None of the five follow-ups to Steven Spielberg’s 1993 classic Jurassic Park generated much awards attention. Will that change with the sixth? Jurassic World Rebirth hits theaters on Wednesday with Gareth Edwards handling directorial duties and Scarlett Johansson, Mahershala Ali, Jonathan Bailey, Rupert Friend, and Manuel Garcia-Rulfo starring.
The original over three decades ago won all 3 Oscars it was up for – Visual Effects, Sound Editing, and Sound Mixing (back when the sound races were separated). 1997 sequel The Lost World: Jurassic Park landed a sole VE nom, but lost to Titanic. The next four entries – Jurassic Park III, Jurassic World, Jurassic World: Fallen Kingdom, Jurassic World: Dominion – garnered a total of zero Academy mentions.
Reviews for Rebirth are mixed to negative. While certainly stronger than Dominion‘s 29% Rotten Tomatoes rating and 38 Metacritic, the 56% RT and 53 Meta are nothing to roar about. Edwards has seen two pics in his filmography contend in Visual Effects – 2016’s Rogue One: A Star Wars Story and 2023’s The Creator. I doubt his first dino adventure will bring the series back into that category for the first time this century. My Oscar Prediction posts will continue…
Jurassic World Rebirth looks to rule the Independence Day holiday frame beginning July 2nd. This is now the third iteration of the dino franchise that kicked off with 1993’s Jurassic Park from Steven Spielberg and the seventh entry overall. Gareth Edwards, no stranger to franchise fare with Godzilla and Rogue One: A Star Wars Story in his discography, directs. Scarlett Johansson headlines the cast that features Mahershala Ali, Jonathan Bailey, Rupert Friend, and Manuel Garcia-Rulfo.
The second Jurassic trilogy premiered in spectacular fashion a decade back when Jurassic World made $208 million out of the gate and $652 million domestically. The follow-ups performed well though with diminishing results. Jurassic World: Fallen Kingdom in 2018 debuted at $148 million and $417 million overall. 2022’s Jurassic World: Dominion was barely behind at $145 million and $376 million in total.
I anticipate that Rebirth will continue the downward trend. When World opened 10 years ago, there was pent up anticipation for the franchise with a nostalgia factor in play. Such factors are diluted with only a three-year layover between entries. It doesn’t help that Dominion was generally considered a disappointment.
That means the streak of Jurassic tales making nine figures in the traditional weekend is endangered. I’ll say high 70s to low 80s is likelier. However, the five-day could top $130 million.
Jurassic World Rebirth opening weekend prediction: $80.8 million (Friday to Sunday); $133 million (Wednesday to Sunday)
Based on the well-regarded 2020 novel by Rumaan Alam, Leave the World Behind has premiered at the AFI Fest prior to its limited November 22nd theatrical run and December 8th Netflix bow. Sam Esmail directs the apocalyptic thriller starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha’la, Farrah Mackenzie, Charlie Evans, and Kevin Bacon.
Counting Barack and Michelle Obama among its executive producers, this looks to attract plenty of eyeballs during the holiday season. The small number of reviews so far are mostly complimentary (83% on Rotten Tomatoes) while not as strong as the source material’s notices.
Despite the awards friendly cast (Roberts won in 2000 for Erin Brockovich and Ali is a two-time recipient for 2016’s Moonlight and 2018’s Green Book), the chances for World being a contender are likely flatlined. My Oscar Prediction posts will continue…
We have reached 2018 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-17, they are linked at the bottom of the post.
2018 is a tricky year to winnow down. In fact, all 8 nominees have strong cases to make the final five. Only one thing is for sure. Peter Farrelly’s Green Book is one of the five considering it won Best Picture. It stands as one of the more surprising (and derided) victors in recent years. The race relations drama went an impressive 3/5 on its nominations – taking Picture, Supporting Actor (Mahershala Ali), and Original Screenplay and missing Actor (Viggo Mortensen) and Film Editing.
So what of the other seven hopefuls? Here’s my speculation:
Black Panther
The only MCU flick (and for that matter comic book adaptation) to score a BP nom was Ryan Coogler’s phenomenon with Chadwick Boseman as the title character. Its seven nominations included three wins for Score, Production Design, and Costume Design.
Does It Make the Final Five?
No. Besides BP, the other six mentions were all technical. It missed directing, any acting inclusions, screenplay, and even editing. It’s hard to leave this out though that’s the case with everything here.
BlacKkKlansman
Spike Lee received his first and only Oscar for his adapted screenplay. That’s the only victory of the night among its six total nods as Lee did make the quintet for direction. The others were Supporting Actor (Adam Driver), Score, and Film Editing.
Does It Make the Final Five?
Had this not taken Adapted Screenplay, I’d leave this off. Yet that win has me (somewhat reluctantly) leaving it in.
Bohemian Rhapsody
Rami Malek was crowned Best Actor for his performance as Queen frontman Freddie Mercury in the biopic. Despite mixed reviews, Rhapsody was successful in four of its five noms. Picture is the only race it didn’t win as it took Actor, Sound Editing, Sound Mixing, and Film Editing.
Does It Make the Final Five?
Yes. That 80% ratio solidifies it even without attention for the direction or screenplay.
The Favourite
The period piece from Yorgos Lanthimos tied all nominees with 10. The lone victory was an unexpected one as Olivia Colman took Best Actress over the favored Glenn Close (The Wife).
