Best Picture 2010: The Final Five

After the 2008 Oscars, the Academy decided to expand the number of Best Picture nominees from five to ten. This rule would hold for 2009 and 2010 and then it shifted from anywhere between 5 and 10 (where it was typically 8 or 9). As of 2021, we’re back to a set 10.

Yet what if that had never happened? What if only five nominees from the last decade plus made the cut? My initial writeup where I predicted which five from 2009 would have done so can be found here:

Best Picture 2009: The Final Five

Now we move to 2010. It was a year in which Tom Hooper’s The King’s Speech led the evening with 11 nominations. It would win four – Director, Colin Firth for Best Actor, Original Screenplay, and the big prize Picture. So there’s 20% of our theoretical lineup.

As for the others, let’s take them one by one and I’ll give my thoughts on whether each would’ve made that other 80% of the quintet.

127 Hours

In 2010, Danny Boyle was coming off 2008’s Slumdog Millionaire. That little film that could cleaned up on Oscar night with 8 trophies including Picture. This survival drama with James Franco landed six nods. It won zero, but earned recognition in the Best Pic prerequisites that count like screenplay and editing.

Does It Make the Final Five?

Yes. This is a tough one. As you’ll see below, there are more than five pics that check important boxes. My hunch is that it would’ve nabbed the fifth slot (though you may feel differently when you read on and I tell you what doesn’t make my cut).

Black Swan

Darren Aronofsky’s intense balletic drama earned Natalie Portman an Actress statue and four other nods: Director, Cinematography, and Film Editing. Certainly the director and editing mentions are notable as is Portman’s victory.

Does It Make the Final Five?

No. When Picture and Director were both set at five, they rarely matched. 4 out of 5 directors matching the BP nominations was most common. Here’s an example where I don’t think a match would’ve occurred. The biggest reason? Of the 10 BP nominees, Swan is the only one that didn’t land a screenplay nod. That’s significant.

The Fighter

Mark Wahlberg’s passion project didn’t land him a nod, but it did for three of his costars. Christian Bale took home Supporting Actor while onscreen mother Melissa Leo won Supporting Actress (with Amy Adams also nominated). The direction, screenplay, and editing also were up for a total of 7 nominations.

Does It Make the Final Five?

Yes. The wins in the two acting races and the fact that it hit in all the key precursors give the relevant tale of the tape.

Inception

There’s speculation that the reason the Academy switched to 10 nominees is because Christopher Nolan’s The Dark Knight was omitted from the five in 2008. His follow-up two years later did not miss the expanded cut. It won Oscars for half of its 8 nominations – Sound Editing, Sound Mixing, Cinematography, and Visual Effects. The other three nods besides Picture were Original Screenplay, Score, and Art Direction.

Does It Make the Final Five?

No. And here’s where some readers may disagree. I’m giving 127 Hours an ever so slight edge over this. Why? The 8 nods don’t mean much to me because the bulk of them are in tech races. By the way, The Dark Knight also received 8 nominations. Its misses are what make me skeptical as Nolan didn’t get in for his direction and it also wasn’t up for editing.

The Kids Are All Right 

The family drama received acting mentions for Annette Bening and Mark Ruffalo and for its original screenplay.

Does It Make the Final Five?

No. Too many heavy hitters this year and it was probably toward the bottom of the ten that got in.

The Social Network

David Fincher’s saga about the founding of Facebook won three of its 8 nods in Adapted Screenplay, Film Editing, and Score.

Does It Make the Final Five?

Yes… easily. It was probably #2 behind King’s Speech in terms of winning Picture and Director.

Toy Story 3

The Pixar threequel holds the distinction of being the second animated title to make the BP list after Beauty and the Beast. On Oscar night, it won Animated Feature as well as Original Song and received an Adapted Screenplay nod.

Does It Make the Final Five?

No. The Academy probably would’ve been OK with it being a slam dunk Animated Feature winner if only five pics were in contention.

True Grit

The Coen Brothers Western remake was behind only King’s Speech in terms of nominations with 10. Beside Picture – you had Director(s), Actor (Jeff Bridges), Supporting Actress (Hailee Steinfeld), Adapted Screenplay, Sound Editing, Sound Mixing, Art Direction, Cinematography, and Costume Design. It went 0 for 10.

Does It Make the Final Five?

Yes. Despite the batting average, the sheer volume of nods indicates it would have still been included.

Winter’s Bone

This indie drama introduced the Academy and many moviegoers to Jennifer Lawrence. She received a nomination as did her costar John Hawkes in Supporting Actor. Adapted Screenplay was in the mix too.

Does It Make the Final Five? 

No but here is a prime example of a smaller film that received attention due to the broadening of the BP base.

So that means if there had been just five Best Picture nominees in 2010, I believe they would have been:

The King’s Speech

127 Hours

The Fighter

The Social Network

True Grit

I will be back soon with my final five take on 2011!

2022 Oscar Predictions: July 4th Edition

It’s been a week and a half since I updated my estimates in the current eight Oscar races that I’m prognosticating. As July dawns, not much has changed. It’s still the same 10 Best Pic nominees though the ranking numbers have ebbed and flowed a bit.

The only actual shift is in Supporting Actress where I’m putting Zoe Kazan (She Said) back in over Audra McDonald (Rustin).

However, if you look below the predicted five in the acting derbies, you’ll see some names for the first time. They include Lesley Manville (Mrs. Harris Goes to Paris), Jennifer Lawrence (Red, White and Water), and Dolly De Leon and Woody Harrelson (both for Triangle of Sadness).

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Babylon (Previous Ranking: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Killers of the Flower Moon (PR: 3) (E)

4. Everything Everywhere All at Once (PR: 4) (E)

5. Women Talking (PR: 5) (E)

6. Bardo (PR: 7) (+1)

7. The Son (PR: 6) (-1)

8. The Whale (PR: 9) (+1)

9. Empire of Light (PR: 8) (-1)

10. Rustin (PR: 10) (E)

Other Possibilities: 

11. She Said (PR: 11) (E)

12. White Noise (PR: 13) (+1)

13. Top Gun: Maverick (PR: 12) (-1)

14. Tar (PR: 17) (+3)

15. Avatar: The Way of Water (PR: 16) (+1)

16. Broker (PR: 14) (-2)

17. Elvis (PR: 18) (+1)

18. Next Goal Wins (PR: 20) (+2)

19. Thirteen Lives (PR: 21) (+2)

20. Amsterdam (PR: 15) (-5)

21. Triangle of Sadness (PR: 22) (+1)

22. The Banshees of Inisherin (PR: 23) (+1)

23. Decision to Leave (PR: 19) (-4)

24. Till (PR: 24) (E)

25. The Killer (PR: 25) (E)

Best Director

Predicted Nominees:

