Tag: Jordan Peele

September 26-28 Box Office Predictions

Leonardo DiCaprio looks to conquer all multiplex foes in Paul Thomas Anderson’s One Battle After Another, but faces competition from Gabby’s Dollhouse: The Movie and The Strangers – Chapter 2. You can peruse my detailed prediction posts on the newcomers here:

One Battle After Another Box Office Prediction
Gabby’s Dollhouse: The Movie Box Office Prediction
The Strangers – Chapter 2 Box Office Prediction

Battle is favored to come out ahead based on major Oscar buzz and star power. I’m projecting high 20s as it looks to leg out impressively in subsequent frames.

Dollhouse is more of a wildcard. Based on a popular Netflix kids show, the mix of live-action and animation could surpass my low 20s estimate and come in 1st under the best case scenario.

I’m not looking for much out of The Strangers. Last year’s predecessor managed to top $10 million out of the gate. I suspect the follow-up will not. It might even fall behind the fourth frame of The Conjuring though I’ll give it the slight benefit of the doubt.

The fresh trio should place 1-3. As for holdovers, The Conjuring: Last Rites may see a smaller decline than Demon Slayer – Kimetsu No Yaiba – The Movie: Infinity Castle or Him.

Here’s how I see the top 6 shaking out:

1. One Battle After Another

Predicted Gross: $27 million

2. Gabby’s Dollhouse: The Movie

Predicted Gross: $20.3 million

3. The Strangers – Chapter 2

Predicted Gross: $6.7 million

4. The Conjuring: Last Rites

Predicted Gross: $6.4 million

5. Demon Slayer – Kimetsu No Yaiba – The Movie: Infinity Castle

Predicted Gross: $5.8 million

6. Him

Predicted Gross: $5.1 million

Box Office Results (September 19-21)

After an explosive record setting premiere for an anime title, Demon Slayer managed to stay atop the charts for a second weekend despite a 75% plummet (not unexpected). It grossed $17.3 million and just topped my $16.2 million call for $104 million thus far.

Sports themed horror pic Him with Marlon Wayans underwhelmed (poor reviews didn’t help) in the runner-spot position with $13.2 million. I was more generous at $20.3 million and thought it would come out on top. Look for about a 60% or more ease in weekend #2.

The Conjuring: Last Rites was third with $12.2 million, on pace with my $12.4 million prediction. The three-week take is $150 million.

Downton Abbey: The Grand Finale was fourth with $6.4 million (I said $6.5 million) for $31 million in two weeks.

The Long Walk rounded out the top five in its sophomore outing with $6.2 million. My guesstimate? $6.2 million! The ten-day gross is $22 million.

A Big Bold Beautiful Journey with Margot Robbie and Colin Farrell, despite its magnetic leads, bombed in sixth with a bleak $3.2 million. I went a bit higher at $4.8 million.

Finally, The Senior from Angel Studios (with an inspiration football theme) was deflated in seventh with $2.6 million compared to my $3.3 million projection.

And that does it for now, folks! Until next time…

September 19-21 Box Office Predictions

The box office should come down to Earth a bit this weekend after Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle smashed the opening weekend record for an anime title. We have football themed horror thriller Him starring Marlon Wayans, fantastical drama A Big Bold Beautiful Journey with Margot Robbie and Colin Farrell and football themed inspirational tale The Senior featuring Michael Chiklis opening. You can peruse my detailed prediction posts on the newcomers here:

Him Box Office Prediction
A Big Bold Beautiful Journey Box Office Prediction
The Senior Box Office Prediction

Him, from Jordan Peele’s production house, should have bragging rights in 1st position though my low 20s take puts it well behind what other recent horror flicks have achieved.

The other newcomers might not make the top 5. Journey is a head scratcher. As I pointed out in the long post, this is Robbie’s first significant project since Barbie and you’d think there would be more hype. My mid single digits estimate has it in sixth.

As for The Senior, Angel Studios dusted it off after it premiered at a Floridian film festival two years back. Their marketing might get this to mid single digits (if they’re lucky) for seventh place.

Demon Slayer indeed slayed this past weekend (more on that below). These types of anime offerings are typically front loaded and I expect that to be case here. A sophomore drop in the mid to high 70s would give it mid teens and it certainly could repeat in 1st if Him underwhelms.