Does It Make the Final Five?
Yes. Despite the 10% ratio, it still led all contenders with key placements in Director, two Supporting Actress bids (Emma Stone and Rachel Weisz), Original Screenplay, and Editing.
Roma
Alfonso Cuaron was your Best Director in the Mexican drama that was the other picture with 10 nods. It also won Foreign Language Film and Cinematography while contending in Actress (Yalitza Aparicio), Supporting Actress (Marina de Tavira), Original Screenplay, both Sound competitions, and Production Design.
Does It Make the Final Five?
Yes and easily. The Netflix property was supposed to be the streamer’s first BP (they’re still waiting) and was favored before that Book upset.
A Star Is Born
Bradley Cooper’s version of the frequently remade melodrama achieved 8 nominations and one win for the director’s duet with costar Lady Gaga “Shallow” in Original Song. Both Cooper and Gaga were up for their acting as was Sam Elliot in Supporting Actor, Adapted Screenplay, Sound Mixing, and Cinematography.
Does It Make the Final Five?
No, but another tough call. Star‘s shine with voters seemed to dim as the season wore on. This is evidenced by it missing directing and editing.
Vice
This is a good time to point out that all 8 BP hopefuls won at least one statue. Adam McKay’s biopic of former Vice President Cheney (played by Christian Bale) took home the Makeup and Hairstyling award. Other noms were for the direction, Bale, Supporting Actor (Sam Rockwell), Supporting Actress (Amy Adams), Original Screenplay, and Film Editing.
Does It Make the Final Five?
No and I really struggled here. Vice landed mentions everywhere it needed to. The so-so critical reaction made it a tad easier to leave it out. Simply put, this could’ve been in over BlacKkKlansman or Bohemian, but I had to make the judgment call.
So that means my 2018 final five is:
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
I’ll have my post for 2019 up soon! The 2009-17 write-ups are here:
The New York Film Critics Circle have made their selections for the year’s best and that kicks off a flurry of regional awards coming our way in the days and weeks ahead. This particular critics group (as is the case with most) isn’t much of a barometer on who and what will win. It is, however, a decent glimpse of who and what could contend.
Todd Field’s Tár and Martin McDonagh’s The Banshees of Inisherin each earned two honors. The former was named Best Film with Cate Blanchett taking the Actress award. Eight of the last 10 NYFCC victors in Film went on to receive a BP Oscar nomination. Yet none of those movies won the big prize from the Academy. The last one that did was 2011’s The Artist. And that make sense here. Tár appears highly likely to make the BP cut though it isn’t much of a threat to take the gold. Five of the past 10 Actress recipients were nominated with only one winner. Who was that winner? Cate Blanchett for 2013’s Blue Jasmine. She could certainly do so again. This won’t be the only critics branch to name her.
Colin Farrell was Best Actor for Banshees and After Yang. Like Actress, half of the previous ten New York honorees made the Oscar quintet with two winners – Daniel Day-Lewis (Lincoln) and Casey Affleck (Manchester by the Sea). Farrell appears to be locked in a tight three-way race with Brendan Fraser (The Whale) and Austin Butler (Elvis). Every precursor like this helps a little. Banshees also won Best Screenplay. That’s another Academy three-way battle in Original Screenplay with Everything Everywhere All at Once and The Fabelmans.
The supporting fields are a bit more predictive as far as Academy matches. Eight of 10 Supporting Actor NYFCC takers were at the Oscars. That includes four winners in Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), Mark Rylance (Bridge of Spies), and Mahershala Ali (Moonlight). We could see another match with Ke Huy Quan (Everything Everywhere All at Once). Expect to hear his name a lot.
Supporting Actress, on the contrary, was more of a surprise. Keke Palmer’s work in Nope topped all rivals in a wide open field that’s hard to peg for Oscar prognosticating. 7 of 10 winners here made the big dance including the victorious Patricia Arquette (Boyhood), Regina King (If Beale Street Could Talk), and Laura Dern (Marriage Story). I’ve yet to have Palmer in my top ten. I’m starting to wonder if she could get in the mix for her memorable performance in the sci-fi horror tale. I should note that NYFCC named Lupita Nyong’o Best Actress for Peele’s Us from 2019 and she came up short with Oscar voters.
The rest of the categories all showcased viable contenders in their respective competitions. Marcel the Shell with Shoes On picked up Animated Feature and I expect it to get love from the critics. Same with Non-Fiction Film and All the Beauty and the Bloodshed (I have it ranked first in Oscar’s Documentary Feature). Poland’s EO was a slightly unexpected choice in Foreign Film over Decision to Leave (which I have pegged as the soft frontrunner for the Academy). Finally, Top Gun: Maverick aced Cinematography and it should get an Oscar nod there for the thrilling aerial camerawork.
Keep coming to the blog for all your awards news and I’ll have updated Oscar predictions up this Sunday!
As if Sunday’s Critics Choice Awards weren’t enough, the British Academy Film Awards air the same day. The BAFTAs, as of late, have been a rather reliable predictor for Oscar races (especially the acting derbies). Last year, the BAFTA/Oscar matched in all 4 thespian derbies and that included the surprise Anthony Hopkins (The Father) victory over Chadwick Boseman for Ma Rainey’s Black Bottom.
