Tag: Maya Rudolph

The Nut Job 2: Nutty by Nature Box Office Prediction

Annabelle: Creation isn’t the only follow-up to a 2014 picture opening next weekend as animated sequel The Nut Job 2: Nutty by Nature debuts. Will Arnett, Katherine Heigl, Gabriel Iglesias, and Jeff Dunham return their voices from the original as Maya Rudolph, Bobby Cannavale, Bobby Moynihan, and Jackie Chan lend their stylings as well.

The animal heist pic hopes to repeat the success of the first which was made for a reported $42 million, made $64 domestically and $128 million worldwide. That stands as the largest gross ever for distributor Open Road.

Summer 2017 has seen its share of sequelitis and there’s been a plethora of higher profile animated offerings. In my estimation that likely means a bit of a drop for part 2’s debut (the first opened to $19 million). Even though I give it a modicum of credit for subtitling itself after an awesome early 90s hip hop group (yeah you know me), I’ll say a low double digits to low teens premiere is the result.

The Nut Job 2: Nutty by Nature opening weekend prediction: $12.2 million

 

For my Annabelle: Creation prediction, click here:

https://toddmthatcher.com/2017/08/02/annabelle-creation-box-office-prediction/

For my The Glass Castle prediction, click here:

https://toddmthatcher.com/2017/08/03/the-glass-castle-box-office-prediction/

The Emoji Movie Box Office Prediction

If nothing else, Sony Pictures Animation’s The Emoji Movie will go down in film lore as having Sir Patrick Stewart provide the voice of what is commonly called the “poop emoji”. He’s one of several famous faces lending voice to those things we send on our phones all day. They include T.J. Miller, Anna Faris, James Corden, Sofia Vergara, Christina Aguilera, and Rob Riggle.

The reported $50 million budgeted 3D computer-animated comedy isn’t the first pic based on something we associate with our iPhones and droids. That would be last summer’s The Angry Birds Movie, which debuted to $38 million. I don’t see Emoji quite reaching those numbers, yet I don’t see it as low as the $23 million earned out of the gate for this summer’s Captain Underpants, another non-sequel ‘toon.

I am forecasting this will basically fall between those debuts. In doing so, it may create a serious three-way battle for box office supremacy next weekend with the premiere of Atomic Blonde and the second weekend of Dunkirk. 

The Emoji Movie opening weekend prediction: $28.4 million

For my Atomic Blonde prediction, click here:

https://toddmthatcher.com/2017/07/19/atomic-blonde-box-office-prediction/

Popstar: Never Stop Never Stopping Movie Review

In the humorously titled Popstar: Never Stop Never Stopping, there’s a gag involving the terrific Will Arnett that only takes up maybe three minutes of screen time. He plays the host of “CMZ” (think TMZ) as he hilariously chats with his staff of gossip reporters and furiously downs big gulps and other assorted beverages. It struck my funny bone so much that I found myself wondering how good a movie would be if it were just about them. Then I remembered that taking memorable three minute bits and stretching them into feature length comedies usually doesn’t work.

There are other moments in Popstar that work. Yet it didn’t quite change my theory above. Fans of “Saturday Night Live” are familiar with The Lonely Island, Andy Samberg’s music group responsible for several YouTube friendly videos packed with catchy lyrics and musical icon cameos. Here, Samberg and his colleagues Akiva Schaffer and Jorma Taccone (that pair share directing duties) make up The Style Boyz – a hip hop pop trio that hit it big. Yet it’s Kid Connor (Samberg) that was the Justin Timberlake (who cameos), Beyoncé or Method Man of the group and branches out on the solo tip. Taccone’s Kid Contact becomes his DJ and Schaffer’s Kid Brain leaves the business to become a farmer in Colorado (wonder where that development will lead to??).

We pick up as solo act Connor4Real is set to debut his sophomore album, which is a disaster looming. Along the way, Popstar parodies the extreme narcissism of its industry while throwing in plenty of ridiculous songs. None of them really hold a candle to the brilliance displayed in the granddaddy of music doc spoofs, This is Spinal Tap.  As mentioned, there’s just not enough solid material to totally justify the 90 minutes here.