1. Damien Chazelle, Babylon (PR: 1) (E)

2. Steven Spielberg, The Fabelmans (PR: 2) (E)

3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)

Other Possibilities:

6. Sarah Polley, Women Talking (PR: 6) (E)

7. Sam Mendes, Empire of Light (PR: 7) (E)

8. Darren Aronofsky, The Whale (PR: 9) (+1)

9. James Cameron, Avatar: The Way of Water (PR: 11) (+2)

10. Florian Zeller, The Son (PR: 8) (-2)

11. Noah Baumbach, White Noise (PR: 12) (+1)

12. Hirokazu Kore-ada, Broker (PR: 10) (-2)

13. Todd Field, Tar (PR: 15) (+2)

14. George C. Wolfe, Rustin (PR: Not Ranked)

15. Ruben Ostlund, Triangle of Sadness (PR: Not Ranked)

Dropped Out:

Park Chan-wook, Decision to Leave

Maria Schrader, She Said 

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Regina King, Shirley (PR: 4) (+1)

4. Olivia Colman, Empire of Light (PR: 3) (-1)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities:

6. Cate Blanchett, Tar (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (E)

8. Carey Mulligan, She Said (PR: 8) (E)

9. Ana de Armas, Blonde (PR: 10) (+1)

10. Viola Davis, The Woman King (PR: 9) (-1)

11. Helen Mirren, Golda (PR: 11) (E)

12. Jessica Chastain, The Good Nurse (PR: 12) (E)

13. Lesley Manville, Mrs. Harris Goes to Paris (PR: Not Ranked)

14. Michelle Williams, Showing Up (PR: 14) (E)

15. Jennifer Lawrence, Red, White, and Water (PR: Not Ranked)

Dropped Out:

Florence Pugh, Don’t Worry Darling

Saoirse Ronan, See How They Run 

Best Actor

Predicted Nominees:

1. Hugh Jackman, The Son (PR: 1) (E)

2. Brendan Fraser, The Whale (PR: 2) (E)

3. Colman Domingo, Rustin (PR: 3) (E)

4. Austin Butler, Elvis (PR: 5) (+1)

5. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (-1)

Other Possibilities:

6. Adam Driver, White Noise (PR: 6) (E)

7. Daniel Gimenez Cacho, Bardo (PR: 7) (E)

8. Diego Calva, Babylon (PR: 8) (E)

9. Michael Fassbender, Next Goal Wins (PR: 10) (+1)

10. Colin Farrell, The Banshees of Inisherin (PR: 12) (+2)

11. Viggo Mortensen, Thirteen Lives (PR: 15) (+4)

12. Christian Bale, Amsterdam (PR: 9) (-3)

13. Song Kang-ho, Broker (PR: 11) (-2)

14. Gabriel LaBelle, The Fabelmans (PR: 14) (E)

15. Tom Cruise, Top Gun: Maverick (PR: 13) (-2)

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 1) (E)

2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)

3. Jessie Buckley, Women Talking (PR: 3) (E)

4. Hong Chau, The Whale (PR: 4) (E)

5. Zoe Kazan, She Said (PR: 7) (+2)

Other Possibilities:

6. Laura Dern, The Son (PR: 6) (E)

7. Audra McDonald, Rustin (PR: 5) (-2)

8. Jean Smart, Babylon (PR: 9) (+1)

9. Stephanie Hsu, Everything Everywhere All at Once (PR: 13) (+4)

10. Patricia Clarkson, She Said (PR: 10) (E)

11. Sadie Sink, The Whale (PR: 12) (+1)

12. Vanessa Kirby, The Son (PR: 8) (-4)

13. Nina Hoss, Tar (PR: 15) (+2)

14. Dakota Johnson, Cha Cha Real Smooth (PR: 11) (-3)

15. Dolly De Leon, Triangle of Sadness (PR: Not Ranked)

Dropped Out:

Margot Robbie, Amsterdam 

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR: 2) (E)

3. Ke Huy Quan, Everything Everywhere All at Once (PR: 3) (E)

4. Brad Pitt, Babylon (PR: 4) (E)

5. Jesse Plemons, Killers of the Flower Moon (PR: 5) (E)

Other Possibilities:

6. Colin Firth, Empire of Light (PR: 7) (+1)

7. Glynn Turman, Rustin (PR: 6) (-1)

8. Ben Whishaw, Women Talking (PR: 8) (E)

9. Anthony Hopkins, Armageddon Time (PR: 9) (E)

10. Seth Rogen, The Fabelmans (PR: 10) (E)

11. Colin Farrell, Thirteen Lives (PR: Not Ranked)

12. Brendan Gleeson, The Banshees of Inisherin (PR: 11) (-1)

13. Woody Harrelson, Triangle of Sadness (PR: Not Ranked)

14. John David Washington, Amsterdam (PR: 13) (-1)

15. Russell Crowe, The Greatest Beer Run Ever (PR: 12) (-3)

Dropped Out:

Don Cheadle, White Noise

Tom Hanks, Elvis 

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Empire of Light (PR: 4) (E)

5. Triangle of Sadness (PR: 5) (E)

Other Possibilities:

6. The Banshees of Inisherin (PR: 9) (+3)

7. Bardo (PR: 6) (-1)

8. Rustin (PR: 7) (-1)

9. Broker (PR: 8) (-1)

10. Tar (PR: 10) (E)

11. Amsterdam (PR: 11) (E)

12. Aftersun (PR: Not Ranked)

13. Decision to Leave (PR: 12) (-1)

14. Cha Cha Real Smooth (PR: 13) (-1)

15. Bros (PR: 15) (E)

Dropped Out:

Don’t Worry Darling

Best Adapted Screenplay

Predicted Nominees:

1. Killers of the Flower Moon (PR: 1) (E)

2. The Son (PR: 2) (E)

3. Women Talking (PR: 3) (E)

4. The Whale (PR: 4) (E)

5. White Noise (PR: 5) (E)

Other Possibilities:

6. She Said (PR: 6) (E)

7. Next Goal Wins (PR: 7) (E)

8. Thirteen Lives (PR: 14) (+6)

9. Till (PR: 8) (-1)

10. The Greatest Beer Run Ever (PR: 10) (E)

11. The Good Nurse (PR: 12) (+1)

12. The Killer (PR: 11) (-1)

13. Bones and All (PR: 9) (-4)

14. The Pale Blue Eye (PR: Not Ranked)

15. Top Gun: Maverick (PR: 13) (-2)

Dropped Out:

