Wrapping up my look back at the 110 Oscar nominees and 20 winners that have appeared in the Marvel Cinematic Universe since Iron Man in 2008 and continuing through its next two releases (Black Widow and The Eternals), we arrive at Best Supporting Actress. If you missed my posts for the lead races and Supporting Actor, you can find them here:
Supporting Actress has the least number of nominees (19), but equals the most victories with six (tying Best Actor). We start with those six gold recipients:
Tilda Swinton, who appeared in Doctor Strange, won in 2007 for Michael Clayton
Marisa Tomei, Aunt May in the Spider-Man pics, was a surprise victor in 1992 for My Cousin Vinny
Cate Blanchett, the villainess in Thor: Ragnarok, in 2004 for The Aviator
Lupita Nyong’o, of Black Panther, for 2013’s 12 Years a Slave
Rachel Weisz, who’s in the forthcoming Black Widow, for 2005’s The Constant Gardner
Angelina Jolie, who will appear in The Eternals, in 1999’s Girl, Interrupted
As for the 13 other nominees:
Scarlett Johansson, aka Black Widow, for last year’s Jojo Rabbit
Natalie Portman, Thor’s flame, for 2004’s Closer
Glenn Close, who appeared in Guardians of the Galaxy, is a three-time nominee in this category for 1982’s The World According to Garp, 1983’s The Big Chill, and 1984’s The Natural
Rachel McAdams, also of Doctor Strange, for 2015’s Spotlight
Marisa Tomei was nominated twice more after her Vinny win for 2001’s In the Bedroom and 2008’s The Wrestler
Cate Blanchett received two additional nods for 2006’s Notes on a Scandal and 2007’s I’m Not There
Annette Bening, from Captain Marvel, for 1990’s The Grifters
Florence Pugh, costar of the upcoming Black Widow, for last year’s Little Women
Rachel Weisz received another nod for 2018’s The Favourite
And that concludes my look back on the MCU and its Oscar pedigree. Hope you enjoyed!
There was certainly an international flavor to last night’s Oscar ceremony and it was in a history making way. The Academy Awards honoring the pictures and performers of 2019 will forever be known as The Parasite Show as voters fell hard for Bong Joon-Ho’s South Korean export.
So how did I do on predictions? 18/21 and I’m pretty darn pleased with that. There were few surprises that didn’t involve Eminem popping up for an out of nowhere performance of his 2002 Best Song winner “Lose Yourself” (of which he missed that acceptance speech 17 years back).
Best Director was certainly the biggest race I missed. That’s because Sam Mendes (1917) was undeniably the front runner after taking home the Golden Globe and especially the Directors Guild of America, which almost always previews the eventual Academy winner. Yet the Parasite love extended to Joon-Ho, whose interpreter seemed to get more airtime than anyone. The film also was victorious for Best Picture, International Feature Film, and Original Screenplay, which I correctly projected. In doing so, Parasite is the first foreign language entry to take Best Picture in its 92 year history. The four victories ended up leading the night over 1917, which took three in tech categories (Sound Mixing, Cinematography, Visual Effects).
In the acting races, everything was according to script as the quartet of Joaquin Phoenix (Joker), Renee Zellweger (Judy), Brad Pitt (Once Upon a Time in Hollywood), and Laura Dern (Marriage Story) went to the podium. Anything else happening would have constituted serious upset territory.
Other correct calls are as follows:
Adapted Screenplay – Jojo Rabbit
Animated Feature – Toy Story 4
Costume Design – Little Women
Film Editing – Ford v Ferrari
Makeup and Hairstyling – Bombshell
Original Score – Joker
Original Song – “I’m Gonna Love Me Again” from Rocketman
Production Design – Once Upon a Time in Hollywood
Besides Director, I whiffed on Documentary with my slight upset pick of For Sama. It went to the front runner American Factory. Same goes for Sound Editing, which Ford v Ferrari took as opposed to 1917.
