I have been penning a number of posts in the past few days based on reactions to screenings from the Toronto Film Festival. Anand Tucker’s The Critic is another, but it premiered at last year’s TIFF and is finally hitting theaters in the UK this weekend. Ian McKellen headlines the thriller as the London theater title character engaged in a blackmail scheme. Gemma Arterton, Mark Strong, Ben Barnes, Alfred Enoch, and Lesley Manville costar.
The film has taken its time finding a release schedule. That’s probably because reaction was decidedly mixed upon its Canadian unveiling. The Rotten Tomatoes score is 45% with a Metacritic score of 53. Despite some expected compliments for Mr. McKellen, this Critic will not be considered by voters in awards season. My Oscar Prediction posts will continue…
A cloud of subpar reviews hangs over Atlas, a sci-fi thriller about AI that begins streaming on Netflix this weekend. Jennifer Lopez headlines with Simu Liu, Sterling K. Brown (fresh off his first Oscar nod for American Fiction), and Mark Strong costarring. Brad Peyton, best known for the Dwayne Johnson trilogy of Journey 2: The Mysterious Island, San Andreas, and Rampage, directs.
Critical reaction to this is far from rock solid with a Rotten Tomatoes rating of 18%. The only awards play to be considered would be its Visual Effects and they are being commended more than other aspects. I doubt it ultimately contends in that competition. My Oscar Prediction posts will continue…
For about the first hour of Shazam! Fury of the Gods, the stakes feel about as high as ordering a cheesesteak. I guess given the setting of Philly, maybe that’s something to be taken seriously. In the second half, the Phillies Stadium and I assume the Liberty Bell and Independence Hall are in danger of being decimated Independence Day style (or countless comic book action flicks).
With nearly the entire team returning including director David F. Sandberg, part 2 of the DC Comics property is unwieldy in its tone. The happy-go-lucky vibe of Shazam! and Zachary Levi’s enjoyable performance made it worth a view. It was also, to be fair, mostly forgettable and clearly worked better as a one-off.
You may recall (or not) that high schooler Billy Batson (Asher Angel) received the abilities of Shazam from Djimon Hounsou’s wizard in the 2019 original. This gave him the form of Levi’s red caped superhero yet it did not grant him wisdom beyond his teenage mind. Billy/Shazam still managed to outwit Mark Strong’s mad scientist with the help of his foster care siblings who were also soon bestowed with superhuman strengths. That includes brother Freddy Freeman (Jack Dylan Grazer as younger and Adam Brody in grownup spandex form) and he has a unique love interest
Anne (Rachel Zegler from West Side Story) is the new girl at school who looks amazing for her age. She’s actually Anthea, the centuries old daughter of Greek god Atlas. Her other sisters are Hespera (Helen Mirren) and Kalypso (Lucy Liu) and they are determined to reclaim powers taken from them ages ago. The Daughters of Atlas look far apart in age. Lucy Liu’s middle child is the Jan Brady of this bunch as she’s got the most up her sleeve. Young Anne (she’s only 6000 it’s revealed) is the sweet one who might not be bent on world destruction after all. And despite Mirren’s presence, the trio’s motivations aren’t particularly spellbinding. Once again we have a comic book adaptation where the villains are a weakness. The MCU and this DCEU are frequent offenders.
Four years ago, it was easier to root for Levi’s charming underdog of a title character. Gods just never clicks and average CG and action sequences keep the mediocrity intact. Standard wizardry is ordered in this follow-up. The result is that I could have done witout it (spelling error intended, Philadelphians).
Todd Field’s Tár is next up in my Case Of posts for the ten Best Picture nominees. Time to weigh the pros and cons…
The Case for Tár:
Auteur Field has a knack for attracting the Academy’s attention with his trilogy of pictures. In 2001, In the Bedroom received five nods (including BP and Field’s Adapted Screenplay). Five years later, Little Children nabbed three and that once again included its maker’s adapted screenplay. Tár, with a towering lead performance from Globes and Critics Choice victor Cate Blanchett, saw him emerge from a long break and it received six Oscar mentions (including directing and original screenplay for Field).
The Case Against Tár:
Despite Blanchett being at least a co-frontrunner in Actress, she marked the only Globes win. At Critics Choice, its additional award was for Original Score. While this is a critical darling that generated some regional groups victories, the box office office was quiet at $10 million. Both Bedroom and Children went home empty-handed on Oscar night.
Other Nominations:
Director (Field), Actress (Blanchett), Original Screenplay, Cinematography, Film Editing
The Verdict:
As with the aforementioned precursors, Tár‘s strongest shot at gold is with Blanchett and not Best Picture.
My Case Of posts will continue with Top Gun: Maverick!
