Blogger’s Note (09/16): On the eve of its premiere, I’m revising my estimate down from $6.4 million to $4.5M
Open Road Films is hoping that moviegoers stop, drop everything and help open up Copshop to solid numbers when it debuts September 17th. The action thriller from Joe Carnahan is headlined by Gerard Butler. Costars include Frank Grillo and Alexis Louder.
The pic will essentially rely solely on Butler’s star power. He’s often found his niche in the genre. This includes the trilogy where something (be it Olympus, London or Angel) has fallen. There were also low to mid teens starts for Den of Thieves and Geostorm. Butler’s recent Greenland did well on VOD services. On the other hand, 2018’s Hunter Killer only achieved $6.6 million out of the gate.
Butler has shown the ability to get rather generic seeming titles to decent debuts. Copshop hitting double digits wouldn’t be a huge surprise, but I’m thinking a debut more in the Hunter Killer range is the right call.
In 2913, OlympusHasFallen surprised box office prognosticators with a gross of $98 million stateside, eclipsing the earnings of the similarly themed and higher profile WhiteHouseDown from that same year. The Gerard Butler action thriller has now spawned two sequels with AngelHasFallen rising in cinemas next weekend.
Butler’s Secret Service agent now finds himself framed for the attempted assassination of Morgan Freeman’s character. Ric Roman Waugh, best known for directing Dwayne Johnson in Snitch, is behind the camera. Costars include Jada Pinkett Smith, Lance Reddick, Tim Blake Nelson, Piper Perabo, Danny Huston, and Nick Nolte.
As mentioned, Olympus was a sleeper hit that soared out of the gate with $30 million. 2016 follow-up LondonHasFallen couldn’t match those numbers with a $21 million start and $62 million eventual tally.
My expectation is that the third edition will continue the downward trend. Mid to possibly high teens is likely. In the dog days of August, that might be enough for an unremarkable #1 debut.
AngelHasFallen opening weekend prediction: $15.2 million
Den of Thieves hopes to steal away some box office bucks next Friday. The heist thriller is headlined by Gerard Butler with a supporting cast including 50 Cent, O’Shea Jackson Jr., and Pablo Schreiber. Christian Gudegast, who wrote the screenplay for Butler’s sequel London Has Fallen, directs.
Butler’s box office drawing power has been mixed since he broke out in 2007’s 300. Films ending in the words “has fallen” have performed well, as have The Bounty Hunter and Law Abiding Citizen. Others like Gamer and Gods of Egypt have not.
Thieves doesn’t look like a candidate to be a breakout. Action competition is a factor as 12 Strong opens the same day and Proud Mary and The Commuter will be in their sophomore frames.
I’ll predict this struggles to open in double digits and misses the mark.
Den of Thieves opening weekend prediction: $6.1 million
During last year’s Martin Luther King holiday weekend, Taraji P. Henson had the #1 film with her Oscar nominated HiddenFigures. In 2018, she’s back in the action thriller ProudMary. The pic finds her cast as a Boston hitwoman from director Babak Najafi, best known for making poorly received sequel LondonHasFallen. Supporting players include Billy Brown, Danny Glover, Neal McDonough, and Margaret Avery.
While she’s best known for “Empire” television work, Henson’s big screen track record has been rather impressive with her roles in Figures, TheKarateKid remake, and NoGoodDeed.
ProudMary could have the advantage of attracting some genre fans, as well as African Americans and females (a demographic often underserved with action flicks). I believe this could post a high teens debut, which would put it above direct genre competition TheCommuter.
ProudMary opening weekend prediction: $18.5 million (Friday to Monday estimate)
Over Memorial Day weekend this year, Disney’s Alice Through the Looking Glass opened to an abysmal $33 million over the holiday weekend, immediately making it one of the biggest bombs of 2016. How poor was that opening? It’s the sequel to 2010’s Alice in Wonderland, which made $116 million in its first weekend (which was a three-day frame, not a four-day one). Looking Glass will be lucky to make $80M in its entire domestic run, nearly $40M under what Wonderland earned in its premiere weekend. Ouch.