I was correct in my thinking that The Irishman would be the only Best Picture nominee to come up completely empty-handed, despite 10 nominations. Lucky for Martin Scorsese, he received plenty of shout-outs including from the maker of Parasite. Joon-Ho (and his interpreter) certainly came away as the story of the evening. And I’m ready to get the 2020 Oscar speculation rolling!
And here we are! After one year plus of speculating about the Academy Awards ceremony that will air this Sunday evening, we arrive at my final prediction posts on the winners!
For all 21 races encompassing feature-length films, I am giving you my analysis with my pick and the runner-up in case I’m wrong (which is bound to occur). A broad overview includes these thoughts:
There are undeniable strong front-runners in all four acting categories – so much so that even picking a runner-up is a challenge. If anyone other than my quartet wins, it’ll constitute an upset.
This is not the case in the other major races and that includes Picture and Director and both screenplay categories.
Other matchups are practical coin tosses and that includes Animated Feature, Documentary Feature, Production Design, and Visual Effects.
I’m going to begin with the tech races and build up from there. So let’s get to it!
Best Cinematography
The Nominees: The Irishman, Joker, The Lighthouse, 1917, Once Upon a Time in Hollywood
Analysis: We start with a relatively easy one as the work of Roger Deakins in 1917 appears to have this in the bag. Anything else would be a surprise, but Hollywood could potentially challenge.
PREDICTED WINNER: 1917
Runner-Up: Once Upon a Time in Hollywood
Best Costume Design
The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, Once Upon a Time in Hollywood
Analysis: Here’s another one where Hollywood could get it, but I will predict voters go back a bit further to the stylings of Little Women (for what could definitely be its sole victory).
PREDICTED WINNER: LITTLE WOMEN
Runner-Up: Once Upon a Time in Hollywood
Best Film Editing
The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Parasite
Analysis: Both The Irishman and Parasite are possibilities here, but I believe Ferrari has the upper hand (for what could be its sole victory).
PREDICTED WINNER: FORD V FERRARI
Runner-Up: Parasite
Best Makeup and Hairstyling
The Nominees: Bombshell, Joker, Judy, Maleficent: Mistress of Evil, 1917
Analysis: Bombshell appears to be the sturdy favorite here. And like a broken record, this likely stands as its only win. Joker or Judy would be the upset contenders.
PREDICTED WINNER: BOMBSHELL
Runner-Up: Joker
Best Original Score
The Nominees: Joker, Little Women, Marriage Story, 1917, Star Wars: The Rise of Skywalker
Analysis: Thomas Newman (1917) has been nominated numerous times without a victory and the consensus for a while is that he would finally get his due. However, Joker has pretty much swept the precursors.
PREDICTED WINNER: JOKER
Runner-Up: 1917
Best Original Song
The Nominees: “I Can’t Let You Throw Yourself Away” from Toy Story 4, “I’m Gonna Love Me Again” from Rocketman, “I’m Standing with You” from Breakthrough, “Into the Unknown” from Frozen II, “Stand Up” from Harriet
Analysis: It was a bit of a shocker that this stands as the only nod for Rocketman, which was expected to garner attention in Makeup and Hairstyling and the sound races. Yet the Academy is probably poised to get Sir Elton John up to the stage.
PREDICTED WINNER: “I’M GONNA LOVE ME AGAIN” FROM ROCKETMAN
Runner-Up: “Into the Unknown” from Frozen II
Best Production Design
The Nominees: The Irishman, Jojo Rabbit, 1917, Once Upon a Time in Hollywood, Parasite
Analysis: Along with Supporting Actor and Original Screenplay, this race marks the best shot for Hollywood to nab an Oscar. Frankly, this is a fairly wide open category where there is a narrative for any of the nominees to take it. I’m going to pick Hollywood by a hair.
PREDICTED WINNER: ONCE UPON A TIME IN HOLLYWOOD
Runner-Up: Parasite
Best Sound Editing
The Nominees: Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood, Star Wars: The Rise of Skywalker
Analysis: In both Sound races, I feel it comes down to Ford v 1917. In each case, I’ll give it to 1917.
