The National Board of Review often marches to the beat of its own awards drum when it comes to selecting their annual pictures and performers. In 2014, only four of their eleven top movies ended up generating an Academy nomination for Best Picture. In the past decade, there’s been one other year with just four and three years where it was five and two where it was six. There’s three other years where it’s seven and that’s as high as it gets. In most years, NBR names a Best Film with ten other favorite movies listed alphabetically. During that time period, here’s just a sampling of NBR top films that probably never came close to an Oscar BP nod: Fury, The LEGO Movie, Hail, Caesar!, Patriots Day, Baby Driver, Downsizing, Waves, The Forty-Year-Old Version, Red Rocket, and Ferrari.
I give all that context because there were some unexpected selections in their list today… but not really given their history. Jon M. Chu’s Wicked is Best Film. That one is anticipated to generate an Academy BP slot. This particular group often goes with blockbuster material like Wicked for their winner. Recent examples include Mad Max: Fury Road in 2015 (guess we should’ve seen that Furiosa nod coming) and Top Gun: Maverick in 2022.
Some others… not so much. The other ten are as follows: Anora, Babygirl, A Complete Unknown, Conclave, Furiosa: A Mad Max Saga, Gladiator II, Juror #2, Queer, A Real Pain, and Sing Sing. Only half of those features (Wicked, Anora, Conclave, A Real Pain, Sing Sing) are currently in my Oscar BP ten. Babygirl, Furiosa, Juror #2, and Queer likely stand little chance at the big dance while A Complete Unknown and Gladiator II have better shots.
There are some notable omissions from the list like The Brutalist, Emilia Pérez, and Dune: Part Two. That said, recent BP victors The Shape of Water, Parasite, and CODA were nowhere to be found with NBR.
The Wicked love continued in Director with Jon M. Chu being named. You have to go all the way to Martin Scorsese and 2006’s The Departed for the last NBR/Oscar match.
Nicole Kidman is your Best Actress for Babygirl and Daniel Craig is Best Actor for Queer. Both are considered bubble candidates for Oscar (I currently have Craig in and Kidman out). I will note that 8 of the last 10 NBR Actress winners have achieved an Academy spot. In Actor, it’s also 8.
Kieran Culkin racked up another Supporting Actor prize (right after the New York Film Critics Circle) for A Real Pain and Elle Fanning is Supporting Actress (a bit of an out of nowhere pick) for A Complete Unknown. The previous 10 Supporting Actor victors for NBR received Oscar attention as Culkin is expected to. For Supporting Actress, it’s 8.
In other NBR news for categories that correlate to the Academy Awards, Hard Truths and Sing Sing are your respective Original and Adapted Screenplay recipients. Flow snatched another Animated Feature trophy while The Seed of the Sacred Fig is their #1 International Feature. The Documentary prize went to Sugarcane with Nosferatu triumphant in Cinematography.
Keep an eye on this blog for all precursor Oscar chatter!
The closeout of May and dawn of June at the box office will be even rougher than the Memorial Day weekend… and that weekend was rough at multiplexes (more on that below). The anime sports pic Haiyku!! The Dumpster Battle is the only significant new release as it aims for a top five showing where the #1 pic could struggle to top double digits. My detailed prediction post on the newcomer can be accessed here:
With my mid single digits projection (it could go higher), I have Dumpster placing fifth.
There could be a photo finish for #1 after a frame in which the new holiday pictures bombed. I have Furiosa: A Mad Max Saga falling in the high 50s after its poor performance and The Garfield Movie dipping over 50%. That might give the tabby cat the (not exactly) bragging rights in 1st.
IF should hold in third with a smaller decline than the sophomore weekend competitors. Heck, it could contend for the top spot if Furiosa and Garfield go downhill even more. Kingdom of the Planet of the Apes is likely to hold in fourth and here’s how I have it all playing out:
1. The Garfield Movie
Predicted Gross: $12 million
2. Furiosa: A Mad Max Saga
Predicted Gross: $11.3 million
3. IF
Predicted Gross: $10.1 million
4. Kingdom of the Planet of the Apes
Predicted Gross: $8.5 million
5. Haiyku!! The Dumpster Battle
Predicted Gross: $3.9 million
Box Office Results (May 24-27)
And now to the dumpster fire that just happened. Furiosa: A Mad Max Saga managed to be first with $32.3 million over the Friday to Monday four-day expanded frame. That’s well below what predecessor Fury Road achieved some nine years ago and way under my $47.2 million prediction. **Please note that my percentage drops listed above are for the three-day Friday to Sunday portion of the weekend where this earned just $26.3 million.
