The new year at the box office will be rung in with a pretty sturdy horror franchise in the form of Paranormal Activity: The Marked Ones, opening Friday. Unless it greatly doesn’t match expectations, the fifth entry in the series should open atop the charts with the rest being filled by holiday leftovers. You can find my detailed prediction post on The Marked Ones here:
Christmas holdovers usually fall in the 30s to low 40s during the first weekend of the next year and I expect we’ll see that occur here. My predictions reflect Disney’s Frozen having one of the lower declines which should allow it to remain at #2 while The Hobbit: The Desolation of Smaug should end its three-week reign at number one and fall to third. I expect American Hustle and Anchorman 2 to round out the top five. This means Martin Scorsese’s The Wolf of Wall Street should drop out of the top five in its second weekend. While it had a healthy debut (grossing $34 million over five days), audiences were polarized by it, evidenced by its weak C Cinemascore average.
And with that, my predictions for the top six at the box office during weekend #1 of 2014:
1. Paranormal Activity: The Marked Ones
Predicted Gross: $26.8 million
2. Frozen
Predicted Gross: $19 million (representing a drop of 33%)
3. The Hobbit: The Desolation of Smaug
Predicted Gross: $16.2 million (representing a drop of 44%)
4. American Hustle
Predicted Gross: $13.1 million (representing a drop of 33%)
5. Anchorman 2: The Legend Continues
Predicted Gross: $12.5 million (representing a drop of 38%)
6. The Wolf of Wall Street
Predicted Gross: $11 million (representing a drop of 41%)
This would be a great time to remind you of the website www.boxofficeace.com – where you can make your own predictions on the opening weekends of new box office entries. This week would be a fantastic time to start (only takes a sec to set up profile) because the competition begins anew with 2014 rolling in. On the site, you can compete against me and see if you can make box office predictions better than yours truly.
And there you have it! Check by Saturday for early updates on the blog’s Facebook page and Sunday with final results!
There was a whole bunch of new movies that opened Christmas Day, but numbers 1-4 were occupied by holdovers. The Wolf of Wall Street was the top newcomer while The Secret Life of Walter Mitty had a just OK opening and 47 Ronin, Grudge Match, and Justin Bieber’s Believe disappointed.
For the third weekend in a row, it was The Hobbit: The Desolation of Smaug at the top spot with $29.8 million – above my $25.7M estimate. The middle chapter in Peter Jackson’s Tolkien trilogy has earned $190 million in its three weeks of release so far.
Disney’s Frozen was close behind with $28.8 million, surpassing my $22.1M projection. The animated feature has grossed an impressive $248 million so far and should go north of $300 million when all is said and done.
Ron Burgundy and company were third with Anchorman: The Legend Continues earning $20.1 million in weekend #2, right in line with my $19.6M estimate. Anchorman has made $83.6 million so far, nearly matching the entire domestic gross of the original.
David O. Russell’s awards contender American Hustle was fourth with $19.5 million – beyond my $14.9M projection. Hustle has grossed $60 million in two weeks and is very likely to cross the century mark at some point.
It was Martin Scorsese’s The Wolf of Wall Street taking honors as top newbie. The three hour sex and drugs fest with Leo DiCaprio made $18.5 million over the Friday-to-Sunday portion of the weekend and $34.3 million since its Wednesday debut. While this is below my respective estimates of $25.4M and $44.2M, this is still a solid opening. Where Wolf could soon falter is with its C Cinemascore average. Audiences are clearly not liking what they’re seeing and there could be rather substantial drop-offs in future weekends.
Saving Mr. Banks with Emma Thompson and Tom Hanks had a big jump in its second weekend with $14 million for sixth, above my $10.6M estimate. It’s earned $37.8M in two weeks.
Ben Stiller’s comedic drama The Secret Life of Walter Mitty was seventh with $13 million over Friday-to-Sunday and $25.5 million since the Wednesday start, outpacing my projections of $11.7M and $19.3M. This opening could best be described as middle of the pack and it’ll be interesting to see how it holds up over the next couple of weekends.
