Tag: Keanu Reeves

March 31-April 2 Box Office Predictions

Blogger’s Update (03/29): I am significantly revising my His Only Son estimate from $6.1M to $3.9M. That puts it in sixth instead of third.

There could be a photo finish at this weekend’s box office between the premiere of Dungeons & Dragons: Honor Among Thieves and second frame of John Wick: Chapter 4 after it managed a franchise best premiere. Other than Thieves, the faith-based drama His Only Son also rises in multiplexes. You can peruse my detailed prediction posts on both newbies here:

Dungeons & Dragons: Honor Among Thieves Box Office Prediction
His Only Son Box Office Prediction

While Dungeons certainly has a rabid fanbase and reviews are quite strong, I do wonder how limited its potential is with non-fans who may have zero interest. If this hit $40 million, I wouldn’t be surprised. Same goes for $25 million. That puts me in the middle.

Wick delivered the aforementioned series peak for Keanu and company (more on that below). If the sophomore frame dip is similar to predecessor John Wick: Chapter 3 – Parabellum, it might find itself just behind Dungeons in second. I’m expecting a close battle.

His Only Son, like other titles in its genre, could outdo expectations just as Jesus Revolution did a few weeks ago. My mid single digits projections put it in third with sequels Creed III, Shazam! Fury of the Gods, and Scream VI all in close proximity in the 4-6 slots.

Here’s how I envision it:

1. Dungeons & Dragons: Honor Among Thieves

Predicted Gross: $32.7 million

2. John Wick: Chapter 4

Predicted Gross: $31.5 million

3. Creed III

Predicted Gross: $4.6 million

4. Shazam! Fury of the Gods

Predicted Gross: $4.3 million

5. Scream VI

Predicted Gross: $4.2 million

6. His Only Son

Predicted Gross: $3.8 million

Box Office Results (March 24-26)

There was little doubt that John Wick: Chapter 4 would continue each entry improving upon the opening of the other. The question was by how much. With the best reviews of the quartet, 4 got off to a $73.8 million start. That’s well beyond the $56 million achieved by the third chapter. I went on the highest end of anticipated ranges with $85.5 million. It didn’t get there, but this is a terrific result.

Shazam! Fury of the Gods plummeted 69% in weekend #2 with $9.7 million. I was more generous at $12.9 million. The DCEU sequel (with $45 million) has made less in 10 days than its 2019 predecessor made in its first three. There’s no way to sugarcoat it. This is a bomb that may struggle to make $75 million domestically.

Creed III was third with $8.3 million, in line with $8.8 million take for $140 million after four weeks.

Scream VI was fourth and also did $8.3 million (I predicted a little more at $9.4 million). The horror sequel is at $89 million as it slashes to $100 million plus.

Finally, 65 rounded out the top five with $3.2 million (I said $3 million) for a weak $27 million after three weeks.

And that does it for now, folks! Until next time…

BUT in the meantime – check out my podcast on your favorite place to get podcasts. Simply search for Movies at the Speed of Speculation for your listening pleasure!

March 24-26 Box Office Predictions

John Wick: Chapter 4 is set to easily achieve a franchise best record this weekend. It’s the only new wide release burning up the screens and you can peruse my detailed prediction post on it here:

John Wick: Chapter 4 Box Office Prediction

When I did my initial projection last week, I had Keanu and company hitting close to $70 million. Sizzling buzz now has me projecting in the mid 80s for a series that keeps growing financially with each entry.

The rest of the top 5 will be holdovers. Shazam! Fury of the Gods got off to a middling start (more on that below) and it should fall a bit further than the 54% decline of its predecessor in 2019.

It could be a close call for #3 between Scream VI (which I have dipping in the mid 40s) and Creed III (which could see a lower 40s fall). 65 looks to round out the high five.