The Garfield Movie also debuted on the lowest end of its anticipated range in second with $31.2 million compared to my $41.5 million take. Its B+ Cinemascore grade is subpar for a family feature (IF got an A) and I’m skeptical its legs will be sturdy.
IF fell to third in weekend #2 with $22.3 million, a tad ahead of my $20.6 million call. The two-week tally is $64 million.
Kingdom of the Planet of the Apes was fourth with $17.6 million (I said $18 million) as it inched up to $127 million. This is really the only significant success story of the summer thus far… or at least it’s generally performing in line with expectations.
The Fall Guy rounded out the top five with $7.9 million. I went lower at $5.8 million, but it’s only up to $74 million after four weeks.
The Strangers: Chapter 1 was sixth with $7 million (I said $5.6 million) as the low budget horror sequel is at $22 million.
Finally, Sight from Angel Studios struggled for eyeballs with $3.7 million in seventh. I thought it might get more with $5.3 million.
After an iffy start to the summer cinematic season, the industry hopes business heats up over Memorial Day weekend. We have George Miller’s franchise prequel Furiosa: A Mad Max Saga looking to lead the way with the animated The Garfield Movie angling to post a strong second place showing. There’s also the faith-based biopic Sight from Angel Studios. You can peruse my detailed prediction posts on the trio here:
With mostly laudatory reviews (though not on the level of predecessor Mad Max: Fury Road), I’m estimating that Furiosa gets just under $50 million over the extended Friday to Monday frame. That would put in right in line with expectations.
Same goes for Chris Pratt’s vocal work as that orange tabby cat in The Garfield Movie. My low 40s forecast gives it a runner-up debut as this hopes to bring family audiences in for the next few weeks.
Speaking of families, they turned out on the lower end of the anticipated range for IF (more on that below). It was still a rather decent opening, but the competition from Garfield could sting a little. I still think manages a tad over $20 million for the holiday.
Kingdom of the Planet of the Apes should slide from 2nd to 4th in the mid teens to high teens region while slots 5-7 could be awfully close between The Fall Guy, Sight, and The Strangers: Chapter 1.
Here’s how I see it playing out and remember that these figures are for Friday through Monday:
1. Furiosa: A Mad Max Saga
Predicted Gross: $47.2 million
2. The Garfield Movie
Predicted Gross: $41.5 million
3. IF
Predicted Gross: $20.6 million
4. Kingdom of the Planet of the Apes
Predicted Gross: $18 million
5. The Fall Guy
Predicted Gross: $5.8 million
6. The Strangers: Chapter 1
Predicted Gross: $5.6 million
7. Sight
Predicted Gross: $5.3 million
Box Office Results (May 17-19)
As mentioned, John Krasinski’s IF with Ryan Reynolds certainly didn’t over perform and came in with a fine but unremarkable $33.7 million. I thought it would get a bit more with $38.3 million. The A Cinemascore grade could mean its legs will be sturdy. That said, competition will be fierce.
Kingdom of the Planet of the Apes was second after a muscular opening last weekend with $25.4 million, just outdoing my $23.6 million prediction. The two-week total is $100 million.
The Strangers: Chapter 1 managed (barely) the largest horror unveiling of 2024 with a better than expected $11.8 million estimate. Considering its reported teensy budget, that’s a solid number and ahead of my $9.1 million call.
The Fall Guy fell to fourth with $8.3 million, in line with my $8 million projection. The three-week gross is $62 million.
Challengers rounded out the top five in weekend #4 and I incorrectly had it on the outside looking in. It has made $43 million overall.
They tried to make the Amy Winehouse biopic Back to Black a hit, but audiences said no (no no). It flopped in sixth with a mere $2.8 million compared to my more hopeful $4.5 million prediction.
My latest round of Oscar predictions arrives at the midpoint of the Cannes Film Festival and the hoopla on the French Riviera has cleared up some lingering questions. Is Francis Ford Coppola’s decades in development sci-fi epic Megalopolis a contender? That answer appears to be no. Same goes for Paul Schrader’s Oh, Canada.
