Tag: Knock at the Cabin

August 9-11 Box Office Predictions

Blogger’s Updates (08/08): Two updates for the newcomers on the eve of their premieres. Bumping It Ends with Us from $39.8 million to $43.8 million and downsizing Borderlands from $11.3 million to $8.1 million.

After the 8th best second weekend of all time at the domestic box office, Deadpool & Wolverine should rule the charts for a third frame. Yet the most serious competition for Ryan Reynolds thus far will come from his wife Blake Lively. That’s courtesy of the romantic drama It Ends with Us based on the bestseller from Colleen Hoover. Its breakout potential could cause it to over perform even beyond my forecast. We also have the video game based sci-fi action comedy Borderlands with Cate Blanchett and Kevin Hart. My detailed prediction posts on both newbies can be found here:

It Ends with Us Box Office Prediction
Borderlands Box Office Prediction

It Ends should begin with impressive numbers. The source material looks to bring in a sizable female audience who have been underserved in these summer months. My low to mid 30s call puts it easily in second and I could envision it going even higher.

I’m not expecting fireworks for Borderlands. Despite its video game series being popular, my low double digits take would place it in fourth behind the fourth go-round for Twisters.

Deadpool & Wolverine should lose about half its sophomore weekend crowd and that would give it high 40s for a third championship session.

Despicable Me 4 may only fall one slot to fifth. The percentage drop should be meager compared to M. Night Shyamalan’s Trap. His latest thriller underwhelmed (more on that below) and I foresee it plummeting around 60% to sixth place.

Here’s how I see that top 6 playing out:

1. Deadpool & Wolverine

Predicted Gross: $49.6 million

2. It Ends with Us

Predicted Gross: $43.8 million

3. Twisters

Predicted Gross: $13.9 million

4. Despicable Me 4

Predicted Gross: $8.6 million

5. Borderlands

Predicted Gross: $8.1 million

6. Trap

Predicted Gross: $6.1 million

Box Office Results (August 9-11)

As mentioned, Deadpool & Wolverine managed the 8th largest weekend #2 with $96.8 million, easily clawing beyond my $84.6 million prediction. The MCU mashup has amassed $395 million in only ten days.

Twisters held tight in second with $22.8 million, blowing past my $18.1 million estimate. In three weeks, the sequel has hit $195 million with $200 million coming this week.

Mr. Shyamalan’s Trap performed in line with predecessors Old and Knock at the Cabin. In third place, the $15.4 million gross was under my $19.2 million projection. This opening is certainly on the lower end of the expected range and the C+ Cinemascore grade suggests the aforementioned large drop is coming.

Despicable Me 4 was fourth with $11.4 million compared to my $9.4 million call. The five-week total is $314 million.

Inside Out 2 rounded out the top five with $6.8 million for $626 million so far in eight weeks. I incorrectly had it outside the high five.

That’s because the family friendly and poorly reviewed Harold and the Purple Crayon couldn’t draw its crowd. With $6 million in sixth place, it fell under my $7.6 million prediction.

And that does it for now, folks! Until next time…

Oscar Predictions: Trap

It has been a quarter century since The Sixth Sense was a box office phenomenon that turned writer/director M. Night Shyamalan into a household name. The Academy took notice and rewarded the suspense thriller with six nominations including Picture, Director, and Original Screenplay. It lost each of those races to American Beauty.

Since then, the sole Oscar nod for an M. Night joint is 2004’s The Village in Original Score (it fell short to Finding Neverland). In fact, his filmography has garnered more Razzie attention in the last two decades with Lady in the Water, The Happening, The Last Airbender, and After Earth.

Trap is the filmmaker’s latest with Josh Hartnett as a serial killer boxed in at a concert with his daughter (Ariel Donoghue). Costars include Saleka Shyamalan, Hayley Mills, and Alison Pill.

