The cinematic event of 2017 invades theaters next Friday when StarWars: TheLastJedi debuts. The eighth episode of the beloved franchise arrives 40 years after the original changed the landscape of the moviegoing world. In more recent times, it is of course the sequel to 2015’s TheForceAwakens, which broke every box office record in its path. It had the biggest opening of all time and is the highest grossing picture of all time (not adjusted for inflation).
What J.J. Abrams started two December’s ago is continued here with Rian Johnson handling directorial duties (Abrams will be back for episode IX). Returnees from Awakens include Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Andy Serkis, Anthony Daniels, Lupita Nyong’o, and Domhnall Gleeson. Of course, there’s also Mark Hamill back as Luke Skywalker and with considerably more screen time and Carrie Fisher as Princess Leia in her final performance. Familiar faces entering the StarWars universe for the first time include Benicio del Toro, Laura Dern, and Kelly Marie Tran.
TheForceAwakens obliterated the all-time opening weekend to the tune of $247 million with a $936 million eventual domestic haul. Anticipation for the follow-up is feverish. That said, Jedi is not expected to top its predecessor out of the gate. A more serious question is whether or not it will manage the second biggest stateside premiere in history.
First things first : it should not have trouble nabbing the 2017 record by sailing past another Disney title, BeautyandtheBeast at $174 million. And it will absolutely be the runner-up franchise opening, which currently is last year’s spin-off RogueOne: AStarWarsStory at $155 million.
In order to achieve the #2 debut, it will need to top the $208 million earned by JurassicWorld in 2015. I am predicting it will manage to get there with about $10 million to spare as it sets up for a long run over the holidays.
StarWars: TheLastJedi opening weekend prediction: $219.7 million
Well, hello everyone! It’s Thursday and my first Oscar predictions of the new year have rolled in…
In the past two weeks we’ve seen the Golden Globes occur, which showered its love upon La La Land. We’ve had BAFTA and Producers Guild nominations (that one produced a surprise nod for Deadpool and puts the comic book pic in the top 20 for the firs time). And the Director Guild announced their five nominees this morning, which exactly matches my picks here. We’ve seen pictures (in my estimation) increase their chances (Arrival, Hidden Figures) and others fall a bit (Silence).
On Thursday the 19th, I will make my final round of Thursday predictions and on Sunday the 22nd – my “final” final predictions prior to the announcement on January 24th.
Here’s how I see it all right now…
Best Picture
Predicted Nominees
1. La La Land (Previous Ranking: 1)
2. Moonlight (PR: 3)
3. Manchester by the Sea (PR: 2)
4. Arrival (PR: 7)
5. Lion (PR: 5)
6. Fences (PR: 4)
7. Hidden Figures (PR: 8)
8. Hacksaw Ridge (PR: 9)
9. Hell or High Water (PR: 10)
Other Possibilities:
10. Silence (PR: 6)
11. Loving (PR: 11)