Is there an easy explanation? Did Disney take too long with the six year hiatus between franchise entries? Perhaps. Did the negative tabloid publicity surrounding star Johnny Depp hurt? Maybe.
Yet another explanation is likely part of the equation. In 2016, moviegoers have seemed to catch a case of “sequelitis” and their symptoms have been affecting box office grosses for a number of pictures already this year.
Over that same Memorial Day weekend, X-Men: Apocalypse ruled the charts with a $79 million debut. That would seem impressive, except X-Men: Days of Future Past made $110 million over the same weekend just two years earlier.
This story has repeated itself repeatedly in recent months. Ride Along 2 was expected to build on its predecessor’s opening weekend. The 2014 original cruised to a $41M opening. The sequel: $35M. When all was said and done, the first Ride made $44M more than its follow-up.
Other comedies have suffered the same fate. 2001’s Zoolander actually only made $45 million in its initial run, but became a major cult hit in subsequent years. It’s long gestating sequel would surely earn more. It didn’t. Just $28M.
2002’s My Big Fat Greek Wedding became the unexpected smash of that year with $241M stateside. Part 2? $59 million (to be fair, this was on the higher end of many expectations, but still just 25% of what the first Wedding did).
2014’s Neighbors? $150 million. Last month’s Neighbors: Sorority Rising? It should top out at around $60M.
Barbershop: The Next Cut will make $55 million, under the $75M and $65M of its predecessors (though still not bad).
The action crowd has showed their ambivalence. London Has Fallen earned a just OK $62 million compared to Olympus Has Fallen‘s $98M.
2014’s Divergent made $150 million. 2015’s Insurgent: $130 million. This year’s Allegiant: a troubling $66 million.
Then there’s The Huntsman Winter’s War, which may not even reach $50 million. It’s the sequel to Snow White and the Huntsman, which made $155 million.
Just this weekend, Teenage Mutant Ninja Turtles: Out of the Shadows took in $35 million in its debut, which is a shell of the $65 million that the first made two summers ago.
Faith based audiences propelled God’s Not Dead to a heavenly $60 million gross in 2014. Part 2? $20 million.
Kung Fu Panda 3 performed decently with $143 million, but couldn’t match part 1’s $215M or part 2’s $165M.
Seeing a trend here, folks?
There have been rare exceptions in 2016 so far. 10 Cloverfield Lane managed $72 million. Even though that’s below the $80M of Cloverfield, it’s still a solid gross and a profitable venture for its studio.
And Captain America: Civil War was widely expected to outdo the respective $176M and $259M earnings of the first two entries. This was due to it basically being The Avengers 3. It did and will top $400M domestically.
Coming this weekend: two more sequels will try to avoid the 2016 trend and both actually have a decent chance of succeeding. The Conjuring 2 is receiving positive reviews and its studio is hoping the goodwill left over from the 2013 original will propel it to similar grosses (I’m predicting it’ll make $42 million for its start, slightly above the first).
Now You See Me 2 is hoping to match the $29 million made by the 2013 original for its beginning. I’m predicting $24M.
If both of these titles come in below expectations, that may truly show that crowds are just plain sick and tired of seeing roman numerals and numbers behind titles. Looking over the remainder of the 2016 calendar, there’s a heap of sequels that could also struggle to match what came before them. They include:
The Purge: Election Year. Bridget Jones’s Baby. Underworld: Blood Wars. Jack Reacher: Never Go Back. Ouija 2. Bad Santa 2.
Even this month’s Independence Day: Resurgence is an iffy proposition to capitalize on the nostalgia factor from the 1996 original. It appears unlikely to match the $306M earned 20 years ago by the first one.
Next month’s Star Trek Beyond could have trouble matching the $228M made by part 2 in 2013.
Inferno, the third Tom Hanks thriller based on Dan Brown’s novels, is a question mark to match the $133M that Angels & Demons made in 2011 and certainly won’t approach The Da Vinci Code‘s $217M a decade ago.
