (E)
15. Origin (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Celine Song, Past Lives (PR: 5) (-2)
8. Bradley Cooper, Maestro (PR: 9) (+1)
9. Alexander Payne, The Holdovers (PR: 7) (-2)
10. Blitz Bazawule, The Color Purple (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Greta Lee, Past Lives (PR: 7) (+2)
Other Possibilities:
6. Fantasia Barrino, The Color Purple (PR: 6) (E)
7. Margot Robbie, Barbie (PR: 5) (-2)
8. Cailee Spaeny, Priscilla (PR: 9) (+1)
9. Annette Bening, Nyad (PR: 8) (-1)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 5) (+3)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Paul Giamatti, The Holdovers (PR: 4) (-1)
Other Possibilities:
6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Joaquin Phoenix, Napoleon (PR: 9) (+1)
9. Barry Keoghan, Saltburn (PR: 10) (+1)
10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)
Dropped Out:
Teo Yoo, Past Lives
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 4) (+1)
4. Taraji P. Henson, The Color Purple (PR: 3) (-1)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Penelope Cruz, Ferrari (PR: 6) (E)
7. Julianne Moore, May December (PR: 7) (E)
8. Jodie Foster, Nyad (PR: 9) (+1)
9. Rosamund Pike, Saltburn (PR: 8) (-1)
10. America Ferrera, Barbie (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Mark Ruffalo, Poor Things (PR: 3) (E)
4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)
5. Charles Melton, May December (PR: 7) (+2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Colman Domingo, The Color Purple (PR: 8) (+1)
8. John Magaro, Past Lives (PR: 5) (-3)
9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)
10. Glenn Howerton, BlackBerry (PR: 9) (-1)
Dropped Out:
Sterling K. Brown, American Fiction
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Past Lives (PR: 2) (E)
3. The Holdovers (PR: 3) (E)
4. Anatomy of a Fall (PR: 4 ) (E)
5. Air (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. May December (PR: 7) (E)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 10) (+1)
10. Saltburn (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. Poor Things (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. All of Us Strangers (PR: 5) (E)
Other Possibilities:
6. The Zone of Interest (PR: 8) (+2)
7. Hit Man (PR: 6) (-1)
8. The Color Purple (PR: 7) (-1)
9. Origin (PR: 9) (E)
10. Spider-Man: Across the Spider-Verse (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. About Dry Grasses (PR: 5) (-1)
5. Fallen Leaves (PR: 4) (+1)
Other Possibilities:
6. Society of the Snow (PR: 7) (+1)
7. The Peasants (PR: Not Ranked)
8. The Settlers (PR: Not Ranked)
9. The Delinquents (PR: 8) (-1)
10. The Promised Land (PR: 9) (-1)
Dropped Out:
The Teachers’ Lounge
Io capitano
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)
Dropped Out:
“High Life” from Flora and Son
Best Production Design
Predicted Nominees:
1. Barbie (PR: 3) (+2)
2. Poor Things (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Oppenheimer (PR: 4) (E)
5. Asteroid City (PR: 6) (+1)
Other Possibilities:
6. The Color Purple (PR: 5) (-1)
7. Napoleon (PR: 7) (E)
8. Maestro (PR: 8) (E)
9. The Zone of Interest (PR: Not Ranked)
10. Saltburn (PR: 10) (E)
Dropped Out:
Wonka
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Ferrari (PR: 3) (+1)
3. Napoleon (PR: 4) (+1)
4. The Color Purple (PR: 2) (-2)
5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)
Other Possibilities:
6. Killers of the Flower Moon (PR: 5) (-1)
7. The Creator (PR: Not Ranked)
8. Barbie (PR: 8) (E)
9. The Zone of Interest (PR: 10) (+1)
10. Maestro (PR: 7) (-3)
Dropped Out:
The Killer
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)
3. The Creator (PR: 3) (E)
4. Napoleon (PR: 6) (+2)
5. Rebel Moon (PR: 5) (E)
Other Possibilities:
6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)
7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)
8. Poor Things (PR: 4) (-4)
9. Barbie (PR: 10) (+1)
10. Killers of the Flower Moon (PR: 8) (-2)
That means I’m projecting these movies will garner these numbers of nominations:
12 Nominations
Killers of the Flower Moon, Oppenheimer
10 Nominations
Poor Things
9 Nominations
Barbie
6 Nominations
The Color Purple, Maestro
5 Nominations
Past Lives
4 Nominations
The Holdovers, The Zone of Interest
3 Nominations
Anatomy of a Fall
2 Nominations
Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
Last year, the Best Supporting Actress race was upended when it was announced that Michelle Williams of Steven Spielberg’s The Fabelmans would be campaigned for in the lead Actress competition. Williams was seen as the strong frontrunner in the supporting field. Her placement in the more crowded Actress derby took her from a predicted winner to a question mark as to whether she’d even make the final five. She did, but lost to Michelle Yeoh in Everything Everywhere All at Once and she was never looked at as a threat to win. Her omission from the supporting category made it a wide open race where Jamie Lee Curtis (also from Everything Everywhere) eventually prevailed.