12. Nocturnal Animals (PR: 12)
13. Sully (PR: 13)
14. Jackie (PR: 14)
15. Deadpool (PR: Not Ranked)
16. 20th Century Women (PR: 15)
17. Florence Foster Jenkins (PR: 16)
18. Patriots Day (PR: 17)
19. Captain Fantastic (PR: 19)
20. Zootopia (PR: 20)
Dropped Out:
The Jungle Book
Best Director
Predicted Nominees
1. Damien Chazelle, La La Land (PR: 1)
2. Barry Jenkins, Moonlight (PR: 2)
3. Kenneth Lonergan, Manchester by the Sea (PR: 3)
4. Denis Villeneuve, Arrival (PR: 6)
5. Garth Davis, Lion (PR: 5)
Other Possibilities
6. Mel Gibson, Hacksaw Ridge (PR: 7)
7. Martin Scorsese, Silence (PR: 4)
8. David Mackenzie, Hell or High Water (PR: 9)
9. Denzel Washington, Fences (PR: 8)
10. Theodore Melfi, Hidden Figures (PR: Not Ranked)
Dropped Out:
Tom Ford, Nocturnal Animals
Best Actor
Predicted Nominees
1. Casey Affleck, Manchester by the Sea (PR: 1)
2. Denzel Washington, Fences (PR: 2)
3. Ryan Gosling, La La Land (PR: 3)
4. Andrew Garfield, Hacksaw Ridge (PR: 4)
5. Viggo Mortensen, Captain Fantastic (PR: 6)
Other Possibilities
6. Joel Edgerton, Loving (PR: 5)
7. Tom Hanks, Sully (PR: 7)
8. Michael Keaton, The Founder (PR: 8)
9. Jake Gyllenhaal, Nocturnal Animals (PR: Not Ranked)
10. Andrew Garfield, Silence (PR: 9)
Dropped Out:
Adam Driver, Paterson
Best Actress
Predicted Nominees
1. Emma Stone, La La Land (PR: 1)
2. Natalie Portman, Jackie (PR: 2)
3. Amy Adams, Arrival (PR: 3)
4. Meryl Streep, Florence Foster Jenkins (PR: 5)
5. Isabelle Huppert, Elle (PR: 6)
Other Possibilities
6. Annette Bening, 20th Century Women (PR: 4)
7. Emily Blunt, The Girl on the Train (PR: 9)
8. Ruth Negga, Loving (PR: 7)
9. Jessica Chastain, Miss Sloane (PR: 8)
10. Taraji P. Henson, Hidden Figures (PR: 10)
Best Supporting Actor
Predicted Nominees
1. Mahershala Ali, Moonlight (PR: 1)
2. Dev Patel, Lion (PR: 2)
3. Lucas Hedges, Manchester by the Sea (PR: 4)
4. Jeff Bridges, Hell or High Water (PR: 3)
5. Hugh Grant, Florence Foster Jenkins (PR: 6)
Other Possibilities
6. Michael Shannon, Nocturnal Animals (PR: 5)
7. Aaron Taylor-Johnson, Nocturnal Animals (PR: Not Ranked)
8. Ben Foster, Hell or High Water (PR: 7)
9. Issey Ogata, Silence (PR: 8)
10. Mykelti Williamson, Fences (PR: 9)
Dropped Out:
Kevin Costner, Hidden Figures
Best Supporting Actress
Predicted Nominees
1. Viola Davis, Fences (PR: 1)
2. Michelle Williams, Manchester by the Sea (PR: 3)
3. Naomie Harris, Moonlight (PR: 2)
4. Nicole Kidman, Lion (PR: 4)
5. Octavia Spencer, Hidden Figures (PR: 5)
Other Possibilities
6. Greta Gerwig, 20th Century Women (PR: 6)
7. Helen Mirren, Eye in the Sky (PR: 7)
8. Molly Shannon, Other People (PR: 10)
9. Janelle Monae, Hidden Figures (PR: 8)
10. Lupita Nyong’o, Queen of Katwe (PR: Not Ranked)
Dropped Out:
Felicity Jones, A Monster Calls
Best Adapted Screenplay
Predicted Nominees
1. Moonlight (PR: 1)
2. Arrival (PR: 4)
3. Lion (PR: 2)
4. Fences(PR: 3)
5. Nocturnal Animals (PR: 6)
Other Possibilities
6. Hidden Figures (PR: 9)
7. Loving (PR: 8)
8. Hacksaw Ridge (PR: 7)
9. Silence (PR: 5)
10. Elle (PR: Not Ranked)
Dropped Out:
Sully
Best Original Screenplay