Avatar: The Way of Water

2022 Oscar Predictions: April Edition (Best Actress)

For my first Oscar picks for the 95th Academy Awards, I’ve arrived at Best Actress. If you missed the posts covering the other three acting categories, you can access them here:

2022 Oscar Predictions: April Edition (Best Actor)

2022 Oscar Predictions: April Edition (Best Supporting Actress)

2022 Oscar Predictions: April Edition (Best Supporting Actor)

Obviously release dates and category placements can (and will) change, but I honestly had a tough time whittling this list down to 15 names. Leaving out Jennifer Lawrence (Red, White and Water) and Tilda Swinton (Three Thousand Years of Living) or Florence Pugh (Don’t Worry Darling) seems a bit risky. It’s a sign of how competitive Actress could be for 2022 – just as it was the past two years.

Like with the other derbies, here’s how I see the race playing out nearly a year ahead of time.

TODD’S APRIL 2022 OSCAR PREDICTIONS: BEST ACTRESS

Danielle Deadwyler, Till

Regina King, Shirley

Carey Mulligan, She Said

Margot Robbie, Babylon

Emma Stone, Poor Things

Other Possibilities: 

Naomi Ackie, I Wanna Dance with Somebody

Ana de Armas, Blonde

Cate Blanchett, TAR

Olivia Colman, Empire of Light 

Viola Davis, The Woman King

Laura Dern, The Son

Greta Gerwig, White Noise

Frances McDormand, Women Talking

Saoirse Ronan, See How They Run

Michelle Yeoh, Everything Everywhere All at Once

Best Director is up next!

2021 Golden Globe Winner Predictions

I’m used to saying the Golden Globes will air Sunday evening, but that’s not the case in 2022. The ceremony honoring the best of 2021 will come to us in an as yet undetermined format. This is due to various controversies brought to light recently about the Hollywood Foreign Press Association and NBC’s decision not to broadcast the show.

However, the show will go on (possibly streaming on your computer) and the Globes still serve as a barometer for what Oscar voters could be thinking in coming weeks. That said, the HFPA is certainly capable of providing surprises. Just last year, Andra Day’s victory in Best Actress (Drama) for The United States vs. Billie Holiday and Jodie Foster as Supporting Actress for The Mauritanian were legitimate upsets.

As a reminder, the Globes split their picture and lead acting races into Drama and Musical/Comedy though not with the supporting derbies or screenplay. I will be making my picks along with runner-up selections while also providing numbers showing the correlation of Globe winners to Oscar recipients in each respective category for the last ten years.

Let’s get to it!

Best Motion Picture (Drama)

Nominees:

Belfast

CODA

Dune

King Richard

The Power of the Dog

Predicted Winner: Belfast

Runner-Up: The Power of the Dog

Globe Winner to Oscar Winner Ratio: 4 out of last 10 years

Commentary: The HFPA competition for the drama prize is the first major showdown between Oscar frontrunners Belfast and The Power of the Dog. With the international flavor and feel good vibes of the former, I’m picking Kenneth Branagh’s coming-of-age drama to come out ahead. If there’s a shocker in store, it could be CODA (which seems to picking up more steam on a weekly basis).

I will admit that picking Belfast to win Drama and take no other awards (as you’ll see below) feels strange. There is recent precedent, however, with 2016’s Moonlight. 

Best Motion Picture (Musical/Comedy)

Nominees:

Cyrano

Don’t Look Up

Licorice Pizza

Tick, Tick… Boom!

West Side Story

Predicted Winner: West Side Story

Runner-Up: Licorice Pizza

Globe Winner to Oscar Winner ratio: 2 out of the last 10 years

Commentary: I wouldn’t count out Licorice Pizza but its miss in Best Director could be telling. West Side Story should be right up HFPA’s alley and its the only feature where its maker made the director cut.

Best Director

Nominees:

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Maggie Gyllenhaal, The Lost Daughter

Steven Spielberg, West Side Story

Denis Villeneuve, Dune

Predicted Winner: Steven Spielberg, West Side Story

Runner-Up: Jane Campion, The Power of the Dog

Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years

Commentary: This is a tough one. Maggie Gyllenhaal’s nod for The Lost Daughter was unexpected and she’s the only contender that I feel stands no chance of winning. Branagh could certainly ride a wave of Belfast love. Villeneuve could be honored for the technical mastery of Dune. And Campion is the hopeful picking up the bulk of critics prizes. Yet I’ll go with the HFPA honoring the legendary Spielberg.

Best Performance in a Motion Picture – Drama (Actress)

Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Lady Gaga, House of Gucci

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Predicted Winner: Kristen Stewart, Spencer

Runner-Up: Jessica Chastain, The Eyes of Tammy Faye

Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years

Commentary: This is the first test to see whether Stewart really is the frontrunner that could sweep through the season. I’m skeptical and I honestly believe any of the performers could take this (I struggled to pick the runner-up as it could be any of them). I wouldn’t put money on it, but I’ll say Stewart manages to nab the crown.

Best Performance in a Motion Picture – Drama (Actor)

Nominees:

Mahershala Ali, Swan Song

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Predicted Winner: Will Smith, King Richard

Runner-Up: Benedict Cumberbatch, The Power of the Dog

Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years

Commentary: As you can see, this is a rather reliable predictor of where the Academy could go. For 2021’s features, the ceremonies should boil down to Smith v. Cumberbatch. I don’t think HFPA will pass up a chance to honor one of cinema’s most durable draws for the last 25 years in one of his most acclaimed performances.

Best Performance in a Motion Picture – Musical/Comedy (Actress)

Nominees:

Marion Cotillard, Annette

Alana Haim, Licorice Pizza

Jennifer Lawrence, Don’t Look Up

Emma Stone, Cruella

Rachel Zegler, West Side Story

Predicted Winner: Emma Stone, Cruella

Runner-Up: Rachel Zegler, West Side Story

Globe Winner to Oscar Winner Ratio: 3 out of the last 10 years

Commentary: There was an upset last year when Rosamund Pike (I Care a Lot) emerged over the favored Maria Bakalova for Borat Subsequent Moviefilm. The West Side love extending to Zegler is probably the smartest pick to make. Alana Haim’s work in Pizza could deliver her a victory and she probably should be listed as the runner-up. Yet if there’s any upset, I could see Stone surprising and there’s almost always one during the Globes. Perhaps against my better judgment, I’m going with it.