And now… history repeats itself. In each one of my predictions for the 96th Academy Awards this year, I have had Lily Gladstone listed #1 in Supporting Actress for Martin Scorsese’s Killers of the Flower Moon. Ever since it premiered at Cannes (before its October 20th domestic bow), reviews have indicated she’s a standout performance among heavy hitters like Leonardo DiCaprio, Robert De Niro, and Jesse Plemons. Like Williams, she was a heavy favorite for supporting. And just like Williams, there’s now an announcement that Gladstone will vie for Best Actress.
What’s it mean? Let’s start with Supporting Actress. With Gladstone out, it is now an uncertain race with no frontrunner. One could emerge when The Color Purple premieres with either Danielle Brooks (who I’ve consistently had ranked second) or Taraji P. Henson (who’s often been third). It potentially opens the door for Emily Blunt to not only nab her first nom for Oppenheimer, but maybe make it to the stage. It also increases the chances for hopefuls like Da’Vine Joy Randolph (The Holdovers), Viola Davis (Air), Jodie Foster (Nyad), Sandra Hüller (The Zone of Interest), or Penelope Cruz (Ferrari) to get in.
As for Best Actress, I believe Gladstone ends up in the grouping. Yet she might not be the automatic favorite like she was in supporting. Emma Stone (Poor Things) and Sandra Hüller (Anatomy of a Fall) are serious competitors. Fantasia Barrino from The Color Purple could be as well. And there’s Carey Mulligan (Maestro), Margot Robbie (Barbie), Greta Lee (Past Lives), Annette Bening (Nyad), Natalie Portman (May December), and Cailee Spaeney (Priscilla) to consider. In other words (like Williams), Gladstone has made her road to gold tougher though still achievable.
When I update my Oscar predictions this weekend, you can expect to see Gladstone in the Actress five. Whether she’s #1 like she’s been in supporting is very much still in question.
We are caught up and have reached 2022 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
For the ceremony that occurred less than three months ago, we know Everything Everywhere All at Once would land a spot. To say it was the big winner on Oscar night is an understatement. The multi-genre hit made off with 7 trophies – Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), Original Screenplay (also the Daniels), and Film Editing. It was nominated for four more – Supporting Actress (Stephanie Hsu), Costume Design, Original Score, and Original Song.
Picking the other 4 of 9 for the final five was no easy feat, but here’s my best speculation!
Well… almost. Before we get to that, this particular series will now become a yearly occurrence where I give you my final five in the coming years. However, stay tuned for the reverse of these write-ups. Starting soon and beginning with 2008 (the last year there were five nominees), I’ll give you speculation on which pictures I believe would be nominated if there were ten contending films.
Back to the Oscars that just happened…
All Quiet on the Western Front
Edward Berger’s World War I epic was one of the easiest picks on Oscar night to win the International Feature Film trophy. It also took home Cinematography, Original Score, and Production Design and received noms for Adapted Screenplay, Makeup and Hairstyling, Sound, and Visual Effects. The quartet of victories was second best to Everything.
Does It Make the Final Five?
Yes, despite surprising misses for its Director and in Film Editing. I still think the 9 nine total nods (also second best to Everything) puts it in the quintet.
Avatar: The Way of Water
As anticipated, James Cameron’s long-awaited sequel to the 2009 box office behemoth was a victor in Visual Effects. It also got nods in Production Design and Sound.
Does It Make the Final Five?
No. Water logged less than half of its predecessor’s nine mentions and Cameron himself didn’t make the directorial derby.
The Banshees of Inisherin
Martin McDonagh’s black comedy clocked nine nominations with the others being for the director and screenwriter (both McDonagh), Actor (Colin Farrell), two Supporting Actor bids (Brendan Gleeson and Barry Keoghan), Supporting Actress (Kerry Condon), Film Editing, and Original Score. It ended up going 0 for 8.
Does It Make the Final Five?
Yes. The winning percentage of zero was due to the Everything love, but it still would’ve found a slot among the five.
Elvis
Baz Luhrmann’s lavish musical biopic of The King shimmied to 8 nods including Actor (Austin Butler), Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Production Design, and Sound. Like Banshees, it left the building with no statues.
Does It Make the Final Five?
No. Had Elvis garnered wins in some of the below-the-line races (which it was expected to) or for Butler, I may have a different answer in this case. Yet it wasn’t to be.
The Fabelmans
Steven Spielberg’s most personal work to date saw 7 nominations for the director and screenwriter (both Spielberg with Tony Kushner co-scribing), Actress (Michelle Williams), Supporting Actor (Judd Hirsch), Original Score, and Production Design. In what’s starting to sound like a broken record, it failed to capitalize on any of its nominations.
Does It Make the Final Five?
Yes though I struggled with this one. Missing editing (a good harbinger of a BP nod) was a surprise and same goes for the cinematography. Ultimately the power of Spielberg might’ve reserved this for the fourth or fifth spot.
Tár
Todd Field’s profile of a complicated EGOT winner generated six mentions for its director and screenwriter (both Field), Actress (Cate Blanchett), Cinematography, and Film Editing. Once again – any potential victory was thwarted by Everything as it went 0/6.
Does It Make the Final Five?
Yes. I must say that I really went back and forth on this (more so than with The Fabelmans). Yet it managed to score inclusions in the precursors that matter most and it gets the edge for it.
