Ma Movie Review

The more I thought about it, Ma shares a bit in common with Tate Taylor’s predecessor  The Girl on the Train in positive and negative ways. They’re both headlined by impressive female performers – Emily Blunt in Train and Octavia Spencer here. And both are hindered by serious messaging tones in a genre that should celebrate its own trashiness. That problem is less pronounced in Ma, but it rears its head enough to make an impact.

The opening finds high school student Maggie (Diana Silvers, recently seen as an object of Kaitlyn Dever’s affection in Booksmart) transplanted to a sleepy small town. Her single mom (Juliette Lewis) is frequently off working at a casino. There’s nothing much to do except find fields to guzzle beer and smoke weed. Maggie finds some friends, including the dreamy Andy (Corey Fogelmanis) and party monster Haley (McKaley Miller). There’s a couple underwritten others who fit various stereotypes. The group needs town elders to buy them the booze and that’s where Spencer’s Sue Ann comes in.

She’s a veterinary technician who’s quite bad at her job. Her boss is played in a small role by Allison Janney, a staple of Taylor’s filmography. Luckily for the kids, she’s skilled at buying their intoxicants. Sue Ann, deemed Ma by the youngsters, befriends them and allows her basement to be the drinking spot. It doesn’t take long for Maggie and company to realize she’s a little too creepily eager to play a part in their lives.

Ma works best early when the motives of Ma are unclear. Her fascination with Andy, her zeal for bumping 70s funk hits amongst a swarm of underage students, and her endless texts and Insta videos to her new buddies set up an effective and pending sense of doom. Without going into serious spoiler territory, Ma’s bizarre behavior is based in her own upbringing and it’s told in flashback sequences. This is where explanatory content didn’t feel totally necessary. The screenplay by Scotty Landes rather clumsily attempts to insert commentary on bullying and harassment. It’s a delicate balance that never quite levels out.

Spencer is great as always and it is fun (again, especially early) to see her play against type. We also have Luke Evans as Andy’s smarmy father who plays a key role in Sue Ann’s past and Missi Pyle as his tawdry girlfriend. Despite some freaky moments, Ma is a mixed bag as we watch this girl on the crazy train go off the rails.

**1/2 (out of four)

June 7-9 Box Office Predictions

If there’s a theme to this first full June weekend at the box office, it might be sequels not matching up to what’s come before. The Secret Life of Pets 2 and Dark Phoenix are the two newbies hitting screens and you can peruse my detailed predictions for each of them here:

https://toddmthatcher.com/2019/05/29/the-secret-life-of-pets-2-box-office-prediction/

https://toddmthatcher.com/2019/05/30/dark-phoenix-box-office-prediction/

The original Pets got off to an animated start three summers ago with $104 million. Part 2 is not expected to match it and I’m going with a mid 60s beginning. It should still face no issues topping the charts as the prospects for Dark Phoenix look dim.

It’s the final entry in the current iteration of the X-Men Universe and buzz appears lackluster (especially after the ho-hum reaction to 2016’s XMen: Apocalypse). My mid 40s take gives it the worst premiere of any X title thus far.

As for holdovers, Godzilla: King of the Monsters was a big disappointment and I anticipate a sophomore decline in the mid 50s range. That could drop it to fourth place with Aladdin in third and Rocketman rounding out the top five.

Here’s how I have the top 5 panning out:

1. The Secret Life of Pets 2

Predicted Gross: $65.2 million

2. Dark Phoenix

Predicted Gross: $45.3 million

3. Aladdin

Predicted Gross: $26.5 million

4. Godzilla: King of the Monsters

Predicted Gross: $16.9 million

5. Rocketman

Predicted Gross: $14.9 million

Box Office Results (May 31June 2)

As mentioned, Godzilla: King of the Monsters landed with a thud with $47.7 million – well below my $58.7 million projection. The reported $200 million dollar production made just over half of what 2014’s Godzilla ($91 million) took in for its start. Additionally it couldn’t reach the heights of 2017’s Kong: Skull Island and its $61 million rollout. The two creatures will face each other next spring in Godzilla vs. Kong.

Aladdin was second with $42.8 million in weekend #2 and held up a bit better than my $40.3 million estimate. The Disney live-action hit has amassed $185 million total.