It gets a lot more uncertain after that. Andrea Arnold’s Bird has its fans and I do think its BP chances are intact. Category placement issues abound. I thought Barry Keoghan would be lead for Bird, but reaction suggests he’s supporting.
Then there’s Kinds of Kindness from Yorgos Lanthimos. The WOM for it suggests it definitely faces longer odds for Academy inclusion that his two predecessors The Favourite and Poor Things. That said, I wouldn’t totally discount it. I could see it generating a lone Original Screenplay nod. Right now I’m putting Emma Stone and Jesse Plemons in lead as possibilities and hopefully we’ll know soon if they’re being campaigned there or in supporting.
Furiosa: A Mad Max Saga also is behind its predecessor Mad Max: Fury Road in terms of possibilities. While it should land a few tech nods, BP and Director chances are feasible yet less than what happened nine years ago.
I would suggest that Jacques Audiard’s Emilia Pérez has done itself the most good at Cannes. The crowd-pleasing reaction has me elevating it into the top 10 in BP with Zoe Saldaña in Actress and Karla Sofia Gascón in Supporting Actress. In previous posts, I had those two performers in each other’s categories. It’s still not locked as to where they will be, but this is my best guess based on the information available.
In news not related to Cannes, it was announced that The Supremes at Earl’s All-You-Can-Eat will be a Hulu exclusive premiere. That would seem to take it out of contention at the Oscars.
I will likely have another update posted next weekend since more Cannes titles will be unveiled including Horizon: An American Saga and The Apprentice. Stay tuned, folks!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 2) (E)
3. Conclave (PR: 3) (E)
4. Sing Sing (PR: 4) (E)
5. Queer (PR: 5) (E)
6. The End (PR: 6) (E)
7. His Three Daughters (PR: 10) (+3)
8. Emilia Pérez (PR: Not Ranked)
9. The Piano Lesson (PR: 15) (+6)
10. The Apprentice (PR: 13) (+3)
Other Possibilities:
11. Joker: Folie à Deux (PR: 11) (E)
12. Nightbitch (PR: Not Ranked)
13. Bird (PR: 9) (-4)
14. Dídi (PR: 23) (+9)
15. Furiosa: A Mad Max Saga (PR: 14) (-1)
16. Horizon: An American Saga – Chapter 2 (PR: 12) (-4)
17. The Fire Inside (PR: 7) (-10)
18. Kinds of Kindness (PR: 8) (-10)
19. Hit Man (PR: 20) (+1)
20. A Real Pain (PR: 21) (+1)
21. Civil War (PR: 19) (-2)
22. Maria (PR: 17) (-5)
23. Gladiator II (PR: Not Ranked)
24. The Nickel Boys (PR: 18) (-6)
25. Here (PR: Not Ranked)
Dropped Out:
Megalopolis
The Supremes at Earl’s All-You-Can-Eat
Hard Truths
SNL 1975
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Luca Guadagnino, Queer (PR: 6) (+2)
5. Joshua Oppenheimer, The End (PR: 4) (-1)
Other Possibilities:
6. Azazel Jacobs, His Three Daughters (PR: 15) (+9)
7. Greg Kwedar, Sing Sing (PR: 10) (+3)
8. Jacques Audiard, Emila Pérez (PR: Not Ranked)
9. Todd Phillips, Joker: Folie á Deux (PR: 9) (E)
10. Ali Abbasi, The Apprentice (PR: 14) (+4)
11. Marielle Heller, Nightbitch (PR: Not Ranked)
12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: 12) (E)
13. Malcolm Washington, The Piano Lesson (PR: Not Ranked)
14. Andrea Arnold, Bird (PR: 5) (-9)
15. George Miller, Furiosa: A Mad Max Saga (PR: 11) (-4)
Dropped Out:
Yorgos Lanthimos, Kinds of Kindness
Rachel Morrison, The Fire Inside
Francis Ford Coppola, Megalopolis
Best Actress
Predicted Nominees:
1. Angelina Jolie, Maria (PR: 1) (E)
2. Saoirse Ronan, The Outrun (PR: 2) (E)
3. Natasha Lyonne, His Three Daughters (PR: 3) (E)