Predicted Nominees
1. Manchester by the Sea (PR: 1)
2. La La Land (PR: 2)
3. Hell or High Water (PR: 3)
4. Captain Fantastic (PR: 4)
5. Toni Erdmann (PR: 8)
Other Possibilities
6. The Lobster (PR: 6)
7. 20th Century Women (PR: 5)
8. Jackie (PR: 7)
9. Zootopia (PR: 9)
10. Eye in the Sky (PR: Not Ranked)
Dropped Out:
I, Daniel Blake
Best Animated Feautre
Predicted Nominees
1. Zootopia (PR: 1)
2. Kubo and the Two Strings (PR: 2)
3. Moana (PR: 3)
4. The Red Turtle (PR: 4)
5. The Little Prince (PR: 7)
Other Possibilities
6. My Life as a Zucchini (PR: 5)
7. Finding Dory (PR: 6)
8. Your Name (PR: 9)
9. Sausage Party (PR: 10)
10. Sing (PR: Not Ranked)
Dropped Out:
April and the Extraordinary World
Best Documentary Feature
Predicted Nominees
1. I Am Not Your Negro (PR: 1)
2. Gleason (PR: 4)
3. O.J.: Made in America (PR: 2)
4. 13th (PR: 3)
5. Cameraperson (PR: 6)
Other Possibilities
6. The Ivory Game (PR: 9)
7. Life, Animated (PR: 5)
8. The Eagle Huntress (PR: 8)
9. Weiner (PR: 10)
10. Fire at Sea (PR: 7)
Best Foreign Language Film
Predicted Nominees
1. Toni Erdmann (PR: 1)
2. The Salesman (PR: 2)
3. Land of Mine (PR: 3)
4. My Life as a Zucchini (PR: 6)
5. A Man Called Ove (PR: 4)
Other Possibilities
6. The King’s Choice (PR: 5)
7. Tanna (PR: 8)
8. It’s the Only the End of the World (PR: 9)
9. Paradise (PR: 7)
Best Cinematography
Predicted Nominees
1. La La Land (PR: 1)
2. Arrival (PR: 4)
3. Moonlight (PR: 2)
4. Nocturnal Animals (PR: 5)
5. Silence (PR: 3)
Other Possibilities
6. Lion (PR: 6)
7. Hacksaw Ridge (PR: 7)
8. Rogue One: A Star Wars Story (PR: 10)
9. Jackie (PR: 8)
10. Hell or High Water (PR: Not Ranked)
Dropped Out:
The Jungle Book
Best Costume Design
Predicted Nominees
1. Jackie (PR: 1)
2. La La Land (PR: 2)
3. Fantastic Beasts and Where to Find Them (PR: 7)
4. Allied (PR: 3)
5. Love & Friendship (PR: 4)
Other Possibilities
6. Florence Foster Jenkins (PR: 5)
7. Silence (PR: 6)
8. Rules Don’t Apply (PR: 8)
9. Rogue One: A Star Wars Story (PR: Not Ranked)
10. Live by Night (PR: 9)
Dropped Out:
Alice Through the Looking Glass
Best Editing
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 2)
3. Hacksaw Ridge (PR: 4)
4. Arrival (PR: 3)
5. Manchester by the Sea (PR: 6)
Other Possibilities
6. Rogue One: A Star Wars Story (PR: Not Ranked)
7. Silence (PR: 5)
8. Lion (PR: 7)
9. Hell or High Water (PR: 8)
10. Sully (PR: 9)
Dropped Out:
Jackie
Best Makeup and Hairstyling
Predicted Nominees
1. Florence Foster Jenkins (PR: 1)
2. Deadpool (PR: 3)
3. Star Trek Beyond (PR: 2)
Other Possibilities
4. A Man Called Ove (PR: 5)
5. Suicide Squad (PR: 4)
6. The Dressmaker (PR: 6)
7. Hail, Caesar! (PR: 7)
Best Original Score
Predicted Nominees
1. La La Land (PR: 1)
2. Lion (PR: 2)
3. Moonlight (PR: 3)
4. Rogue One: A Star Wars Story (PR: 6)
5. Florence Foster Jenkins (PR: 4)
Other Possibilities
6. Nocturnal Animals (PR: Not Ranked)
7. Jackie (PR: 5)
8. The BFG (PR: 9)
9. Hacksaw Ridge (PR: 8)
10. The Jungle Book (PR: 10)
Dropped Out:
Hidden Figures
Best Original Song
Predicted Nominees
1. “City of Stars” from La La Land (PR: 1)