PREDICTED WINNER: 1917
Runner-Up: Ford v Ferrari
Best Sound Mixing
The Nominees: Ad Astra, Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood
Analysis: See Sound Editing
PREDICTED WINNER: 1917
Runner-Up: Ford v Ferrari
Best Visual Effects
The Nominees: Avengers: Endgame, The Irishman, The Lion King, 1917, Star Wars: The Rise of Skywalker
Analysis: This is a tough one. Other than Skywalker, I feel any of the competitors could squeeze out a win. With 1917 picking up other tech races, I’ll give it the slight advantage. This wasn’t the case a month or two ago, but this might actually be the likeliest category for an Irishman Oscar.
PREDICTED WINNER: 1917
Runner-Up: The Irishman
Best Animated Feature
The Nominees: How to Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link, Toy Story 4
Analysis: This one has been all over the map. Klaus picked up some key precursors. Missing Link surprised everyone by taking the Golden Globe. The Academy could choose to honor the Dragon franchise as a whole. I Lost My Body has its ardent admirers. Ultimately I’m playing it safe and betting Pixar manages to top all of them, though I’m less confident than usual about that.
PREDICTED WINNER: TOY STORY 4
Runner-Up: Klaus
Best Documentary Feature
The Nominees: American Factory, The Cave, The Edge of Democracy, For Sama, Honeyland
Analysis: For Sama is a legit contender and Honeyland being nominated here and in International Feature Film (which it will not win) could mean something. American Factory, however, has held slight front runner status for some time. This is a coin flop, but we’ve seen surprises here before and I’ll lean towards that.
PREDICTED WINNER: FOR SAMA
Runner-Up: American Factory
Best International Feature Film
The Nominees: Corpus Christi, Honeyland, Les Miserables, Pain and Glory, Parasite
Analysis: Let’s not complicate this. It’s going to be Parasite.
PREDICTED WINNER: PARASITE
Runner-Up: I guess… Pain and Glory?
Best Adapted Screenplay
The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, The Two Popes
Analysis: There is definitely a chance that Greta Gerwig for Little Women could take this, especially after her Oscar snub for directing. The precursor attention, on the other hand, has mainly gone to Jojo for what might be its solo award.
PREDICTED WINNER: JOJO RABBIT
Runner-Up: Little Women
Best Original Screenplay
The Nominees: Knives Out, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite
Analysis: Quentin could pick up his third statue here after Pulp Fiction and Django Unchained, but the Parasite love seems stronger.
PREDICTED WINNER: PARASITE
Runner-Up: Once Upon a Time in Hollywood
Best Supporting Actor
The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
Analysis: With the Irishmen splitting votes and Pitt taking every significant precursor, this is an easy one.
PREDICTED WINNER: BRAD PITT, ONCE UPON A TIME IN HOLLYWOOD
Runner-Up: Tom Hanks, A Beautiful Day in the Neighborhood
Best Supporting Actress
The Nominees: Kathy Bates (Richard Jewell). Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)
Analysis: Johansson being a double nominee is tough to ignore and I believe she’s got a slightly better shot here than in Actress. Her costar Dern, though, has swept the season.
PREDICTED WINNER: LAURA DERN, MARRIAGE STORY
Runner-Up: Scarlett Johansson, Jojo Rabbit
Best Actor
The Nominees: Antonio Banderas (Pain and Glory), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)
Analysis: Here’s a race where there were about a dozen performances vying for five spots. At the end of the day, the competition was fun to witness but Phoenix has picked up all the hardware thus far and I don’t see that stopping on Sunday.
PREDICTED WINNER: JOAQUIN PHOENIX, JOKER
Runner-Up: Adam Driver, Marriage Story
Best Actress
The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)
Analysis: Zellweger could the most vulnerable of the favored quartet with Theron or Johansson in the wings. It would be foolish to bet against her based on what’s already happened.
PREDICTED WINNER: RENEE ZELLWEGER, JUDY
Runner-Up: Charlize Theron, Bombshell
Best Director
The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)
Analysis: Even with heavyweights like Scorsese and Tarantino in the mix, this has come down to Joon-Ho vs. Mendes. And the latter has won the Golden Globe and the DGA (which has a steady track record of naming the winner here).