That can’t occur this time around because none of the Best Actress contenders at BAFTA are nominated for the Academy Award (go figure!). As I have with other ceremonies, I’m giving you my winner pick with a runner-up. On Monday, expect recaps for Critics Choice and this show!
Best Film
Nominees:
Belfast
Don’t Look Up
Dune
Licorice Pizza
The Power of the Dog
Predicted Winner: The Power of the Dog
Runner-Up: Belfast
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Jane Campion, The Power of the Dog
Audrey Diwan, Happening
Julia Ducournau, Titane
Ryusuke Hamaguchi, Drive My Car
Aleem Khan, After Love
Predicted Winner: Jane Campion, The Power of the Dog
Runner-Up: Paul Thomas Anderson, Licorice Pizza
Best Actress in a Leading Role
Nominees:
Lady Gaga, House of Gucci
Alana Haim, Licorice Pizza
Emilia Jones, CODA
Renate Reinsve, The Worst Person in the World
Joanna Scanlan, After Love
Tessa Thompson, Passing
Predicted Winner: Joanna Scanlan, After Love
Runner-Up: Renate Reinsve, The Worst Person in the World
Best Actor in a Leading Role
Nominees:
Adeel Akhtar, Ali & Ava
Mahershala Ali, Swan Song
Benedict Cumberbatch, The Power of the Dog
Leonardo DiCaprio, Don’t Look Up
Stephen Graham, Boiling Point
Will Smith, King Richard
Predicted Winner: Benedict Cumberbatch, The Power of the Dog
Runner-Up: Will Smith, King Richard
Best Actress in a Supporting Role
Nominees:
Caitriona Balfe, Belfast
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Ann Dowd, Mass
Aunjanue Ellis, King Richard
Ruth Negga, Passing
Predicted Winner: Ariana DeBose, West Side Story
Runner-Up: Ruth Negga, Passing
Best Actor in a Supporting Role
Nominees:
Mike Faist, West Side Story
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Woody Norman, C’Mon C’Mon
Jesse Plemons, The Power of the Dog
Kodi Smit-McPhee, The Power of the Dog
Predicted Winner: Kodi Smit-McPhee, The Power of the Dog
Runner-Up: Troy Kotsur, CODA
Best Original Screenplay
Nominees:
Being the Ricardos
Belfast
Don’t Look Up
King Richard
Licorice Pizza
Predicted Winner: Belfast
Runner-Up: Licorice Pizza
Best Adapted Screenplay
Nominees:
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Predicted Winner: The Power of the Dog
Runner-Up: The Lost Daughter
Best Animated Film
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Predicted Winner: Flee
Runner-Up: Encanto
Best Documentary
Nominees:
Becoming Cousteau
Cow
Flee
The Rescue
Summer of Soul
Predicted Winner: Summer of Soul
Runner-Up: Flee
Best Film Not in the English Language
Nominees:
Drive My Car
The Hand of God
Parallel Mothers
Petite Maman
The Worst Person in the World
Predicted Winner: Drive My Car
Runner-Up: The Worst Person in the World
Best Casting
Nominees:
Boiling Point
Dune
The Hand of God
King Richard
West Side Story
Predicted Winner: West Side Story
Runner-Up: Dune
Best Cinematography
Nominees:
Dune
Nightmare Alley
No Time to Die
The Power of the Dog
The Tragedy of Macbeth
Predicted Winner: Dune
Runner-Up: The Power of the Dog
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
The French Dispatch
Nightmare Alley
Predicted Winner: Cruella
Runner-Up: Dune
Best Editing
Nominees:
Belfast
Dune
Licorice Pizza
No Time to Die
Summer of Soul
Predicted Winner: Dune
Runner-Up: No Time to Die
Best Makeup and Hair
Nominees:
Cruella
Cyrano
Dune
The Eyes of Tammy Faye
House of Gucci
Predicted Winner: The Eyes of Tammy Faye
Runner-Up: House of Gucci
Best Original Score
Nominees:
Being the Ricardos
Don’t Look Up
Dune
The French Dispatch
The Power of the Dog
Predicted Winner: Dune
Runner-Up: The Power of the Dog
Best Production Design
Nominees:
Cyrano
Dune
The French Dispatch
Nightmare Alley
West Side Story
Predicted Winner: Dune
Runner-Up: Nightmare Alley
Best Sound
Nominees:
Dune
Last Night in Soho
No Time to Die
A Quiet Place Part II
West Side Story
Predicted Winner: Dune
Runner-Up: No Tme to Die
Best Special Visual Effects
Nominees:
Dune
Free Guy
Ghostbusters: Afterlife
The Matrix Resurrections
No Time to Die
Predicted Winner: Dune
Runner-Up: No Time to Die
Outstanding British Film
Nominees:
After Love
Ali & Ava
Belfast
Boiling Point
Cyrano
Everybody’s Talking About Jamie
House of Gucci
Last Night in Soho
No Time to Die
Passing
Predicted Winner: Belfast
Runner-Up: After Love
Outstanding Debut by a British Writer, Director, or Producer
Nominees:
After Love
Boiling Point
The Harder They Fall
Keyboard Fantasies
Passing
Predicted Winner: Passing
Runner-Up: After Love
My predictions mean the following movies get these numbers of wins:
6 Wins
Dune
5 Wins
The Power of the Dog
2 Wins
Belfast, West Side Story
1 Win
After Love, Cruella, Drive My Car, The Eyes of Tammy Faye, Flee, Passing, Summer of Soul
Benjamin Cleary’s Swan Song is told through the eyes of two characters in a near future setting. In years approaching, it seems that our contact lenses serve as cameras allowing remote bystanders to witness the interactions of others. This comes into play with a tale of clones and impending loss.