Till with Danielle Deadwyler isn’t the only picture with a likely Best Actress nominee expanding this weekend. There’s also Tár in which Cate Blanchett will compete for her third gold statue. I’ve currently got her ranked #1 in that competition. Todd Field directs with a supporting cast including Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, and Mark Strong.
With its 95% rating on Rotten Tomatoes, the portrayal of a renowned composer whose world is riddled by scandal opened in limited release on October 7th. Early results were solid, but its performance this past weekend raises questions as to its broad appeal. On 141 screens, it made $500,000. That translates to just over $3500 per venue.
The film is expected to branch out to 1000 locations on Friday. History teaches us that the per theater average should drop and I’m projecting a gross of just under $2 million for the wider rollout.
Todd Field’s Tár is told from the myopic perspective of its title character played masterfully by Cate Blanchett. This is a disconcerting and wildly original choice and it’s a perfect one upon reflection. We as the audience, in a two hour and 40 minute burn, slowly discover more about a conductor’s conduct. We don’t really see it and that seems right because she doesn’t either. At least Lydia Tár won’t acknowledge it and doesn’t appear capable of doing so.
Being celebrated in a packed house interview by The New Yorker, Tár has climbed the composition ladder to the top. Now the chief conductor for the Berlin Philharmonic, she’s a rare EGOT recipient (Emmy, Grammy, Oscar, Tony). Having written a book grandly titled Tár On Tár, her orchestra and her scholars (she guest lectures at Juilliard on occasion) hang on her every motion and word. Almost. We catch an early glimpse of a student challenging her and it’s not a pretty sight. It’s surreptitiously filmed for social media consumption and that causes embarrassment (more for the team around her than the ambivalent lecturer).
This is nothing compared to what’s coming. Tár’s personal life is in a constant state of hinted perilousness. At first, her marriage to violin player Sharon (Nina Hoss) seems ideal with their young daughter and lush surroundings. However, the separate apartment that Tár keeps raises flags. Personal assistant Francesca (Noémie Merlant) is in line for a huge promotion from her boss. There’s unclear happenings from the past that keep her from elevating. Most disturbingly, a young colleague and perhaps former lover is alleging misdeeds from the grave.
Our window into Tár’s newsworthy liabilities are showcased mostly through her budding relationship with a gifted (at least as her mentor immediately sees it) Russian cellist (Sophie Kauer). There is a creeping feeling of the narcissism and transactional nature of all her interactions. When she’s performing her lauded work, a wave of the hand silences rehearsal. A figurative wave of the hand seems to flick away individuals who are no longer useful.
As her world starts to crumble, we witness it through Tár’s point of view. It is one in which there’s a refusal to tolerate increasing voices speaking up. Field, in his first picture in 16 years, trains his camera on Blanchett in nearly every frame. His screenplay has created a multifaceted character with potentially unforgivable shortcomings and undeniable gifts.
Blanchett’s transformation into this complicated figure is its own work of art. She’s mesmerizing and awards voters may grant landslide reactions. Hoss and Merlant provide impressive support as their characters hang on to the last remnants of assistance in their unbalanced bonds with The Maestro.
When the curtain finally falls on Tár, it does so surprisingly. It left me questioning what the film was trying to say about artistic genius and the lengths such a prodigy will go to maintain their control and image. This is a challenging, deliberative, and rewarding experience. You can’t dismiss the wave of the many strong hands involved, especially the lead.
As the Toronto Film Festival draws to a close, we have some significant updates since I did my last predictions 11 days ago!
And you may notice that, for the first time, I’m including all categories covering feature films. It’s the initial peek at what pics I believe will lead the nominations. The answer is Babylon (11) followed closely by The Fabelmans (10) followed closely by Everything Everywhere All at Once (9).
I’ve also made the shift of whittling 25 BP picks down to 15 possibilities and the other big races from 15 to 10.
I will point out that some categories (particularly Original Song) are in their infancy as far as knowing the contenders.
One year ago, my projections in mid-September yielded eight of the eventual 10 BP nominees and 3 of the 5 Directing hopefuls. For Best Actress – it was 4 of 5 and 3 of 5 for Actor. For Supporting Actress – 2/5, but Supporting Actor (somehow) was 0 for 5.
Let’s talk changes:
In Best Picture, I’m putting Empire of Light back in and removing The Son. You’ll send a trend there as The Son drew divided reactions in Venice and Toronto. It could still contend in more races than just Hugh Jackman in Actor, but for now, I’ve got it nabbing that sole nod.
Todd Field (Tar) is in the directing quintet over Ruben Ostlund for Triangle of Sadness.
Surprisingly enough, Actress and Actor remain the same.
Kerry Condon (The Banshees of Inisherin) crashes the Supporting Actress party with Vanessa Kirby (The Son) dropping.
I’ve put Micheal Ward back in Supporting Actor (I elevated him to lead recently). He’s in the final five along with a bit of an upset selection in Barry Keoghan for The Banshees of Inisherin. Zen McGrath (The Son) and Woody Harrelson (Triangle of Sadness) fall out.