PREDICTED WINNER: SAM MENDES, 1917
Runner-Up: Bong Joon-Ho, Parasite
Best Picture
The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite
Analysis: Ugh… OK. Let’s begin with this: the smart money is on 1917. It won the Golden Globe for Best Drama and the Critics Choice Award. Mendes took the DGA and I have him picked to win Director.
On the contrary – in the 2010s, we have seen a Picture/Director split 5 out of 9 times. No foreign language film has ever won the biggest prize of all. Last year, I (along with many others) predicted Roma would be the first to do so and it lost to Green Book.
That said, the affection for Parasite feels deeper than for Roma. I’ll make this pronouncement now… if Parasite loses Original Screenplay on Sunday night, you’ll pretty much know my prediction is wrong. Yet I’m rolling the dice here for a minor surprise and that’s why…
PREDICTED WINNER: PARASITE
Runner-Up: 1917
My predictions pan out to the following films winning these many Oscars:
5 Wins
1917
3 Wins
Parasite
2 Wins
Joker, Once Upon a Time in Hollywood
1 Win
American Factory, Bombshell, Ford v Ferrari, Jojo Rabbit, Judy, Little Women, Marriage Story, Rocketman, Toy Story 4
These calls also mean every nominated Best Picture player will win an Oscar with the exception of The Irishman, which I’m estimating will go 0 for 10.
And that does it, folks! The speculation has ended and the ceremony is two days away. I’ll have a recap post on how I did Sunday night…
Florence Pugh’s Supporting Actress nod in Greta Gerwig’s Little Women is next up in my Case of posts!
The Case for Florence Pugh
The actress broke out in a major way in 2019 with well-reviewed roles in the wrestling dramedy Fighting with My Family, Ari Aster’s horror pic Midsommar, and in this latest iteration of Louisa May Alcott’s classic novel. Even though Saoirse Ronan is nominated for Best Actress, it was Pugh who got a lions share of critical attention. Pugh’s ascendance into the mainstream will blossom even more in 2020 with a prominent role alongside fellow Supporting Actress nominee Scarlett Johansson in the MCU’s Black Widow. If the Academy wants to pick a young upstart, this is the way to go.
The Case Against Florence Pugh
She missed out on both Golden Globe and SAG nods and that’s never a solid sign. Laura Dern, her Little Women costar, is the massive front runner for Marriage Story.
The Verdict
A solid 2019 for Pugh culminated in this nomination. It won’t end in a win.
My Case of posts will continue with the direction of Todd Phillips for Joker!
The BAFTAs took place today and they’re the British equivalent of the Oscars. And it was 1917 continuing its epic run in precursors by winning 7 trophies, including Best Picture and Director. That said, the victory comes with a caveat and not a minor one. The last five BAFTA Picture recipients did not go on to nab the top prize with the Academy. So if you’re still considering going with Parasite or Once Upon a Time in Hollywood or something else to take the biggest Oscar, there’s reason to do so.
In the acting races, nothing changed the narrative of having major front runners in all four. The winners (and it’ll look familiar): Joaquin Phoenix (Joker) for Actor, Renee Zellweger (Judy) in Actress, and Brad Pitt (Once Upon a Time in Hollywood) and Laura Dern (Marriage Story) for the supporting derbies. Simply put, anyone other than this quartet taking Oscar gold would constitute an upset.
One day after the Writers Guild named Jojo Rabbit as Adapted Screenplay as its winner and Parasite in Original Screenplay, BAFTA followed suit. It puts them in the driver’s seat for the Academy and that’s not welcome news for Little Women in Adapted or Hollywood in Original.
Another race to watch is Animated Feature because it seems wide open at the moment. Toy Story 4 is seen as the favorite due to Oscar’s penchant for Pixar. However, that sure seems iffy because other titles keep picking up precursors. Today it was Netflix’s Klaus taking the award.