Being that I’m unconvinced about Journey and The Senior, holdovers The Conjuring: Last Rites, Downton Abbey: The Grand Finale and The Long Walk could populate the rest of the high five.

Here’s how I see the top 7 shaking out:

1. Him

Predicted Gross: $20.3 million

2. Demon Slayer: Kimsetsu no Yaiba – The Movie: Infinity Castle

Predicted Gross: $16.2 million

3. The Conjuring: Last Rites

Predicted Gross: $12.4 million

4. Downton Abbey: The Grand Finale

Predicted Gross: $6.5 million

5. The Long Walk

Predicted Gross: $6.2 million

6. A Big Bold Beautiful Journey

Predicted Gross: $4.8 million

7. The Senior

Predicted Gross: $3.3 million

Box Office Results (September 12-14)

Demon Slayer (I’ve tired of writing the rest of its name) lived up to its late breaking hype with a gargantuan haul of $70.6 million, above my $64.6 million projection. The Crunchyroll release capitalized on unprecedented domestic interest in the genre as it attained the status of an event picture.

The Conjuring: Last Rites, after its own huge start, dropped an understandable 69% to second with $25.6 million. I predicted a tad more at $28.5 million. The two-week tally is a scary good $130 million as it nears the $137 million franchise record held by 2013’s original.

Downton Abbey: The Grand Finale managed to slightly outdo its 2022 predecessor in third with $18.1 million. My guesstimate? $18.1 million! This should also be front loaded and I’m thinking a low to mid 60s fall for this weekend.

Stephen King adaptation The Long Walk was fourth with $11.7 million compared to my $8.7 million call. Solid critical reaction likely helped push it past double digits.

The 30th anniversary re-release of Pixar’s inaugural effort Toy Story rounded out the top five with $3.4 million. I didn’t do a prediction for it. The additional dollars brought its three decade old total to $195 million (or over $400 million stateside adjusted for inflation).

Finally, mockumentary sequel Spinal Tap II: The End Continues flopped in ninth (at least it didn’t go to 11th) with $1.6 million. I was more generous at $3.4 million as interest wasn’t present for the sequel to the classic 1984 original.

And that does it for now, folks! Until next time…

Him Box Office Prediction

Universal hopes sports and horror is a successful mix when Him opens September 19th. From Jordan Peele’s Monkeypaw production house, Justin Tipping directs and cowrites. Marlon Wayans is an aging quarterback training a newbie (Tyriq Winters) via unconventional methods. The supporting cast includes Julia Fox, Tim Heidecker and Jim Jefferies.

If Peele were behind the camera, my projection might double. Scary movie aficionados have had lots to feast on recently (Weapons, The Conjuring: Last Rites). Him should successfully bring a fair portion out though it’s unlikely to approach the level of the aforementioned pics.

We have certainly seen this genre greatly exceed expectations in 2025, but I’ll say low 20s is where this lands.

Him opening weekend prediction: $20.3 million

For my A Big Bold Beautiful Journey prediction, click here:

A Big Bold Beautiful Journey Box Office Prediction

For my The Senior prediction, click here:

The Senior Box Office Prediction

April 25-27 Box Office Predictions

Blogger’s Update (04/23): I am now factoring in the re-release of Star Wars: Episode III – Revenge of the Sith and projecting a third place showing with $20M+. I am also lowering my The Account 2 estimate from $28.6 million to $24.3 million.

The Accountant 2 with Ben Affleck looks to challenge the second weekend of Sinners for box office supremacy while horror pic Until Dawn also debuts. You can peruse my detailed prediction posts on the newcomers here:

The Accountant 2 Box Office Prediction
Until Dawn Box Office Prediction

Over Easter weekend, I predicted a close race between A Minecraft Movie and Sinners with the former coming out on top. I underestimated Sinners (more on that below) and it toppled Minecraft. This time it could be a photo finish between Sinners and The Accountant 2.

My high 20s projection for Affleck’s action thriller sequel could be enough for #1. However, due to its A Cinemascore grade and sizzling reviews, I’m thinking Sinners only dips in the mid 30s and that could give it north of $30 million for a repeat performance on top.

A mid 40s drop would give Minecraft $20M+ and third place. The battle for fifth could be interesting. While faith-based The King of Kings held even better than I figured over the holiday, the third weekend slide should be heftier in the mid 50s. That could still leave it in fourth as I have little faith in Until Dawn.