Original Screenplay remains the same but Glass Onion: A Knives Out Mystery is in Adapted Screenplay over (you guessed it) The Son.
You can peruse all the movement below and my inaugural take on the other derbies!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Whale (PR: 7) (+2)
6. Top Gun: Maverick (PR: 6) (E)
7. The Banshees of Inisherin (PR: 9) (+2)
8. Tar (PR: 8) (E)
9. Empire of Light (PR: 11) (+2)
10. Triangle of Sadness (PR: 10) (E)
Other Possibilities:
11. Decision to Leave (PR: 12) (+1)
12. She Said (PR: 13) (+1)
13. All Quiet on the Western Front (PR: Not Ranked)
14. Glass Onion: A Knives Out Mystery (PR: 20) (+6)
15. Elvis (PR: 15) (E)
Dropped Out:
The Son
Avatar: The Way of Water
White Noise
Bones and All
Armageddon Time
Till
Broker
Black Panther: Wakanda Forever
Living
Bardo
The Greatest Beer Run Ever
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tar (PR: 6) (+1)
Other Possibilities:
6. Park Chan-wook, Decision to Leave (PR: 7) (+1)
7. Ruben Ostlund, Triangle of Sadness (PR: 5) (-2)
8. Edward Berger, All Quiet on the Western Front (PR: Not Ranked)
9. Martin McDonagh, The Banshees of Inisherin (PR: 12) (+3)
10. Darren Aronofsky, The Whale (PR: 10) (E)
Dropped Out:
Florian Zeller, The Son
James Cameron, Avatar: The Way of Water
Sam Mendes, Empire of Light
Joseph Kosinski, Top Gun: Maverick
Noah Baumbach, White Noise
Baz Luhrmann, Elvis
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Margot Robbie, Babylon (PR: 3) (E)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 6) (E)
7. Jennifer Lawrence, Causeway (PR: 12) (+5)
8. Viola Davis, The Woman King (PR: 8) (E)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)
10. Florence Pugh, The Wonder (PR: 9) (-1)
Dropped Out:
Carey Mulligan, She Said
Emma Thompson, Good Luck to You, Leo Grande
Taylor Russell, Bones and All
Tang Wei, Decision to Leave
Jessica Chastain, The Good Nurse
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Austin Butler, Elvis (PR: 3) (+1)
3. Colin Farrell, The Banshees of Inisherin (PR: 4) (+1)
4. Hugh Jackman, The Son (PR: 2) (-2)
5. Bill Nighy, Living (PR: 5) (E)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Tom Cruise, Top Gun: Maverick (PR: 10) (+3)
8. Song King-ho, Broker (PR: 7) (-1)
9. Adam Driver, White Noise (PR: 9) (E)
10. Jeremy Pope, The Inspection (PR: Not Ranked)
Dropped Out:
Micheal Ward, Empire of Light (moved to Supporting)
Timothee Chalamet, Bones and All
Paul Mescal, Aftersun
Gabriel LaBelle, The Fabelmans
Kelvin Harrison, Jr., Chevalier
Park Hae-il, Decision to Leave
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Claire Foy, Women Talking (PR: 4) (+2)
3. Jessie Buckley, Women Talking (PR: 2) (-1)
4. Kerry Condon, The Banshees of Inisherin (PR: 9) (+5)
5. Hong Chau, The Whale (PR: 5) (E)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 7) (+1)
7. Vanessa Kirby, The Son (PR: 3) (-4)
8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: Not Ranked)
9. Sadie Sink, The Whale (PR: 12) (+3)
10. Nina Hoss, Tar (PR: 15) (+5)
Dropped Out:
Laura Dern, The Son
Jean Smart, Babylon
Samantha Morton, She Said
Zoe Kazan, She Said
Dakota Johnson, Cha Cha Real Smooth
Dolly De Leon, Triangle of Sadness
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 2) (E)
3. Brendan Gleeson, The Banshees of Inisherin (PR: 4) (+1)
4. Micheal Ward, Empire of Light (PR: Not Ranked – moved from Best Actor)
5. Barry Keoghan, The Banshees of Inisherin (PR: Not Ranked)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 6) (E)
7. Ben Whishaw, Women Talking (PR: 7) (E)
8. Judd Hirsch, The Fabelmans (PR: 9) (+1)
9. Anthony Hopkins, Armageddon Time (PR: 8) (-1)
10. Woody Harrelson, Triangle of Sadness (PR: 5) (-5)
Dropped Out:
Zen McGrath, The Son
Tom Hanks, Elvis
Anthony Hopkins, The Son
Mark Strong, Tar
Seth Rogen, The Fabelmans
Ralph Fiennes, The Menu
Russell Crowe, The Greatest Beer Run Ever
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Babylon (PR: 5) (+1)
5. Triangle of Sadness (PR: 4) (-1)
Other Possibilities:
6. Tar (PR: 6) (E)
7. Decision to Leave (PR: 8) (+1)
8. Empire of Light (PR: 7) (-1)
9. Armageddon Time (PR: 9) (E)