The Hunger Games: Catching Fire was eighth with $10.2 million, above my $7.7M projection. Fire has made $391 million since its November opening, currently sits at #18 for all-time domestic grossers, and still looks to top Iron Man 3 as 2013’s biggest hit.
The martial arts flick with Keanu Reeves 47 Ronin opened at ninth with $9.8 million over Friday-to-Sunday and $20.5 million since Wednesday. It earned under my predicted three-day estimated (I said $11.4M) but over my five-day estimate ($17.8M). Look for it to fade fast.
Tyler Perry’s A Madea Christmas rounded out the Top Ten with $7.4 million (I didn’t predict it would be in the top ten).
This left the Sylvester Stallone/Robert De Niro comedy Grudge Match at #11 with a very poor opening well below my expectations. Match grossed $7.3 million from Friday-to-Sunday and $13.4 million since Wednesday. I thought it would do much better and predicted $13.9M for the three-day and $24.5M for the five-day. Oops. This is Stallone’s third bomb of the year after Bullet to the Head and Escape Plan.
Finally, Beliebers totally failed to turn out for his documentary Believe. It sputtered at #14 with $2 million from Friday-to-Sunday and $4.2 million since the Wednesday start. I predicted it would do $5.8M for the three-day and $10.3 million for the five. Oops again.
Whew. And there’s your Christmas weekend box office results! Be sure to check the blog later today for my prediction next weekend’s only newcomer, Paranormal Activity: The Marked Ones.
It’s the most wonderful time of the year and, at multiplexes, by far the most crowded time of the year! On Christmas Day, five pictures enter an already crowded marketplace. They are: Martin Scorsese’s The Wolf of Wall Street, the boxing comedy Grudge Match with Sylvester Stallone and Robert De Niro, Ben Stiller’s fantasy drama The Secret Life of Walter Mitty, martial arts flick 47 Ronin with Keanu Reeves, and the Justin Bieber documentary Believe. You can read my individual posts on all five at the following links:
By my estimates there will be nine – yes, nine – movies that gross double digits over the weekend. And there may well be a fierce battle for #1. In this same holiday weekend last year, The Hobbit: An Unexpected Journey fell only 13% in its third weekend and I expect current #1 The Hobbit: The Desolation of Smaug to fall no further than 20%. This should put it in a neck and neck race with my prediction for Wolf of Wall Street.
Disney’s Frozen stands an excellent chance of gaining audience from last weekend and it too has an outside shot at the top spot. Another title I expect to post gains: Disney’s Saving Mr. Banks which had a rather middling opening this past weekend at $9.3 million but should benefit from positive word of mouth.
Anchorman 2: The Legend Continues had a solid opening ($40 million over five days), but it was at the lesser end of expectations. Still, the holiday time frame should prevent it from suffering a large decline. The same can be said for American Hustle, which started strong out of the gate last weekend with $19.1 million.
One thing is for sure: the film calendar doesn’t get more crowded than this. After that, many things are highly uncertain but here’s my best guesses for the Christmas 2013 Top Ten:
1. The Hobbit: The Desolation of Smaug
Predicted Gross: $25.7 million (representing a drop of 18%)
2. The Wolf of Wall Street
Predicted Gross: $25.4 million ($44.2 million predicted for five-day opening)
3. Frozen
Predicted Gross: $22.1 million (representing an increase of 13%)
4. Anchorman: The Legend Continues
Predicted Gross: $19.6 million (representing a drop of 26%)
5. American Hustle
Predicted Gross: $14.9 million (representing a drop of 22%)
6. Grudge Match
Predicted Gross: $13.9 million ($24.5 million predicted for five-day opening)
7. The Secret Life of Walter Mitty
Predicted Gross: $11.7 million ($19.3 million predicted for five-day opening)
8. 47 Ronin
Predicted Gross: $11.4 million ($17.8 million predicted for five-day opening)
9. Saving Mr. Banks
Predicted Gross: $10.6 million (representing an increase of 15%)
10. The Hunger Games: Catching Fire
Predicted Gross: $7.7 million (representing a drop of 12%)
These predictions would leave Justin Bieber’s Believe out of the top ten and likely in the #12 slot behind the second weekend of Walking with Dinosaurs.