4. Amy Adams, Nightbitch (PR: 7) (+3)
5. Zoe Saldana, Emilia Pérez (PR: Not Ranked, moved from Supporting)
Other Possibilities:
6. Lady Gaga, Joker: Folie á Deux (PR: 5) (-1)
7. Tilda Swinton, The End (PR: 6) (-1)
8. Ryan Destiny, The Fire Inside (PR: 4) (-4)
9. Zendaya, Challengers (PR: 10) (+1)
10. Marianne Jean-Baptiste, Hard Truths (PR: 9) (-1)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Florence Pugh, We Live in Time (PR: 12) (E)
13. Anne Hathaway, Mother Mary (PR: 13) (E)
14. Noemie Merlant, Emmanuelle (PR: 15) (+1)
15. Emma Stone, Kinds of Kindness (PR: Not Ranked)
Dropped Out:
Karla Sofia Gascón, Emilia Pérez (moved to Supporting)
Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR 3) (E)
4. Sebastian Stan, The Apprentice (PR: 8) (+4)
5. André Holland, The Actor (PR: 5) (E)
Other Possibilities:
6. Glen Powell, Hit Man (PR: 7) (+1)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (-1)
8. John David Washington, The Piano Lesson (PR: 9) (+1)
9. George MacKay, The End (PR: 10) (+1)
10. Paul Mescal, Gladiator II (PR: Not Ranked)
11. Kevin Costner, Horizon: An America Saga – Chapter 2 (PR: 15) (+4)
12. Kinglsey Ben-Adir, Bob Marley: One Love (PR: 14) (+2)
13. Andrew Garfield, We Live in Time (PR: 13) (E)
14. Tom Hanks, Here (PR: Not Ranked)
15. Paul Bettany, The Collaboration (PR: 12) (-3)
Dropped Out:
Barry Keoghan, Bird (moved to Supportong)
Sebastian Stan, A Different Man
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 1) (E)
2. Karla Sofia Gascón, Emilia Perez (PR: Not Ranked – moved from lead)
3. Saoirse Ronan, Blitz (PR: 2) (-1)
4. Carrie Coon, His Three Daughters (PR: 4) (E)
5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 5) (E)
Other Possibilities:
6. Danielle Deadwyler, The Piano Lesson (PR: 8) (+2)
7. Maria Bakalova, The Apprentice (PR: 12) (+5)
8. Joan Chen, Dídi (PR: 3) (-5)
9. Elizabeth Olsen, His Three Daughters (PR: 9) (E)
10. Lesley Manville, Queer (PR: 7) (-3)
11. Jodie Comer, The Bikeriders (PR: 11) (E)
12. Robin Wright, Here (PR: Not Ranked)
13. Toni Collette, Juror No. 2 (PR: 13) (E)
14. Naomi Watts, Emmanuelle (PR: Not Ranked)
15. Cailee Spaeny, Civil War (PR: Not Ranked)
Dropped Out:
Hong Chau, Kinds of Kindness
Erin Kellyman, Blitz
Margaret Qualley, Kinds of Kindness
Zoe Saldaña, Emilia Pérez (moved to lead)
Best Supporting Actor
Predicted Nominees:
1. Stanley Tucci, Conclave (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Samuel L. Jackson, The Piano Lesson (PR: 5) (+2)
4. Jeremy Strong, The Apprentice (PR: 7) (+4)
5. Kieran Culkin, A Real Pain (PR: 4) (-1)
Other Possibilities:
6. Drew Starkey, Queer (PR: 6) (E)
7. Brian Tyree Henry, The Fire Inside (PR: 3 (-4)
8. Harris Dickinson, Blitz (PR: 11) (+3)
9. Barry Keoghan, Bird (PR: Not Ranked, moved from lead)
10. John Lithgow, Conclave (PR: 9) (-1)
11. Adam Pearson, A Different Man (PR: 10) (-1)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Denzel Washington, Gladiator II (PR: Not Ranked)
Furiosa: A Mad Max Saga storms into theaters this Memorial Day weekend as it hopes to improve upon the numbers of its 2015 predecessor Mad Max: Fury Road. The fifth feature of a franchise that began in 1979, George Miller returns to the director’s chair and this is the first Max tale without Max (in the form of Mel Gibson or Tom Hardy). The prequel casts Anya Taylor-Joy in the title role that Charlize Theron played nine years back. Chris Hemsworth costars along with Alyla Browne, Tom Burke, Lachy Hulme, Nathan Jones, Josh Helman, John Howard, and Angus Sampson.