10. Bros (PR: 11) (+1)
Dropped Out:
Broker
Aftersun
Cha Cha Real Smooth
Bardo
The Menu
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 2) (+1)
2. The Whale (PR: 3) (+1)
3. She Said (PR: 4) (+1)
4. White Noise (PR: 5) (+1)
5. Glass Onion: A Knives Out Mystery (PR: 9) (+4)
Other Possibilities:
6. The Son (PR: 1) (-5)
7. Living (PR: 8) (+1)
8. Top Gun: Maverick (PR: 6) (-2)
9. Bones and All (PR: 7) (-2)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Till
The Lost King
The Greatest Beer Run Ever
The Wonder
Elvis
The Good Nurse
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio
2. Turning Red
3. Strange World
4. Marcel the Shell with Shoes On
5. The Sea Beast
Other Possibilities:
6. Wendell and Wild
7. The Bad Guys
8. Lightyear
9. My Father’s Dragon
10. Apollo 10 1/2: A Space Age Childhood
Best International Feature Film
Predicted Nominees:
1. Decision to Leave
2. All Quiet on the Western Front
3. Close
4. Saint Omer
5. Holy Spider
Other Possibilities:
6. Bardo
7. RMN
8. RRR
9. Plan 75
10. Argentina, 1985
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed
2. Descendant
3. Navalny
4. Fire of Love
5. Last Flight Home
Other Possibilities:
6. The Territory
7. Moonage Daydream
8. Riotsville, U.S.A.
9. Good Night Oppy
10. All That Breathes
Best Cinematography
Predicted Nominees:
1. Babylon
2. Empire of Light
3. The Fabelmans
4. All Quiet on the Western Front
5. Top Gun: Maverick
Other Possibilities:
6. Bardo
7. Avatar: The Way of Water
8. The Banshees of Inisherin
9. The Whale
10. Everything Everywhere All at Once
Best Costume Design
Predicted Nominees:
1. Babylon
2. Elvis
3. Black Panther: Wakanda Forever
4. The Fabelmans
5. The Woman King
Other Possibilities:
6. Mrs. Harris Goes to Paris
7. Everything Everywhere All at Once
8. Three Thousand Years of Longing
9. The Northman
10. Corsage
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once
2. Babylon
3. Top Gun: Maverick
4. The Fabelmans
5. Women Talking
Other Possibilities:
6. Elvis
7. Tar
8. Glass Onion: A Knives Out Mystery
9. Triangle of Sadness
10. Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale
2. Babylon
3. Elvis
4. The Batman
5. Everything Everywhere All at Once
Other Possibilities:
6. Black Panther: Wakanda Forever
7. Blonde
8. The Woman King
9. The Fabelmans
10. All Quiet on the Western Front
Best Original Score
Predicted Nominees:
1. Babylon
2. The Fabelmans
3. Empire of Light
4. Women Talking
5. Tar
Other Possibilities:
6. The Banshees of Inisherin
7. Top Gun: Maverick
8. Avatar: The Way of Water
9. The Batman
10. All Quiet on the Western Front
Best Original Song
1. “Hold My Hand” from Top Gun: Maverick
2. “Nobody Like U” from Turning Red
3. “This Is a Life” from Everything Everywhere All at Once
4. “Carolina” from Where the Crawdads Sing
5. “Applause” from Tell It Like a Woman
Other Possibilities:
6. “On My Way” from Marry Me
7. “Naatu Naatu” from RRR
8. “New Body Rhuma” from White Noise
9. “Good Tonight” from The Bad Guys
10. “Paper Airplanes” from A Jazzman’s Blues
Best Production Design
Predicted Nominees:
1. Babylon
2. The Fabelmans
3. Elvis
4. Avatar: The Way of Water
5. Empire of Light
Other Possibilities:
6. Black Panther: Wakanda Forever
7. Everything Everywhere All at Once
8. Bardo
9. Glass Onion: A Knives Out Mystery
10. The Batman
Best Sound
Predicted Nominees:
1. Top Gun: Maverick
2. Avatar: The Way of Water
3. Babylon
4. Elvis
5. The Batman
Other Possibilities:
6. Black Panther: Wakanda Forever
7. All Quiet on the Western Front
8. Everything Everywhere All at Once
9. Nope
10. The Fabelmans
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water
2. Top Gun: Maverick
3. The Batman
4. Everything Everywhere All at Once
5. Doctor Strange in the Multiverse of Madness
Other Possibilities:
6. Black Panther: Wakanda Forever
7. RRR
8. All Quiet on the Western Front
9. Guillermo del Toro’s Pinocchio
10. Nope
And that equates to this very first rundown of how many nominations I am projecting for each picture:
11 Nominations
Babylon
10 Nominations
The Fabelmans’
9 Nominations
Everything Everywhere All at Once
7 Nominations
Women Talking