Here’s the list of other winners for the BAFTAs:
Outstanding British Film – 1917
Film Not in the English Language – Parasite
Documentary – For Sama
Score – Joker
Casting – Joker
Cinematography – 1917
Editing – Ford v Ferrari
Production Design – 1917
Costume Design – Little Women
Makeup & Hair – Bombshell
Sound – 1917
Visual Effects – 1917
Look for plenty more Oscar speculation as we are now one week away from the show!
The Writers Guild of America held their awards ceremony this evening and it serves as a significant indicator for the direction Oscar voters might go for the Adapted and Original Screenplay categories.
In Original Screenplay, this race was looked at as a showdown between Marriage Story and Parasite. The other nominees (1917, Booksmart, Knives Out) weren’t much in contention. For awards followers, you might notice I didn’t say Quentin Tarantino’s script for Once Upon a Time in Hollywood. There’s a reason as the filmmaker is not a member of the guild and therefore not eligible for recognition. In the 2010s, we’ve already seen that factor come into play once when his Django Unchained screenplay wasn’t listed (Zero Dark Thirty won instead). Quentin went on to Oscar victory.
This evening, it is Bong Joon-Ho and Han Jin-won taking the prize for Parasite. My feeling is that the recipient between that and Noah Baumbach’s Marriage Story now has the upper hand to compete with Hollywood at the Academy ceremony next weekend. So it’s a good night for the Parasite team.
Adapted Screenplay was definitely one to watch. Two nominees – A Beautiful Day in the Neighborhood and Joker – were looked at as long shots at best. This one came down to The Irishman (Steve Zaillian), Jojo Rabbit (Taika Waititi), and Little Women (Greta Gerwig). That holds true for Oscar (the five nominees here match the Academy’s). Waititi is the victor for Rabbit. The film most negatively affected is The Irishman, as Adapted Screenplay looks to be its most viable chance for a major category pickup. The narrative lately is that Gerwig could win the Oscar, especially since she was snubbed for Director. Yet Waititi’s trophy tonight puts him in the soft front runner position.
Look for lots more Oscar coverage on the blog as we are eight days away from the event itself!
My Case of posts for Oscar contenders arrives at our third contestant for Best Actress… Saoirse Ronan in Greta Gerwig’s Little Women. Let’s get into it!
The Case for Saoirse Ronan
Her work as Jo in the latest iteration of Louisa May Alcott’s classic novel drew raves and robust box office. At age 25, Ronan has racked up an incredible 4 nominations: 2007’s Atonement, 2015’s Brooklyn, 2017’s Lady Bird, and now this. She’s yet to win and voters might feel it’s time.
The Case Against Saoirse Ronan
Despite a couple of critics groups awards, Ronan has come up empty-handed in major precursors. Those losses have almost exclusively come at the hands of Renee Zellweger in Judy, who is rightly seen as the front runner. Ronan’s inclusion here was seen as a question mark all the way up to nomination morning.
The Verdict
The very high likelihood is that Ronan goes 0 for 4 come Oscar evening.
Up next in my Case of posts… Al Pacino in The Irishman!
My Case of outlines for Oscar contenders brings us to the second post for Supporting Actress players – Laura Dern in Marriage Story. The breakdown:
The Case for Laura Dern
Dern is already an Emmy and SAG winner and five-time Golden Globe recipient, but she has yet to pick up an Oscar. She’s been nominated twice before in 1991 for Rambling Rose and for 2015’s Wild. A well-respected veteran from a Hollywood family, Dern has balanced blockbusters and indies for years. Her role a whip smart and ruthless divorce attorney in Noah Baumbach’s latest drew raves. Yet this is also seen as a career achievement prize given her zero previous wins. Dern has won all major precursors – Globes, SAG, Critics Choice, and a handful of critics groups awards.
The Case Against Laura Dern
There’s not much of one. Jennifer Lopez in Hustlers was seen as her strongest competitor, but she was snubbed on nominations morning. Dern’s Marriage Story costar Scarlett Johansson is a double nominee, recognized in this race for Jojo Rabbit. The Academy could feel obliged to give ScarJo a victory here. Interestingly, Dern’s Little Women costar Florence Pugh is up as well.