With a reported budget of nearly $170 million, Warner Bros is banking on fruitful stateside returns and buoyant international results. Early signs are encouraging. Its Cannes premiere has produced an 88% RT score. While that’s not as high as Fury, word-of-mouth should be solid.
Back in 2015, Fury grossed $45 million in its mid-May opening slot en route to $153 million domestically. Furiosa will have the benefit of a four-day report due to the holiday. Hitting $50 million is achievable from Friday to Monday. I suspect it may slightly fall under that figure.
Furiosa: A Mad Max Saga opening weekend prediction: $47.2 million (Friday to Monday estimate)
At the 88th Academy Awards covering the films of 2015, Mad Max: Fury Road received 10 nominations (the second highest behind The Revenant) and the most victories with 6. The wins were for Costume Design, Film Editing, Makeup and Hairstyling, Production Design, Sound Editing, and Sound Mixing. It came up short in Picture, Director (George Miller), Cinematography, and Visual Effects.
For the 97th Oscars, voters will have prequel Furiosa: A Mad Max Saga to consider. Miller’s fifth feature in the franchise that began 45 years ago has screened at Cannes prior to its Memorial Day weekend domestic release. Anya Taylor-Joy plays the title character portrayed by Charlize Theron in Fury Road. Chris Hemsworth costars along with Tom Burke, Alyla Browne, Lachy Hulme, Josh Helman, John Howard, and Angus Sampson.
Early reaction is certainly encouraging with an 87% Rotten Tomatoes rating. Some critics are claiming it’s on par with the predecessor while others say it doesn’t quite measure up (Road‘s RT score was 97%).
Saga‘s biggest hurdle to break into Picture and Director could be another sci-fi series entry from earlier this year and that is Dune: Part Two. That pic has likely punched its ticket in those two big races and there may not be room for Furiosa. That said, all those tech competitions could be in play and it could fall short to Dune in a few of them. Sound Editing and Mixing has since become one category so a best case scenario could be seven nods. There will some internet chatter for Hemsworth in Supporting Actor, but I suspect it will remain just that. My Oscar Prediction posts will continue…
We have reached 2015 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-14, you can peruse them here:
There is one certainty when it comes to 2015 and that’s Spotlight earning a spot in the final five. After all, it won the big prize. It was also the rare BP recipient that emerged victorious in only one other category (Original Screenplay).
For 2015, eight movies were nominated. Time to put a spotlight on which ones get in and which ones are left on the cutting room floor:
The Big Short
Adam McKay’s satirical take on the 2008 financial crisis is the first of 3 Best Picture nominees in a row for the filmmaker. It earned a total of five nods with a win for its Adapted Screenplay.
Does It Make the Final Five?
Yes. With nods for the director, the win for the script, and an editing nom – a quintet inclusion is highly likely.
Bridge of Spies
Steven Spielberg’s Cold War set drama starred Tom Hanks and his costar Mark Rylance won a surprise Supporting Actor trophy over the favored Sylvester Stallone for Creed. There were six nominations total.
Does It Make the Final Five?
No. Despite the considerable pedigree, the misses in directing and editing are significant.
Brooklyn
John Crowley’s 50s set period drama was the first of three eventual Best Actress mentions for Saoirse Ronan. With an Adapted Screenplay nod, its own. three tries at gold are the least among the 8 BP hopefuls.
Does It Make the Final Five?
No – primarily for the last sentence above. Brooklyn probably just snuck in the top 8.
Mad Max: Fury Road
George Miller’s long in development fourth entry in his wild action franchise received 10 nominations and took home 6 (all technical in nature). That’s easily the most victories of the evening.
Does It Make the Final Five?
Yes. With Miller in Director and a Film Editing win, I don’t see how it would have missed.
The Martian
Ridley Scott’s outer space tale with Matt Damon garnered 7 mentions but came up empty-handed on the night.
Does It Make the Final Five?
No, but I’d rank it sixth. I couldn’t make the call, however, since Scott was omitted in Director and it failed to make the Editing group.