Cameron Turner (Mahershala Ali) is facing a quandary that’s slightly less believable than his disposable camcorders. Diagnosed with a terminal illness, he struggles with how to tell his wife Poppy (Ali’s Moonlight costar Naomie Harris in another fine performance). With a young child and another on the way, an alternative solution is presented. Kindly Dr. Scott (Glenn Close) can make an exact copy of him. Cameron would face his final days at a lush and remote medical facility. Poppy and the rest of the family would have no idea.
At Dr. Scott’s locale, he meets patient #2 Kate (Awkwafina). He would be third. Away from it, Cameron is introduced to her engineered doppelgänger. That interaction helps push him to the yes column. Yet when he meets the clone called Jack (also played by Ali, naturally) – doubts are cast.
Song features plenty of flashbacks showing Cameron’s existence in healthier days. This includes his meet cute with Poppy involving a candy bar. It gets more dramatic when his eventual spouse is dealt a devastating loss.
The new technology would prevent that from happening and Cleary’s screenplay mostly succeeds in navigating the sticky wicket ethical issues presented. A two-time Oscar winner given his first sole leading role, Ali is excellent. He has the assignment of playing two characters. They may be the same person, but they have different motivations at various times. That’s not an easy feat to pull off and Ali passes the test impressively with subtle grace.
Swan Song is indeed with a tearjerker that manages to earn them with much credit to its lead(s). Cleary is not overly clear about how this enterprise of Xeroxing yourself came to be. It actually works in the picture’s favor. I’m not sure those explorations could have been more revelatory from those we’ve seen in other sci-fi tales with similar themes. Instead we are presented with Cameron’s predicament in real time and with the understandable conflicts he undergoes as his decision clock winds down before our eyes.
For the second year in a row, the British Academy Film Awards (or BAFTAs) showed its unpredictable nature with some shocking omissions and unexpected inclusions. The last major precursor before Oscar nominations are unveiled Tuesday, I went 63 of 99 when it comes to races with a correlation to the Academy’s competitions. Truth be told – it coulda been worse considering the surprises we witnessed today.
Let’s break them down one by one with some commentary, shall we?
Film
Nominees: Belfast, Don’t Look Up, Dune, Licorice Pizza, The Power of the Dog
How I Did: 3/5
Commentary: The BAFTAs delivered a great haul for Pizza. It and Don’t Look Up got in over my picks of The Tragedy of Macbeth and West Side Story (which both underwhelmed). Gut reaction says Power is in the lead.
Director
Nominees: Paul Thomas Anderson (Licorice Pizza), Jane Campion (The Power of the Dog), Audrey Diwan (Happening), Julia Ducournau (Titane), Ryusuke Hamaguchi (Drive My Car), Aleem Khan (After Love)
How I Did: 4/6
Commentary: Wow – no Kenneth Branagh for Belfast or Denis Villeneuve for Dune! They miss with Anderson and Diwan taking the spots. Like with Film, Campion could be out in front.
Leading Actress
Nominees: Lady Gaga (House of Gucci), Alana Haim (Licorice Pizza), Emilia Jones (CODA), Renate Reinsve (The Worst Person in the World), Joanna Scanlan (After Love), Tessa Thompson (Passing)
How I Did: 3/6
Commentary: Surprises galore here! No Nicole Kidman for Being the Ricardos or Olivia Colman in The Lost Daughter. I predicted both along with Claire Rushbrook for Ali & Ava. In their slots are Haim (continuing the Licorice love), Jones, and Thompson. I would also note no Kristen Stewart in Spencer after her SAG snub.
Now here’s an interesting stat – since 2013, the BAFTA Leading Actress recipient has matched the Oscar winner. So… are Kidman and Colman in trouble? Could Gaga be on her way to a gold statue? Does this show Haim’s potential strength at getting an Academy mention? Questions abound, but I know one thing – this year’s Actress race is as intriguing as last year’s.
Leading Actor
Nominees: Adeel Akhtar (Ali & Ava), Mahershala Ali (Swan Song), Benedict Cumberbatch (The Power of the Dog), Leonardo DiCaprio (Don’t Look Up), Stephen Graham (Boiling Point), Will Smith (King Richard)
How I Did: 3/6
Commentary: Smith’s inclusion here (which I didn’t project) just might solidify him as the Oscar frontrunner (with Cumberbatch pretty close behind). Academy hopefuls Andrew Garfield (Tick, Tick… Boom!) and Denzel Washington (Macbeth) were left out as was Daniel Craig in his swan song as Bond in No Time to Die. In their place – Smith, Ali (following up on his Globe nominated turn), and DiCaprio.
Side note – somehow, Denzel has never been nominated for a BAFTA.
Supporting Actress
Nominees: Caitriona Balfe (Belfast), Jessie Buckley (The Lost Daughter), Ariana DeBose (West Side Story), Ann Dowd (Mass), Aunjanue Ellis (King Richard), Ruth Negga (Passing)
How I Did: 4/6
Commentary: Dowd finally shows up! I must say – no huge shockers here as she and Ellis made it over Kirsten Dunst (The Power of the Dog) and Kathryn Hunter (Macbeth). We’ll see if DeBose’s potential sweep continues here.