Here’s how I have the high six playing out:

1. Sinners

Predicted Gross: $33.1 million

2. The Accountant 2

Predicted Gross: $24.3 million

3. Star Wars: Episode III – Revenge of the Sith re-release

Predicted Gross: $22.6 million

4. A Minecraft Movie

Predicted Gross: $21.4 million

5. The King of Kings

Predicted Gross: $8 million

6. Until Dawn

Predicted Gross: $7.8 million

Box Office Results (April 18-20)

It was a smoking Easter frame for Ryan Coogler’s Sinners with the best debut for an original picture since Jordan Peele’s Us from 2019. As mentioned, glowing reviews helped build buzz to a $48 million start. That tops my $44.8 million forecast and the Michael B. Jordan vampire saga looks to hold up well based on that word-of-mouth (in addition to being a likely awards contender).

After two weeks atop the charts, A Minecraft Movie slipped to second with $40.4 million (not matching my $46.1 million estimate). Nevertheless Warner Bros was able to claim legit bragging rights with Sinners and this each exceeding expectations. The three-week total is $343 million.

The King of Kings eased a scant 9% for third with $17.5 million, rising above my $12.7 million prediction. The ten-day tally is $45 million.

The Amateur was fourth with $7 million and I went a bit higher at $8.6 million. The Rami Malek spy flick stands at $27 million after two weekends.

Finally, Warfare rounded out the top five with $4.8 million (I said $5.4 million) for $17 million total in its second outing.

And that does it for now, folks! Until next time…

Monkey Man Box Office Prediction

Universal Pictures looks for Monkey Man to make the lion’s share of box office dollars when it opens on April 5th. Dev Patel (a Supporting Actor nominee for 2016’s Lion) makes his directorial debut in the action thriller with John Wickish vibes. He also headlines and cowrote the pic that premiered at South by Southwest to general acclaim (the RT score is 92%). Sharlto Copley, Pitobash, Sobhita Dhulipala, Sikandar Kher, and Vipin Sharma costar. Jordan Peele serves as a producer.

The effective ads could lure genre enthusiasts searching for Wick style violence, even if Patel is far from a bankable commodity (though expect The Green Knight stans to be first in line). This could be an example of cinephiles being more thrilled to view it than general audiences. That said, I wouldn’t be surprised if this overperforms and that could mean a high teens to low 20s start. Mid teens might be more likely.

Monkey Man opening weekend prediction: $16.6 million

For my The First Omen prediction, click here:

The First Omen Box Office Prediction

Oscar Predictions: Monkey Man

Dev Patel’s directorial debut Monkey Man received its first look at South by Southwest prior to an April 5th release. The hardcore action flick is getting some cheers. With 91% on Rotten Tomatoes, the actor turned filmmaker and co-writer (a Supporting Actor nominee for 2016’s Lion) could have a spring sleeper hit. Jordan Peele is among the producers with a supporting cast including Sharlto Copley, Pitobash, Vipin Sharma, Sikandar Kher, and Sobhita Dhulipala.

While some reviews hone in on the overall style with shoutouts to the cinematography, Monkey isn’t really the type of material Oscar goes for. The chances of it factoring in any race seems minor. Where it might pop up is at next year’s DGA Awards with Patel in the First-Time Feature category. My Oscar Prediction posts will continue…

AFI Recap: Yes on Nope and Nope on Babylon

The American Film Institute (AFI) said yes to Nope and nope to The Whale and Babylon today as they named their top ten movies of 2022. Jordan Peele’s sci-fi horror tale was perhaps the biggest surprise of the bunch.

The AFI list, in the previous decade, typically gives us seven of the eventual Best Picture contenders at the Oscars. In other words, they’re worth paying attention to. Coupled with Wednesday’s National Board of Review selections, there’s much to discuss. First, here’s the full AFI Ten:

Avatar: The Way of Water

Elvis

Everything Everywhere All at Once

The Fabelmans

Nope

She Said

Tár

Top Gun: Maverick

The Woman King

Women Talking

It’s key to remember that only U.S. made pictures are eligible. That means titles like All Quiet on the Western Front, Decision to Leave, RRR, and The Banshees of Inisherin were not in the mix. However, Banshees received a Special Award similar to what eventual Academy hopefuls like Roma and Parasite nabbed.