6 Nominations
The Banshees of Inisherin, Empire of Light, Top Gun: Maverick
5 Nominations
Elvis, The Whale
4 Nominations
Tar
3 Nominations
Avatar: The Way of Water, The Batman
2 Nominations
All Quiet on the Western Front, Triangle of Sadness, Turning Red
1 Nomination
All the Beauty and the Bloodshed, Black Panther: Wakanda Forever, Close, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Holy Spider, Last Flight Home, Living, Marcel the Shell with Shoes On, Navalny, Saint Omer, The Sea Beast, She Said, The Son, Strange World, Tell It Like a Woman, Till, Where the Crawdads Sing, White Noise, The Woman King
As I always say at the beginning of September on this blog – what a difference a few days makes as Venice is at its midpoint and Telluride occurred over the holiday weekend. The Toronto Film Festival begins Thursday. For the first time, I am thrilled to announce that I will be in attendance and have screenings scheduled for several potential heavy hitters! They include The Fabelmans, The Son, The Whale, Women Talking, The Banshees of Inisherin, Triangle of Sadness, Empire of Light, The Menu, The Wonder, Bros, The Greatest Beer Run Ever, and The Good Nurse.
The fall festivals always cause the fortunes of certain pictures to rise and fall. Alejandro Gonzalez Inarritu’s Bardo received mixed reviews out of Lido and it has dropped out of my predictions in Picture, Director, Actor (Daniel Gimenez Cacho), and Supporting Actress (Griselda Sicillani). On the other hand, Sarah Polley’s Women Talking looks to have solidified its position as a BP hopeful while Claire Foy and Jessie Buckley appear to be the two likeliest nominees from its ensemble. Cate Blanchett (Tar) and Brendan Fraser (The Whale) have positioned themselves as surefire nominees and potential winners in the lead acting derbies. Tar itself improved its standing in Picture, Director, and Original Screenplay. Empire of Light is no slam dunk for BP, but it’s in the mix and Olivia Colman seems solid in Actress. The Banshees of Inisherin may be Fox Searchlight’s better hope over Empire. It drew a rapturous Venice reaction today and has vaulted into Picture, Actor, Supporting Actor, and Original Screenplay on my chart. Bones and All, despite some gushing reviews, could face challenges to fit into the BP race. Don’t Worry Darling, due to some middling write-ups, is probably toast.
Of course, we know that festivals are not the end all and be all for final verdicts. For example, Armageddon Time from James Gray seemed DOA after a so-so Cannes bow in the summer. Yet when it played Telluride over the weekend, the buzz was stronger. It’s awards heart is beating again – even if faintly.
This will probably be my last update for two weeks as I’ll be a Canadian for a few days. You can bet you’ll see lots of other individual Oscar prediction posts as well as reviews of the aforementioned pictures. When I update in a couple of weeks, I’m anticipating branching out to all races covering feature films. Until then, you can peruse all the movement (and there is definitely a lot of it) below!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 6) (+2)
5. The Son (PR: 5) (E)
6. Top Gun: Maverick (PR: 10) (+4)
7. The Whale (PR: 8) (+1)
8. Tar (PR: 11) (+3)
9. The Banshees of Inisherin (PR: 18) (+9)
10. Triangle of Sadness (PR: 9) (-1)
Other Possibilities:
11. Empire of Light (PR: 7) (-4)
12. Decision to Leave (PR: 12) (E)
13. She Said (PR: 14) (+1)
14. Avatar: The Way of Water (PR: 16) (+2)
15. Elvis (PR: 15) (E)
16. White Noise (PR: 13) (-3)
17. Bones and All (PR: 22) (+5)
18. Armageddon Time (PR: Not Ranked)
19. Till (PR: 20) (+1)
20. Glass Onion: A Knives Out Mystery (PR: 23) (+3)
21. Broker (PR: 17) (-4)
22. Black Panther: Wakanda Forever (PR: 19) (-3)
23. Living (PR: 25) (+2)
24. Bardo (PR: 4) (-20)
25. The Greatest Beer Run Ever (PR: 24) (-1)
Dropped Out:
The Menu
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Sarah Polley, Women Talking (PR: 6) (+2)
5. Ruben Ostlund, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Todd Field, Tar (PR: 11) (+5)
7. Park Chan-wook, Decision to Leave (PR: 8) (+1)