The Elton John biopic Rocketman had a decent start in third with $25.7 million. I thought it would fly higher at $36.1 million. It’s still a fine opening for an R rated counter programming offering in blockbuster season, though it is just half of what Bohemian Rhapsody accomplished a few short months ago.

Blumhouse horror pic Ma with Octavia Spencer was fourth and landed in line with expectations at $18 million (I said $17.2 million). Considering its tiny $5 million price tag, it’s yet another profitable success for the studio.

John Wick: Chapter 3Parabellum was fifth with $11 million (I went with $12.7 million) as it brought its earnings to $125 million.

And that does it for now, folks! Until next time…

 

May 31-June 2 Box Office Predictions

After a sizzling debut over the long Memorial Day weekend, Aladdin could slip to third as two heavy hitters join the fray: monster sequel Godzilla: King of the Monsters and critically lauded Elton John biopic Rocketman. We also have low budget Blumhouse horror pic Ma with Octavia Spencer that has breakout potential. You can peruse my detailed prediction posts on each of the newcomers here:

https://toddmthatcher.com/2019/05/23/godzilla-king-of-the-monsters-box-office-prediction/

https://toddmthatcher.com/2019/05/23/rocketman-box-office-prediction/

https://toddmthatcher.com/2019/05/24/ma-box-office-prediction/

Godzilla should manage to stomp the competition, but I do have it coming in lower than its 2014 predecessor and just under what 2017’s Kong: Skull Island achieved. As for Rocketman, there’s Oscar nod buzz for star Taron Egerton and the genre heat from last fall’s smash Bohemian Rhapsody. I have it debuting with about $15 million less than the Queen flick, but that still means mid 30s.

As for Ma, I have it over tripling its puny $5 million budget for fourth place. Aladdin may experience a mid 50s dip after ruling the holiday and John Wick: Chapter 3Parabellum should round out the top five.

And with that, my forecast for the weekend:

1. Godzilla: King of the Monsters

Predicted Gross: $58.7 million

2. Aladdin

Predicted Gross: $40.3 million

3. Rocketman

Predicted Gross: $36.1 million

4. Ma

Predicted Gross: $17.2 million

5. John Wick: Chapter 3Parabellum

Predicted Gross: $12.7 million

Box Office Results (May 2427)

Despite a poorly received first trailer and questions about its potency with audiences, Disney’s Aladdin exceeded all expectations and granted the studio’s money-making wishes with $116.8 million. That blew away my $74.8 million estimate.

John Wick: Chapter 3Parabellum dropped to second with $30.9 million over the four-day, topping my $27 million take. The Keanu Reeves action sequel is already at $107 million in two weeks and has the set the franchise record domestically.

Avengers: Endgame was third with $22 million (I said $22.5 million), hitting an astonishing $803 million.

Pokemon: Detective Pikachu was fourth with $17.2 million compared to my $16.4 million projection and $120 million thus far.

All newbies without a blue genie struggled. Horror superhero tale Brightburn was fifth with $9.6 million. I was right on target at $9.7 million. Acclaimed high school comedy Booksmart was sixth with $8.7 million. Again, I was on the money with an $8.6 million prediction.

And that does it for now, folks! Until next time…

Ma Box Office Prediction

Blumhouse Productions continues its output of ultra low-budget horror pics that could see impressive returns next weekend with the release of Ma. Made for a tiny reported budget of $5 million, Oscar winner Octavia Spencer is cast as a homicidal veterinary aide terrorizing a group of teens. Ma reunites its star with her director from The Help, Tate Taylor (whose last effort was The Girl on the Train). Costars include Juliette Lewis, Diana Silvers, Luke Evans, McKaley Miller, and Missi Pyle.

The studio has been down this road before with blockbuster efforts like Get Out and Happy Death Day. I don’t expect Ma to reach their levels. While there’s no direct genre competition, Godzilla: King of the Monsters and Rocketman could divert eyeballs elsewhere. Yet this could certainly triple or quadruple its budget out of the gate with an African-American audience and a teenage crowd.

Ma opening weekend prediction: $17.2 million

For my Godzilla: King of the Monsters prediction, click here:

https://toddmthatcher.com/2019/05/23/godzilla-king-of-the-monsters-box-office-prediction/

For my Rocketman prediction, click here:

https://toddmthatcher.com/2019/05/23/rocketman-box-office-prediction/