Like his most recent tales Old and Knock at the Cabin, critical reaction isn’t near strong enough for awards buzz. The RT rating for Trap is just 49%. On the flip side, the buzz probably isn’t poor enough for the Razzies to notice. Some reviews are going out of their way to applaud Josh Hartnett (similar to how they lauded James McAvoy’s work in Shyamalan’s Split). Don’t expect Academy voters to put him in the convo for Actor. My Oscar Prediction posts will continue…

Trap Box Office Prediction

M. Night Shyamalan and Warner Bros hope Trap fills movie houses on August 2nd. The thriller casts Josh Hartnett as a serial killer trying to thwart a manhunt while attending a concert with his daughter (Ariel Donoghue). Mr. Shyamalan’s own daughter Saleka plays the artist at the venue. Hayley Mills (known for The Parent Trap some 63 years ago) and Alison Pill costar.

The writer/director experienced a mini career resurgence starting with 2017’s Split. His last two efforts haven’t generated huge numbers, but have been profitable due to low budgets. 2021’s Old started with $16 million and then grossed $48 million overall domestically. Last year’s Knock at the Cabin premiered to $14 million and $34 million total stateside. Both had reported price tags in the high teens to $20 million.

I haven’t seen the cost for Trap but its gimmick of a one place setting can’t be too expensive. Shyamalan’s pics do their business based on his name though there’s certainly limits compared to his early 2000s heyday. I doubt this will make much more than his aforementioned predecessors so let’s go high teens to low 20s.

Trap opening weekend prediction: $19.4 million

For my Harold and the Purple Crayon prediction, click here:

Harold and the Purple Crayon Box Office Prediction

February 24-26 Box Office Predictions

While Ant-Man and the Wasp: Quantumania should easily stay in the number one spot, Cocaine Bear looks for a strong #2 showing and Jesus Revolution hopes to rise above expectations. They are the newcomers this weekend and my detailed prediction posts on them can be found here:

Cocaine Bear Box Office Prediction
Jesus Revolution Box Office Prediction

Cocaine Bear has generated buzz since its trailer (and honestly the title reveal). It could blow past my low teens estimate, but I do believe the appeal might be somewhat limited.

Jesus Revolution, as other faith-based dramas have, could exceed my sub double digits projection. A third place showing seems likely. If it does surpass my prognosis and Cocaine comes in under mine, a battle for the runner-up position is feasible.

Quantumania opened in its expected range and crawled ahead of my estimate (more on that below). It also received a troubling Cinemascore grade of B (tying the lowest for the MCU with Eternals). That should mean a sophomore drop in the mid to high 60s (similar to Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder from last year) is coming.

Holiday holdovers Avatar: The Way of Water and Puss in Boots: The Last Wish should round out the top five. Here’s how I envision it:

1. Ant-Man and the Wasp: Quantumania

Predicted Gross: $34.2 million

2. Cocaine Bear

Predicted Gross: $14.3 million

3. Jesus Revolution

Predicted Gross: $8.7 million

4. Avatar: The Way of Water

Predicted Gross: $5.4 million

5. Puss in Boots: The Last Wish

Predicted Gross: $4.6 million

Box Office Results (February 17-20)

As anticipated, Ant-Man and the Wasp: Quantumania commanded the long President’s Day frame with $120.3 million from Friday to Monday. That’s ahead of my $109.1 million estimate. That easily makes for the best start to the three Ant pics (as was expected). Per above, the second weekend dip should be substanial.

Avatar: The Way of Water held in second with $8 million compared to my $6.1 million prediction. The mega-sequel has amassed $659 million domestically.

The sequel love continued with Puss in Boots: The Last Wish at $7 million in third, slashing past my $5.8 million take. Total is $167 million.

Magic Mike’s Last Dance dropped from 1st to 4th though it doubled its theater count from approximately 1500 to over 3000. It made $6.2 million (I said $5.5 million) for overall earnings of $18 million.