When it comes to 2016 sequels, it might not all be bad news. Finding Dory (out June 17) shouldn’t have much trouble topping the $70M that Nemo made in 2003 (though whether it reaches its eventual gross of $380M is a mystery).
And July’s Jason Bourne should benefit from having Matt Damon return to the franchise after nine years away. It should manage to outpace the $113M made by Jeremy Renner’s The Bourne Legacy in 2012. However, could it approach the $227M earned by Damon’s last one, 2007’s The Bourne Ultimatum? Probably not.
Perhaps these disappointing results for so many sequels will cause studios to give us more original programming, but don’t hold your breath. Next year is already packed with follow-ups and some of them already look like they could be in trouble.
For instance, it’s probably safe to assume Disney is sweating over the fifth Pirates of the Caribbean flick, Dead Men Tell No Tales. Same goes for Lionsgate with their final Divergent pic, Ascendant.
Some of the 2017 sequels that may not have much to worry about: Guardians of the Galaxy Vol. 2. Fast 8. And, of course, Star Wars: Episode VIII.
Yet given the recent trends, who knows? No one thought Alice or Huntsman or Allegiantwould do that poorly and it’s contributed to a bad… and maybe badly needed downturn for sequels in 2016.
Two new entries populate the multiplexes this weekend as third YA franchise entry The Divergent Series: Allegiant and faith based drama Miracles from Heaven debut. You can find my detailed prediction posts on each here:
While I have Allegiant opening below its predecessors Divergent and Insurgent, it should still manage to end the two week dominance of Zootopia atop the charts. I have Miracles posting a solid third place showing and it could play well into Easter weekend in its sophomore frame if word of mouth is strong.
As for holdovers, Disney’s Zootopia should fall to the runner up position and keep its terrific returns coming. 10 Cloverfield Lane was a hit with the critics but only received a middling B- Cinemascore grade, so I look for its second week drop to be big. Deadpool should round out the top five.
And with that, my top five predictions for the weekend:
The Divergent Series: Allegiant
Predicted Gross: $43.7 million
2. Zootopia
Predicted Gross: $32 million (representing a drop of 37%)
3. Miracles from Heaven
Predicted Gross: $15.8 million (Friday to Sunday), $20.8 million (Wednesday to Sunday prediction)
4. 10 Cloverfield Lane
Predicted Gross: $10.1 million (representing a drop of 58%)
5. Deadpool
Predicted Gross: $7.2 million (representing a drop of 35%)
Box Office Results (March 11-13)
Zootopia continued to rule the box office kingdom this weekend with an even smaller than expected drop in weekend #2. The Disney animated tale, fresh off its record setting opening frame, grossed $51.3 million (outpacing my $41.6M estimate) for a $143M total.
10 Cloverfield Lane couldn’t come to close to matching its predecessor’s $40 million premiere in 2008, but managed a respectable $24.7 million (compared to my $28.3M prognosis). Considering its reported small budget, it should turn a nice profit.
London Has Fallen was third in its sophomore weekend with $10.8 million, just above my $9.9M prediction for a ten day total of $39M.
Fourth place was massive hit Deadpool with $10.8 million (a bit higher than my prediction of $9.4M) for a four week tally of $328M.
In fifth was the Tina Fey comedy Whiskey Tango Foxtrot with $4.6 million for a ten day total of $14M. I incorrectly had it outside my top 6 predictions.
That’s because I grossly overestimated two newcomers. There was one exception: rom com The Perfect Match was sixth with $4.2 million. I said $4.1M. At least I was close on that one…
As for The Young Messiah and The Brothers Grimsby… not so much. The faith based drama Messiah opened in seventh at just $3.2 million, way below my generous $12.7M estimate. As for Sacha Baron Cohen’s critically reviled Grimsby, it fared even slightly worse in 8th place with $3.2 million compared to my generous $11.4M estimate.