And there you have it! My predictions for Christmas 2013. Of course, I’ll have updates on the blog’s Facebook page throughout the week with final results Sunday. And have yourself a Merry little Christmas, my friends!
This Christmas brings an onslaught of five new pictures debuting and we begin with Martin Scorsese’s The Wolf of Wall Street. This three hour comedy/drama (it’s the director’s longest film, beating out GoodFellas) stars Marty’s favorite collaborator Leonardo DiCaprio as well as Jonah Hill and Matthew McConaughey. It’s received positive reviews, has had a robust marketing campaign (especially with its awesome first trailer), and looks poised to make some noise over the holiday season.
Originally scheduled to premiere in mid-November, Wolf was switched to December 25th and it certainly does face more competition. American Hustle (which had a solid $19M debut) is going after the same audience in its second weekend. Still, I expect this to have a healthy debut over its five-day rollout.
Last year, adult-oriented pics Les Miserables and Django Unchained made a killing over their Christmas openings. Miserables earned $67 million over six days (Christmas was a Tuesday last year) while Django took in $64 million. With one less day and more competition, I don’t expect Wolf to go that high but its grosses should still impress. Its long running time means less showings but that should only be a small impediment.
I foresee a five-day debut in the 40s and a Merry Christmas indeed for Scorsese and company.
The Wolf of Wall Street opening weekend prediction: $25.4 million (Friday-to-Sunday), $44.2 million (Wednesday-to-Sunday)
For my prediction of The Secret Life of Walter Mitty, click here:
Continuing with my new blog series – This Day in Movie History – December 20th brings us three more important films celebrating their anniversaries and two celebrity birthdays.
It was seventeen years ago today that the influential horror flick Scream opened. Wes Craven was already a legend in the horror genre for The Last House on the Left and especially A Nightmare on Elm Street. Scream would turn into a smash unexpected hit that spawned three sequels and injected some much needed humor and irony into a genre that was growing stale.
22 years ago today marked the opening of Oliver Stone’s controversial JFK. The picture, no matter what you think of its abundant conspiracy theories, is brauvura filmmaking at a high level and earned Oscar nominations for Picture, Director, and Supporting Actor for Tommy Lee Jones.
Another heavily Oscar nominated pic, Martin Scorsese’s Gangs of New York, debuted eleven years ago today. It was considered an Academy heavyweight, but lost Picture and Director to Chicago. It would be four years later before Marty would finally be recognized at the ceremony for The Departed. The film is also notable for beginning the Scorsese/DiCaprio partnership that has since spanned to five films thus far.
Today marks Jonah Hill’s big 3-0! You may know him from some of your favorite comedies of the past near decade – The 40 Yr. Old Virgin, Knocked Up, Superbad, Forgetting Sarah Marshall, 21 Jump Street, and This is The End. He also broke out dramatically in 2011 with an Oscar nominated turn in Moneyball and is again receiving Academy buzz for his role in Martin Scorsese’s The Wolf of Wall Street. He’ll be seen next summer in the sequel 22 Jump Street.
Finally, today would have marked the 67th birthday of character actor John Spencer. Known to most viewers as Leo McGarry from TV’s “The West Wing”, Spencer also had a successful film career. He turned up in well-known titles including Sea of Love, Presumed Innocent, The Rock, and Cop Land.
Keeping with my theme of connecting the birthday actors in Six Degrees of Separation:
Jonah Hill was in This is the End with James Franco
James Franco was in City by the Sea with Robert De Niro
Well, folks, we’ve arrived at my December predictions for the six major categories at the Oscars! And there’s been significant changes in some categories. There’s not one category that’s remained the same from my last go-round of guesses. A lot has happened since my November predictions. Every major contender has now screened with critics. Golden Globe and SAG nominations have been announced. And, per usual, things are unclear. Don’t get me wrong – there’s certain films and actors that seem destined for nominations. However, no field is close to being set. Not even close.
For the first time in making my predictions, I am predicting the winner in each race. I would expect at least one more round (more likely two) prior to nominations being announced in mid January. Here we go!