The Revenant
Alejandro Gonzalez Inarritu made it two directing wins in a row after Birdman for his survival pic. Leonardo DiCaprio, after several close but no cigar tries, was finally crowned Best Actor. Overall, this was the most nominated film at 12 with 3 wins.
Does It Make the Final Five?
Yes and I suspect it was the runner-up to Spotlight.
Room
Brie Larson was the Best Actress for the abduction drama where Lenny Abrahamson was also an unexpected directing contender. With an Adapted Screenplay nom, it managed 4 mentions.
Does It Make the Final Five?
Yes though I’d put in fifth and in a close race with The Martian. Abrahamson getting in made the difference.
And that means my five BP contenders match the Best Director contestants. That’s a rare thing before the race expanded in 2009. Yet it seems appropriate for this particular year.
MGM may need more than three wishes for Three Thousand Years of Longing to become a box office success when it opens August 26th. Based on a 1994 short story “The Djinn in the Nightingale’s Eye” by A.S. Byatt, the reported $60 million production is the latest fantasy from acclaimed filmmaker George Miller. Idris Elba stars as a genie hoping to gain his freedom through an academic played by Tilda Swinton.
Miller hasn’t been behind the camera since 2015’s Mad Max: Fury Road, which landed 10 Oscar nominations and six wins (all tech categories). He’ll be back helming the franchise again with 2024’s Furiosa. This in-between effort premiered at Cannes back in May to mixed reaction. While its visuals were praised, several critics weren’t overly keen on the story. The Rotten Tomatoes score is currently 62%.
Elba is a busy man in the last half of August with Beast debuting the week prior. That survival tale might make more in its second frame than Longing accomplishes in its first.
When the theater count is released, my estimate could fluctuate. Initial projections have this potentially reaching $10 million. I’m not buying it. The awareness factor for it seems low and it generated little buzz with the French festival premiere. This has the feel of a significant flop and the late August placement hardly dispels that possibility. I’m projecting that it might not reach $5 million as Miller’s most ardent supporters could be the only moviegoers turning up.
Three Thousand Years of Longing opening weekend prediction: $4 million
When legendary filmmaker George Miller was last behind the camera, 2015’s Mad Max: Fury Road garnered 10 nominations and a ceremony high 6 victories in tech categories. Before he moves to Fury‘s prequel Furiosa, his in-between picture is Three Thousand Years of Longing and it’s premiered at Cannes before its late summer bow.
The fantastical romance casts Tilda Swinton as an academic whose life is turned upside down when she encounters a genie in the form of Idris Elba. If the movie is wishing for Oscar attention, the answer is cloudy as to whether that is granted. Early reviews have resulted in a 78% Rotten Tomatoes rating. Some critical reaction is gushing while some is decidedly more mixed.
Miller is, of course, known for visual skills and Longing could be in play for its Cinematography (by the great John Seale), Production Design, and Visual Effects. As for the leads, Swinton is (rather shockingly) just a one-time nominee when she won for 2007’s Michael Clayton. Elba is no time nominee having notably been snubbed for 2015’s Beasts of No Nation (for which he took home the SAG).
My feeling is that this would have to vault into serious Best Picture discussion (and for Miller’s direction) for Swinton and Elba to be viable. This will certainly have its vocal supporters based on Cannes chatter, but I’m not confident it will be enough. My Oscar Prediction posts will continue…
In 2015, Alex Garland nabbed an Original Screenplay Oscar nod for his directorial debut Ex Machina. That acclaimed sci-fi tale also surprisingly took the gold in Visual Effects over heavy hitters like Mad Max: Fury Road and Star Wars: The Force Awakens.
His 2018 follow-up Annihilation didn’t fare as well at multiplexes or with awards voters. Despite an 88% Rotten Tomatoes rating (Machina got a 92%), it failed to generate any nominations.
On February 20th comes Garland’s third behind the camera effort Men. Featuring Jessie Buckley and Rory Kinnear, the A24 release sounds like it’s right up the distributor’s dark alley. That means it may score better with critics than crowds. The RT is currently the filmmaker’s lowest at 83% (still pretty darn solid). Like Annihilation, don’t expect it to be in the Academy mix. My Oscar prediction posts will continue…