Supporting Actor
Nominees: Mike Faist (West Side Story), Ciaran Hinds (Belfast), Troy Kotsur (CODA), Woody Norman (C’Mon C’Mon), Jesse Plemons (The Power of the Dog), Kodi Smit-McPhee (The Power of the Dog)
How I Did: 3/6
Commentary: There was a double dose of Dog love for Plemons (who I didn’t predict) and Smit-McPhee (who I did and he could certainly win). I also went with Faist’s costar David Alvarez instead in a last minute switch that I now regret. And young Norman is responsible for the only nod for C’Mon C’Mon. I also went with Benicio del Toro for The French Dispatch and Jamie Dornan in Belfast. At this point, an Oscar nod for Dornan seems like a reach. Also worth noting is that, despite Pizza over performing, no Bradley Cooper.
Original Screenplay
Nominees: Being the Ricardos, Belfast, Don’t Look Up, King Richard, Licorice Pizza
How I Did: 4/5
Commentary: Here’s a list that may absolutely match the Oscar one. I said After Love over Richard (which had a solid day). Like with the Academy, this might be a Belfast v. Pizza showdown and considering how well the latter did, I might lean that way.
Adapted Screenplay
Nominees: CODA, Drive My Car, Dune, The Lost Daughter, The Power of the Dog
How I Did: 4/5
Commentary: Went with West Side Story over Dune. This is Power‘s to lose.
Animated Film
Nominees: Encanto, Flee, Luca, The Mitchells vs. the Machines
How I Did: 3/4
Commentary: Rather predictable list though I said Ron’s Gone Wrong instead of Luca.
Film Not in the English Language
Nominees: Drive My Car, The Hand of God, Parallel Mothers, Petite Maman, The Worst Person in the World
How I Did: 3/5
Commentary: No Flee here or Titane with God and Mothers in. Drive My Car is the favorite.
Documentary
Nominees: Becoming Cousteau, Cow, Flee, The Rescue, Summer of Soul
How I Did: 3/5
Commentary: Summer of Soul did well when factoring in the surprise Editing nod. It made it along with Cousteau over my picks of The Sparks Brothers and The Velvet Underground.
Cinematography
Nominees: Dune, Nightmare Alley, No Time to Die, The Power of the Dog, The Tragedy of Macbeth
How I Did: 4/5
Commentary: Well – Macbeth got something (!) Only miss here was going with Belfast instead of Alley.
Costume Design
Nominees: Cruella, Cyrano, Dune, The French Dispatch, Nightmare Alley
How I Did: 2/5
Commentary: There’s always a pesky 2/5 race where I just whiff. I got Cyrano and Dune right but the others popped up over House of Gucci, Last Night in Soho, and West Side Story. I didn’t predict it, but Cruella could be the main competition for Dune.
Editing
Nominees: Belfast, Dune, Licorice Pizza, No Time to Die, Summer of Soul
How I Did: 3/5
Commentary: Soul‘s aforementioned placement is unexpected – could it possibly follow suit with the Academy? Also didn’t project Pizza. They are in over Last Night in Soho and (you guessed it) West Side Story.
Makeup and Hair
Nominees: Cruella, Cyrano, Dune, The Eyes of Tammy Faye, House of Gucci
How I Did: 4/5
Commentary: Cyrano over The Electrical Life of Louis Wain. Honestly, other than Cyrano, I think any of the hopefuls could take this.
Original Score
Nominees: Being the Ricardos, Don’t Look Up, Dune, The French Dispatch, The Power of the Dog
How I Did: 3/5
Commentary: Ricardos and Don’t Look Up in; The Green Knight and Spencer out. Probably a showdown of Dune v. Dog.
Production Design
Nominees: Cyrano, Dune, The French Dispatch, Nightmare Alley, West Side Story
How I Did: 3/5
Commentary: Here’s a rare category where I incorrectly had West Side missing. It’s in, along with Cyrano (which had a decent haul with tech races) over Belfast and Macbeth.
Sound
Nominees: Dune, Last Night in Soho, No Time to Die, A Quiet Place Part II, West Side Story
How I Did: 4/5
Commentary: Place over Belfast. Expect Dune to reign supreme.
Special Visual Effects
Nominees: Dune, Free Guy, Ghostbusters: Afterlife, The Matrix Resurrections, No Time to Die
How I Did: 3/5
Commentary: Should be another victory for Dune as Free Guy and Ghostbusters made it over my selections of The King’s Man and Shang-Chi and the Legend of the Ten Rings.
And there’s your recap. As a reminder, my FINAL Oscar predictions (which I’m currently beating myself up over) will be posted tomorrow! Stay tuned…
I’m used to saying the Golden Globes will air Sunday evening, but that’s not the case in 2022. The ceremony honoring the best of 2021 will come to us in an as yet undetermined format. This is due to various controversies brought to light recently about the Hollywood Foreign Press Association and NBC’s decision not to broadcast the show.