BEST PICTURE
Todd’s Predictions –
American Hustle
Captain Phillips
Gravity
Her
Inside Llewyn Davis
Nebraska
Saving Mr. Banks
12 Years a Slave
The Wolf of Wall Street
Analysis: Yes, I am keeping the number at nine predicted pictures (there could be anywhere from five to ten). This new round of predictions brings in three new films – Her, Nebraska, Saving Mr. Banks – and takes out three – All is Lost, Blue Jasmine, Lee Daniels’ The Butler. Other possible nominees include Dallas Buyer’s Club, August: Osage County, Lone Survivor, Philomena, Rush, Prisoners and Fruitvale Station.
Predicted Winner: Conventional wisdom is that the race is between Gravity and 12 Years a Slave, with The Wolf of Wall Street and American Hustle as potential spoilers. My gut tells me (at least for now) that 12 Years a Slave is in the driver’s seat and it is my current prediction to win.
BEST DIRECTOR
Todd’s Predictions –
Alfonso Cuaron, Gravity
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle
Martin Scorsese, The Wolf of Wall Street
Analyis: As I see it, only Cuaron and McQueen are surefire nominees and should compete with each other for the win. Let’s not forget that last year’s Director nominees were a total shocker to everyone when Ben Affleck (Argo) and Kathryn Bigelow (Zero Dark Thirty) did not pick up expected nominations. My predictions today reflect putting Payne and Scorsese in and taking J.C. Chandor (All Is Lost) and Paul Greengrass (Captain Phillips) out. Chandor seems highly unlikely to get a nod at this point, but any combination of Greengrass, Spike Jonze (Her), the Coen Brothers (Inside Llewyn Davis), or John Lee Hancock (Saving Mr. Banks) could get in.
Predicted Winner: As mentioned, Cuaron and McQueen are the frontrunners. I could easily see a scenario where 12 Years a Slave wins Best Picture and Cuaron still nabs Director for the amazing technical achievement that Gravity was. It’s tempting, but for now, my prediction is that Picture and Director will match up and McQueen wins.
BEST ACTOR
Todd’s Predictions –
Bruce Dern, Nebraska
Leonardo DiCaprio, The Wolf of Wall Street
Chiwetel Ejiofor, 12 Years a Slave
Matthew McConaughey, Dallas Buyer’s Club
Robert Redford, All Is Lost
Analysis: This is shaping up to be by far the most fascinating race to watch. My current predictions put Dern and DiCaprio in and Tom Hanks (Captain Phillips) and Joaquin Phoenix (Her) out. And don’t count out Forest Whitaker (Lee Daniels’ The Butler), Christian Bale (American Hustle), or Oscar Isaac (Inside Llewyn Davis). Frankly, I would say Ejiofor is the only nominee I would be shocked at if he’s not nominated. The crazy thing is – I could see any one of the five predicted nominees actually win and that’s rare. This is an extraordinarily tough call, but right now I’m staying on the 12 Years bandwagon and going with Ejiofor.
BEST ACTRESS
Todd’s Predictions –
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Meryl Streep, August: Osage County
Emma Thompson, Saving Mr. Banks
Analysis and Predicted Winner: Just one change here – Amy Adams (American Hustle) out and Emma Thompson in. This looks to be a showdown between Blanchett (who’s picking up the majority of critics awards) and Bullock (the most popular actress starring in a wildly popular film). The fact that Bullock won four years ago leads me to give Blanchett a slight edge and she’s my prediction. Other contenders not predicted: Adele Exarchopoulos (Blue is the Warmest Color), Julie Delpy (Before Midnight), and Julia Louis-Dreyfus (Enough Said), as well as Adams.
BEST SUPPORTING ACTOR
Todd’s Predictions –
Bradley Cooper, American Hustle
Michael Fassbender, 12 Years a Slave
Tom Hanks, Saving Mr. Banks
Jonah Hill, The Wolf of Wall Street
Jared Leto, Dallas Buyer’s Club
Analysis: Of the five predicted, I am only confident about Fassbender and Leto. My current predictions have Hanks in and his Captain Phillips costar Barkhad Abdi out. However, I wouldn’t be surprised to see Abdi, John Goodman (Inside Llewyn Davis), Daniel Bruhl (Rush), Will Forte (Nebraska), Harrison Ford (42), or the late James Gandolfini (Enough Said) nominated.