And that’ll do it for now, folks! Until next time…
Four new titles debut this weekend at the box office to try and challenge Zootopia after its record breaking debut. They are: semi-sequel 10 Cloverfield Lane, Sacha Baron Cohen comedy The Brothers Grimsby, Biblical drama The Young Messiah, and rom com The Perfect Match. You can read my detailed prediction posts on each here:
As I see it, Disney’s Zootopia should fairly easily control the #1 spot for the second weekend in a row, unless Cloverfield significantly exceeds my prognosis. The real battle among the newcomers could be for the #3 slot and I have Messiah slightly edging Grimsby. The number five position could be a battle between holdovers London Has Fallen and Deadpool as I believe the former will have a higher percentage dropoff than the latter. Opening on a limited number of screens, my $4.1M prediction for The Perfect Match should keep it outside the top six.
And with that, my top 6 predictions for this weekend:
Zootopia
Predicted Gross: $41.6 million (representing a drop of 44%)
2. 10 Cloverfield Lane
Predicted Gross: $28.3 million
3. The Young Messiah
Predicted Gross: $12.7 million
4. The Brothers Grimsby
Predicted Gross: $11.4 million
5. London Has Fallen
Predicted Gross: $9.9 million (representing a drop of 54%)
6. Deadpool
Predicted Gross: $9.4 million (representing a drop of 44%)
Box Office Results (March 4-6)
Disney had a banner weekend as Zootopia had the largest traditional animation opening ever for the studio at a blazing $75 million, soaring past my meager $54.4M projection. The animal tale can also claim highest animated debut for the month of March. As mentioned, it should easily stampede its competitors and remain in first next weekend.
Action sequel London Has Fallen couldn’t match its predecessor Olympus Has Fallen‘s $30M premiere from three years ago. The badly reviewed follow-up earned $21.6 million, under my $24.6M prediction and I look for it to lose over half its audience in its sophomore frame.
Deadpool dropped to third with $16.7 million (in line with my $16.9M estimate) for an incredible tally of $311M.
Tina Fey’s so-so reviewed war comedy Whiskey Tango Foxtrot had a soft opening for fourth with $7.4 million, a tad below my $8.4M projection.
In fifth, box office dud Gods of Egypt took a nosedive from its dismal debut last weekend with $5.1 million (I was slightly kinder with $5.8M) for a total of $23M.
Finally, British horror offering The Other Side of the Door opened in limited fashion with only $1.2 million (compared to my $2.1M estimate) for just 16th place.
And that’ll do it for now, friends! Until next time…
A quartet of new releases start out the month of March at the box office this weekend. They are Disney Animation’s Zootopia, action sequel London Has Fallen, Tina Fey war comedy Whiskey Tango Foxtrot, and British horror entry The Other Side of the Door. You can read my detailed prediction posts on each here:
Zootopia should have no trouble ending the three week domination of Deadpool atop the charts while I expect London to hit the #2 spot, putting Ryan Reynolds’ vulgar superhero in the three spot with Whiskey placing fourth. Box office dud Gods of Egypt should be fifth in its second weekend, as long as its anticipated hefty decline doesn’t allow Kung Fu Panda 3 to remain in the top five. As for The Other Side of the Door, it’s only opening on around 500 screens and my $2.1 million prediction for it leaves it far outside the top five.
And with that, my predictions for the weekend:
Zootopia
Predicted Gross: $54.4 million
2. London Has Fallen
Predicted Gross: $24.6 million
3. Deadpool
Predicted Gross: $16.9 million (representing a drop of 45%)
4. Whiskey Tango Foxtrot
Predicted Gross: $8.4 million
5. Gods of Egypt
Predicted Gross: $5.8 million (representing a drop of 58%)
Box Office Results (February 26-28)
As anticipated, Deadpool maintained the #1 position for the third weekend in a row. The three new entries were, as Donald Trump might say, “low energy”. Ryan Reynolds’ phenomenon took in $31.1 million (compared to my $28M forecast) for a total of $285M.