One mistake is that the Lonely team who wrote the screenplay seem to believe that cameos count as jokes. There are tons and tons of cameos. Admittedly some work (Seal’s bit is a trip and Timberlake gets to flex his comedic chops), but many others leave no impression. For the performers not playing themselves, a little of Samberg’s Connor goes a long way. Sarah Silverman and Tim Meadows are mostly background players as his publicist and manager. And the versatile Joan Cusack pops up so briefly as Connor’s hard partying mom that I can only think her part was left on the cutting room floor.

While there are laughs to be had here, you’re probably better off looking up the trio’s SNL work. They’re shorter and more consistently funny. See if you can find Arnett’s scenes too…

**1/2 (out of four)

Popstar: Never Stop Never Stopping Box Office Prediction

It has, at least to me, a title that makes me laugh every time I think of it. Yet I’m not convinced that will lead to an impressive performance on the charts.

Andy Samberg and his Lonely Island partners Akiva Schaffer and Jorma Taccone headline the music documentary spoof Popstar: Never Stop Never Stopping. Costars include Sarah Silverman, Tim Meadows, Bill Hader, Joan Cusack, Maya Rudolph, Will Arnett (pulling double duty over the weekend with Teenage Mutant Ninja Turtles: Out of the Shadows), and Martin Sheen. There’s also a bunch of cameos from real pop stars such as Adam Levine, Mariah Carey, Usher, and Carrie Underwood.

Mr. Samberg’s digital shorts on “Saturday Night Live” were a solid staple of the show for many years with classics like “Lazy Sunday” and “Dick in a Box”. His film career, on the other hand, has been pretty unimpressive box office wise. 2007’s Hot Rod and 2012’s That’s My Boy both were critical and commercial disappointments.

I’ll predict Popstar struggles to even reach high single digits.

Popstar: Never Stop Never Stopping opening weekend prediction: $5.6 million

For my Teenage Mutant Ninja Turtles: Out of the Shadows prediction, click here:

https://toddmthatcher.com/2016/05/25/teenage-mutant-ninja-turtles-out-of-the-shadows-box-office-prediction/

For my Me Before You prediction, click here:

https://toddmthatcher.com/2016/05/25/me-before-you-box-office-prediction/

The Angry Birds Movie Box Office Prediction

The Angry Birds Movie, out next weekend, marks a first as the animated tale is our inaugural film to be based on an app. Millions worldwide have spent countless hours flinging those ill-tempered fowls into various structures and we’ll soon find out whether they wish to spend a couple of hours watching them on the silver screen.

Based on the Rovio Entertainment game, Birds features the voices of many familiar names including Jason Sudeikis, Josh Gad, Danny McBride, Maya Rudolph, Sean Penn, Bill Hader, and Peter Dinklage. Reviews have been mixed with a 47% Rotten Tomatoes rating.

Frankly, Angry Birds is a big question mark. A high-profile family friendly animated flick should perform quite well in the month of May. However, without the Disney brand or well-established franchise tag (Ice Age, Rio, Madagascar, etc…), it’s unclear whether kids and their parents will flock (get it?) to this.

The range of possibility for this opening is wide, but I’ll go with a mid 30s debut.

The Angry Birds Movie opening weekend prediction: $34.5 million

For my Neighbors 2: Sorority Rising prediction, click here:

https://toddmthatcher.com/2016/05/11/neighbors-2-sorority-rising-box-office-prediction/

For my The Nice Guys prediction, click here:

https://toddmthatcher.com/2016/05/11/the-nice-guys-box-office-prediction/

Sisters Movie Review

The effortless chemistry of Tina Fey and Amy Poehler worked like a charm on Weekend Update but generated a disappointment in their first feature, 2008’s Baby Mama. Sisters is a generally more satisfying experience that finds its stars (specifically Fey) playing against type. The pic rarely wants to be anything more than a raunchy party comedy and it works well enough on that level, even while we know these players are capable of much more.