Here’s how I see it shaking out:

1. John Wick: Chapter 4

Predicted Gross: $85.5 million

2. Shazam! Fury of the Gods

Predicted Gross: $12.9 million

3. Scream VI

Predicted Gross: $9.4 million

4. Creed III

Predicted Gross: $8.8 million

5. 65

Predicted Gross: $3 million

Box Office Results (March 17-19)

Shazam! Fury of the Gods could’ve used Irish luck or any other type as it came nowhere near the $53 million that its predecessor debuted at. The DCEU sequel made $30.1 million. While it managed to barely top my $27.9 million call, this is a subpar start to be kind. On the heels of Ant-Man and the Wasp: Quantumania not matching expectations, there seems to be some superhero fatigue. With a B+ Cinemascore (compared to part 1’s “A”), look for this to suffer substantial declines in the weeks ahead.

Scream VI was second after a franchise high opening with $17.3 million. That’s right on pace with my $17.6 million forecast for a ten-day haul of $75 million (just below the $81 million that #5 earned in total stateside).

Creed III was third with $15.3 million (I said $16.5 million) for a three-week tally of $127 million. That puts it beyond the $115 million that part II made overall.

65 was fourth with $5.8 million, a smidge ahead of my $4.8 million projection. Adam Driver’s dino adventure stands at a muted $22 million thus far.

Ant-Man and the Wasp: Quantumania rounded out the top five with $4.2 million, in line with my $4.3 million prediction. Total is $205 million.

And that does it for now, folks! Until next time…

John Wick: Chapter 4 Box Office Prediction

Blogger’s Update (03/20): Wick appears poised for a massive over performance. I am revising from projection from $69.1M to $85.5M.

Each Wick pic has burned brighter at the box office than the previous entry and the trend looks to continue as John Wick: Chapter 4 is unleashed on March 24th. Keanu Reeves is back in the title role with Chad Stahelski returning to direct. The supporting players are a mix of familiar franchise faces and newcomers including Donnie Yen, Bill Skarsgård, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rino Sawayama, Ian McShane, and Laurence Fishburne.

In the fall of 2014, the first Wick was a modest success when it debuted with $14 million and $43 million domestic overall. Those numbers seem meager now, but they were better than anticipated and more fans were gained when it hit the home viewing circuit. The 2017 sequel took in $30 million out of the gate with $92 million total. In 2019, Chapter 3 – Parabellum soared to a $56 million premiere with $171 million in the stateside bank.

At nearly three hours long, Chapter 4 is generating some of the strongest reviews of the series. With 91% on Rotten Tomatoes, critics are particularly praising the choreography of its wild action sequences. That should get plenty of genre fans out to the multiplexes. Like Creed III, look for this to score a series high opening with room to spare. I’m thinking mid 60s to possibly $70 million is achievable.

John Wick: Chapter 4 opening weekend prediction: $85.5 million (REVISED NUMBER)

Oscar Predictions – John Wick: Chapter 4

The Best Picture lineup for the just aired Academy Awards was 20% sequel with Top Gun: Maverick and Avatar: The Way of Water in contention. We also had Black Panther: Wakanda Forever and Glass Onion: A Knives Out Mystery up in key contests. So is it crazy to think John Wick: Chapter 4 could find its way into the Oscar conversation a little less than a year from now? Yeah, it might be.

Or maybe not. The fourth heaping of ultra-violence starring Keanu Reeves and directed by Chad Stahelski stands at 89% on Rotten Tomatoes prior to its March 24th domestic bow. That exactly matches the scores of predecessors Chapter 2 and Chapter 3 – Parabellum and exceeds the original’s 86%.

Yet many of the reviews are calling #4 the best of the wild bunch. The nearly three hour opus is being specifically singled out for its production design and cinematography. I could certainly see Film Twitter mounting a campaign for this acclaimed franchise to finally get some love from the tech branches. It’s unlikely to occur, but not impossible. My Oscar Prediction posts will continue…

Oscar Predictions: DC League of Super-Pets

The Warner Animation Group kicked off nearly a decade ago with 2014’s The Lego Movie. This Friday, their 10th effort under the production banner is DC League of Super-Pets. It comes from director Jared Stern (who wrote The Lego Batman Movie and The Lego Ninjago Movie) and features the voices of Kevin Hart and Dwayne Johnson as Batman and Superman’s respective canine pals.