8. Florian Zeller, The Son (PR: 9) (+1)
9. James Cameron, Avatar: The Way of Water (PR: 12) (+3)
10. Darren Aronofsky, The Whale (PR: 10) (E)
11. Sam Mendes, Empire of Light (PR: 7) (-4)
12. Martin McDonagh, The Banshees of Inisherin (PR: Not Ranked)
13. Joseph Kosinski, Top Gun: Maverick (PR: Not Ranked)
14. Noah Baumbach, White Noise (PR: 13) (-1)
15. Baz Luhrmann, Elvis (PR: 14) (-1)
Dropped Out:
Alejandro Gonzalez Inarritu, Bardo
Maria Schrader, She Said
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Margot Robbie, Babylon (PR: 3) (E)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 6) (E)
7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)
8. Viola Davis, The Woman King (PR: 7) (-1)
9. Florence Pugh, The Wonder (PR: 12) (+3)
10. Carey Mulligan, She Said (PR: 10) (E)
11. Emma Thompson, Good Luck to You, Leo Grande (PR: Not Ranked)
12. Jennifer Lawrence, Causeway (PR: Not Ranked)
13. Taylor Russell, Bones and All (PR: Not Ranked)
14. Tang Wei, Decision to Leave (PR: 12) (-2)
15. Jessica Chastain, The Good Nurse (PR: 15) (E)
Dropped Out:
Regina King, Shirley (moved to 2023)
Frances McDormand, Women Talking (role not large enough)
Florence Pugh, Don’t Worry Darling
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 2) (+1)
2. Hugh Jackman, The Son (PR: 1) (-1)
3. Austin Butler, Elvis (PR: 3) (E)
4. Colin Farrell, The Banshees of Inisherin (PR: 10) (+6)
5. Bill Nighy, Living (PR: 6) (+1)
Other Possibilities:
6. Diego Calva, Babylon (PR: 8) (+2)
7. Song Kang-ho, Broker (PR: 7) (E)
8. Micheal Ward, Empire of Light (PR: 5) (-3)
9. Adam Driver, White Noise (PR: 9) (E)
10. Tom Cruise, Top Gun: Maverick (PR: 11) (+1)
11. Paul Mescal, Aftersun (PR: 12) (+1)
12. Gabriel LaBelle, The Fabelmans (PR: 14) (+2)
13. Timothee Chalamet, Bones and All (PR: Not Ranked)
14. Kelvin Harrison, Jr., Chevalier (PR: 13) (-1)
15. Park Hae-il, Decision to Leave (PR: 15) (E)
Dropped Out:
Daniel Gimenez Cacho, Bardo
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Jessie Buckley, Women Talking (PR: 3) (+1)
3. Vanessa Kirby, The Son (PR: 2) (-1)
4. Claire Foy, Women Talking (PR: 14) (+10)
5. Hong Chau, The Whale (PR: 7) (+2)
Other Possibilities:
6. Laura Dern, The Son (PR: 6) (E)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 4) (-3)
8. Jean Smart, Babylon (PR: 8) (E)
9. Kerry Condon, The Banshees of Inisherin (PR: Not Ranked)
10. Samantha Morton, She Said (PR: 11) (+1)
11. Zoe Kazan, She Said (PR: 12) (+1)
12. Sadie Sink, The Whale (PR: 9) (-3)
13. Dakota Johnson, Cha Cha Real Smooth (PR: 13) (E)
14. Dolly De Leon, Triangle of Sadness (PR: 10) (-4)
15. Nina Hoss, Tar (PR: 15) (E)
Dropped Out:
Griselda Sicillani, Bardo
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR 2) (E)
3. Zen McGrath, The Son (PR: 3) (E)
4. Brendan Gleeson, The Banshees of Inisherin (PR: 8) (+4)
5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 4) (-2)
7. Ben Whishaw, Women Talking (PR: 7) (E)
8. Anthony Hopkins, Armageddon Time (PR: Not Ranked)
9. Judd Hirsch, The Fabelmans (PR: 9) (E)
10. Anthony Hopkins, The Son (PR: 11) (+1)
11. Tom Hanks, Elvis (PR: 12) (+1)
12. Mark Strong, Tar (PR: Not Ranked)
13. Seth Rogen, The Fabelmans (PR: 13) (E)
14. Ralph Fiennes, The Menu (PR: 14) (E)
15. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (E)
Four actresses have won three or more acting Oscars. Katherine Hepburn leads the pack with four while Ingrid Bergman, Frances McDormand, and Meryl Streep are the trio boasting three. Could Cate Blanchett join that elite club with Tár, which has premiered at the Venice Film Festival ahead of its October 7th bow? Based on early reviews, it’s very possible.
The psychological drama, which clocks in at over two and a half hours, is the third feature from Todd Field and his first in 16 years. His previous psychological dramas In the Bedroom (2001) and Little Children (2006) scored a combined 8 Academy nods (five of them for their respective casts). Playing a conductor whose drive borders on insanity, critics are heaping praise on Blanchett and the film itself. The Rotten Tomatoes meter is at a clean 100%.