Gods of Egypt proved to be the first massive bomb of the year as the inexplicably budgeted $140 million action fantasy grossed just $14.1 million, which was on pace with my $13.9M estimate.
Animated sequel Kung Fu Panda 3 was third in weekend #5 with $8.8 million, in line with my $8.2M projection for a total gross of $128M.
Biblical drama Risen was fourth in its sophomore frame with $6.8 million, right there with my $7.1M prediction for a ten day total of $22M.
Two newcomers had soft debuts for the fifth and sixth slots. Heist thriller Triple 9 earned $6.1 million (just below my prediction of $6.9M) for fifth while Olympic drama Eddie the Eagle was iced in sixth with only $6 million (I was much kinder with an $11.2M estimate).
And that’ll do it for now. folks! Until next time…
In 2013, there was a showdown of terrorism at 1600 Pennsylvania Ave pics between Olympus Has Fallen and Roland Emmerich’s White House Down. It is the latter that was expected to win the contest, but it didn’t turn out that way. Olympus debuted to $30.3 million on its way to a $98M domestic haul in the spring while its competitor opened at $24.8 million with a disappointing $73M overall gross.
While we won’t see Channing Tatum and Jamie Foxx in White House Down Again, we do have London Has Fallen out next weekend. The sequel returns Gerard Butler’s Secret Service agent, Aaron Eckhart’s POTUS, Melissa Leo’s Secretary of Defense and the soothing sounds of Morgan Freeman as the Speaker of the House alongside new cast members Angela Bassett and Jackie Earle Haley.
Olympus was well liked by critics and audiences, though I’m not totally confident that a follow-up is being clamored for. I have doubts that it will match the $30M achieved by its predecessor and it probably won’t reach its reported $105 million budget domestically. I’ll say a premiere in the lower to mid 20s is the safest bet.
London Has Fallen opening weekend prediction: $24.6 million
With 2015 by the wayside, it’s time to focus on the upcoming releases for the New Year and that means listing my 16 most eagerly awaited features! Obviously, I’m going by pedigree alone pretty much and not buzz (I’ll note that Fantastic Four made my 2015 cut, if that tells you something).
2016 appears to be jam packed with both sequels and superhero pics. Just to give you an idea, here’s some sequels that didn’t make the cut: Zoolander No. 2, London Has Fallen, Ride Alone 2, The Divergent Series: Allegiant, My Big Fat Greek Wedding 2, Rings, Barbershop: The Next Cut, The Huntsman Winter’s War, Neighbors 2: Sorority Rising, Alice Through the Looking Glass, Teenage Mutant Ninja Turtles: Out of the Shadows, The Conjuring 2, Now You See Me 2, Finding Dory, Independence Day: Resurgence, Ice Age: Collision Course, The Purge 3, Bridget Jones’s Baby, Underworld 5, Jack Reacher: Never Go Back, Ouija 2, Bad Santa 2, and Inferno (the third Tom Hanks Robert Langdon flick). As for comic book related fare, X-Men: Apocalypse, Doctor Strange, and Gambit didn’t make the list of sweet 16.
Others that closely missed the cut: The Jungle Book remake from director Jon Favreau; The Magnificent Seven remake with Denzel Washington, Chris Pratt, and Ethan Hawke; and Jodie Foster’s political thriller Money Monster starring George Clooney and Julia Roberts.