2. “How Far I’ll Go” from Moana (PR: 2)
3. “Audition (The Fools Who Dream)” from La La Land (PR: 3)
4. “Runnin” from Hidden Figures (PR: 5)
5. “Can’t Stop The Feeling!” from Trolls (PR: 7)
Other Possibilities
6. “Letters to the Free” from 13th (PR: 6)
7. “Drive It Like You Stole It” from Sing Street (PR: 4)
8. “The Rules Don’t Apply” from Rules Don’t Apply (PR: 8)
9. “Faith” from Sing (PR: Not Ranked)
10. “The Great Beyond” from Sausage Party (PR: 9)
Dropped Out:
“I’m Still Here” from Miss Sharon Jones
Best Production Design
Predicted Nominees
1. La La Land (PR: 1)
2. Jackie (PR: 2)
3. Arrival (PR: 3)
4. Hacksaw Ridge (PR: 7)
5. Silence (PR: 4)
Other Possibilities
6. Rogue One: A Star Wars Story (PR: 10)
7. Fantastic Beasts and Where to Find Them (PR: 8)
8. Rules Don’t Apply (PR: 5)
9. Allied (PR: 6)
10. The Jungle Book (PR: Not Ranked)
Dropped Out:
Live by Night
Best Sound Editing
Predicted Nominees
1. Hacksaw Ridge (PR: 1)
2. La La Land (PR: 2)
3. Rogue One: A Star Wars Story (PR: 3)
4. Deepwater Horizon (PR: 5)
5. Sully (PR: 4)
Other Possibilities
6. Arrival (PR: 6)
7. The Jungle Book (PR: 9)
8. Patriots Day (PR: 7)
9. Deadpool (PR: Not Ranked)
10. Allied (PR: 8)
Dropped Out:
Captain America: Civil War
Best Sound Mixing
Predicted Nominees
1. La La Land (PR: 1)
2. Hacksaw Ridge (PR: 2)
3. Rogue One: A Star Wars Story (PR: 3)
4. Arrival (PR: 4)
5. Deepwater Horizon (PR: 5)
Other Possibilties
6. Patriots Day (PR: 8)
7. Sully (PR: 6)
8. The Jungle Book (PR: 9)
9. Deadpool (PR: 10)
10. Passengers (PR: Not Ranked)
Dropped Out:
Allied
Best Visual Effects
Predicted Nominees
1. The Jungle Book (PR: 1)
2. Rogue One: A Star Wars Story (PR: 2)
3. Arrival (PR: 3)
4. Doctor Strange (PR: 4)
5. Fantastic Beasts and Where to Find Them (PR: 6)
Other Possibilities
6. The BFG (PR: 5)
7. Deepwater Horizon (PR: 10)
8. Kubo and the Two Strings (PR: 8)
9. Captain America: Civil War (PR: 7)
10. Passengers (PR: 9)
That equates to the following number of nominations for each film:
14 Nominations
La La Land
9 Nominations
Arrival
8 Nominations
Moonlight
7 Nominations
Manchester by the Sea
6 Nominations
Lion, Hacksaw Ridge
4 Nominations
Fences, Florence Foster Jenkins, Rogue One: A Star Wars Story
3 Nominations
Hidden Figures, Hell or High Water, Jackie
2 Nominations
Captain Fantastic, Nocturnal Animals, Toni Erdmann, Moana, Silence, Fantastic Beasts and Where to Find Them, Deepwater Horizon
1 Nomination
Elle, Zootopia, Kubo and the Two Strings, The Red Turtle, The Little Prince, I Am Not Your Negro, Gleason, O.J.: Made in America, 13th, Cameraperson, The Salesman, Land of Mine, My Life as a Zucchini, A Man Called Ove, Allied, Love & Friendship, Deadpool, Star Trek Beyond, Trolls, Sully, The Jungle Book, Doctor Strange.
Most biographical sports films focus on football or boxing in recent years, but Disney changes it up next weekend with The Queen of Katwe. The pic tells the true-life tale of Ugandan chess master Phiona Mutesi (Madina Nalwanga). Mira Nair directs with a cast including David Oyelowo and recent Oscar winner Lupita Nyong’o.