However, the show will go on (possibly streaming on your computer) and the Globes still serve as a barometer for what Oscar voters could be thinking in coming weeks. That said, the HFPA is certainly capable of providing surprises. Just last year, Andra Day’s victory in Best Actress (Drama) for The United States vs. Billie Holiday and Jodie Foster as Supporting Actress for The Mauritanian were legitimate upsets.
As a reminder, the Globes split their picture and lead acting races into Drama and Musical/Comedy though not with the supporting derbies or screenplay. I will be making my picks along with runner-up selections while also providing numbers showing the correlation of Globe winners to Oscar recipients in each respective category for the last ten years.
Let’s get to it!
Best Motion Picture (Drama)
Nominees:
Belfast
CODA
Dune
King Richard
The Power of the Dog
Predicted Winner: Belfast
Runner-Up: The Power of the Dog
Globe Winner to Oscar Winner Ratio: 4 out of last 10 years
Commentary: The HFPA competition for the drama prize is the first major showdown between Oscar frontrunners Belfast and The Power of the Dog. With the international flavor and feel good vibes of the former, I’m picking Kenneth Branagh’s coming-of-age drama to come out ahead. If there’s a shocker in store, it could be CODA (which seems to picking up more steam on a weekly basis).
I will admit that picking Belfast to win Drama and take no other awards (as you’ll see below) feels strange. There is recent precedent, however, with 2016’s Moonlight.
Best Motion Picture (Musical/Comedy)
Nominees:
Cyrano
Don’t Look Up
Licorice Pizza
Tick, Tick… Boom!
West Side Story
Predicted Winner: West Side Story
Runner-Up: Licorice Pizza
Globe Winner to Oscar Winner ratio: 2 out of the last 10 years
Commentary: I wouldn’t count out Licorice Pizza but its miss in Best Director could be telling. West Side Story should be right up HFPA’s alley and its the only feature where its maker made the director cut.
Best Director
Nominees:
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Maggie Gyllenhaal, The Lost Daughter
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Predicted Winner: Steven Spielberg, West Side Story
Runner-Up: Jane Campion, The Power of the Dog
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: This is a tough one. Maggie Gyllenhaal’s nod for The Lost Daughter was unexpected and she’s the only contender that I feel stands no chance of winning. Branagh could certainly ride a wave of Belfast love. Villeneuve could be honored for the technical mastery of Dune. And Campion is the hopeful picking up the bulk of critics prizes. Yet I’ll go with the HFPA honoring the legendary Spielberg.
Best Performance in a Motion Picture – Drama (Actress)
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Predicted Winner: Kristen Stewart, Spencer
Runner-Up: Jessica Chastain, The Eyes of Tammy Faye
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: This is the first test to see whether Stewart really is the frontrunner that could sweep through the season. I’m skeptical and I honestly believe any of the performers could take this (I struggled to pick the runner-up as it could be any of them). I wouldn’t put money on it, but I’ll say Stewart manages to nab the crown.
Best Performance in a Motion Picture – Drama (Actor)
Nominees:
Mahershala Ali, Swan Song
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Predicted Winner: Will Smith, King Richard
Runner-Up: Benedict Cumberbatch, The Power of the Dog
Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years
Commentary: As you can see, this is a rather reliable predictor of where the Academy could go. For 2021’s features, the ceremonies should boil down to Smith v. Cumberbatch. I don’t think HFPA will pass up a chance to honor one of cinema’s most durable draws for the last 25 years in one of his most acclaimed performances.
Best Performance in a Motion Picture – Musical/Comedy (Actress)
Nominees:
Marion Cotillard, Annette
Alana Haim, Licorice Pizza
Jennifer Lawrence, Don’t Look Up
Emma Stone, Cruella
Rachel Zegler, West Side Story
Predicted Winner: Emma Stone, Cruella
Runner-Up: Rachel Zegler, West Side Story
Globe Winner to Oscar Winner Ratio: 3 out of the last 10 years
Commentary: There was an upset last year when Rosamund Pike (I Care a Lot) emerged over the favored Maria Bakalova for Borat Subsequent Moviefilm. The West Side love extending to Zegler is probably the smartest pick to make. Alana Haim’s work in Pizza could deliver her a victory and she probably should be listed as the runner-up. Yet if there’s any upset, I could see Stone surprising and there’s almost always one during the Globes. Perhaps against my better judgment, I’m going with it.
Best Performance in a Motion Picture – Musical/Comedy (Actor)
Nominees:
Leonardo DiCaprio, Don’t Look Up
Peter Dinklage, Cyrano
Andrew Garfield, Tick, Tick… Boom!
Cooper Hoffman, Licorice Pizza
Anthony Ramos, In the Heights
Predicted Winner: Andrew Garfield, Tick, Tick… Boom!
Runner-Up: Leonardo DiCaprio, Don’t Look Up
Globe Winner to Oscar Winner Ratio: 1 out of the last 10 years
Commentary: Dinklage is a threat though I’ll go with DiCaprio as the runner-up since he’s arguably the biggest star in Hollywood. That said, Garfield (he’s likely #3 in the Oscar contest at the moment) is the most likely winner.
Best Supporting Performance in a Motion Picture (Actress)
Nominees:
Caitriona Balfe, Belfast
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Ruth Negga, Passing
Predicted Winner: Ariana DeBose, West Side Story
Runner-Up: Aunjanue Ellis, King Richard
Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years
Commentary: Jodie Foster’s win for 2020 came out of nowhere so who really knows? I’ll go with a West Side pick and DeBose. Other than Negga, I could foresee any of these candidates making (theoretical) podium trips.