Top Gun: Maverick
The moneymaking monolith of 2022 had a total of six nominations with Adapted Screenplay, Film Editing, Original Song, Sound, and Visual Effects on the menu. It emerged victorious in Sound (Everything and Western Front didn’t take them all).
Does It Make the Final Five?
No. I went back and forth between this and Tár for #5. The latter got in where it matters. Maverick, despite being the people’s champ, missed key races like Director (Joseph Kosinski), Actor (Tom Cruise), and Cinematography.
Triangle of Sadness
The Palme d’or recipient at Cannes was awarded an unexpected directing nod for Ruben Östlund and an expected screenwriting mention for him. The count for was 0 for 3.
Does It Make the Final Five?
No. Östlund’s surprise nomination for his behind the camera was a pleasant surprise, but a final five slot would be an even bigger shocker.
Women Talking
Director Sarah Polley won for her Adapted Screenplay and that marks Women‘s only other nom. That means the sprawling cast that included Rooney Mara, Claire Foy, and Jessie Buckley were all left out.
Does It Make the Final Five?
No. Despite the screenplay award, the aforementioned facts make this the easiest of the bunch to leave out (especially considering its two nods were the smallest of the group).
And that means my 2022 final five is:
All Quiet on the Western Front
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Tár
Stay tuned for the inverse of these posts beginning with 2008!
If you missed my write-ups in the series covering 2009-21, you can access them right here:
As the month of May closes out, we arrive at my post Cannes forecast for the 96th Academy Awards! There were heavy hitters premiering in the south of France and buzz to discuss for several of them.
One year ago, Triangle of Sadness took the Palme d’Or (the fest’s top prize) and it eventually became a Best Picture contender at the Oscars. Ruben Östlund, Triangle‘s director who served as this year’s jury president, was also nominated for his behind the camera work.. In 2023, Justine Triet’s Anatomy of a Fall won the biggest honor. The French courtroom drama established itself as a major factor in International Feature Film and it is feasible that it could nab a slot in the eventual BP ten.
Other films that solidified their statuses as Academy bait? We start with Martin Scorsese’s Killers of the Flower Moon. The three and a half hour epic maintains its #1 position in Picture, Director, Supporting Actress (Lily Gladstone), and Supporting Actor after many raves at Cannes. However, the Supporting Actor in first is Robert De Niro and not Jesse Plemons, who was perched there two weeks ago. Reviews indicate it’s De Niro who should have the better shot.
Let’s be clear. My rankings right now reflect who I believe will be nominated and not necessarily who I think will win (it’s simply too early for that). Killers looks to be in a fantastic position for multiples nods after its unveiling.
Jonathan Glazer’s The Zone of Interest is right behind Moon as far as significant chatter out of the festival. The Holocaust drama could contend in Pic and Director. So could lead actress Sandra Hüller. Yet she might have an even stronger chance for her performance in Anatomy of a Fall.
For May December from Todd Haynes, reviews were quite solid. Its best chances at inclusion could be for its trio of actors Natalie Portman, Julianne Moore, and Charles Melton. We’re still not sure if Portman and Moore will be co-campaigned for lead. For now I’m slotting the former in Actress and the latter in supporting.
Wes Anderson’s Asteroid City drew plaudits though mixed reaction elsewhere. I’m skeptical of its chances (though it could play in down-the-line races like Production Design and Score).
Then there’s the features that dropped out of contention. Pixar’s Elemental won’t be the first studio title to vie for BP since Toy Story 3. It might be lucky to get an Animated Feature mention after some lackluster reaction. Indiana Jones and the Dial of Destiny will not be a Top Gun: Maverick style hopeful for Oscars. And the fest’s opener Jeanne du Barry with Johnny Depp might get a Costume Design nod and that’s all.
In 2022, I made predictions for the 95th Academy Awards on this same day. It yielded 3 of the eventual 10 BP nominees with eventual winner Everything Everywhere All at Once, The Fabelmans, and Women Talking. Four others (Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick) were named in Other Possibilities. I wasn’t ready to anoint Triangle of Sadness despite its Cannes hardware. In Director – I correctly named the victorious Daniels for Everything Everywhere and Steven Spielberg for The Fabelmans. With Best Actress, I had Michelle Yeoh (Everything Everywhere) who would take the gold. Cate Blanchett (Tár) and Ana de Armas (Blonde) were Other Possibilities. I will note that I had Michelle Williams (The Fabelmans) listed in supporting and she was nominated in lead. For Actor, winner Brendan Fraser (The Whale) were correctly called with Austin Butler (Elvis) listed. Both Colin Farrell (The Banshees of Inisherin) and Paul Mescal (Aftersun) were Other Possibilities. None of the five contenders in Supporting Actress were rightly placed. I did have winner Jamie Lee Curtis (Everything Everywhere), her costar Stephanie Hsu, and Hong Chau (The Whale) in Other Possibilities. Finally, Ke Huy Quan (who took the statue) for Everything Everywhere was the only correctly tagged performer in Supporting Actor.