Katwe screened at the Toronto Film Festival to positive critical reaction (it’s at 88% currently on Rotten Tomatoes). At one time, this was looked at as a potential awards hopeful yet that has been tampered down a bit (Nyong’o could be a factor in Supporting Actress, but probably not). The film comes with a rather minor $15 million budget.
Disney’s best hope is for a decent opening followed by long legs if audiences love what they see. Opening on a relatively small 1252 screens, expectations aren’t too high and I’ll predict this manages to reach $5 million for its start.
Queen of Katwe opening weekend prediction: $5 million
Nearly four decades after Disney told the tale of Mowgli’s adventures in animated form, the studio continues its retellings of their catalogue in mostly CG form with TheJungleBook. The result is a satisfying effort that doesn’t reach the level of a true classic – just as the 1967 effort didn’t either. Still, it’s an unquestionable triumph of what technology can accomplish these days. In an age where talking animals have stampeded multiplexes, these ones look pretty darn amazing.
Jon Favreau has been tasked with bringing back Mowgli (Neel Sethi in an adequate child performance) and his story of being raised in the jungle. He’s part of a wolf pack that has nothing to do with Zach Galifianakis as he’s actually been raised by wolves. There’s also his panther mentor Bagheera (voiced by Ben Kingsley) who encourages our young protagonist to find others like him (you know, people) after his life is threatened by the fierce tiger Shere Khan (Idris Elba, enunciating menace expertly).
This, of course, sets our hero off on an adventure where he comes into contact with many of the inhabitants of the vast wild lands he calls home. He partners up with honey grubbing bear Baloo (Bill Murray), has a frightening encounter with snake Kaa (Scarlett Johansson), and is taunted by apish thug King Louie (Christopher Walken).
The voiceover casting here is impeccable and adds a lot to these proceedings. Song and dance man Walker gets a solo take on “I Wan’na Be Like You” and “The Bare Necessities” is figured in. Truthfully, the musical numbers seem a little tacked on, but they’re not around long enough to really complain about. Plus the kids should dig them.
TheJungleBook and its message of the dangers of man vs. wild is a familiar one, but we’ve yet to witness it with special effects like these. We are aware Mowgli and the boy playing him probably spent months in front of a green screen. However, we forget it quickly with these ultra photo realistic creatures in front of us and their well cast actors voicing them. This is the biggest accomplishment that Favreau and his team pull off and it’s certainly enough to make this a worthy addition to the Mouse Factory’s long list of verbal beast experiences.
For the past month, Disney’s mega-hit Zootopia has cornered the family market and stampeded to a current gross of over $275 million. The next kiddie friendly blockbuster looks to be the studio’s own The Jungle Book, which swings into theaters next weekend.
From Iron Man director Jon Favreau, this animal tale remakes Disney’s 1967 animated pic based on Rudyard Kipling’s celebrated works. It also continues their recent trend (Maleficent, Cinderella) of live action remaking titles from their storied past. Book casts newcomer Neel Sethi as young Mowgli with lots of familiar faces voicing the creatures. That list includes Bill Murray, Ben Kingsley, Idris Elba, Scarlett Johansson, and Lupita N’Yongo.
As I see it, The Jungle Book appears primed for a terrific opening in range with the aforementioned Mouse Factory products. 2014’s Maleficent debuted to $69 million. Last year’s Cinderella premiered with $67 million. Their respective domestic hauls were $241M and $201M. Interestingly, just today, Warner Bros own Jungle Book remake (directed by Andy Serkis) has been pushed from 2017 to 2018.
Boasting a current 100% Rotten Tomatoes score should only further positive word of mouth. I believe this could potentially top the remakes that came before it and exceed $70 million.