So what DID make it? Here’s my alphabetical list:
Batman v Superman: Dawn of Justice
Never mind that the trailer looks like a bit of a mess. And maybe ignore that Zack Snyder’s Man of Steel was a major mixed bag. This “sequel” brings Ben Affleck’s Caped Crusader in to fight with Henry Cavill’s Supes with Wonder Woman joining the party as well, in addition to Jesse Eisenberg’s Lex Luthor. The curiosity factor alone allows it to make this list. (March 25)
The BFG
This fantasy adventure has some seriously impressive pedigree: it’s based on Roald Dahl’s book and the screenplay is written by the late Melissa Mathison, who penned E.T. The director? Steven Spielberg. ‘Nuff said. (July 1)
Captain America: Civil War
The second Captain America pic, 2013’s Winter Soldier, ranks high in pantheon of MCU titles and this third go round is basically a quasi-Avengers experience with Robert Downey Jr.’s Iron Man, Paul Rudd’s Ant-Man, and our new Spider-Man Tom Holland joining the mix. (May 6)
Deadpool
Our third comic book adaptation sounds in many ways to be the most intriguing (save for one a little further down this list). Deadpool casts Ryan Reynolds (whose superhero movie history include a pretty bad Green Lantern flick) in this hard R rated pic infused with comedy and its trailers inspire hope. This is said to tie in with the X-Men franchise at some future juncture. (February 12)
Fantastic Beasts and Where to Find Them
Based on J.K. Rowling’s novel and from Harry Potter director David Yates comes this return to the world of wizardry that stars Oscar winner Eddie Redmayne. Warner Bros. is anticipating at least a trilogy out of this. (November 18)
The Founder
From the director of The Blind Side and Saving Mr. Banks comes this biopic of McDonald’s founder Ray Kroc, played by Michael Keaton. Don’t be surprised to see this one surrounded by Oscar buzz. (November 25)
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Ghostbusters
Bridesmaids and Spy maker Paul Feig reboots the famous 80s franchise with Melissa McCarthy, Kristin Wiig, and current SNL castmates Leslie Jones and Kate McKinnon. (July 15)
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Hail, Caesar!
Anything from the Coen Brothers is worthy of my anticipation and this 1950s Hollywood set comedy features George Clooney, Josh Brolin, Scarlett Johansson, Jonah Hill, Tilda Swinton, Channing Tatum, and Ralph Fiennes. (February 5)
The Nice Guys
A little over a decade ago, screenwriter/director Shane Black started off Robert Downey Jr.’s improbable comeback with the hilarious action comedy Kiss Kiss Bang Bang before move onto direct Iron Man 3. This 70s set action comedy looks extremely promising and stars Russell Crowe and Ryan Gosling. (May 20)
Passengers
Little is known about this sci-fi romance from The Imitation Game director Morten Tyldum. Yet it is headlined by mega-stars Jennifer Lawrence and Chris Pratt. I’m in. (December 25)
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Rogue One: A Star Wars Story
The Force Awakens just became the biggest domestic grosser of all time (in under four weeks) and this December brings the first spin-off, taking place between episodes III and IV. It focuses on a team of rebels tasked with stealing the plans for the Death Star and is directed by Gareth Edwards, who made 2014’s effective Godzilla reboot. This should rule the holiday season in 2016. (December 16)
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Silence
Like the Coens, anything from Martin Scorsese is worthy of inclusion and this historical epic focused on Jesuit priests in Japan stars Andrew Garfield, Adam Driver, and Liam Neeson. (No Release Date at Press Time)
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Star Trek Beyond
J.J. Abrams has exited the franchise as director to concentrate on a different one while Justin Lin (maker of four Fast and Furious entries) takes over. Let’s see if he keeps the momentum Abrams brought fourth speeding along. (July 22)
Suicide Squad
This is my most anticipated comic book adaptation of the many in 2016. Fury director David Ayer gathers a group of super villains together to hopefully do some good. The cast includes Will Smith, Margot Robbie, and Jared Leto as The Joker. The trailer is terrific. (August 5)
Sully
Clint Eastwood follows up his cultural phenomenon American Sniper with this biopic of the pilot who famously landed on the Hudson, with Tom Hanks in the title role. Another pic that could be ripe for Oscar bait. (September 9)
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Untitled Bourne Film
When Jeremy Renner stepped in for Matt Damon for this celebrated action franchise, audiences reacted with mostly ambivalence. So Damon is back, paired with Paul Greengrass, director of the winning second and third pics in the series. Tommy Lee Jones and Alicia Vikander costar. (July 29)
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And there you have it! We’ll see you at the movies in 2016 and I hope this helped you a little bit…
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