Predicted Winner: A 12 Years sweep could give Fassbender the prize. However, my prediction is Jared Leto for his acclaimed work in Dallas Buyer’s Club.
BEST SUPPORTING ACTRESS
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska
Oprah Winfrey, Lee Daniels’ The Butler
Analysis: Voters might not be able to resist nominating Julia so she’s in and Sally Hawkins (Blue Jasmine) is out. Other not predicted contenders could be Octavia Spencer (Fruitvale Station) and Margo Martindale (August: Osage County). This race appears to be coming down to Lawrence and Nyong’o.
Predicted Winner: Much like Supporting Actor, a 12 Years night should include Nyong’o. And then came Jennifer Lawrence, who’s having an incredible film year with her Best Actress Oscar win for Silver Linings Playbook and headlining the massive hit The Hunger Games: Catching Fire. Her performance in Hustle is garnering raves. Could she win two years in a row? Between her and Nyong’o, this seems like a coin toss at this juncture. For now, I’ll predict the 12 Years momentum gives Nyong’o the win.
And there you have it. To recap, my current winner predictions:
PICTURE – 12 Years a Slave
DIRECTOR – Steve McQueen, 12 Years a Slave
ACTOR – Chiwetel Ejiofor, 12 Years a Slave
ACTRESS – Cate Blanchett, Blue Jasmine
SUPPORTING ACTOR – Jared Leto, Dallas Buyer’s Club
SUPPORTING ACTRESS – Lupita Nyong’o, 12 Years a Slave
James Franco seemed to be the Waldo of 2013 in film – the man was everywhere. No season of the year passed without a Franco appearance in something. And his omnipresence extended beyond the silver screen and branched out to video parodies and cable TV events.
It started off in March with the release of his most high-profile project, Oz the Great and Powerful. Disney’s prequel to 1939’s The Wizard of Oz from Sam Raimi may not have been well regarded by critics (or, for that matter, this blogger) but it earned a very impressive $234 million domestically.
Just a couple of weeks later came Spring Breakers from director Harmony Korine which cast Franco as Alien, a gangsta rapper. The role earned Franco raves from critics and the pic is already on its way to becoming a cult classic.
Summer brought us This is The End, the post apocalyptic R-rated comedy in which Franco, Seth Rogen, Jonah Hill, Danny McBride, and other played themselves. It was a winner with critics and audiences alike and was a comedic high point this year, earning over $100 million domestically.
Last month was Homefront, in which the actor played a meth kingpin battling Jason Statham. This movie has failed to connect with audiences.=, but maybe Mr. Franco just wanted to appear in a flick written by Sylvester Stallone.
Here’s what I love about Franco and here’s why he earns a final spot in this blog series: the dude is unpredictable. He could have easily coasted on his handsome looks and probably headlined rom coms and the occasional action pic for the rest of his career. It’s damn clear he isn’t down with that. You’re just as likely to see Franco pop up in a supporting role in an indie flick as you are in a comedy or drama or anything else for that matter. He gets an Oscar nomination for 127 Hours and then stars in a blockbuster pic Rise of the Planet of the Apes and then costars in stoner comedy Your Highness.
While Franco was everywhere on screen this year, this applied to the small screen and computer screen as well. He got the good sport award by subjecting himself to a Comedy Central Roast.
And even more hilariously, Franco and Pineapple Express buddy Rogen did a shot for shot parody of Kanye West’s ridiculous “Bound” video that is one of the funniest things I saw all year. Check the side by side comparison if you don’t believe me.
Franco is showing no signs of slowing down. So far it looks like 2014 will bring Good People, a thriller with Kate Hudson, True Story, a drama with Jonah Hill, and a cameo appearance in the Veronica Mars movie.
This concludes my six-part series on performers who had a major impact on cinema this year. So thank you to Jennifer Lawrence, Tom Hanks, Sandra Bullock, Matthew McConaughey, Melissa McCarthy, and James Franco for the memories!