In 2004, Blanchett won her first statue in Supporting Actress for The Aviator in which she played the aforementioned Hepburn. Nine years later, she took Best Actress for Woody Allen’s Blue Jasmine. With Tár, a third Oscar could follow nine years after that. Initial reaction is saying this is one of her greatest performances. This would be her 8th nomination overall and first since 2015’s Carol. I would go as far to say that her inclusion in the Actress final five is already close to assured.
What of its other prospects? It’s worth noting that Bedroom and Children both received adapted screenplays nods. This is Field’s first original screenplay in a category that could be jam packed. He helped his cause today with the Venice buzz (and that could include a directing mention as well). That said, even some of the gushing write-ups warn that Tár may not be accessible to mainstream audiences. This could potentially complicate its viability in Best Picture, but it certainly announced itself as a possibility.
I can’t help but think of 2010’s Black Swan from Darren Aronofsky as a comp. The two pics seem to share similar plot themes. It premiered in Italy 12 years ago and eventually received 5 Oscar nods including a win for its star Natalie Portman. Tár would love to follow that trajectory considering Picture and Director were among the quintet of Swan nominations.
Besides Blanchett, supporting actresses Nina Hoss and Noemie Merchant are picking up laudatory ink. I’m guessing Focus Features will mount a campaign for the former yet that remains to be seen. Cinematography and Score are among the chances for tech nods.
Bottom line: it’s hard to imagine Blanchett not being a major force in the Actress field for 2022. How far Tár goes beyond that is more in question. I do think its chances of being in my ten BP picks is better today than it was yesterday. My Oscar Prediction posts will continue…
It’s been an entire week since The Slap… check that, the 94th Academy Awards where CODA parlayed its Sundance buzz from January 2021 all the way to a Best Picture victory.
That also means I’ve managed to wait a whole week without speculation for the next Academy Awards which will hopefully be a slap free zone. So what are some titles that could be vying for attention?
On May 27th and after numerous delays, Top Gun: Maverick will find Tom Cruise returning to his iconic role some 36 years after the original. There’s a decent chance it could be up for similar prizes that its predecessor landed like Sound, Film Editing, and Song (courtesy of Lady Gaga apparently). Visual Effects is a possibility as well.
My weekly Oscar prediction posts won’t begin until mid to late August. In the meantime, you’ll get individualized write-ups for pics that open or screen at festivals.
Yet for today – I feel the need. The need to identify 21 other 2022 titles that might end up on the Academy’s radar. Enjoy!
Armageddon Time
Despite acclaimed movies like The Lost City of Z and Ad Astra, James Gray has yet to connect with awards voters. This drama, rumored to be centered on his Queens upbringing, is the next hopeful and features a stellar cast including Anne Hathaway, Anthony Hopkins, and Jeremy Strong. Release Date: TBD
Avatar 2
The 2009 original amassed nine nominations and won took home three. The first sequel (there’s three more on the way) arrives in December from James Cameron. Will it capture the critical and box office magic of part one? That’s impossible to know at this juncture, but one can safely assume it’ll be up for some tech categories like Sound and Visual Effects. Release Date: December 16th
Babylon
Damien Chazelle is no stranger to the big dance. Whiplash was a BP nominee and J.K. Simmons won Supporting Actor. Chazelle took Director for his follow-up La La Land along with Emma Stone’s Actress victory and it almost famously took BP. First Man nabbed four nominations, but missed the top of the line races. Babylon is a period drama focused on Hollywood’s Golden Age and should be right up the Academy’s alley. The cast includes Brad Pitt, Margot Robbie, and Tobey Maguire. Release Date: December 25th
Canterbury Glass
Robbie also turns up in David O. Russell’s latest ensemble piece. Anytime he’s behind the camera, Oscar nods typically follow (think The Fighter, Silver Linings Playbook, American Hustle). Slated for November, the dramedy also features Christian Bale, John David Washington, Rami Malek, Zoe Saldana, Robert De Niro, Mike Myers, and… Chris Rock. Release Date: November 4th
Elvis
Arriving in June but with a Cannes unveiling in May, Baz Luhrmann’s musical bio of The King stars Austin Butler in the title role and Tom Hanks as The Colonel. If this doesn’t contend for the major awards, I would still anticipate potential tech recognition (Production Design, Sound, etc…). Release Date: June 24th
Empire of Light
Sam Mendes was likely in the runner-up position in 2019 for Picture and Director (behind Parasite) with 1917. His follow-up is an English set romance starring Olivia Colman (who would be going for her fourth nomination in five years), Michael Ward, and Colin Firth. Release Date: TBD