The Jungle Book opening weekend prediction: $74.6 million
For my Barbershop: The Next Cut prediction, click here:
When the famous line “A long time ago in a galaxy far, far away” appears and the Star Wars emblem rockets across the screen, it evokes a series of emotions that is familiar to any lover of the franchise. It changes from generation to generation but is likely strongest with those old enough to recall the first time seeing it in 1977 when the original premiered. The first Star Wars was a cultural phenomenon from the get go. It solidified what we now know as the modern blockbuster era. Its sequel The Empire Strikes Back improved upon it. Return of the Jedi ended the trilogy on a satisfactory if more uneven note. I was not alive in 1977 and I witnessed the series in a weekend of VHS viewing where I was captivated like legions of film lovers across the globe.
By the time George Lucas got around to making his prequel trilogy, I was age 19 at the time of The Phantom Menace. Like all other fans of what came before it, I anticipated Menace breathlessly and like many others, it was a letdown in many fashions. It didn’t really look like a Star Wars pic. More like a video game. In all honesty, the concept of watching the eventual Darth Vader as a precocious child wasn’t really necessary. Follow ups Attack of the Clones and Revenge of the Sith were improvements in some ways (especially Sith) yet still didn’t come close to matching the magic of the real trilogy (as I refer to it).
Therefore it was with a sense of major excitement mixed with some trepidation that I awaited Star Wars: The Force Awakens, episode VII of the franchise that picks up about 30 years after the events of Return of the Jedi. George Lucas sold the rights to Disney, who have grand Marvel style plans for the series. J.J. Abrams, who successfully reinvigorated the Star Trek flicks, is behind the camera. The beloved trio of Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), and Princess (now General) Leia (Carrie Fisher) would return along with Chewbacca, R2-D2, and C-3PO. A new generation of heroes and villains would emerge. The three year wait is finally over and the question is ready to be answered: does Force have the force to bring Star Wars back in the good graces of those who cherish it? The answer is mostly an unqualified and resounding yes.
Episode VII informs us that Luke Skywalker has vanished and the evil First Order (spawned from Darth Vader’s galactic empire) has restored its dominance despite a resistance led by Leia. The Resistance is desperately attempting to obtain a map containing Luke’s whereabouts that is built into BB-8, a droid that is pretty adorable in a manner in which Jar Jar Binks sure wasn’t. One of the leaders of the movement is pilot Poe Dameron (Oscar Isaac), whose character doesn’t have much impact in these proceedings but likely will in future installments. He teams with Storm Trooper gone good Finn (John Boyega) on the mission to find Skywalker. And that BB-8 droid leads them to Rey (Daisy Ridley), a young girl who has a connection with The Force. Their union soon brings them to Han, Chewie, and the now relic called the Millennium Falcon to fight First Order Commander Kylo Ren (Adam Driver) and Supreme Leader Snoke (Andy Serkis).
As we’d expect, there are some revelations about who some of the characters actually are. I wouldn’t dream of spoiling them here. J.J. Abrams is keenly aware of our nostalgia goggles and he presents a vision that hearkens back to the original in both plot and tone. This is a plus. J.J. and his cowriters Lawrence Kasdan (who penned Empire and Jedi) and Michael Arndt are clearly cognizant of the expectation to start anew while rewarding what we adore about episodes IV-VI. There is much plot to roll out, but Awakens does so at a usually brisk pace throwing in the epic battles that look more like we wish for in any entry since 1983.
The John Williams score and special effects are, of course, top notch. Of the returnees, Mr. Ford is given the most material and provides Solo wisecracks and some emotion. Fisher acquits herself decently even though Leia is primarily relegated to the sidelines. As for Luke, the filmmakers have been careful to reveal nothing and neither will I. When it comes to the newcomers, we sense that Rey, Finn, and Poe will establish the new trio for the next few years. Here it is Rey that jumps out and much of that is due to a fine performance from Miss Ridley. Boyega’s Finn has his moments along with occasionally clunky dialogue. Driver is quite effective as Ren and we have a new villain whose motivations create an intriguing dynamic in this universe.