I went 7 for 10 on my predictions. I correctly named Avatar, Elvis, Everything Everywhere…, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. I didn’t name Nope, She Said, and Tár. Instead I picked Babylon, Glass Onion: A Knives Out Mystery, and Guillermo del Toro’s Pinocchio. For She Said and Tár especially, these were important nods considering they missed NBR (as did Nope).

Let’s start with the films that made the AFI and NBR lists. I’m counting Banshees with its AFI Special Award shout-out and there’s six more: Avatar: The Way of Water, Everything Everywhere All at Once, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. This is a list you want to be on when it comes to an Oscar BP nom.

In the previous five years, ten pictures that made AFI and NBR were ignored by the Academy. They are 2017’s The Florida Project, Mary Poppins Returns, A Quiet Place, First Reformed, and Eighth Grade (all from 2018), Knives Out and Richard Jewell from 2019, Da 5 Bloods and Soul in 2020, and last year’s The Tragedy of Macbeth.

If history is our guide, at least one of the seven from 2022 will miss out. Looking at the list, The Woman King is probably most vulnerable. That said, I’ve yet it to include it in my Oscar ten and the stock is rising.

In the past five years, only five pics have missed AFI and NBR (including Special Awards) and received a BP nod from the Academy. They are Darkest Hour from 2017, Bohemian Rhapsody and Vice in 2018, The Father in 2020, and last year’s Drive My Car.

What about the movies that didn’t make AFI or NBR in 2022? That list includes Babylon, The Whale, Triangle of Sadness, Guillermo del Toro’s Pinocchio, All Quiet o the Western Front, and Decision to Leave. The last two weren’t eligible for AFI. Nevertheless this isn’t a list you want to be on though the outlook isn’t completely dire.

If history guides us again, 2 of the aforementioned 2022 titles could still get love from Oscar. Perhaps Monday’s Golden Globes nods will save some of them. There’s no doubt that Babylon and The Whale are looking shakier for Academy inclusion after this week. They need some attention from the Hollywood Foreign Press Association.

I’ll have my Golden Globe nominations recap up Monday and if you missed my predictions on them, you can find them here:

2022 Golden Globe Nomination Predictions

Updated Oscar predictions will be on the blog Tuesday!

New York Circles Tár

The New York Film Critics Circle have made their selections for the year’s best and that kicks off a flurry of regional awards coming our way in the days and weeks ahead. This particular critics group (as is the case with most) isn’t much of a barometer on who and what will win. It is, however, a decent glimpse of who and what could contend.

Todd Field’s Tár and Martin McDonagh’s The Banshees of Inisherin each earned two honors. The former was named Best Film with Cate Blanchett taking the Actress award. Eight of the last 10 NYFCC victors in Film went on to receive a BP Oscar nomination. Yet none of those movies won the big prize from the Academy. The last one that did was 2011’s The Artist. And that make sense here. Tár appears highly likely to make the BP cut though it isn’t much of a threat to take the gold. Five of the past 10 Actress recipients were nominated with only one winner. Who was that winner? Cate Blanchett for 2013’s Blue Jasmine. She could certainly do so again. This won’t be the only critics branch to name her.

Colin Farrell was Best Actor for Banshees and After Yang. Like Actress, half of the previous ten New York honorees made the Oscar quintet with two winners – Daniel Day-Lewis (Lincoln) and Casey Affleck (Manchester by the Sea). Farrell appears to be locked in a tight three-way race with Brendan Fraser (The Whale) and Austin Butler (Elvis). Every precursor like this helps a little. Banshees also won Best Screenplay. That’s another Academy three-way battle in Original Screenplay with Everything Everywhere All at Once and The Fabelmans.

The supporting fields are a bit more predictive as far as Academy matches. Eight of 10 Supporting Actor NYFCC takers were at the Oscars. That includes four winners in Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), Mark Rylance (Bridge of Spies), and Mahershala Ali (Moonlight). We could see another match with Ke Huy Quan (Everything Everywhere All at Once). Expect to hear his name a lot.