Everything Everywhere All at Once
From two filmmakers known collectively as Daniels, Once is already out in limited release with spectacular reviews (97% on RT). The sci-fi action comedy might be too bizarre for the Academy, but I wouldn’t count it out as its admirers are vocal. Picture, Director, Actress (Michelle Yeoh), and Original Screenplay are all on the table. Release Date: out in limited release, opens wide April 8th
The Fabelmans
Steven Spielberg directs a semi-autobiographical tale and cowrites with his Lincoln and West Side Story scribe Tony Kushner. The cast includes Michelle Williams, Seth Rogen, and Paul Dano. Needless to say, this is a major contender on paper. Release Date: November 23rd
Killers of the Flower Moon
Alongside The Fabelmans, this might be the most obvious nominee from a personnel standpoint. Martin Scorsese helms this western crime drama featuring Jesse Plemons, Lily Gladstone, and his two frequent collaborators Leonardo DiCaprio and Robert De Niro. Apple TV just became the first streamer to get a BP victory with CODA. This could be the second in a row. Release Date: November
Poor Things
In 2018, The Favourite scored a whopping ten nominations. Based on an acclaimed 1992 novel, Poor Things is Yorgos Lanthimos’s follow-up and it reunites him with Emma Stone along with Willem Dafoe, Ramy Youssef, and Mark Ruffalo. The plot sounds bizarre but it could also be an Oscar bait role for Stone and others. Release Date: TBD
Rustin
One of Netflix’s contenders is George C. Wolfe’s profile of gay civil rights activist Bayard Rustin (played by Colman Domingo). In 2020, Wolfe directed Viola Davis and Chadwick Boseman to nods for Ma Rainey’s Black Bottom. Look for Domingo to be a competitor and the supporting cast includes Chris Rock (maybe he will be back at the show), Glynn Turman, and Audra McDonald. Release Date: TBD
See How They Run
The 1950s set murder mystery could provide 27-year-old Saoirse Ronan with an opportunity to land her fifth nomination. Sam Rockwell, David Oyelowo, Adrien Brody, and Ruth Wilson are among the supporting players. Tom George directs. Release Date: TBD
She Said
Five years after the scandal rocked Hollywood, She Said from Maria Schrader recounts the New York Times sexual misconduct investigation into Harvey Weinstein. Zoe Kazan, Carey Mulligan, and Patricia Clarkson lead the cast. Release Date: November 18th
The Son
Florian Zeller won Best Adapted Screenplay in 2020 for The Father along with Anthony Hopkins taking Best Actor. This follow-up (based on the director’s play) finds Hopkins reprising his Oscar-winning part in supporting fashion. Other cast members seeking awards attention include Hugh Jackman, Laura Dern, and Vanessa Kirby. Release Date: TBD
TAR
It’s been a while since we’ve seen Todd Field behind the camera. Previous efforts In the Bedroom and Little Children received 8 nominations between them. A decade and a half following Children comes this Berlin set drama with Cate Blanchett, Noemie Merlant, and Mark Strong. Release Date: October 7th
Three Thousand Years of Longing
Scheduled for a Cannes bow in May, Longing is a fantasy romance from the legendary mind of George Miller (who last made Mad Max: Fury Road which won six tech Oscars). Idris Elba and Tilda Swinton star. Release Date: TBD
The Whale
Darren Aronofsky directed Mickey Rourke to a comeback narrative nod for 2008’s The Wrestler. Two years later, his follow-up Black Swan earned Natalie Portman a statue. Brendan Fraser is hoping for the same treatment with The Whale as he plays a 600 pound man attempting to reconnect with his daughter. Costars include Sadie Sink, Hong Chau, and Samantha Morton. I’d expect Makeup and Hairstyling could also be in play with this. Release Date: TBD
White Noise
Not a remake of the Michael Keaton supernatural thriller from 2005, this is Noah Baumbach’s follow-up to Marriage Story. Based on a 1985 novel, it’s the filmmaker’s first picture based on other source material. Marriage landed three acting nods (with Laura Dern winning Supporting Actress). The cast here includes frequent Baumbach collaborator Adam Driver, real-life partner Greta Gerwig, Raffey Cassidy, Andre Benjamin, Alessandro Nivola, and Don Cheadle. This could be Netflix’s strongest contender. Release Date: TBD
The Woman King
Expect this West Afrian set historical epic from Gina Prince-Bythewood to be heavily touted by Sony with awards bait roles for leads Viola Davis and Thuso Mbedu. The supporting cast includes John Boyega and Lashana Lynch. Release Date: September 16th
Women Talking
Based on a 2018 novel, Sarah Polley writes and directs this drama focused on eight Mennonite women and their story of abuse. The sterling cast includes Frances McDormand, Jessie Buckley, Ben Whishaw, Claire Foy, and Rooney Mara. Release Date: TBD
And that’s just a small preview of the features that could materialize for the 95th Academy Awards! As always, the speculation on this site will continue throughout the year and into the next. Stay tuned…
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