Hulu gave us a nice surprise this weekend with the release of Palm Springs, a refreshingly clever take on the Groundhog Day concept from director Max Barbakow and screenwriter Andy Saria. I wrote my review of it yesterday and you can find it here:
The sci-fi comedy originally debuted at the Sundance Film Festival and reviews have been impressive (to the tune of a 95% Rotten Tomatoes rating). Starring Andy Samberg and Cristin Milioti, the RT score for Springs easily eclipses that of The King of Staten Island at 72%. The latter has been mentioned for potential awards attention – albeit in a long shot fashion.
So could this even more acclaimed pic be a contender? Unlikely, but you never know in this highly unusual 2020. If Springs were to vie for any prize, I feel Original Screenplay would be its best hope. The story could be different when it comes to the Golden Globes. That’s where the genres of Drama and Musical/Comedy are divided. Depending on the competition coming in the last half of this long year, both Samberg and especially Milioti (in a breakout role) could at least be on the minds of Globes voters.
I know one thing. Based on my very positive reaction to it, I think it should at least be considered. My Oscar Watch posts will continue…
Maybe it’s possible that the idea of living the same day over and over again is just something that resonates during these strange COVID-19 times. Or maybe Palm Springs really is a fresh and highly satisfying take on the Groundhog Day concept. I think it’s the latter and what a pleasant surprise.
You cannot have this plot without thinking of the incomparable Bill Murray comedy. The concept has repeated itself in the action and horror genres with Edge of Tomorrow and Happy Death Day. Springs plays with the formula in unexpected ways. Another SNL alum headlines with Andy Samberg as Nyles. He’s the aimless boyfriend to younger Misty (Meredith Hagner) and he’s tagging along to her friend’s wedding in the title town. We realize quickly that something is really off with his behavior. It turns out that he’s already well along the way into his time loop and has been living this day repeatedly. This is the first realization that the screenplay from Andy Siara is playing by a different set of rules by dispensing with the origin story of Nyles’s Groundhog Day. This is a welcome change.
Sarah (Cristin Milioti, tough and sometimes vulnerable and terrific in this role) is the sister of the bride. She’s got character flaws equal to Nyles that aren’t because of the time loop. Yet that quickly changes when she joins him on the endless day. What follows is the duo attempting to figure out just what the heck is happening (the science fiction elements involve a mysterious cave and a goat).
They are occasionally joined in their adventure by another wedding guest Roy (J.K. Simmons, engaging as always) who got sucked into the vortex. It’s also possible that Nyles and Sarah are slowly – very slowly – falling in love. Or is it just that they only have each other in this untenable scenario?
The less said about how the plot rolls along the better. There are genuine revelations that I didn’t see coming, but it all fits into this clever version of a well-worn tale. This is the best Samberg has been on film and Milioti easily equals his work. We see this budding romance develop over many days, albeit the same one. As a credit to the whole team involved, it’s a lot of time well spent.
In a year filled with superhero tales, Brightburn adds a horror element when it opens over Memorial Day weekend. The low budget pic is a Gunn family affair with James (director of the GuardiansoftheGalaxy franchise) producing with a screenplay from his brothers Mark and Brian. David Yarovesky directs. The nifty trailer suggests a Superman style origin tale if Clark Kent turned out to be a homicidal maniac. Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones, and Meredith Hagner star.
As mentioned, Brightburn comes with a tiny price tag estimated at $7 million. Therefore it should have no trouble turning a tidy profit. That said, a gross in the teens or above could be wishful thinking for Sony Pictures. The marketing campaign hasn’t been near as robust as other titles featuring superheroes (good or evil) and the film isn’t based on known source material.
I’ll say the forecasts of high single digits to low double digits for its four-day holiday premiere is where this lands.
Brightburn opening weekend prediction: $9.7 million