Knock at the Cabin was fifth and I incorrectly had it on the outside looking in. With $4.6 million, the three-week gross is $31 million.

Finally, 80 for Brady was sixth with $4.5 million compared to my $4.2 million guesstimate. The octogenarian comedy is up to $33 million.

And that does it for now, folks! In case you didn’t know, I’ve started a podcast where you can hear my box office and Oscar predictions and the link for it is below. Until next time…

https://podcasts.apple.com/us/podcast/movies-at-the-speed-of-speculation/id1668006585?i=1000601007142

February 17-20 Box Office Predictions

Blogge’s Update (02/16): It has been announced that Magic Mike’s Last Dance is significantly increasing its screen count from 1500 venues to over 3000 in weekend #2. Therefore I’m upping my estimate from $4 million to $5.5 million along with giving slight bumps to Avatar and Puss in Boots. Ant-Man remains unchanged.

The Marvel Cinematic Universe begins Phase Five as their 31st picture Ant-Man and the Wasp: Quantumania looks to easily have the biggest debut since Avatar: The Way of Water. We also have low-budget British slasher Winnie-the-Pooh: Blood and Honey straying far from its Disney version out on Wednesday. You can peruse my detailed prediction posts on the duo here:

Ant-Man and the Wasp: Quantumania Box Office Prediction
Winnie-the-Pooh: Blood and Honey Box Office Prediction

Keep in mind that this is a holiday weekend so my projections are for Friday to Monday. Ant-Man and the Wasp from 2018 built upon the premiere of the 2015 original – $75 million vs. $57 million. Quantumania should continue that trend with a four-day haul of over $100 million.

The rest of the top five should be holdovers and I have Magic Mike’s Last Dance sliding the furthest from 1st to 5th after a shaky start (more on that below). That said, Winnie is a potential spoiler. Reportedly shot for under $100k, it could capture the attention of horror fans and exceed my estimate of $3.5 million from Friday to Monday and $4.7 million when factoring in Wednesday and Thursday. I currently have it just outside the high five. Keep an eye on this post. That could change by lock time on Thursday.

Here’s how I envision the top 5 playing out:

1. Ant-Man and the Wasp: Quantumania

Predicted Gross: $109.1 million

2. Avatar: The Way of Water

Predicted Gross: $6.1 million

3. Puss in Boots: The Last Wish

Predicted Gross: $5.8 million

4. Magic Mike’s Last Dance

Predicted Gross: $5.5 million

5. 80 for Brady

Predicted Gross: $4.2 million

Box Office Results (February 10-12)

Moviegoers mostly stayed home this weekend and not just on Sunday for the Super Bowl and/or Rihanna concert. Everything came in a tad shy (or more than a tad in a couple of cases) of my predictions.

Magic Mike’s Last Dance was a muted #1 with $8.3 million. Warner Bros didn’t seem to have much faith in it as its release was on a scant 1500 screens. So while the per theater average surpassed predecessor Magic Mike XXL (2015), it fell far short in terms of actual gross. I said it would $10.7 million.

Avatar: The Way of Water rose a spot to second with $7.2 million, in line with my $7.5 million take as it hit $647 million. Per above, it should stay put in second this weekend.

The 25th anniversary re-release of Titanic couldn’t match my expectations. James Cameron’s first picture to become the highest grosser of all time added $6.7 million to its coffers. I thought it would be #1 and guesstimated $11.6 million. Don’t feel sorry for Leo and Kate. After a quarter century, it is now at a devilish $666 million stateside.

80 for Brady, with sturdy competition for the female demo with Magic Mike and Titanic, suffered in its sophomore outing with $5.8 million. I projected $8.1 million. The 54% plummet is a little troubling and it is now at $24 million after ten days.

Puss in Boots: The Last Wish rounded out the top five with $5.5 million (I said $5.6 million) for $158 million overall.