OK… deep breath. With all that context, let’s see where everything and everyone ranks…
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. The Color Purple (PR: 3) (+1)
3. Past Lives (PR: 2) (-1)
4. Dune: Part Two (PR: 4) (E)
5. Oppenheimer (PR: 5) (E)
6. Saltburn (PR: 7) (+1)
7. The Zone of Interest (PR: 15) (+8)
8. The Holdovers (PR: 8) (E)
9. Air (PR: 9) (E)
10. Poor Things (PR: 6) (-4)
Other Possibilities:
11. May December (PR: 10) (-1)
12. Maestro (PR: 11) (-1)
13. Anatomy of a Fall (PR: Not Ranked)
14. Challengers (PR: 14) (E)
15. Blitz (PR: 13) (-2)
16. Barbie (PR: 12) (-4)
17. Napoleon (PR: 18) (+1)
18. Rustin (PR: 20) (+2)
19. Flint Strong (PR: 17) (-2)
20. Bob Marley: One Love (PR: 16) (-4)
21. The Nickel Boys (PR: 21) (E)
22. The Book of Clarence (PR: 22) (E)
23. The Killer (PR: 19) (-4)
24. Asteroid City (PR: 25) (+1)
25. Ferrari (PR: 23) (-2)
Dropped Out:
Strangers
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 3) (+1)
3. Blitz Bazawule, The Color Purple (PR: 4) (+1)
4. Celine Song, Past Lives (PR: 2) (-2)
5. Jonathan Glazer, The Zone of Interest (PR: 14) (+9)
Other Possibilities:
6. Christopher Nolan, Oppenheimer (PR: 6) (E)
7. Emerald Fennell, Saltburn (PR: 7) (E)
8. Yorgos Lanthimos, Poor Things (PR: 5) (-3)
9. Justine Triet, Anatomy of a Fall (PR: Not Ranked)
10. Alexander Payne, The Holdovers (PR: 9) (-1)
11. Bradley Cooper, Maestro (PR: 13) (+2)
12. Ben Affleck, Air (PR: 11) (-1)
13. Ridley Scott, Napoleon (PR: 15) (+2)
14. Greta Gerwig, Barbie (PR: 10) (-4)
15. Steve McQueen, Blitz (PR: 12) (-3)
Dropped Out:
Todd Haynes, May December
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Emma Stone, Poor Things (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: Not Ranked)
5. Natalie Portman, May December (PR: 5) (E)
Other Possibilities:
6. Jessica Lange, Long Day’s Journey Into Night (PR: 4) (-2)
7. Carey Mulligan, Maestro (PR: 7) (E)
8. Zendaya, Challengers (PR: 8) (E)
9. Margot Robbie, Barbie (PR: 6) (-3)
10. Saoirse Ronan, Blitz (PR: 9) (-1)
11. Kate Winslet, Lee (PR: 11) (E)
12. Annette Bening, Nyad (PR: 12) (E)
13. Sandra Hüller, The Zone of Interest (PR: 13) (E)
14. Ryan Destiny, Flint Strong (PR: 14) (E)
15. Jane Levy, A Little Prayer (PR: Not Ranked)
Dropped Out:
Regina King, Shirley
Amy Adams, Nightbitch
Best Actor
Predicted Nominees:
1. Colman Domingo, Rustin (PR: 1) (E)
2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)
3. Paul Giamatti, The Holdovers (PR: 4) (+1)
4. Barry Keoghan, Saltburn (PR: 3) (-1)
5. Kingsley Ben-Adir, Bob Marley: One Love (PR: 8) (+3)
Other Possibilities:
6. Bradley Cooper, Maestro (PR: 5) (-1)
7. Teo Yoo, Past Lives (PR: 7) (E)
8. Cillian Murphy, Oppenheimer (PR: 6) (-2)
9. Anthony Hopkins, Freud’s Last Session (PR: 11) (+2)
10. Joaquin Phoenix, Napoleon (PR: 10) (E)
11. David Strathairn, A Little Prayer (PR: Not Ranked)
12. Matt Damon, Air (PR: 9) (-3)
13. Ed Harris, Long Day’s Journey Into Night (PR: 13) (E)
14. Mike Faist, Challengers (PR: 12) (-2)
15. John David Washington, The Piano Lesson (PR: 14) (-1)
Dropped Out:
Andrew Scott, Strangers
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)
5. Julianne Moore, May December (PR: 6) (+1)
Other Possibilities:
6. Viola Davis, Air (PR: 5) (-1)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Lashana Lynch, Bob Marley: One Love (PR: 9) (+1)
9. Audra McDonald, Rustin (PR: 8) (-1)
10. Halle Bailey, The Color Purple (PR: Not Ranked)
11. Aunjanue Ellis, The Nickel Boys (PR: 11) (E)
12. Tilda Swinton, The Killer (PR: 10) (-2)
13. Danielle Deadwyler, The Piano Lesson (PR: 13) (E)
14. Jodie Foster, Nyad (PR: 14) (E)
15. Vanessa Kirby, Napoleon (PR: Not Ranked)
Dropped Out:
Claire Foy, Strangers
Rebecca Ferguson, Dune: Part Two
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 4) (+3)
2. Willem Dafoe, Poor Things (PR: 2) (E)
3. Colman Domingo, The Color Purple (PR: 10) (+7)
4. Charles Melton, May December (PR: 8) (+4)
5. John Magaro, Past Lives (PR: 3) (-2)
Other Possibilties:
6. Samuel L. Jackson, The Piano Lesson (PR: 5) (-1)
7. Ryan Gosling, Barbie (PR: 6) (-1)
8. Richard E. Grant, Saltburn (PR: 11) (+3)
9. Ben Affleck, Air (PR: 7) (-2)
10. Jesse Plemons, Killers of the Flower Moon (PR: 1) (-9)
11. Brian Tyree Henry, Flint Strong (PR: 13) (+2)
12. Mark Ruffalo, Poor Things (PR: 9) (-3)
13. Corey Hawkins, The Color Purple (PR: Not Ranked)
14. Glynn Turman, Rustin (PR: 15) (+1)
15. Ben Foster, Long Day’s Journey Into Night (PR: 14) (-1)
My impossibly early and speculative first Oscar predictions for the 96th Academy Awards arrives at Best Supporting Actress! If you missed my post regarding the Supporting Actor hopefuls, you can find it here:
Before you know it, I’ll moving to my weekly (or every two weeks) forecasts for the main races. When I did these inaugural picks in this category last year, it correctly identified one eventual nominee (Michelle Williams in The Fabelmans) that made the quintet. However, she did so in lead Actress. Another (Hong Chau for The Whale) was listed in Other Possibilities.