Best Performance in a Motion Picture – Musical/Comedy (Actor)

Nominees:

Leonardo DiCaprio, Don’t Look Up

Peter Dinklage, Cyrano

Andrew Garfield, Tick, Tick… Boom!

Cooper Hoffman, Licorice Pizza

Anthony Ramos, In the Heights

Predicted Winner: Andrew Garfield, Tick, Tick… Boom!

Runner-Up: Leonardo DiCaprio, Don’t Look Up

Globe Winner to Oscar Winner Ratio: 1 out of the last 10 years

Commentary: Dinklage is a threat though I’ll go with DiCaprio as the runner-up since he’s arguably the biggest star in Hollywood. That said, Garfield (he’s likely #3 in the Oscar contest at the moment) is the most likely winner.

Best Supporting Performance in a Motion Picture (Actress)

Nominees:

Caitriona Balfe, Belfast

Ariana DeBose, West Side Story

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Ruth Negga, Passing

Predicted Winner: Ariana DeBose, West Side Story

Runner-Up: Aunjanue Ellis, King Richard

Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years

Commentary: Jodie Foster’s win for 2020 came out of nowhere so who really knows? I’ll go with a West Side pick and DeBose. Other than Negga, I could foresee any of these candidates making (theoretical) podium trips.

Best Supporting Performance in a Motion Picture (Actor)

Nominees:

Ben Affleck, The Tender Bar

Jamie Dornan, Belfast

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Kodi Smit-McPhee, The Power of the Dog

Predicted Winner: Kodi Smit-McPhee, The Power of the Dog

Runner-Up: Troy Kotsur, CODA

Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years

Commentary: Another tricky one in a race where the Globes and Academy typically match. Assuming the Belfast boys split and Affleck isn’t a factor, this comes down to Smit-McPhee vs. Kotsur. A win for either could propel them to a glorious season ahead. I’m really tempted to go with Kotsur, but I’ll say this marks the best opportunity for HFPA to bestow an honor for Dog. This is a coin flip.

Best Screenplay

Nominees:

Being the Ricardos

Belfast

Don’t Look Up

Licorice Pizza

The Power of the Dog

Predicted Winner: Licorice Pizza

Runner-Up: Belfast

Globe Winner to Oscar Winner Ratio: 5 out of the last 10 years (counting both Original and Adapted Screenplays at the Oscars)

Commentary: Your guess is as good as mine here. I’m going with a bit of an upset with Pizza, but the smart money is probably on Belfast or Dog. I also wouldn’t count out Aaron Sorkin for Ricardos (he took this category last year for The Trial of the Chicago 7). And Adam McKay could be called up for Don’t Look Up which (despite its mixed reviews) is drawing plenty of ink.

Best Animated Feature

Nominees:

Encanto

Flee

Luca

My Sunny Maad

Raya and the Last Dragon

Predicted Winner: Encanto

Runner-Up: Flee

Globe Winner to Oscar Winner Ratio: 7 out of the last years

Commentary: The Globes are capable of unexpected picks here (2019’s Missing Link for example). Don’t be surprised if Flee from Iran gets this, but I’ll go with Disney’s likeliest hopeful of its trio of nominees and that’s Encanto.

Best Foreign Language Film

Nominees:

Compartment No. 6

Drive My Car

The Hand of God

A Hero

Parallel Mothers

Predicted Winner: Drive My Car

Runner-Up: Parallel Mothers

Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years

Commentary: Watch out for Mothers to pull off an upset, but this is Drive My Car‘s race to lose. The Japanese drama has established itself as the frontrunner in international competitions at all ceremonies.

Best Original Score

Nominees:

Dune

Encanto

The French Dispatch

Parallel Mothers

The Power of the Dog

Predicted Winner: Dune

Runner-Up: Parallel Mothers

Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years

Commentary: Another race that Mothers could unexpectedly take, I also wouldn’t discount Dispatch or Dog. This should be Dune‘s best opportunity to take a prize though.

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“Here I Am” from Respect

“No Time to Die” from No Time to Die

Predicted Winner: “No Time to Die” from No Time to Die

Runner-Up: “Be Alive” from King Richard

Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years

Commentary: This should be the battle of Billie (Eilish) for “Die” vs. Beyonce (it’s just Beyonce) for “Alive” and that should be the dynamic for the Oscars. The HFPA has honored the last two Bond themes for Skyfall and Spectre. I’ll give it a very slight edge.

And there you have it! The Golden Globes will air, err happen, Sunday. I’ll have reaction up on the blog shortly thereafter.

Don’t Look Up Review

The forecast in Adam McKay’s Don’t Look Up is a planet killing comet mixed with a heavy dose of condescension. This is an all-star experience about our home star being decimated. The writer/director is a Saturday Night Live veteran scribe who mastered the art of penning sketches with exaggerated characters. Even with all the talent involved (there’s lots of Oscar nods and wins among the cast), hardly any rise above caricature status. The nerdy but hot scientist, the clueless government officials, the spoiled pop princess, the pompous and feeble brained news anchors, the empathy devoid and weird billionaire…

These one-note types may fit a mold in a cleverly developed bit that runs five minutes. Not so much in this two and a half hour countdown. They’re mostly tiresome in McKay’s latest politically charged tale. In The Big Short, the filmmaker mixed a cast of familiar faces, complicated financial talk, and humor to rewarding payoffs. McKay’s comedies with Will Ferrell (particularly Anchorman: The Legend of Ron Burgundy) are already classics. The issue presented here isn’t complex… a scientific discovery (doubling as a metaphor for climate change) is on its way. McKay’s treatment of the subject matter isn’t subtle. And the screenplay often fails to be funny when showcasing its righteous indignation. Anger and laughter can be a potent combo if handled properly. It’s a test that isn’t met here.

Michigan St. Kate Dibiasky (Jennifer Lawrence) discovers said object hurtling toward Earth with a delivery date about six months out. Her professor, Dr. Randall Mindy (Leonardo DiCaprio) teams with her along with the head of the Planetary Defense Coordination Office (Rob Morgan) to warn a White House filled with scandal and nepotism. The President is Janie Orlean (Meryl Streep), whose Supreme Court nominee may be a porn star and her lover. Her Chief of Staff is her intellectually challenged but supremely confident son (Jonah Hill).