Here we are with November arriving and that means it’s time for my third round of predictions for what and whom will be nominated in the six major categories at the Oscars. Let’s break them down by category, shall we?
BEST PICTURE
I am still sticking with my estimate of nine pictures getting recognition – just like the two previous years. The family drama August: Osage County seems to be losing steam so it’s the only pic I’ve taken out. I’ve replaced it with Woody Allen’s Blue Jasmine. The slot could just as easily go to John Lee Hancock’s Saving Mr. Banks or Alexander Payne’s Nebraska. Other contenders that didn’t make the cut: Her, Blue is the Warmest Color, Fruitvale Station, Dallas Buyer’s Club, and Lone Survivor.
The predicted nine:
All is Lost
American Hustle
Blue Jasmine
Captain Phillips
Gravity
Inside Llewyn Davis
Lee Daniels’ The Butler
12 Years a Slave
The Wolf of Wall Street
BEST DIRECTOR
Steve McQueen and Alfonso Cuaron are absolute shoo-ins for nominations. After that, things get complicated. I’ve taken out Joel and Ethan Coen for Inside Llewyn Davis and replaced them with Paul Greengrass for his work in Captain Phillips. David O. Russell and his efforts in American Hustle remain another prediction. I’m still (somewhat stubbornly) including J.C. Chandor for All is Lost, even though few others have him in. There were simply so many surprises in the Director category last year that I have to include a surprise pick. Other contenders that didn’t make the cut: Martin Scorsese for Wolf of Wall Street, Alexander Payne for Nebraska, Lee Daniels for The Butler, Woody Allen for Blue Jasmine. and John Lee Hancock for Saving Mr. Banks.
Predictions:
J.C. Chandor, All is Lost
Alfonso Cuaron, Gravity
Paul Greengrass, Captain Phillips
Steve McQueen, 12 Years a Slave
David O. Russell, American Hustle
BEST ACTOR
Only one change here from a month ago: I’m including Joaquin Phoenix as a somewhat surprise pick for Spike Jonze’s Her and taking out Forest Whitaker in Lee Daniels’ The Butler. More contenders who missed the five: Christian Bale (American Hustle), Leonardo DiCaprio (Wolf of Wall Street), and Oscar Isaac (Inside Llewyn Davis).
Predictions:
Chiwetel Ejiofor, 12 Years a Slave
Tom Hanks, Captain Phillips
Matthew McConaughey, Dallas Buyer’s Club
Joaquin Phoenix, Her
Robert Redford, All is Lost
BEST ACTRESS
This is the only category where I have no changes from a month ago. This still seems to be a close race between Cate Blanchett and Sandra Bullock. I was tempted to put Emma Thompson in for Saving Mr. Banks on here but didn’t feel comfortable taking any of the other five out right now. Other contenders not predicted: Adele Exarchopoulos (Blue is the Warmest Color), Kate Winslet (Labor Day), and Julie Delpy (Before Midnight).
Predictions:
Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Meryl Streep, August: Osage County
BEST SUPPORTING ACTOR
This category seems to be the most wide open at press time. The only surefire nominee in my mind is Michael Fassbender for 12 Years a Slave. I’ve taken out the late James Gandolfini for Enough Said and replaced him with Barkhad Abdi in Captain Phillips. Others who didn’t make it but could easily be included later: Tom Hanks in Saving Mr. Banks, John Goodman for Inside Llewyn Davis, Matthew McConaughey for Mud (especially if he’s not recognized for Dallas Buyer’s Club in lead Actor), Daniel Bruhl for Rush, Josh Brolin in Labor Day, Jake Gyllenhall in Prisoners, and Harrison Ford in 42.
Predictions:
Barkhad Abdi, Captain Phillips
Bradley Cooper, American Hustle
Michael Fassbender, 12 Years a Slave
Jonah Hill, The Wolf of Wall Street
Jared Leto, Dallas Buyer’s Club
BEST SUPPORTING ACTRESS
Many believe this race will come down to Lupita Nyong’o in 12 Years a Slave vs. Oprah Winfrey in Lee Daniels’ The Butler. Both Margo Martindale and Julia Roberts in August: Osage County are possible, but I’ve taken Martindale out and replaced her with June Squibb in Nebraska as the only change. Other possible nominees: Sarah Paulson in 12 Years a Slave and Octavia Spencer for Fruitvale Station.