Finally, M. Night Shyamalan’s Knock at the Cabin was burned in weekend #2, falling from 1st to 6th. It plummeted 62% with $5.4 million (under my $5.9 million forecast) for a mere $23 million thus far.

And that does it for now, folks! Until next time…

February 10-12 Box Office Predictions

Channing Tatum sashays back into multiplexes in his star making role with threequel Magic Mike’s Last Dance while Titanic re-releases on the occasion of its 25th anniversary. You can peruse my detailed prediction posts on them here:

Magic Mike’s Last Dance Box Office Prediction
Titanic 25th Anniversary Box Office Prediction

In what could be considered an upset, I have Titanic edging Mike for the top spot. Here’s why. There are reports that the latter is only releasing on approximately 1500 screens. If that holds true, it would significantly impact its earning power. When I assumed Mr. Tatum would arrive in the typical 3000 venues, I had it making just under $18 million. I now have it notably under that projection.

That may clear the way for the Titanic re-release to be #1 (giving James Cameron the first place picture in eight out of the past nine weekends). Valentine’s Day audiences and the nostalgia factor could get it there.

As for holdovers, M. Night Shyamalan’s Knock at the Cabin definitely came in at the lower end of its anticipated range (more on that below). I believe it could plummet from first to fifth with 80 for Brady and Avatar: The Way of Water each slipping only one spot. Cabin might even fall outside of the high five depending on the eighth frame dip for Puss in Boots: The Last Wish.

Here’s how I see the top 6 playing out:

1. Titanic 25th Anniversary

Predicted Gross: $11.6 million

2. Magic Mike’s Last Dance

Predicted Gross: $10.7 million

3. 80 for Brady

Predicted Gross: $8.1 million

4. Avatar: The Way of Water

Predicted Gross: $7.5 million

5. Knock at the Cabin

Predicted Gross: $5.9 million

6. Puss in Boots: The Last Wish

Predicted Gross: $5.6 million

Box Office Results (February 3-5)

As mentioned, Knock at the Cabin had a fairly soft entry on the charts with $14.1 million. While it managed to knock Avatar from its seven-week reign on the throne, it fell far under my $23.6 million forecast. The glass half full? It cost a meager $20 million to make. The glass half empty? With a C Cinemascore grade, I foresee a sophomore plummet close to 60%. In the summer of 2021, Shyamalan’s predecessor Old managed to top Cabin with just under $17 million. Simply put, this should’ve done more considering it had less competition and better reviews.

80 for Brady had a respectable start in second with $12.7 million. Released a day after Tom Brady announced his retirement (again), the legend packed octogenarian comedy couldn’t match my $15.5 million take. It will hope for smallish declines in the weekends ahead.

Avatar: The Way of Water was third with $11.3 million, in line with my $11.8 million prediction. After its eighth outing, the gargantuan tally grew to $636 million.

Fourth place belonged to Puss in Boots: The Last Wish with $7.8 million (I said $8.9 million) for an impressive $151 million after seven weeks.

I incorrectly had the concert pic BTS: Yet to Come in Cinemas outside of the top five with no projection. It was fifth with $5.1 million.

A Man Called Otto was sixth with $4.3 million compared to my $4.8 million. The gross is a solid $53 million.

Finally, while I’m in predictin’ mode – Eagles 38, Chiefs 24. That’s all for now, folks! Until next time…

Knock at the Cabin Review

Sunshine causes lingering pain and brief moments of delight in M. Night Shyamalan’s Knock at the Cabin, a dark and grim adaptation of Paul G. Tremblay’s 2018 novel. The filmmaker’s weakest tendencies are present but don’t arise as often in the mostly one space setting. Clunky dialogue and bizarre character choices associated with Shyamalan are kept to a minimum. There’s no rapper bafflingly named Mid-Sized Sedan like in his predecessor Old. The apocalyptic theme is hardly new though it generates a respectable amount of tension.