The 100% certainty of a deep impact causing armageddon is not music to the ears of the flailing administration. In fact, Kate and Dr. Mindy are booked in the back segment of a “news” hour hosted by a duo played by Cate Blanchett and Tyler Perry. The segment preceding them is about the romantic entanglements of a famous singer (Ariana Grande). Some of the country takes the threat seriously while another segment pretends it doesn’t exist (and yes it’s easy to draw comparisons to the pandemic era).

President Orlean and her bumbling bubble get more involved when eccentric tech mogul Peter Isherwell (Mark Rylance) figures out a way to monetize the materials from the potential Earth shatterer. And while Dr. Mindy becomes distracted with his new fame and social media status, Kate’s stern warnings make her an enemy of the state.

I won’t get to Kate’s two boyfriends or Dr. Mindy’s wife and kids or whether the snacks in the White House are free or not (actually a gag that’s pretty solid). There’s a whole lot of players in Don’t Look Up and I’m challenged to name a performance that sticks with me for the right reasons. DiCaprio and Lawrence are adequate, but we know they can be so much better. Others are outright annoying and that includes Hill, Rylance, and even Streep. That’s because McKay never writes them above the level of cartoonish morons.

Will your political viewpoints determine whether you dig this? I don’t think so. The frequent struggles to develop the principals and the jarring tone shifts (a late pivot to sentimentality falls flat) should offend both sides and those in between. I’ve watched McKay skewer his targets with far more precision that achieved more lasting results. He’s clear that we’re all doomed in Don’t Look Up. With the characters inhabiting his screenplay, you might find yourself pulling for the comet.

** (out of four)

2021 Golden Globes Nominations: Reaction

Under a cloud of controversy and uncertainty as to what their January 9th ceremony will even look like (it won’t be on NBC), the Hollywood Foreign Press Association announced their nominees this morning for the 79th Annual Golden Globe Awards.

Per usual, there were some surprises though no Kate Hudson for Best Actress in Music level one like in 2020. Overall I went 49/70 in my picks for the 14 cinematic races – going perfect in just one derby while striking out 2/5 in two others.

Let’s break them down one by one with some commentary and my initial thoughts on who/what could win:

Best Motion Picture (Drama)

Nominees: Belfast, CODA, Dune, King Richard, The Power of the Dog

How I Did: 4/5

Comments: No shockers here as my runner-up CODA got in over Nightmare Alley. Guillermo del Toro’s noir thriller got zero love from the HFPA and it’ll need to rally with Oscar voters. Belfast and Dog led all nods with seven apiece. Both could vie for the victory with the former perhaps having a slight edge.

Best Motion Picture (Musical/Comedy)

Nominees: Cyrano, Don’t Look Up, Licorice Pizza, Tick Tick… Boom!, West Side Story

How I Did: 5/5

Comments: The real mystery here was whether Cyrano or In the Heights would be the third musical of the bunch. I picked correctly. Seeing that Steven Spielberg is the only director in this race nominated, it’s hard to imagine West Side Story not emerging victorious here.

Best Director

Nominees: Kenneth Branagh (Belfast), Jane Campion (The Power of the Dog), Maggie Gyllenhaal (The Lost Daughter), Steven Spielberg (West Side Story), Denis Villeneuve (Dune)

How I Did: 4/5

Comments: Gyllenhaal’s inclusion was not anticipated and she got in over my selection of Guillermo del Toro for Nightmare Alley. Truth be told, I could see any of the other four hopefuls taking this prize.

Best Actress (Drama)

Nominees: Jessica Chastain (The Eyes of Tammy Faye), Olivia Colman (The Lost Daughter), Lady Gaga (House of Gucci), Nicole Kidman (Being the Ricardos), Kristen Stewart (Spencer)

How I Did: 4/5

Comments: Colman in over Jennifer Hudson (Respect). This could absolutely be the Oscar five. Stewart is the soft frontrunner with any other of the performers viable.

Best Actor (Drama)

Nominees: Mahershala Ali (Swan Song), Javier Bardem (Being the Ricardos), Benedict Cumberbatch (The Power of the Dog), Will Smith (King Richard), Denzel Washington (The Tragedy of Macbeth)

How I Did: 3/5

Comments: Bardem getting in is not all that unexpected but I didn’t see Ali coming. They make the cut over Bradley Cooper (Nightmare Alley) and Joaquin Phoenix (C’Mon C’Mon). This one should boil down to Smith and Cumberbatch.

Best Actress (Musical/Comedy)

Nominees: Marion Cotillard (Annette), Alana Haim (Licorice Pizza), Jennifer Lawrence (Don’t Look Up), Emma Stone (Cruella), Rachel Zegler (West Side Story)

How I Did: 4/5

Comments: Cotillard over Haley Bennett for Cyrano. As for the favorite, expect West Side Story to carry Zegler.

Best Actor (Musical/Comedy)

Nominees: Leonardo DiCaprio (Don’t Look Up), Peter Dinklage (Cyrano), Andrew Garfield (Tick Tick… Boom!), Cooper Hoffman (Licorice Pizza), Anthony Ramos (In the Heights)

How I Did: 4/5

Comments: I went a little out there with my fifth pick of Ryan Reynolds in Free Guy. Hoffman is here instead. Garfield is out in front in this one.

Best Supporting Actress

Nominees: Caitriona Balfe (Belfast), Ariana DeBose (West Side Story), Kirsten Dunst (The Power of the Dog), Aunjanue Ellis (King Richard), Ruth Negga (Passing)

How I Did: 4/5

Comments: Negga gets a needed boost (I had Meryl Streep for Don’t Look Up in her slot). If Jodie Foster could win an upset victory last year here for The Mauritanian, any of these performers could win.

Best Supporting Actor

Nominees: Ben Affleck (The Tender Bar), Jamie Dornan (Belfast), Ciaran Hinds (Belfast), Troy Kotsur (CODA), Kodi Smit-McPhee (The Power of the Dog)

How I Did: 3/5

Comments: The Golden Globes often go for big names so the fact that Kotsur got in with HFPA bodes well for his Oscar chances. He and Affleck make it over my picks of Bradley Cooper (Licorice Pizza) and Jared Leto (House of Gucci). Conversely I’d argue that if Leto can’t make it here, his Academy prospects look shaky. Smit-McPhee is picking up critics prizes but this race is wide open in my view.

Best Screenplay

Nominees: Being the Ricardos, Belfast, Don’t Look Up, Licorice Pizza, The Power of the Dog

How I Did: 4/5

Comments: The HFPA loves them some Aaron Sorkin and his Ricardos script triumphs over West Side Story. This could be Belfast, Pizza, or Power.