Let’s get to it and Best Actor is up tomorrow!
TODD’S MARCH 2023 OSCAR PREDICTIONS: BEST SUPPORTING ACTRESS
After nearly a year of speculation on the blog and the new podcast (look up Movies at the Speed of Speculation on your favorite pod platform, folks!), the time has come to make my final picks for the winners at the 95th Academy Awards. The ceremony comes our way Sunday night with Jimmy Kimmel hosting and here’s hoping the presenters are given the correct envelopes and that no one gets slapped.
For some context, here’s how I did in the previous four Oscars (note that there were 21 races through 2019 because the sound competitions were divided into Editing and Mixing until their combination).
2018: 14/21
2019: 18/21
2020: 13/20
2021: 17/20
Note that I seem to do better in the odd numbered years. That could repeat for 2022 as three of the four acting derbies are highly tricky to pick and there are other down-the-line competitions that could go in different directions. As for Picture, Director, Supporting Actor, Animated Feature, and International Feature Film… not so much.
Let’s go through them one by one and I’ll give you my winner and runner-up projection!
Best Picture
All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking
The tricky part isn’t picking the victor. It’s picking the runner-up. That’s because Everything has taken, well, nearly everything. PGA. DGA. WGA. SAG Ensemble. Critics Choice.
OK, so All Quiet received the BAFTA and The Fabelmans and The Banshees of Inisherin were your respective Drama and Musical/Comedy recipients at the Golden Globes. Yet the momentum has been with Everything for some time and it is the easy pick for the biggest prize of the night.
Given that a screenplay and acting statue are legitimately in play, Banshees has the strongest argument for a package of trophies that could include BP. It’s a distant runner-up.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: The Banshees of Inisherin
Best Director
Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Ruben Östlund (Triangle of Sadness), Steven Spielberg (The Fabelmans)
I suppose the voters could go the Globe route and bestow their honor on the legendary Spielberg. Doubtful. Look for the Academy to match the DGA and Critics Choice selections of Dan Kwan and Daniel Scheinert.
Predicted Winner: Daniels (Everything Everywhere All at Once)
Runner-Up: Steven Spielberg, The Fabelmans
Best Actress
Cate Blanchett (Tár), Ana de Armas (Blonde), Andrea Riseborough (To Leslie), Michelle Williams (The Fabelmans), Michelle Yeoh (Everything Everywhere All at Once)
Now it gets tough. Blanchett’s towering work could be undeniable as it was to BAFTA and Critics Choice (similar to how Anthony Hopkins from The Father managed a win over Chadwick Boseman in Ma Rainey’s Black Bottom two years ago). The BP momentum and SAG could push Yeoh over the line. This is a coin flip and I’m siding with the momentum.
Predicted Winner: Michelle Yeoh, Everything Everywhere All at Once
Runner-Up: Cate Blanchett, Tár
Best Actor
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), Bill Nighy (Living)
A three-person race dwindled when Farrell lost the BAFTA. It went instead to Butler and he also won the Globe (over Fraser). SAG and Critics Choice went to Fraser. I have gone back and forth on this endlessly. If Fraser won, he would break a precedent of the victorious Actor’s movie being up for Best Picture. You have to go back to 2009 and Jeff Bridges (Crazy Heart) to find the last one whose film wasn’t in the BP lineup. I cannot stress enough that this is 50.5/49.5.
Predicted Winner: Austin Butler, Elvis
Runner-Up: Brendan Fraser, The Whale
Best Supporting Actress
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
Unlike Actress and Actor, this is between three nominees. Curtis surprisingly nabbed SAG while Bassett took Critics Choice and the Globe. Both are actresses whose wins could double as career achievement honors. I have a suspicion that the Academy may instead look at BAFTA winner Condon as their best opportunity to throw Banshees a bone.