I would rank The Force Awakens as the third best pic in the series, after the first two (slightly above Jedi). Abrams and company accomplish something Lucas ultimately could not with episodes I-III. We care more about the actions transpiring here than with anything from 1999-2005. This is a franchise awakened in a way we have not seen in over 30 years. For those who might have had a bad feeling about this, fear not.
It is not only the most anticipated film of the year but probably of the 21st century. This is not hyperbole. 38 years after George Lucas changed the movie industry forever with Star Wars, the baton has been passed to J.J. Abrams with Star Wars: The Force Awakens, out December 18. We’ve seen over a decade pass since the unevenly received second trilogy that ran from 1999-2005. This marked the end of Mr. Lucas’s involvement in the franchise and the end of 20th Century Fox producing the entries (no iconic Fox music before “In a galaxy far, far away” may take a little getting used to).
Instead we have Disney taking over the most beloved franchise in silver screen history and we’ve repeatedly seen their brilliance at marketing blockbusters (think Marvel Cinematic Universe). The Force Awakens has been omnipresent for months and it’s ramped up to the point where every other commercial seems to be connected somehow to it. The official trailers and TV spots have been events. It’s sold $100 million dollars at press time in pre-sale tickets, which was previously an unimaginable haul. With all the exposure, the studio has done a truly remarkable job in keeping plot details under wraps.
We know this: original trilogy stars Mark Hamill, Harrison Ford, and Carrie Fisher return in the iconic roles of Luke Skywalker, Han Solo, and Princess Leia. A new generation makes up the supporting cast that includes John Boyega, Oscar Isaac, Daisy Ridley, Adam Driver, and Domhnall Gleeson. Oh and there’s Chewbacca, R2-D2, and C-3PO.
For those of us old enough to remember the breathless anticipation afforded to 1999’s Star Wars Episode 1: The Phantom Menace, it’s probably the only thing that compares in the past couple of decades. There are many hotly anticipated blockbusters but Star Wars is simply on a different planet.
So now the nine figure question: how much will The Force Awakens earn its opening weekend? How much is it capable of making? Will its debut set the all time record? Fascinating queries indeed, these are.
We begin with this: the current record holder came out just this summer when Jurassic World earned $208.8 million, which edged out previous champ The Avengers at $207 million. I’m sure Disney would love to get that record back that the dinosaurs took away in June. These are the only two pictures that have made over $200M out of the gate. Both were released in summer, as are seven of the all time top ten domestic premieres.
None came out in December and this is not an inconsequential point. In fact, the current highest December debut belongs to The Hobbit: An Unexpected Journey. It made $84 million and that’s good for just the 57th largest opening ever. Truth be told, even massive blockbusters that open in December usually open smaller than they might in the summer. 2009’s Avatar began with $77 million before becoming the biggest stateside grosser ever. The reason is simple: Christmas time releases tend to play well over multiple weekends while similar summer titles make the bulk of their coin immediately.
Let’s dispatch with the glaringly obvious: The Force Awakens will obliterate the December record. At worst, it should double The Hobbit’s initial earnings. Frankly, guessing what Star Wars is capable of is a dicey proposition, but the low end of estimates is around $170-$175 million. If it managed that, it would sincerely be a fine start.
Yet there is a suspicion that Jurassic’s six month long record could be headed for extinction. The combo of Disney hype and a true love across all ages for the series has contributed to an Event Experience we rarely witness. What’s the highest it could go? Honestly, I don’t know. The figure of $300 million has been mentioned. That seems a bit crazy, but you just never know. There’s part of me that believes $275-$280 million might just be reachable and another that feels it could fall short of the record with around $185-$205 million.
What’s a box office predicting blogger to do? Split the difference. With this wide range of possibilities, I’ll project that Star Wars: The Force Awakens will achieve the best American opening ever and by a rather considerable margin. I’ll be one among many speculating over the next ten days before its debut, but my two cents is in, my friends. Let’s see what happens!
Star Wars: The Force Awakens opening weekend prediction: $234.7 million
2008’s Taken began a new and profitable chapter in the career of Liam Neeson as a B movie action king and that trend barrels forward with Non-Stop.