Sisters casts Poehler as Maura, a nurse who’s always trying to help and inspire people, often to a “bit too much” degree. Fey is Kate, an irresponsible stylist whose own teen daughter doesn’t wish to be around her very often. When the siblings parents (James Brolin and Dianne Wiest) decide to sell the Orlando home where the girls grew up, they don’t take it so well. Their frustration eventually results in one last blowout party like they had in high school. This time though, Maura decides to let her freak flag fly while Kate is dubiously tasked with being the responsible one.

The screenplay by SNL writer Paula Pell occasionally gets emotional with messages about family and Fey and Poehler help greatly in selling it. As mentioned, however, this is content to be a fun R rated laugher complete with some sex, drugs supplied by John Cena, and early 90s hip hop like “Informer” by Canadian rapper Snow. There’s an obligatory romantic subplot for Maura with handyman James (Ike Barinholtz) that feels slightly forced but does produce a memorable moment with a music box. The script also finds some amusing moments for its stellar supporting cast, including Maya Rudolph as Kate’s old high school nemesis, Rachel Dratch as an eccentric old classmate, and Bobby Moynihan as that old friend constantly telling lame jokes. And a shout out to Greta Lee as nail salon worker Hae Won, who shines in her small role and has one of the pic’s funniest scenes with Poehler. On the other hand, John Leguizamo’s loser ex classmate role may have been the victim of the cutting room floor as he has little to do. And while Fey is always stellar, I’ll admit that I never fully bought her in this role.

We have seen both lead actresses do seriously terrific stuff on TV, whether on SNL or their shows “30 Rock” and “Parks and Recreation”. Sisters doesn’t match those achievements but provides two hours worthy of their talents and provides a party worth checking out.

*** (out of four)

Sisters Box Office Prediction

Nearly eight years after they had a decent size hit with Baby Mama, Tina Fey and Amy Poehler team up again for Sisters, out next Friday. The modestly budgeted $30 million comedy also stars Maya Rudolph, John Leguizamo, Ike Barinholtz, John Cena, James Brolin, and Dianne Wiest.

Universal Pictures is hoping that Sisters will appeal to a female demographic that may not be chomping at the bit to see Star Wars: The Force Awakens, which this bravely opens against. The two stars certainly have their fans and the strategy may work. 2008’s Baby Mama earned $17.4 million out of the gate and an eventual gross of a sturdy $64 million.

Based on the competition alone, I feel Sisters will struggle to reach that opening number next weekend yet it could manage close to Mama’s grosses if it performs well over the subsequent holiday weekends.

Sisters opening weekend prediction: $13.9 million

For my Star Wars: The Force Awakens prediction, click here:

https://toddmthatcher.com/2015/12/08/star-wars-the-force-awakens-box-office-prediction/

For my Alvin and the Chipmunks: The Road Chip prediction, click here:

https://toddmthatcher.com/2015/12/10/alvin-and-the-chipmunks-the-road-chip-box-office-prediction/

Inherent Vice Movie Review

Like its constantly reefer toking lead character, Paul Thomas Anderson’s Inherent Vice could use a bit more focus and clarity. The complicated plot sometimes feels like a pothead is describing it to you as it’s occasionally challenging to follow along with. Yet you come away with the notion that Anderson, the master filmmaker responsible for Boogie Nights and There Will Be Blood, has made exactly the picture he wanted to make.

Based on a 2009 novel by Thomas Pynchon, Vice stars Joaquin Phoenix (who gave a much different and also terrific performance in PTA’s last previous The Master) as Doc, a stoner private eye in California circa 1970. When we open, he’s visited by his hippie ex Shasta (Katherine Waterston) who’s gotten herself into some trouble with a real estate mogul (Eric Roberts) who may be the victim of some shady dealings by his family. It leads Doc to a case that involves Nazis, a thought to be dead musician (Owen Wilson), and a drug addled dentist (a typically memorable Martin Short). Along the way, we discover Doc’s antagonistic relationship with LAPD detective “Bigfoot”, played with gusto by Josh Brolin.