Best Animated Feature

Nominees: Encanto, Flee, Luca, My Sunny Maad, Raya and the Last Dragon

How I Did: 3/5

Comments: My Sunny Maad came out of nowhere. Not so much with Raya. They’re in instead of The Mitchells vs. the Machines (which I’m genuinely surprised missed) and Vivo (which I’m not). Don’t discount Flee, but Encanto is the likely winner.

Best Foreign Language Film

Nominees: Compartment No. 6, Drive My Car, The Hand of God, A Hero, Parallel Mothers

How I Did: 2/5

Comments: Ouch. Only got Drive My Car and A Hero correct (and they could duke it out for the prize). On the cutting room floor: Flee, Titane, and The Worst Person in the World. Mothers could contend here as well.

Best Original Score

Nominees: Dune, Encanto, The French Dispatch, Parallel Mothers, The Power of the Dog

How I Did: 2/5

Comments: The pain continues as I only called Dune and Power correctly. The others are in over Nightmare Alley, Spencer, and The Tragedy of Macbeth. This should be Dune, but Power is possible too.

Best Original Song

Nominees: “Be Alive” from King Richard, “Dos Oruguitas” from Encanto, “Down to Joy” from Belfast, “Here I Am” from Respect, “No Time to Die” from No Time to Die

How I Did: 3/5

Comments: The Encanto and Respect cuts make it instead of “Every Letter” from Cyrano and “Just Look Up” from Don’t Look Up. Like the Oscars, this could be a battle between Beyonce (“Be Alive”) and Billie Eilish (“No Time to Die”).

That means the following films garnered these numbers with their nominations:

7 Nominations

Belfast, The Power of the Dog

4 Nominations

Don’t Look Up, King Richard, Licorice Pizza, West Side Story

3 Nominations

Being the Ricardos, Dune, Encanto

2 Nominations

CODA, Cyrano, The Lost Daughter, Parallel Mothers, Tick Tick… Boom!

1 Nomination

Annette, Compartment No. 6, Cruella, Drive My Car, The Eyes of Tammy Faye, Flee, The French Dispatch, The Hand of God, A Hero, House of Gucci, In the Heights, Luca, My Sunny Maad, No Time to Die, Passing, Raya and the Last Dragon, Respect, Spencer, Swan Song, The Tender Bar, The Tragedy of Macbeth

2021 Golden Globe Predictions

Let’s begin with this blanket statement… I’m basically flying a bit blind with my predictions for the Golden Globe Awards, which will be revealed tomorrow morning. For those who don’t follow the awards derbies closely like I do, the Hollywood Foreign Press Association has been in some considerable hot water for the last couple of years. So much so that NBC has decided they won’t air the January 9th ceremony due to lack of diversity for its voting membership. There were genuine questions as to whether the HFPA would even hold an event for their 79th awards, but they are pushing forward amidst the controversy.

Then there’s the simply the matter of the Globes being quite unpredictable. We tend to see a shocker nomination at least once a year… remember Kate Hudson’s nod in Actress (Musical/Comedy) for the barely seen and critically reviled Sia directed Music in 2020? Then the voters went ahead and nominated the picture itself!

Last year in Supporting Actress, Jodie Foster scored a surprise nomination and win for The Mauritanian. The Academy didn’t even bother to nominate her. In Supporting Actor, both Jared Leto (The Little Things) and Bill Murray (On the Rocks) made the cut in Supporting Actor though not at the Oscars. This is why my general rule at the Globes is to fill in bigger names when I’ve got a spot or two left over in an acting race.

The HFPA’s method of dividing Drama and Musical/Comedy always creates category questions and that holds true in 2021. Where’s CODA? Or House of Gucci and C’Mon C’Mon? Or Being the Ricardos. We don’t know. For prediction purposes, I’m putting them in Drama. Obviously, if they’re not, that would alter my estimates and make some of my calls moot.

Let’s take go through the categories one by one and see how this guesswork turns out, shall we? I’ll do a runner-up and second alternate for each race as well.

Best Motion Picture – Drama

Predicted Nominees:

Belfast

Dune

King Richard

Nightmare Alley

The Power of the Dog

Runner-Up: CODA

Second Alternate: The Tragedy of Macbeth

Commentary – At this point, Belfast, Dune, King Richard, and Power of the Dog seem like pretty safe bets. Any one of them missing out would be considered a significant snub. The fifth slot is wide open in my view. The surging CODA (if it’s placed in Drama) could certainly make the cut. Tragedy is a strong possibility and I wouldn’t count out Being the Ricardos, C’Mon C’Mon and House of Gucci (if they’re in Drama), The Last Duel, or Spencer. Despite some critical reservations, I’ll go with Guillermo del Toro’s Nightmare Alley. It’s important to remember that foreign films are relegated to their own category at the Globes. That’s why Parasite didn’t show up here two years ago and it’s why A Hero or Drive My Car won’t contend in this competition.

Best Motion Picture – Musical/Comedy

Predicted Nominees:

Cyrano

Don’t Look Up

Licorice Pizza

Tick Tick… Boom!

West Side Story

Runner-Up: In the Heights

Second Alternate: Cruella

Commentary – The Musical/Comedy derby actually has a bunch of musicals to choose from in 2021 and West Side Story and Tick Tick… Boom! especially seem like surefire additions. Between In the Heights and Cyrano, I’m giving the latter a slight edge (though both could make it). Licorice Pizza should get in though I’m a tad more unsure about Don’t Look Up. I would generally say the top six listed here will be duking it out for five slots (Cruella is kind of a throwaway addition but if Music could get in…)

**Note that pics like CODA, Gucci, or Being the Ricardos could be campaigned for here and not Drama and that could change the dynamic.

Best Director

Predicted Nominees:

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Guillermo del Toro, Nightmare Alley

Steven Spielberg, West Side Story

Denis Villeneuve, Dune

Runner-Up: Paul Thomas Anderson, Licorice Pizza

Second Alternate: Reinaldo Marcus Green, King Richard

Commentary – Feeling good about Branagh, Campion, Spielberg, and Villeneuve. The 5 spot is tougher but I’ll give del Toro the nod over Anderson (who, somehow, has never been nominated for a Globe).

Best Performance in a Motion Picture – Drama (Actress)

Predicted Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Lady Gaga, House of Gucci

Jennifer Hudson, Respect

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Runner-Up: Olivia Colman, The Lost Daughter

Second Alternate: Jodie Comer, The Last Duel

Commentary – So here’s when it gets truly complicated as Gaga, Hudson, and Kidman could all theoretically wind up in Musical/Comedy. If not, both Gaga and Kidman seem like likely nominees in Drama. So do Chastain and Stewart. I’m picking Hudson over considerable competition that includes Colman, Comer, Emilia Jones in CODA (if placed here), Frances McDormand (The Tragedy of Macbeth), and Penelope Cruz (Parallel Mothers).