Best Supporting Performance in a Motion Picture (Actor)
Nominees:
Ben Affleck, The Tender Bar
Jamie Dornan, Belfast
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Kodi Smit-McPhee, The Power of the Dog
Predicted Winner: Kodi Smit-McPhee, The Power of the Dog
Runner-Up: Troy Kotsur, CODA
Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years
Commentary: Another tricky one in a race where the Globes and Academy typically match. Assuming the Belfast boys split and Affleck isn’t a factor, this comes down to Smit-McPhee vs. Kotsur. A win for either could propel them to a glorious season ahead. I’m really tempted to go with Kotsur, but I’ll say this marks the best opportunity for HFPA to bestow an honor for Dog. This is a coin flip.
Best Screenplay
Nominees:
Being the Ricardos
Belfast
Don’t Look Up
Licorice Pizza
The Power of the Dog
Predicted Winner: Licorice Pizza
Runner-Up: Belfast
Globe Winner to Oscar Winner Ratio: 5 out of the last 10 years (counting both Original and Adapted Screenplays at the Oscars)
Commentary: Your guess is as good as mine here. I’m going with a bit of an upset with Pizza, but the smart money is probably on Belfast or Dog. I also wouldn’t count out Aaron Sorkin for Ricardos (he took this category last year for The Trial of the Chicago 7). And Adam McKay could be called up for Don’t Look Up which (despite its mixed reviews) is drawing plenty of ink.
Best Animated Feature
Nominees:
Encanto
Flee
Luca
My Sunny Maad
Raya and the Last Dragon
Predicted Winner: Encanto
Runner-Up: Flee
Globe Winner to Oscar Winner Ratio: 7 out of the last years
Commentary: The Globes are capable of unexpected picks here (2019’s Missing Link for example). Don’t be surprised if Flee from Iran gets this, but I’ll go with Disney’s likeliest hopeful of its trio of nominees and that’s Encanto.
Best Foreign Language Film
Nominees:
Compartment No. 6
Drive My Car
The Hand of God
A Hero
Parallel Mothers
Predicted Winner: Drive My Car
Runner-Up: Parallel Mothers
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: Watch out for Mothers to pull off an upset, but this is Drive My Car‘s race to lose. The Japanese drama has established itself as the frontrunner in international competitions at all ceremonies.
Best Original Score
Nominees:
Dune
Encanto
The French Dispatch
Parallel Mothers
The Power of the Dog
Predicted Winner: Dune
Runner-Up: Parallel Mothers
Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years
Commentary: Another race that Mothers could unexpectedly take, I also wouldn’t discount Dispatch or Dog. This should be Dune‘s best opportunity to take a prize though.
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“Here I Am” from Respect
“No Time to Die” from No Time to Die
Predicted Winner: “No Time to Die” from No Time to Die
Runner-Up: “Be Alive” from King Richard
Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years
Commentary: This should be the battle of Billie (Eilish) for “Die” vs. Beyonce (it’s just Beyonce) for “Alive” and that should be the dynamic for the Oscars. The HFPA has honored the last two Bond themes for Skyfall and Spectre. I’ll give it a very slight edge.
And there you have it! The Golden Globes will air, err happen, Sunday. I’ll have reaction up on the blog shortly thereafter.
Under a cloud of controversy and uncertainty as to what their January 9th ceremony will even look like (it won’t be on NBC), the Hollywood Foreign Press Association announced their nominees this morning for the 79th Annual Golden Globe Awards.
Per usual, there were some surprises though no Kate Hudson for Best Actress in Music level one like in 2020. Overall I went 49/70 in my picks for the 14 cinematic races – going perfect in just one derby while striking out 2/5 in two others.
Let’s break them down one by one with some commentary and my initial thoughts on who/what could win:
Best Motion Picture (Drama)
Nominees: Belfast, CODA, Dune, King Richard, The Power of the Dog
How I Did: 4/5
Comments: No shockers here as my runner-up CODA got in over Nightmare Alley. Guillermo del Toro’s noir thriller got zero love from the HFPA and it’ll need to rally with Oscar voters. Belfast and Dog led all nods with seven apiece. Both could vie for the victory with the former perhaps having a slight edge.
Best Motion Picture (Musical/Comedy)
Nominees: Cyrano, Don’t Look Up, Licorice Pizza, Tick Tick… Boom!, West Side Story
How I Did: 5/5
Comments: The real mystery here was whether Cyrano or In the Heights would be the third musical of the bunch. I picked correctly. Seeing that Steven Spielberg is the only director in this race nominated, it’s hard to imagine West Side Story not emerging victorious here.
Best Director
Nominees: Kenneth Branagh (Belfast), Jane Campion (The Power of the Dog), Maggie Gyllenhaal (The Lost Daughter), Steven Spielberg (West Side Story), Denis Villeneuve (Dune)
How I Did: 4/5
Comments: Gyllenhaal’s inclusion was not anticipated and she got in over my selection of Guillermo del Toro for Nightmare Alley. Truth be told, I could see any of the other four hopefuls taking this prize.