While some of their titles have performed pleasingly at the box office, none of the pics have caught the attention of awards voters. Super-Pets currently sits at a decent 80% on Rotten Tomatoes. Yet if Lego and its spin-offs and sequels didn’t block space on the Best Animated Feature final five, the competition from Disney and others will likely freeze this out too. My Oscar Prediction posts will continue…

DC League of Super-Pets Box Office Prediction

Blogger’s Note (07/27): I am revising my estimate down considerably- from $42.6M to $33.6M

Dwayne Johnson and Kevin Hart already share a successful cinematic history via Central Intelligence and the Jumanji franchise. On July 29th, they reunite to respectively provide the voices of Superman and Batman’s canine companions in the animated DC League of Super-Pets. The Warner Animation Group superhero tale (or rather… tail?) is directed by Jared Stern, who did work on the studio’s The Lego Batman Movie and The Lego Ninjago Movie. John Krasinski voices the Man of Steel while Keanu Reeves does so for the Caped Crusader. Other familiar names contributing vocal work are Kate McKinnon, Vanessa Bayer, Natasha Lyonne, Diego Luna, Thomas Middleditch, Ben Schwartz, Marc Maron, and Olivia Wilde.

The Legion of Super-Pets from the DC Comics dates all the way to 1962 and their connection to their iconic masters could get plenty of kids to the multiplexes. It might even get their parents slightly interested. The summer of 2022 has been unpredictable when it comes to animated features. Lightyear was a rare disappointment for Disney/Pixar and Paws of Fury: The Legend of Hank outright bombed last weekend. On the other hand, Minions: The Rise of Gru was a massive hit that’s currently rising to a $300 million plus domestic haul. The Bad Guys was also a solid performer in the spring.

So what league will this premiere in? Estimates have it in the $40-50 million range. I see no reason why it would greatly exceed or fall short of expectations. I’m thinking it starts in the low to mid 40s though getting above $50 million is certainly doable.

DC League of Super-Pets opening weekend prediction: $33.6 million

 

The Matrix Resurrections Review

When the director seems to have ambivalent (at best) feelings about returning to their franchise, that emotion might rub off on the audience a bit. And so it is with The Matrix Resurrections, arriving 18 years after parts II and III with Lana Wachowski back (though not with her sister Lilly who co-directed previous installments). An overriding theme is that Wachowski is making part IV because the studio was going to do it regardless. Apparently she’d rather not leave it in the hands of others. The more things change, the more they stay the same in one respect. Our fourth trip into this world, like the second and third, can’t come close to matching the heights of the 1999 original (no matter how many throwback clips we see from it).

A glaring flaw is Resurrections mirrors that of the first sequels. So much after part one about The One centered its drama on Neo’s (Keanu Reeves) powerful connection with Trinity (Carrie-Anne Moss). For the most part, we were told as opposed to shown that development. The 2021 model is dependent on our wistful nostalgic pining of their romance. It’s one that I and I suspect many others just don’t possess.

In The Matrix, we were introduced to a fresh and exciting cinematic universe at the perfect time. As the 20th century drew to a close, questions abounded about machines and technology and their potential to overpower humans and their free will. It was potent in its message back then and (of course) the action was mind blowing and influenced many a 21st century spectacle.

2003’s follow-up The Matrix Reloaded was in many respects a mess, but an often highly entertaining one. Its freeway shootout was a marvel that holds up gloriously today. The first act set in a sweat drenched orgiastic Zion… not so much. The Matrix Revolutions arrived six months after Reloaded and despite some nifty moments, it was a serious letdown critically and financially.