Predicted Winner: Kerry Condon, The Banshees of Inisherin
Runner-Up: Angela Bassett, Black Panther: Wakanda Forever
Best Supporting Actor
Brendan Gleeson (The Banshees of Inisherin), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once)
Keoghan is the #2 since he unexpectedly won BAFTA. That said, this is the simplest acting race to project as Quan has won everything everywhere else.
Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once
Runner-Up: Barry Keoghan, The Banshees of Inisherin
Best Adapted Screenplay
All Quiet on the Western Front, Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick, Women Talking
If All Quiet over performs (and it might), it could emerge here. The smart money is on Sarah Polley and WGA honored script for Talking.
Predicted Winner: Women Talking
Runner-Up: All Quiet on the Western Front
Best Original Screenplay
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
Here’s another category where voters could single out Banshees. Still – I’m not going against the strong BP frontrunner.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: The Banshees of Inisherin
Best Animated Feature
Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Sea Beast, Turning Red
del Toro’s version of the classic tale has taken all precursors that matter. This is one of the uncomplicated calls.
Predicted Winner: Guillermo del Toro’s Pinocchio
Runner-Up: Marcel the Shell with Shoes On
Best International Feature Film
All Quiet on the Western Front, Argentina, 1985, Close, EO, The Quiet Girl
This might even be more automatic than Animated Feature. As your lone BP contestant, All Quiet will make noise here.
Predicted Winner: All Quiet on the Western Front
Runner-Up: Argentina, 1985
Best Documentary Feature
All That Breathes, All the Beauty and the Bloodshed, Fire of Love, A House Made of Splinters, Navalny
Tough pick. Breathes and Beauty are viable. I’ve picked Fire of Love over Navalny twice in Critics Choice and PGA and missed both times. Not again.
Predicted Winner: Navalny
Runner-Up: Fire of Love
Best Cinematography
All Quiet on the Western Front, Bardo, Elvis, Empire of Light, Tár
When perceived favorite Top Gun: Maverick shockingly failed to make this quintet, the race opened up. Elvis could make history and have the first female winner in Mandy Walker. It’s tempting to pick her, but I’ll go with Quiet.
Predicted Winner: All Quiet on the Western Front
Runner-Up: Elvis
Best Costume Design
Babylon, Black Panther: Wakanda Forever, Elvis, Everything Everywhere All at Once, Mrs. Harris Goes to Paris
On the other hand, here’s one where Elvis could take the gold. I wouldn’t count out Panther or even Everything if its sweep branches into upsets.
Predicted Winner: Elvis
Runner-Up: Black Panther: Wakanda Forever
Best Film Editing
The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár, Top Gun: Maverick
Maverick is in the mix, but Everything should extend its haul.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: Top Gun: Maverick
Best Makeup and Hairstyling
All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Elvis, The Whale
The Whale and Western are possible. I’m giving this one to The King, however.
Predicted Winner: Elvis
Runner-Up: The Whale
Best Original Score
All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans
This is one of the most open categories. I don’t see Banshees landing this. All 4 others are possible. Babylon or Western might be the smart pick, but this is the one true upset I’m selecting and projecting a Fabelmans/John Williams appreciation victory.
Predicted Winner: The Fabelmans
Runner-Up: Babylon
Best Original Song
“Tell It Like a Woman” from Applause, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR, “This Is a Life” from Everything Everywhere All at Once
I don’t believe this is cut and dry. The star power of Gaga and Rihanna or an Everything expansion everywhere could make it interesting. “Naatu Naatu” has dominated the precursors and I’m not going with two upsets in the musical competitions.
Predicted Winner: “Naatu Naatu” from RRR
Runner-Up: “Hold My Hand” from Top Gun: Maverick
Best Production Design
All Quiet on the Western Front, Avatar: The Way of Water, Babylon, Elvis, The Fabelmans
This is where Babylon should be Oscar winner Babylon though Elvis lurks.
Predicted Winner: Babylon
Runner-Up: Elvis
Best Sound
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick
And this is where Top Gun: Maverick should get its Oscar. Yet I’m going with a minor upset pick with Western. That means I’m projecting Maverick ends up 0 for 6.
Predicted Winner: All Quiet on the Western Front
Runner-Up: Top Gun: Maverick
Best Visual Effects
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick
No real Maverick shot in VE because Avatar is one of the automatic category picks.
Predicted Winner: Avatar: The Way of Water
Runner-Up: Top Gun: Maverick
That equates to these movies achieving these numbers of wins:
6 Wins
Everything Everywhere All at Once
3 Wins
All Quiet on the Western Front, Elvis
1 Win
Avatar: The Way of Water, Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Navalny, RRR, Women Talking
I’ll have a recap up Sunday evening or Monday on the blog and the podcast!
Playing a version of Steven Spielberg’s real mother, Michelle Williams is nominated for her fifth Oscarin The Fabelmans.
The Case for Michelle Williams:
From the moment this personal project of Spielberg’s was announced, Williams was correctly assumed to have an awards bait role. Precursor noms have materialized at Critics Choice and the Golden Globes. There could also be a feeling that she is overdue given that her track record is 0 for 4 on previous mentions.
The Case Against Michelle Williams:
Universal Pictures surprised everyone when they announced they were campaigning Williams in lead instead of supporting. I maintain that she would stand a considerably better shot at winning in the latter. Some wondered if the Academy might choose to put her up in supporting anyway. SAG and BAFTA left her off their ballots and there’s no significant victories to speak of. The general consensus and one I agree with is this is a two-person race between Cate Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once).