Best Actress (Drama)
Nominees: Jessica Chastain (The Eyes of Tammy Faye), Olivia Colman (The Lost Daughter), Lady Gaga (House of Gucci), Nicole Kidman (Being the Ricardos), Kristen Stewart (Spencer)
How I Did: 4/5
Comments: Colman in over Jennifer Hudson (Respect). This could absolutely be the Oscar five. Stewart is the soft frontrunner with any other of the performers viable.
Best Actor (Drama)
Nominees: Mahershala Ali (Swan Song), Javier Bardem (Being the Ricardos), Benedict Cumberbatch (The Power of the Dog), Will Smith (King Richard), Denzel Washington (The Tragedy of Macbeth)
How I Did: 3/5
Comments: Bardem getting in is not all that unexpected but I didn’t see Ali coming. They make the cut over Bradley Cooper (Nightmare Alley) and Joaquin Phoenix (C’Mon C’Mon). This one should boil down to Smith and Cumberbatch.
Best Actress (Musical/Comedy)
Nominees: Marion Cotillard (Annette), Alana Haim (Licorice Pizza), Jennifer Lawrence (Don’t Look Up), Emma Stone (Cruella), Rachel Zegler (West Side Story)
How I Did: 4/5
Comments: Cotillard over Haley Bennett for Cyrano. As for the favorite, expect West Side Story to carry Zegler.
Best Actor (Musical/Comedy)
Nominees: Leonardo DiCaprio (Don’t Look Up), Peter Dinklage (Cyrano), Andrew Garfield (Tick Tick… Boom!), Cooper Hoffman (Licorice Pizza), Anthony Ramos (In the Heights)
How I Did: 4/5
Comments: I went a little out there with my fifth pick of Ryan Reynolds in Free Guy. Hoffman is here instead. Garfield is out in front in this one.
Best Supporting Actress
Nominees: Caitriona Balfe (Belfast), Ariana DeBose (West Side Story), Kirsten Dunst (The Power of the Dog), Aunjanue Ellis (King Richard), Ruth Negga (Passing)
How I Did: 4/5
Comments: Negga gets a needed boost (I had Meryl Streep for Don’t Look Up in her slot). If Jodie Foster could win an upset victory last year here for The Mauritanian, any of these performers could win.
Best Supporting Actor
Nominees: Ben Affleck (The Tender Bar), Jamie Dornan (Belfast), Ciaran Hinds (Belfast), Troy Kotsur (CODA), Kodi Smit-McPhee (The Power of the Dog)
How I Did: 3/5
Comments: The Golden Globes often go for big names so the fact that Kotsur got in with HFPA bodes well for his Oscar chances. He and Affleck make it over my picks of Bradley Cooper (Licorice Pizza) and Jared Leto (House of Gucci). Conversely I’d argue that if Leto can’t make it here, his Academy prospects look shaky. Smit-McPhee is picking up critics prizes but this race is wide open in my view.
Best Screenplay
Nominees: Being the Ricardos, Belfast, Don’t Look Up, Licorice Pizza, The Power of the Dog
How I Did: 4/5
Comments: The HFPA loves them some Aaron Sorkin and his Ricardos script triumphs over West Side Story. This could be Belfast, Pizza, or Power.
Best Animated Feature
Nominees: Encanto, Flee, Luca, My Sunny Maad, Raya and the Last Dragon
How I Did: 3/5
Comments: My Sunny Maad came out of nowhere. Not so much with Raya. They’re in instead of The Mitchells vs. the Machines (which I’m genuinely surprised missed) and Vivo (which I’m not). Don’t discount Flee, but Encanto is the likely winner.
Best Foreign Language Film
Nominees: Compartment No. 6, Drive My Car, The Hand of God, A Hero, Parallel Mothers
How I Did: 2/5
Comments: Ouch. Only got Drive My Car and A Hero correct (and they could duke it out for the prize). On the cutting room floor: Flee, Titane, and The Worst Person in the World. Mothers could contend here as well.
Best Original Score
Nominees: Dune, Encanto, The French Dispatch, Parallel Mothers, The Power of the Dog
How I Did: 2/5
Comments: The pain continues as I only called Dune and Power correctly. The others are in over Nightmare Alley, Spencer, and The Tragedy of Macbeth. This should be Dune, but Power is possible too.
Best Original Song
Nominees: “Be Alive” from King Richard, “Dos Oruguitas” from Encanto, “Down to Joy” from Belfast, “Here I Am” from Respect, “No Time to Die” from No Time to Die
How I Did: 3/5
Comments: The Encanto and Respect cuts make it instead of “Every Letter” from Cyrano and “Just Look Up” from Don’t Look Up. Like the Oscars, this could be a battle between Beyonce (“Be Alive”) and Billie Eilish (“No Time to Die”).
That means the following films garnered these numbers with their nominations:
7 Nominations
Belfast, The Power of the Dog
4 Nominations
Don’t Look Up, King Richard, Licorice Pizza, West Side Story
3 Nominations
Being the Ricardos, Dune, Encanto
2 Nominations
CODA, Cyrano, The Lost Daughter, Parallel Mothers, Tick Tick… Boom!
1 Nomination
Annette, Compartment No. 6, Cruella, Drive My Car, The Eyes of Tammy Faye, Flee, The French Dispatch, The Hand of God, A Hero, House of Gucci, In the Heights, Luca, My Sunny Maad, No Time to Die, Passing, Raya and the Last Dragon, Respect, Spencer, Swan Song, The Tender Bar, The Tragedy of Macbeth
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