Yet franchises never die in Hollywood so Wachowski seems to be battling her own free will and giving us her next iteration. For those who may have forgot (and it’s easy to forget Revolutions), Neo and Trinity both lost their lives while saving what was left of the human race from machine domination. In Resurrections, Neo’s real life persona Thomas Anderson is indeed alive and living 60 years in the future as a video game programmer. His lauded creation is essentially what we saw in the previous trilogy. His therapy sessions with Neil Patrick Harris’s analyst hints of his recollections and, for that, he’s prescribed blue pills. When Anderson is confronted with his past, it comes from a younger Morpheus (Yahya Abdul-Mateen II) and a new team of rebels led by a white rabbit tattooed Bugs (Jessica Henwick).

It also turns out Trinity is around in the form of Tiffany, now married with kids and without knowledge of her gravity defiant history. The deal cut by the lovebirds in Revolutions still stands albeit on shaky ground. Humans and machines have found a way to coexist but others want war times to resume. The plot, however, really isn’t focused on extinction. Tiffany is the McGuffin – and the drama centers on her chosen pill intake. It seems a tad low-pressure for a series typically concentrated on civilization’s existence.

In addition to a more youthful Morpheus, we also have Jonathan Groff as a boyish Agent Smith. Neither of their characterizations match those of Laurence Fishburne or Hugo Weaving, respectively. The screenplay, in particular, does a disservice to Mateen (a fine actor) and the treatment of Morpheus. So crucial in the trilogy, he’s relegated to an insignificant status in this one. On the flip side, Jada Pinkett Smith returns as General Niobe and she’s aged six decades. The makeup is decent. Her decision making hasn’t improved much when it comes to advising our protagonists.

Wachowski’s self-referential treatment of the material starts off fairly funny and the first hour has its charms. When a holdover from Reloaded and Revolutions appears to spew English and French rantings about our text obsessed and social media culture, it’s moved to eye rolling emoji territory. In Reloaded, that mid-picture car flipping street extravaganza alone arguably made the first sequel worth the price of admission. There’s no such centerpiece in Resurrections that approaches it. Instead we get a follow-up where the filmmaker is struggling to justify its existence and even pontificating through her subjects that it’s not warranted. Maybe she should have left this revolution for someone else to start.

** (out of four)

Oscar Predictions: The Matrix Resurrections

In the last year of our previous century, The Matrix was a game changing action spectacle that influenced many pictures that followed in the 21st century. The Oscars took notice. It was nominated for four Academy Awards (Film Editing, Sound, Sound Effects Editing, Visual Effects) and won all of them. In fact, it came in second in terms of number of victories behind only Best Picture winner American Beauty.

Four years later, the series became a trilogy when The Matrix Reloaded and The Matrix Revolutions both premiered in 2003. The story was different that time around. Neither film received a single nomination. That was a year in which The Lord of the Rings: Return of the King was crowned in many a race (including three that The Matrix took).

Tomorrow marks the release of The Matrix Revolutions from Lana Wachowski with Keanu Reeves and Carrie-Anne Moss reprising their iconic roles. Today is when the Oscar shortlists were revealed in Sound (now just one competition) and Visual Effects. Revolutions showed up as a hopeful on each top ten list.

So will the fourth Matrix manage the nod or two that its two predecessors could not? Probably. Visual Effects seems likely even though it would be shocking if fellow Warner Bros property Dune doesn’t win. Sound is a bit more iffy though it’s got a 50/50 shot.

Bottom line: Resurrections appears poised to put this franchise back in contention in those two races and those two races only. My Oscar Prediction posts for the films of 2021 will continue…

The Matrix Resurrections Box Office Prediction

Blogger’s Update (12/21): On the eve of its premiere, I’m revising down Resurrections prediction from $30.7 million for the three-day and $47.2 million for the five-day to $26.7 million and $40.3 million for the five-day

The Matrix Resurrections won’t be The One when it opens December 22nd, giving itself a five-day Christmas rollout. That’s thanks to what should be a robust sophomore frame for Spider-Man: No Way Home. It might not even be The Two if Sing 2 manages to squeak by it for the runner-up position.