Previous Nominations:
Brokeback Mountain (Supporting Actress, 2005); Blue Valentine (Actress, 2010); My Week with Marilyn (Actress; 2011); Manchester by the Sea (Supporting Actress; 2016)
The Verdict:
I believe the choice to slot Williams will universally be regarded as an unforced error. She seemed headed for 0 for 5.
My Case Of posts will continue with Paul Mescal in Aftersun!
If you didn’t catch my other write-ups on the contending Actresses, click here:
My Case Of posts will for the ten Best Picture hopefuls is past the halfway point as we consider the pros and cons of our sixth competitor The Fabelmans.
The Case for The Fabelmans:
Steven Spielberg’s 13th movie to be nominated for BP (only Schindler’s List won) is his most personal as arguably today’s most iconic director gets autobiographical. It was first seen at the Toronto Film Festival where it took the People’s Choice Award. That’s a prize shared by later Oscar winners such as The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. At the Golden Globes, it had a big night as it was bestowed Best Motion Picture (Drama) and Spielberg nabbed the directorial trophy. A victory here could be seen as a genuine thank you for its maker’s cinematic contributions.
The Case Against The Fabelmans:
That genuine thank you could just as easily come with Spielberg being Best Director and BP going to something else. Despite the Globes love, BAFTA was shockingly dismissive as its sole nomination is for screenplay. At Critics Choice, it went a mere 1/11 with Gabriel LaBelle as Best Young Actor (a non-existent Academy race). While the seven nominations are decent, there were notable omissions including Film Editing and Cinematography. It’s also undeniably a box office dud with $16 million at press time.
Other Nominations:
Director (Spielberg), Actress (Michelle Williams), Supporting Actor (Judd Hirsch), Original Screenplay, Original Score, Production Design
The Verdict:
There is a universe in which The Fabelmans gets BP and Director, but I would put it behind Everything Everywhere All at Once and The Banshees of Inisherin right now. An Ensemble win at SAG could help momentum. It may be behind the aforementioned at that ceremony too.
My Case Of posts will continue with Tár!
If you missed my previous posts in the series, you can access them here:
It was a glorious performance for Everything Everywhere All at Once and The Banshees of Inisherin with this morning’s Oscar nominations. Both pics were up everywhere they needed to be for everything to potentially win the big prize on March 12th.
There were also strong showings for All Quiet on the Western Front, Elvis, The Fabelmans, and Top Gun: Maverick. However, it’s fair to say that each missed a key race or two that would’ve helped for their Best Picture viability.
As far as my own showing, I went 79 for 105 in my projections. I’ll take it though it’s slightly under my 82/105 performance from the previous year. One bright spot: no 2 for 5’s as I’d experienced a couple of times in preceding years.
Let’s walk through each race one by one with initial thoughts, shall we?
Best Picture
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking
How I Did: 8/10
No real shockers. The movies that I had listed 11th and 12th (Avatar and Women Talking) made it over my selections of Babylon and The Whale. I went a little bold omitting Water in the first place.
As hinted at, I’m seeing this as between Everything and Banshees with Fabelmans as a potential spoiler (and maybe Maverick if I’m feeling bold).
Best Director
The Nominees: Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Ruben Ostlund (Triangle of Sadness), Steven Spielberg (The Fabelmans)
How I Did: 4/5
The Daniels v. Spielberg is where this may come down to. All Quiet had a solid morning, but Edward Berger missing (I predicted him) likely eliminates it as a BP winner. Ostlund gets in instead.
Best Actress
The Nominees: Cate Blanchett (Tár), Ana de Armas (Blonde), Andrea Riseborough (To Leslie), Michelle Williams (The Fabelmans), Michelle Yeoh (Everything Everywhere All at Once)
How I Did: 3/5
In just the last few days, there was an organic (?) campaign launched for Riseborough by plenty of famous faces. She was nowhere near the radar for the bulk of the season. Her inclusion might alter how campaigns look in the future. Williams (who was looking shaky) and Riseborough make it over my predictions of Viola Davis (The Woman King) and Danielle Deadwyler (Till). Both of their pics were shutout completely. As for who makes the podium trip, it’s either Blanchett or Yeoh.
Best Actor
The Nominees: Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), Bill Nighy (Living)
How I Did: 5/5 (!)
For most prognosticators, this came down to Tom Cruise in Top Gun: Maverick vs. Mescal for the fifth slot. It wasn’t to be for a fourth Cruise nod. For Mescal and Nighy, it’s an honor to be in the quintet. The race is between Butler and Farrell and Fraser (who have all nabbed key precursors). FYI – this entire lineup is first-time nominees and 16 of the acting nominees are newbies (which is very high).
Best Supporting Actress
The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
How I Did: 4/5
Hsu, who was my alternate, is in over Triangle‘s Dolly De Leon. If you’d told me De Leon’s movie would get Picture, Director, and Original Screenplay – I would’ve been even more confident she’d make it. With victories already at the Globes and Critics Choice, Bassett is the frontrunner.