Supporting Actress, on the contrary, was more of a surprise. Keke Palmer’s work in Nope topped all rivals in a wide open field that’s hard to peg for Oscar prognosticating. 7 of 10 winners here made the big dance including the victorious Patricia Arquette (Boyhood), Regina King (If Beale Street Could Talk), and Laura Dern (Marriage Story). I’ve yet to have Palmer in my top ten. I’m starting to wonder if she could get in the mix for her memorable performance in the sci-fi horror tale. I should note that NYFCC named Lupita Nyong’o Best Actress for Peele’s Us from 2019 and she came up short with Oscar voters.

The rest of the categories all showcased viable contenders in their respective competitions. Marcel the Shell with Shoes On picked up Animated Feature and I expect it to get love from the critics. Same with Non-Fiction Film and All the Beauty and the Bloodshed (I have it ranked first in Oscar’s Documentary Feature). Poland’s EO was a slightly unexpected choice in Foreign Film over Decision to Leave (which I have pegged as the soft frontrunner for the Academy). Finally, Top Gun: Maverick aced Cinematography and it should get an Oscar nod there for the thrilling aerial camerawork.

Keep coming to the blog for all your awards news and I’ll have updated Oscar predictions up this Sunday!

Best Picture 2017: The Final Five

We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.

There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).

Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.

Call Me by Your Name

Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.

Does It Make the Final Five?

No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.

Darkest Hour

Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.

Does It Make the Final Five?

No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.

Dunkirk

Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.

Does It Make the Final Five?

Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.

Get Out

Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.

Does It Make the Final Five?

Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.

Lady Bird

Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.

Does It Make the Final Five?

Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.

Phantom Thread

Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).

Does It Make the Final Five?

No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.

The Post

Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.

Does It Make the Final Five?

No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.

Three Billboards Outside Ebbing, Missouri

A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.

Does It Make the Final Five?

Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.

If you weren’t keeping score, here’s my projected 2017 five:

Dunkirk

Get Out

Lady Bird

The Shape of Water

Three Billboards Outside Ebbing, Missouri

I’ll have my thoughts on 2018 up soon!

Previous Posts:

Best Picture 2009: The Final Five
Best Picture 2010: The Final Five
Best Picture 2011: The Final Five
Best Picture 2012: The Final Five
Best Picture 2013: The Final Five
Best Picture 2014: The Final Five
Best Picture 2015: The Final Five
Best Picture 2016: The Final Five

Oscar Predictions: My Father’s Dragon

It could be time to admit that I’ve slept on My Father’s Dragon when it comes to Oscar consideration. Based on the 1948 children’s book by Ruth Stiles Gannett, the 2-D fantasy makes its way to Netflix on November 11th. It had its unveiling at the London Film Festival. Dragon is the fifth animated feature from Cartoon Saloon and their track record is, shall we say, fire.

The Irish outlet is 4 for 4 when it comes to getting their pics nominated for Best Animated Feature: 2010’s The Secret of Kells, 2014’s Song of the Sea, The Breadwinner from 2017, and 2020’s Wolfwalkers. Despite their success rate getting their product in the final quintet, they’ve yet to win.

Dragon is directed by Nora Twomey, who co-directed Kells and solo helmed The Breadwinner. The sprawling voice cast includes Jacob Tremblay, Gaten Matarazzo, Golshifteh Farahani, Jackie Earle Haley, Whoopi Goldberg, Dianne Wiest, Rita Moreno, Chris O’Dowd, Judy Greer, Alan Cumming, Yara Shahidi, Mary Kay Place, Leighton Meester, and Ian McShane.

Reviews are just beginning to trickle out of London and so far so good. The initial buzz indicates this should be a contender. Like its earlier efforts, I’d say it’s a viable film for nomination and not a victory. My last estimates had it ranked seventh… pretty low for a production company with the aforementioned history.

Yet there could be roadblocks on the Saloon’s road to five in a row. The main one is internal competition from Netflix itself. Most prognosticators (myself included) have Guillermo del Toro’s Pinocchio from the streamer listed in first place. Even though that’s sight unseen, the pedigree would suggest it’ll be Netflix’s biggest push for the gold statue. Others that the company could be focused on include this summer’s acclaimed The Sea Beast and Wendell and Wild from Jordan Peele, which debuts later this month and nabbed positive feedback at the Toronto Film Festival.

That’s four legit contenders from Netflix and Disney (for one) will have something to say about them achieving four nominations (they won’t). Something’s gotta give and we’ll see how the next few weeks play out to determine which movies from the quartet don’t make the dance. My Oscar Prediction posts will continue…