Arriving 18 years after The Matrix Reloaded and Revolutions hit screens in 2003, this is the fourth franchise entry that began in 1999 and changed how we look at action blockbusters. The original Matrix is a landmark. The sequels that followed were met with considerably more mixed reaction (especially part 3).

Lana Wachowski directs without her sister Lilly (they made the trilogy together). Returning are Keanu Reeves, Carrie-Anne Moss, Lambert Wilson, and Jada Pinkett Smith. New to the game are Yahya Abdul-Mateen (taking over for Laurence Fishburne as a more youthful Morpheus), Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jones, and Christina Ricci. Once slated for May, it was postponed for pandemic purposes.

There’s no doubt that Resurrections is an event picture that has many devotees of the series ready to rush out. That said, it’s a major question mark as to how high this gets. While this is certainly an experience many will want to catch on the biggest screen possible, there is the option to view it simultaneously on HBO Max. Plenty of viewers not of the die-hard persuasion could choose to watch from the comfort of the couch. And while I’m sure many younger viewers are familiar with parts I-III – they may not have the reverence for it that fans, say, 35 and up do. Furthermore there is that pesky Spider-Man hanging around gobbling up the Yuletide dollars.

Don’t get me wrong. Resurrections could have a huge opening and amass $70 million from Wednesday to Sunday. Reloaded took in over $90 million for its start and held the title of highest grossing R-rated pic for over a decade until Deadpool replaced it. On the other hand, Revolutions couldn’t keep up and petered out with $139 million total.

One rather obvious comp is Dune, another sci-fi spectacle that followed 2021’s Warner Bros pattern of premiering their theatrical fare on HBO’s subscription service. It made $40 million over the traditional opening weekend. I’m estimating that Resurrections won’t hit that number from Friday to Sunday, but that the extra two days could bring in $45-$50 million.

The Matrix Resurrections opening weekend prediction: $26.7 million (Friday to Sunday); $40.3 million (Wednesday to Sunday)

For my Sing 2 prediction, click here:

Sing 2 Box Office Prediction

For my The King’s Man prediction, click here:

The King’s Man Box Office Prediction

For my American Underdog prediction, click here:

American Underdog Box Office Prediction

For my A Journal for Jordan prediction, click here:

A Journal for Jordan Box Office Prediction

Pig Review

Michael Sarnoski’s Pig is best savored when not knowing what course it will take next. This is more of a character study with Nicolas Cage playing a fascinating one. It’s a reminder of how special he can be when the recipe is done right.

Cage’s Rob lives off the grid in the Oregon wilderness with his trusty truffle pig. When that beloved companion is taken from him, the unkept and determined recluse makes it his mission to bring home the bacon. By his side is Amir (Alex Wolff), a supplier to high-end Portland restaurants who is seemingly Rob’s only non-swine contact. He has a strained association with his rich father (Adam Arkin), who pulls a lot of strings in this unique world of Pacific Northwest based foodies.

I wouldn’t blame you for assuming that Cage goes all John Wick in his quest. That’s only one area where the screenplay (written by the director) leaves you pleasantly surprised. Our lead has given us gobs of overly hammy acting outbursts and the one named Pig lets him do the opposite. This is a mostly quiet and even subtle performance from Cage.

This picture is about past and current losses and how Rob and Amir deal with them. It’s about relationships that cannot be rekindled, but how the memories of them could help heal. The script also amusingly plays around with the self-importance of its characters. This applies to chefs preparing tiny and pricey meals when they’d rather be cooking something else. There’s also Amir’s incessant classical music listening with a voiceover telling him how special it is.

We also see glimpses of an underground lair of culinary employees who seem to adhere to a code known only to them. This is a strange universe which might be at home in a John Wick flick if explored further. To borrow another Keanu Reeves reference, it’s also one in which Rob used to be its Neo. All of this comes together due to that sow swipe, but Pig has more on its mind thematically than revenge. This dish serves up consistently unexpected rewards.

***1/2  (out of four)