Predictions:
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
June Squibb, Nebraska
Oprah Winfrey, Lee Daniels’ The Butler
And there you have it – round 3 is in the books! I’ll be back with round 4 in the coming weeks! Please note: my next round of predictions (around Thanksgiving most likely) will include my first forecast for winners in each race. Stay tuned.
It seems like every summer, there’s a breakout R-rated comedy or two that hits it big at the box office. Wedding Crashers. Knocked Up. Superbad. The Hangover. Bridesmaids. Horrible Bosses. Ted.
This Is the End has the potential to be 2013’s contender in the category. It features a who’s who of contemporary comedic starts playing themselves as the apocalypse nears. We’ve got Seth Rogen and James Franco. Danny McBride and Jonah Hill. Michael Cera and Jay Baruchel. And many more – even Emma Watson and Rihanna are in the house!
Early reviews for End have been very positive and it apparently delivers on its clever premise. The trailers have been quite funny. So… how big could it open?
This is a tough one and its release date is a factor. End opens on Wednesday, so my prediction will reflect my five-day estimate. There is no doubt in my mind that the Wednesday opening is due to a certain superhero flick opening Friday. This allows End two days of grosses without Superman in competition. I made my prediction for Man of Steel yesterday on the blog and that post can be found here:
Man of Steel absolutely provides direct competition for This Is the End. They are both going after a similar demographic. If End were able to bring in $45 million or over for the five-day, that should be considered a major victory. I’m not convinced it goes that high, though it’s certainly possible. As much as I’ve enjoyed the film’s marketing campaign, I truly wonder whether its concept may seem a little insider-ish for some moviegoers. For instance, I’m not sure it has the broad appeal of last summer’s Ted, which opened to $54 million (that’s a three-day gross). And with Superman in the way, there might be some viewers who simply choose to make that film their weekend entertainment.
Still, This Is the End should have a solid debut and, based on early critical reaction, could have nice legs in the coming weeks.
This Is the End opening prediction (five-day gross): $38.6 million
That’s all for now! On Wednesday, I’ll have my predictions for the Top Five of the weekend.
The 2011 Bennett Miller directed hit Moneyball is one of the better sports flicks of the 21st century and it contains one particular scene that qualifies as Movie Perfection.
Based on a true story, the picture focuses on Billy Beane (Brad Pitt in an Oscar nominated performance), owner of the Oakland A’s baseball franchise. When the team loses its big free agents to richer teams like the Red Sox, Billy buys into the team building ideas of Peter Brand (Jonah Hill, also Oscar nominated). The theory relies not on marquee names, but solely on which players stats lead to wins. This is met with skepticism from manager Art Howe (Philip Seymour Hoffman) and many others.
After some initial difficulty with the new format, an interesting thing begins to occur: The A’s start winning. And winning. And winning. So much so that they win 19 in a row and are going for a record-breaking 20. Billy is a rather superstitious fellow who doesn’t attend the games. The significance of a potential record-breaking moment draws him to the event after the A’s go up 11-0 and appear assured for history. What happens? The Kansas City Royals make a furious comeback and tie the game 11 all. Billy retreats back to the locker room.
And then – history is made! Scott Hatteberg, a player that no one but Billy wanted, steps up to the plate. We see the pitcher release the ball and then…
Crack!
What follows is a scene that is amazingly directed and edited. What I love most it is that, even to the most casual moviegoer, it brilliantly demonstrates the importance of not just editing, but also sound effects editing.
We hear the sound of the crack followed by the reactions of Billy, Peter, and Art. The music swells. The team celebrates. And Billy has his own moment of unbridled joy – something he doesn’t allow himself to do often. I’m not an Oakland A’s fan. Truthfully, I’m not even much of a baseball fan. However, during this scene, I am an Oakland fan and a baseball fan. I’m a fan because this scene is so well put together and features such well-written characters that you can’t help but be a fan.
I’m a fan of the movie Moneyball. And this scene is total Movie Perfection. I get goosebumps every time I see it.