Best Supporting Actor
The Nominees: Brendan Gleeson (The Banshees of Inisherin), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once)
How I Did: 4/5
Henry gets the unanticipated nod over my pick of Paul Dano in The Fabelmans (many had Eddie Redmayne in The Good Nurse projected here). This is, frankly, the simplest acting derby to call and it is Quan.
Best Original Screenplay
The Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
How I Did: 5/5 (!)
The expected five as the Banshees v Everything showdown could be a clue during the night as to what wins BP at the end of it.
Best Adapted Screenplay
The Nominees: All Quiet on the Western Front, Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick, Women Talking
How I Did: 3/5
Maverick and All Quiet over She Said (which was shut out) and The Whale. Considering Women Talking made it in the BP ten, it could get the gold in this race and this one only since it received the least amount of nods (2) for the BP hopefuls. As an aside, there’s always a screenplay contender that gets no other noms anywhere else. This year it was Glass Onion.
Best Animated Feature
The Nominees: Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Sea Beast, Turning Red
How I Did: 4/5
Pinocchio should take this, but this marks its only nod (it was expected to contend for Song and some techs). I had gone with Netflix’s Wendell and Wild for the fifth spot over Netflix’s The Sea Beast.
Best International Feature Film
The Nominees: All Quiet on the Western Front, Argentina, 1985, Close, EO, The Quiet Girl
How I Did: 3/5
Here’s where there was a total surprise with Decision to Leave getting snubbed. I would’ve had it as the runner-up possibility to win over All Quiet (easily the favorite). I didn’t have Close or EO (though neither is unexpected). In addition to Decision, I also had Joyland.
Best Documentary Feature
The Nominees: All That Breathes, All the Beauty and the Bloodshed, Fire of Love, A House Made of Splinters, Navalny
How I Did: 4/5
Had Descendant instead of Splinters. There’s a path to victory for everything but Splinters in my view.
Best Cinematography
The Nominees: All Quiet on the Western Front, Bardo, Elvis, Empire of Light, Tár
How I Did: 3/5
Top Gun: Maverick missing is baffling considering it was a major threat to win. It misses along with The Batman in favor of Bardo and Tár. I wouldn’t discount Empire for the victory though Quiet could make noise in this one.
Best Costume Design
The Nominees: Babylon, Black Panther: Wakanda Forever, Elvis, Everything Everywhere All at Once, Mrs. Harris Goes to Paris
How I Did: 4/5
Everything‘s over performance is evident. I had The Woman King instead. The first three alphabetically are your possible winners.
Best Film Editing
The Nominees: The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár, Top Gun: Maverick
How I Did: 3/5
In years past, getting an editing nod is often needed if you want to take BP. So it’s bad news for All Quiet and The Fabelmans. Banshees and Tár join the lineup in their place. Elvis, Everything, and Maverick all possibilities.
Best Makeup and Hairstyling
The Nominees: All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Elvis, The Whale
How I Did: 4/5
Had Amsterdam and not Quiet. Elvis or The Whale are most likely.
Best Original Score
The Nominees: All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans
How I Did: 3/5
Considering it made BP, I didn’t think Women Talking would miss. I also had Pinocchio but it’s All Quiet and Everything. This could be the sole Oscar for Babylon.
Best Original Song
The Nominees: “Applause” from Tell It Like a Woman, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR, “This Is a Life” from Everything Everywhere All at Once
How I Did: 4/5
Had Pinocchio‘s “Ciao Papa” and not the Everything tune. Despite big names like Lady Gaga, Rihanna, and producer Diane Warren in the mix, “Naatu Naatu” has taken the precursors.
Best Production Design
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, Babylon, Elvis, The Fabelmans
How I Did: 4/5
A rare occurrence as I had Everything projected and it didn’t make it. All Quiet materializes instead. This could be Elvis or maybe a second shot for Babylon.
Best Sound
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick
How I Did: 4/5
The sound you hear when the envelope opens might be Maverick‘s only victory (now that Cinematography is impossible). I had EEAAO and not The Batman.
Best Visual Effects
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick
How I Did: 3/5
Had the wrong MCU pic with Doctor Strange in the Multiverse of Madness and not Panther. All Quiet is also in and I had Thirteen Lives. This should be the Avatar trophy.
That means these movies ended up garnering these numbers in terms of nominations:
11 Nominations
Everything Everywhere All at Once
9 Nominations
All Quiet on the Western Front, The Banshees of Inisherin
8 Nominations
Elvis
7 Nominations
The Fabelmans
6 Nominations
Tár, Top Gun: Maverick
5 Nominations
Black Panther: Wakanda Forever
4 Nominations
Avatar: The Way of Water
3 Nominations
Babylon, The Batman, Triangle of Sadness, The Whale
2 Nominations
Living, Women Talking
1 Nomination
Aftersun, All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Bardo, Blonde, Causeway, Close, Empire of Light, EO, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, A House Made of Splinters, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, The Quiet Girl, RRR, The Sea Beast, Tell It Like a Woman, To Leslie, Turning Red
So what’s next? Followers of the blog may recall that I will soon begin my “Case Of” posts. That’s 35 separate write-ups making the case for and against all contenders in Picture, Director, and the four acting competitions. Stay tuned!
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