Best Performance in a Motion Picture – Drama (Actor)

Predicted Nominees:

Bradley Cooper, Nightmare Alley

Benedict Cumberbatch, The Power of the Dog

Joaquin Phoenix, C’Mon C’Mon

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Runner-Up: Javier Bardem, Being the Ricardos

Second Alternate: Nicolas Cage, Pig

Commentary – Cumberbatch, Smith, and Washington are obvious choices. The other two slots – not so much. Phoenix could be in Musical/Comedy, but I’ll give the benefit of the doubt and put him here. Same with runner-up Bardem. As much as I’d like to anoint Cage for Pig, I’ll hedge with Cooper in Alley. Super dark horse choice: Clifton Collins, Jr. in Jockey. 

Best Performance in a Motion Picture – Musical/Comedy (Actress)

Predicted Nominees:

Haley Bennett, Cyrano

Alana Haim, Licorice Pizza

Jennifer Lawrence, Don’t Look Up

Emma Stone, Cruella

Rachel Zegler, West Side Story

Runner-Up: Melissa Barrera, In the Heights

Second Alternate: Renate Reinsve, The Worst Person in the World

Once again – there’s some women I have in Drama that might shift over this way (Gaga, Hudson, Kidman, Jones). That would make this category more interesting as, right now, this is Zegler’s to lose based on my current composition. If serious hopefuls like Gaga and Kidman stay in Drama, this race could be ripe for an out of nowhere pick (I’m thinking either Annie Mumolo or Kristin Wiig in Barb and Star Go to Vista Del Mar).

Best Performance in a Motion Picture – Musical/Comedy (Actor)

Predicted Nominees:

Leonardo DiCaprio, Don’t Look Up

Peter Dinklage, Cyrano

Andrew Garfield, Tick Tick… Boom!

Anthony Ramos, In the Heights

Ryan Reynolds, Free Guy

Runner-Up: Cooper Hoffman, Licorice Pizza

Second Alternate: Simon Rex, Red Rocket

Commentary – The first four seem probable and the safer choice for #5 would be Hoffman (that’s if Joaquin Phoenix or Javier Bardem don’t play here). I gotta pick at least one head scratcher though so let’s throw in Reynolds for the hit Free Guy!

Best Supporting Performance in a Motion Picture (Supporting Actress)

Predicted Nominees:

Caitriona Balfe, Belfast

Ariana DeBose, West Side Story

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Meryl Streep, Don’t Look Up

Runner-Up: Rita Moreno, West Side Story

Second Alternate: Cate Blanchett, Nightmare Alley

Commentary – Balfe, DeBose, Dunst, and Ellis are likely. If any of that quartet miss, it could be Dunst. I’m utilizing my aforementioned big name theory by picking Streep in the five spot. Could be Moreno or Blanchett and the star power could overshadow other possibilities like Ruth Negga (Passing) or Ann Dowd (Mass).

Best Supporting Performance in a Motion Picture (Supporting Actor)

Predicted Nominees:

Bradley Cooper, Licorice Pizza

Jamie Dornan, Belfast

Ciaran Hinds, Belfast

Jared Leto, House of Gucci

Kodi Smit-McPhee, The Power of the Dog

Runner-Up: Mike Faist, West Side Story

Second Alternate: Ben Affleck, The Tender Bar

Commentary – No one can really make heads or tails of Supporting Actor in 2021 so there’s some winging it happening. I’ll say both Belfast boys get in while HFPA recognizes Cooper’s limited screen time in Pizza and Leto’s out there performance in Gucci. Smit-McPhee has been picking up critics awards and that could get him in. Truth be told… anything could happen in this one.

Best Screenplay

Predicted Nominees:

Belfast

Don’t Look Up

Licorice Pizza

The Power of the Dog

West Side Story

Runner-Up: King Richard

Second Alternate: Being the Ricardos

The one I’m uncertain about is Don’t Look Up with its many lackluster reviews, but I’ll go for it over Richard. I also wouldn’t completely dismiss Ricardos due to the Aaron Sorkin factor.

Best Animated Feature Film

Predicted Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Vivo

Runner-Up: Raya and the Last Dragon

Second Alternate: Belle

Best Foreign Language Film

Predicted Nominees:

Drive My Car

Flee

A Hero

Titane

The Worst Person in the World

Runner-Up: Parallel Mothers

Second Alternate: The Hand of God

Best Original Score

Predicted Nominees:

Dune

Nightmare Alley

The Power of the Dog

Spencer

The Tragedy of Macbeth

Runner-Up: The French Dispatch

Second Alternate: Don’t Look Up

Best Original Song

Predicted Nominees:

“Be Alive” from King Richard

“Down to Joy” from Belfast

“Every Letter” from Cyrano

“Just Look Up” from Don’t Look Up

“No Time to Die” from No Time to Die

Runner-Up: “Dos Oruguitas” from Encanto

Second Alternate: “So May We Start” from Annette

My picks equate to the following scorecard in terms of total nominations:

7 Nominations

Belfast, The Power of the Dog

6 Nominations

Don’t Look Up

5 Nominations

West Side Story

4 Nominations

Cyrano, King Richard, Licorice Pizza, Nightmare Alley

3 Nominations

Dune

2 Nominations

Flee, House of Gucci, Spencer, Tick Tick… Boom!, The Tragedy of Macbeth

1 Nomination

Being the Ricardos, C’Mon C’Mon, Cruella, Drive My Car, Encanto, The Eyes of Tammy Faye, Free Guy, A Hero, In the Heights, Luca, The Mitchells vs. the Machines, No Time to Die, Respect, Titane, Vivo, The Worst Person in the World

I’ll have a post up later tomorrow with my results! Critics Choice predictions are next…

Oscar Predictions: Don’t Look Up

Up until the last couple of weeks, I’ve had Adam McKay’s political satire Don’t Look Up on the outskirts of my predicted 10 Best Picture nominees. After all, just how many Netflix contenders will get in? I figured The Power of the Dog would be their main play and there’s other possibilities with Tick, Tick… Boom!, The Lost Daughter, and Passing. 

I recently vaulted it into the fold of ten and (better late than never), that appears to be the right call. Before its eagerly awaited December 10th limited bow in theaters and Christmas Eve Netflix premiere, Up has screened for critics. The social media reaction is leaning toward the positive with particular shoutouts for certain elements and performers.