It also gets to the point in scene one. Leonard (Dave Bautista) may look like a bouncer, but he teaches second grade. We learn this as he introduces himself to seven-year-old Wen (Kristen Cui) while she’s catching grasshoppers outside a vacation property in remote Pennsylvania. Wen is the adopted daughter of her two Dads Eric (Jonathan Groff) and Andrew (Ben Aldridge). Leonard insists on forcefully entering the cabin with three associates all sporting old school weapons. They’re not your typical home invaders: nurse Sabrina (Nikki Amuka-Bird) and cook Adriane (Abby Quinn) have kind demeanors like Leonard. Only ill-tempered Redmond (Rupert Grint, all grown up from Harry Potter Weasley fame) seems comfortable breaking and entering.

Dad and Dad don’t welcome their presence and they’re tied up. Eric becomes concussed in the process (hence the sunlight hurting him). The quartet explains that the trio face a gut wrenching choice. They must sacrifice a family member in a short period of time. If they don’t, the world’s population will end in a series of catastrophes. Eric, Andrew, and Wen will survive and everyone else will perish. The hostages are understandably skeptical. Their detainers (who claim they’ve all experienced similar visions of devastation) aren’t afraid to display how serious they are. This includes news footage that shows they might be onto something.

The bulk of Cabin is reserved for us deciding whether Leonard and company are telling the truth. We do get flashbacks of Eric and Andrew’s relationship before and after they bring Wen into their lives. They feel somewhat superfluous yet they are fleeting interludes in the appreciatively brisk 100 minutes. Bautista is playing against type. You would think of him as a teacher in a silly comedy where he displays his bulk. This is far from that and his work is restrained in a positive way. All the performance are adequate. Shyamalan’s track record is spotty with child performances. He is responsible for guiding some great ones (think Haley Joel Osment in The Sixth Sense or Spencer Treat Clark in Unbreakable). Cui’s is on the plus side.

I was a captive audience member for much of the stay. As it continued, I found this surprisingly anticlimactic (especially for something about the Earth maybe ending). Shyamalan has resurrected his career by self-financing his pictures and turning a tidy profit. While that’s admirable, he seems limited by the budget considering all that’s occurring outside the cabin. Like a mid-sized sedan, it’s dependable for awhile until it isn’t.

**1/2 (out of four)

Oscar Predictions: Knock at the Cabin

Nearly a quarter century ago, M. Night Shyamalan’s phenom The Sixth Sense scared up six Oscar nominations including Best Picture and Director. It didn’t win any, but it established the filmmaker as a force at the box office. His fortunes have certainly ebbed and flowed in the 21st century with financial hits and misses. As far as awards attention, only 2004’s The Village achieved another Academy nod for its score.

Shyamalan’s latest is the apocalyptic thriller Knock at the Cabin with Dave Bautista headlining the cast. Based on Paul G. Tremblay’s 2018 novel, Knock‘s embargo is up today ahead of its Friday release. The results are pretty encouraging with a 71% Rotten Tomatoes score. At the low point in his filmography, he had a string of flops and critical bombs (Lady in the Water, The Happening, The Last Airbender, After Earth) that racked up plenty of Golden Raspberry mentions.

Cabin is ahead of Shyamalan’s two predecessors Glass and Old as far as the RT meter. It isn’t as high (77%) as comeback vehicle Split from 2017. While Bautista is being complimented for his performance, I don’t see this being welcomed in any of the Academy races a year from now. My Oscar Prediction posts will continue…

February 3-5 Box Office Predictions

**Blogger’s Update (02/01): I am adding a title to the top 5 that I previously didn’t have on Monday when I did my initial projections. The Chosen: Season 3 Finale is playing on over 2000 screens. As you may recall, the season premiere grossed nearly $9 million in December out of the gate. I’ll say the finale generates a little more than that and could challenge Avatar for the 3 spot. Changes are reflected below.