There’s a lot of subplots involved in Inherent Vice and it provides for smaller roles by familiar faces like Benicio del Toro and Joaquin’s Walk the Line counterpart Reese Witherspoon, among others. At its center is the love story between Doc and Shasta, though they talk about their connection like it barely exists. Phoenix, as always, turns in a fascinating performance that further demonstrates his considerable abilites (the guy can do slapstick comedy when called upon). Waterston, daughter of Sam, is the real find here in a sea of more famous faces.

For the most part, Inherent Vice couldn’t be more different than 2012’s The Master. They are similar in one way: I found it tough to get emotionally involved in either. To be fair, I do not believe that’s what PTA is going for. Vice is about atmosphere and characters and the plot is mostly an afterthought. As with all previous efforts by the director, the atmosphere is something to behold, as is the acting.

The picture has moments where it has a Big Lebowski vibe and not just due to the weed love of the star. There are times when you’ll remember this is coming from the guy who made the brilliant Boogie Nights. Inherent Vice doesn’t belong in the same category as either of those movies, but fans of PTA (of which I certainly am) should find this worthwhile. I suspect that this, like most of Anderson’s work, will improve upon subsequent viewings. The fact that I’ll likely sign up for a second viewing in the future is recommendation enough.

*** (out of four)

Strange Magic Box Office Prediction

He may not be involved in 2015’s most anticipated film that carries on the franchise he started, but George Lucas is credited with coming up with the story for Strange Magic, out Friday. The 3D animated musical fantasy comes from LucasFilm and features the voices of Alan Cumming, Evan Rachel Wood, Kristen Chenoweth (who also appears in this weekend’s The Boy Next Door), Maya Rudolph, and Alfred Molina.

Competition for family audiences is there with the well performing Paddington entering its sophomore frame. The marketing campaign for Strange Magic has been rather quiet and it doesn’t help that the story isn’t based on a well known property. Nor does it have the trusted Disney or Pixar moniker.

All that considered, I’ll predict this doesn’t even reach a double digit debut out of the gate.

Strange Magic opening weekend prediction: $8.6 million

For my prediction on Mortdecai, click here:

https://toddmthatcher.com/2015/01/17/mortdecai-box-office-prediction/

For my prediction on The Boy Next Door, click here:

https://toddmthatcher.com/2015/01/17/the-boy-next-door-box-office-prediction/

Inherent Vice Box Office Prediction

Paul Thomas Anderson has certainly been making some of the most fascinating pictures of the last nearly two decades with Boogie Nights, Magnolia, There Will Be Blood and The Master among his credits. This Friday, his latest effort Inherent Vice makes its debut. The crime thriller/comedy boasts an all star cast that includes Joaquin Phoenix, Josh Brolin, Reese Witherspoon, Benicio del Toro, Maya Rudolph, Martin Short and Owen Wilson.

Based on the novel by Thomas Pynchon, critical notices for Vice has been generally positive if a bit under Anderson’s normal acclaim. Its Rotten Tomatoes meter stands at 71% currently. Like most of the director’s work, this is certainly not expected to be a blockbuster and is primarily aimed at core fans. As expected, it’s had a successful run in limited release but faces the question as to how well it plays nationwide. Currently estimates put it at just over 400 theaters (relatively low) Friday.

Inherent Vice could pull in about the same per screen average as Joaquin’s last pic Her which expanded one year ago. I’ll estimste it gets a little higher since it’s on considerably less screens, but that still leaves it struggling to reach $2 million out of the gate.

Inherent Vice opening weekend prediction: $1.8 million

For my prediction post on Taken 3, click here:

https://toddmthatcher.com/2015/01/03/taken-3-box-office-prediction/

For my Selma prediction, click here:

https://toddmthatcher.com/2015/01/04/selma-box-office-prediction/