The formula is simple: write a fairly absurd and mostly conventional action plot setup and let Neeson growl his way through it. The original Taken took moviegoers by surprise by showing just how effective the star could be in these roles as a total badass. Non-Stop casts Neeson as a federal air marshal who is struggling with alcoholism and depression after the death of his young daughter to cancer. If this seems like a convenient plot device for easy sympathy to the lead character – well there you have it.
On a long flight to London, Neeson begins receiving text messages that a passenger will be killed every 20 minutes unless $150 million is transferred to a bank account. The stakes get higher when it turns out that the account is registered to Neeson himself. Zoinks! This leads to everyone believing that he is the hijacker and he must prove them wrong by figuring out who the real culprit is.
Non-Stop features supporting work from Julianne Moore in a pretty thankless role as Neeson’s seatmate, “House of Cards” Corey Stull as an NYPD officer/passenger, and Oscar winner Lupita Nyong’o as a flight attendant. While these faces are recognizable, this is Neeson’s show all the way. He manages to allow Non-Stop to be a mostly entertaining diversion for most of its running time.
That said, as the plot rolls along, it becomes clear that no explanation of the events taking place are likely to make any real sense. And when the true culprits are revealed, the reasoning behind their actions are a bit… well, unbelievable.
Non-Stop doesn’t belong in the same solid B movie category as the first Taken. It’s more in line with that picture’s sequel and Unknown. If you don’t carry on your brain to the proceedings, there’s some fun to be had just watching Neeson do his thing. This type of nonsensical flick would actually be the perfect waste of time pic to view on a long flight… if it wasn’t about a plot to blow up a long flight.
It was just over five years ago that Taken became a massive and unexpected hit and turned veteran actor Liam Neeson into a major action star. On Friday, we’ll see if his box office luck continues with Non-Stop. Neeson plays a federal air marshal dealing with a big ol’ crisis aboard an international flight. Julianne Moore and Oscar nominee Lupita Nyong’o costar.
Non-Stop has a rather modest $50 million budget that it should have no problem earning back and then some. Trailers for it have been pretty effective and the late February release date is good timing for action audiences hungry for something new.
Post Taken, Neeson’s star power has generated high teens to low twenties openings for Unknown and The Grey. I have an inkling that Non-Stop could go higher than that. By doing so, it should end the three week reign of The Lego Movie at #1. That’s if Son of God (the other newbie Friday) doesn’t open bigger and I’ll get to that one later today.
I don’t see Non-Stop debuting below $20 million and it wouldn’t shock me if it reached just above $30 million – but high 20s seems to be the most probable scenario.
Non-Stop opening weekend prediction: $28.2 million
With the Oscars less than a month away – today I begin my picks on who will win in the six major categories at the ceremony. There will be a final round of predictions for all the races – probably two days prior to the telecast. We begin with Best Supporting Actress. Let’s recap the nominees, shall we?
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, Silver Linings Playbook
Lupita Nyong’o, 12 Years a Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska
The precursor awards have been split among Lawrence and Nyong’o. The Golden Globes, New York Film Critics, and National Society of Film Critics went with Lawrence while the SAG Awards and Critics Choice bestowed Nyong’o with the honor.
Simply put, this race appears to be down to those two ladies. A win for Hawkins, Roberts, or Squibb would be a major upset. Last year, Lawrence won Best Actress for Silver Linings Playbook and a victory for her here would pull off the rare feat of an actor winning two years in a row. The last time it occurred was 20 years ago with back-to-back wins for Tom Hanks in Philadelphia and Forrest Gump.
American Hustle received nominations in all four acting categories and Lawrence’s inclusion represents the best shot at a win. That said, I believe the slight momentum is on the side of Nyong’o. Her nomination also represents the greatest chance for 12 Years to get a win in the acting races. From a statistics point of view – I’d put it at about 55% Lupita, 45% J-Law at this juncture and we’ll see if that remains the case in my final picks a few weeks from now.
Predicted Winner for Best Supporting Actress: Lupita Nyong’o, 12 Years a Slave
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