The seven-week reign of Avatar: The Way of Water at #1 should end in its 8th outing as February dawns at the box office. M. Night Shyamalan’s latest thriller Knock at the Cabin and the octogenarian comedy 80 for Brady debut and look to place 1-2. My detailed prediction posts on them can be found here:

Knock at the Cabin Box Office Prediction
80 for Brady Box Office Prediction

Beginning with 2017’s Split, Shyamalan experienced a career resurgence that could carry Cabin (generating solid word-of-mouth) to a low to mid 20s start. Getting close to $30 million is not out of the question. That number should be enough to top the charts.

80 for Brady looks to appeal to a female audience and older viewers. A Man Called Otto recently showed the demographic is ready for a return at multiplexes. With a robust marketing campaign and the involvement of Lily Tomlin, Jane Fonda, Sally Field, and Rita Moreno, I could absolutely see it over performing. My current mid teens forecast is worth keeping an eye on before Thursday (meaning it could rise).

As mentioned, Avatar: The Way of Water (while remaining above $10M) should finally relinquish its stranglehold in first. Fellow holdovers Puss in Boots: The Last Wish and A Man Called Otto should round out the top five and here’s how I see it looking:

1. Knock at the Cabin

Predicted Gross: $23.6 million

2. 80 for Brady

Predicted Gross: $15.5 million

3. Avatar: The Way of Water

Predicted Gross: $11.8 million

4. The Chosen: Season 3 Finale

Predicted Gross: $11 million

5. Puss in Boots: The Last Wish

Predicted Gross: $8.9 million

6. A Man Called Otto

Predicted Gross: $4.8 million

Box Office Results (January 27-29)

Avatar: The Way of Water cruised to a seventh frame atop the charts with $15.9 million (ahead of my $14.3 million take). The domestic haul is $620 million, but the story of the weekend is that it surpassed Star Wars: The Force Awakens to become the fourth largest worldwide grosser in history. That means James Cameron now has three of the top four (with Avatar and Titanic also in the mix).

Puss in Boots: The Last Wish was runner-up with $10.4 million, surpassing my $9.2 million prediction. In six weeks, the animated sequel has amassed $140 million.

The surprise of the weekend was Pathaan, a Hindu language action spectacle that I incorrectly had outside the top five. It was third with $6.8 million and $9.4 million since its Wednesday bow. The PTA of nearly $10k was easily the highest on the charts.

A Man Called Otto was fourth with $6.6 million (in line with my $6 million projection) for $45 million overall.

M3GAN rounded out the top five with $6.2 million (I said $5.8 million) as the campy horror tale is approaching nine figures at $82 million.

Finally, Missing was sixth in its sophomore weekend with $5.6 million, a tad above my $5.1 million call. The ten-day total is $17 million (doubling its reported $7 million budget).

Check out my new podcast at the following link:

https://podcasts.apple.com/us/podcast/movies-at-the-speed-of-speculation/id1668006585

And that does it for now, folks! Until next time…

Knock at the Cabin Box Office Prediction

Universal Pictures is counting on audiences to take a Knock at the Cabin when it debuts February 3rd. The latest film from M. Night Shyamalan, it’s based on the 2018 novel by Paul G. Tremblay. A thriller blending horror elements, Dave Bautista is a believer in the imminent apocalypse holding a family hostage. Costars include Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint.

This looks to be the picture to knock Avatar: The Way of Water off its lengthy perch at #1 and should do so with room to spare. Shyamalan, after a career resurgence that kicked into high gear with Split, is one of the few filmmakers whose name can sell tickets (especially in this genre). This is his first R rated title since 2008’s The Happening. His predecessor Old (2021) opened in the summer of 2021 with just under $17 million.

Cabin, with less competition than Old had, should exceed that starting gross. A take of over $20 million is doable.

Knock at the Cabin opening weekend prediction: $23.6 million

For my 80 for Brady prediction, click here:

80 for Brady Box Office Prediction