The Verdict
Dern is a huge front runner and anyone else winning would be seen as a sizable upset.
My Case of posts will continue with another of Dern’s costars… Adam Driver in Marriage Story!
Blogger’s Note (01/22): Revising my The Turning estimate down from to $12.2 million to $9 million
Two new titles open wide this weekend, but the Bad Boys ain’t going nowhere from the #1 spot after a scorching debut. We have the supernatural horror pic The Turning and Guy Ritchie comedic crime caper The Gentlemen with Matthew McConaughey premiering. You can peruse my detailed prediction posts on both here:
I question whether either newcomer can hit the teens. I have The Turning almost getting there and placing fourth just behind the second weekend of Dolittle. As for The Gentlemen, I’m forecasting that it struggles to reach double digits and that should put it in the five spot.
Bad Boys for Life should lose about half its Friday to Sunday opening weekend haul and that would put it in the low 30s and far ahead of the pack. As for potential Best Picture winner 1917, look for it to jump up a spot to second as its drop shouldn’t be as pronounced as the Dolittle one.
And with that, my top 5 take on the weekend:
1. Bad Boys for Life
Predicted Gross: $31.1 million
2. 1917
Predicted Gross: $16.4 million
3. Dolittle
Predicted Gross: $12.4 million
4. The Gentlemen
Predicted Gross: $9.6 million
5. The Turning
Predicted Gross: $9 million
Box Office Results (January 17-20)
Sporting the second best MLK long weekend gross of all time, sequelitis certainly was no issue for the return of Will Smith and Martin Lawrence in Bad Boys for Life. The action comedy exploded beyond expectations (with good reviews to boot) for $73 million over the four-day frame. That dwarfs my measly $45.6 million projection. Surprise surprise! A fourth edition has already been announced.
Don’t expect to see Dolittle 2. The Robert Downey Jr. family adventure made $28.3 million and that did top my $22.3 million estimate. However, with poor critical reaction and a bloated $175 million budget, it’s still a subpar result.
1917 dropped to third with $26.9 million, under my $34.4 million forecast. The Oscar hopeful is up to $81 million and it should hit the century club by this weekend.
Jumanji: The Next Level was fourth with $12.6 million (I said $11.8 million) for $273 million overall.
Star Wars: The Rise of Skywalker rounded out the top five with $10.5 million compared to my $9.6 million prediction. Total is $494 million.
I incorrectly had Little Women outside of my top six projections, but it was 6th with $8.2 million. The Best Picture nominee is at $86 million.
Finally, I had Just Mercy holding better in its second weekend of wide release. It earned $7.5 million, below my $10.2 million take for a middling $21 million.
Last night, the Producers Guild of America bestowed their honoree for best of the year and it’s a significant harbinger of what could lie ahead at the Oscars. In the 21st century, 13 of the 19 PGA winners ended up winning Best Picture from the Academy. In fact, 2018’s “surprise” PGA recipient Green Book took the prize at the big show as well.
It was the Sam Mendes World War I epic 1917 that emerged victorious. That’s another major precursor pickup after the Golden Globes named it Best Drama a couple weeks back. 1917 earned the award over nine other nominees that includes the eight pictures it’s nominated with from the Academy and Knives Out.
Let’s be clear – a solid argument can now be made that 1917 is the front runner to win the Oscar. If the Directors Guild of America names Mendes as their choice next weekend, that will serve as another huge precursor. Yet the 1917 love won’t extend to tonight’s Screen Actors Guild Awards (my predictions for that event will be on the blog later this morning). 1917 is not nominated for Best Ensemble from SAG. If The Irishman or Once Upon a Time in Hollywood or Parasite win Ensemble, the narrative may turn to that picture as its strongest competitor.
Still, one week after 1917 rode its awards buzz to impressive box office earnings, it’s established itself as perhaps the film to beat.
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