The star-studded cast is filled with previous Oscar winners and nominees: Leonardo DiCaprio, Jennifer Lawrence, Jonah Hill, Mark Rylance, Timothee Chalamet, Cate Blanchett, and Meryl Streep. There’s also Rob Morgan, Tyler Perry, Ron Perlman, Ariana Grande, Kid Cudi, Chris Evans, Matthew Perry, and Himesh Patel.

McKay’s last two pics (2015’s The Big Short and 2018’s Vice) were both up in the biggest race of all. His original screenplay detailing the end of the world should be recognized. I’m not as confident he’ll make it for directing though I will note that he made the cut for the previous two and it’s certainly feasible. While Dog may continue to be the Netflix flick I rank higher when I update my forecast Sunday, I don’t see Up moving down the charts and out of the 10.

As for the massive list of performers, the early word is that Leo could vie for his seventh nod (his sole win came for 2015’s The Revenant). He still needs to get past other sturdy thespians. I do like his chances better tonight than I did earlier today. With Lawrence, Best Actress is overflowing with hopefuls and I doubt she lands #5. Ms. Streep is going for her 22nd trip to the dance. Her work as the President here is being mentioned in the laudatory tweets. Supporting Actress has got its share of contenders too, but betting against Meryl is always risky. Supporting Actor is wide open at the moment yet I’m skeptical about Hill or Rylance (or the many others). If Netflix goes all in on one of them, that dynamic could shift.

Surprisingly enough, its most assured nomination could come with Ariana Grande. Not for Supporting Actress (her part is said to be brief), but for her Original Song “Just Look Up”. Editing seems a safe bet as does Score and other down the line races like Sound and Visual Effects are possible.

Bottom line: it’s looking up for Don’t Look Up to get up to a handful of nominations. My Oscar Predictions posts for the films of 2021 will continue…

Oscar Predictions: Eyes on Jessica Chastain

When I wrote my Oscar Predictions post for The Eyes of Tammy Faye back in September and talked about Jessica Chastain’s viability in Best Actress, I penned the following passage:

Bottom line: a couple of weeks back, I boldly declared that you could write Kristen Stewart’s Best Actress inclusion in pen. Here we go again for the second pronouncement… I think you can do the same with Chastain.

Two months later, I still feel the same about Kristen Stewart in Spencer. She remains the frontrunner for a nomination and a potential victory. And a solid argument can still be made that Chastain’s performance as Tammy Faye Bakker sits in the runner-up position for inclusion for the five actresses who will be up for consideration. That said, I’m not as declarative as I once was. Given a redo, I might say a sharpened pencil over a pen.

Why? The Best Actress race is stacked in 2021 and more realistic competitors continue to pop up. Just this week, there were three pictures screened that increased or helped solidify the chances for their leading ladies: Lady Gaga (House of Gucci), Nicole Kidman (Being the Ricardos), and Alana Haim (Licorice Pizza). That’s in addition to Olivia Colman (The Lost Daughter), Penelope Cruz (Parallel Mothers), and Frances McDormand (The Tragedy of Macbeth). They’ve been in the mix since festival season early this autumn.

That’s eight performances thus far. We can add others to the already released fold: Jodie Comer (The Last Duel), Jennifer Hudson (Respect), Renate Reinsve (The Worst Person in the World), and Tessa Thompson (Passing). 12. I can think of four more from the unscreened column: Sandra Bullock (The Unforgivable), Jennifer Lawrence (Don’t Look Up), Rooney Mara (Nightmare Alley) and Rachel Zegler (West Side Story). 16. I’m not really feeling a Bullock nod, but any of the others could bubble up.

Add to that the off chance that a surprise nominee could materialize of those I’ve basically written off: Halle Berry (Bruised), Marion Cotillard (Annette), Emilia Jones (CODA), or Charlotte Rampling (Benedetta).

20 possibilities (though some admittedly are far fetched). Still – there’s several realistic hopefuls and that’s reason enough to doubt anyone but Stewart making the eventual quintet.

Chastain faces other challenges for her third nomination (the previous two were supporting for 2011’s The Help and lead the following year in Zero Dark Thirty). Despite widespread acclaim for her acting, audiences completely tuned out to Tammy. It earned a tiny $2.4 million at the box office. Reviews for the pic itself were just so-so (66% on Rotten Tomatoes). I’ve heard comparisons made to Renee Zellweger’s victory in 2019 for Judy as far as poor box office and critical reaction. It’s not a totally unfair comp but Zellweger’s winning work garnered 82% on RT and made $24 million domestically.

When Tammy screened up north, the idea of Chastain and her costar Andrew Garfield (in Supporting Actor) both being up seemed feasible. I don’t feel Garfield has much of a shot now (though he definitely does in lead for Tick, Tick… Boom!).

Bottom line: I still have Chastain in my five, but with considerably less assuredness than before.

2021 Oscar Predictions: The State of the Best Actress Race

The Oscar race for Best Actress takes center stage in my latest rundown of where the major competitions stand in early November. If you missed my posts covering lead actor and the supporting categories, they can accessed right here:

2021 Oscar Predictions: The State of the Best Actor Race

2021 Oscar Predictions: The State of the Supporting Actress Race

2021 Oscar Predictions: The State of the Supporting Actor Race

As I have with the others, let’s start with my track record during the same time period from 2019 and 2020. Two years ago, I somehow had all five nominated actresses forecasted correctly with two months to go: winner Renee Zellweger as Judy in addition to Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), and Charlize Theron (Bombshell). For 2020, it was three: gold recipient Frances McDormand for Nomadland and Viola Davis (Ma Rainey’s Black Bottom) and Vanessa Kirby (Pieces of a Woman). Both Andra Day (The United States vs. Billie Holiday) and Carey Mulligan (Promising Young Woman) were listed in Other Possibilities.

In 2021, we already have a strong frontrunner and that’s Kristin Stewart in Spencer. Playing the high profile role of Princess Diana, Ms. Stewart is practically guaranteed to nab her first nod after plenty of critically appreciated post Twilight turns. She’s a serious threat to win and Stewart has been atop my chart ever since the picture screened back in September at the Venice Film Festival.

Her biggest competition could come from an as yet unseen performance – Lady Gaga in House of Gucci. Judging from the trailers alone, her part seems like the kind of bait that would cause Academy voters to bite. If so, the pop superstar would receive her second nomination three years after her breakout cinematic role with A Star Is Born. 

After that, there’s a lengthy list of hopefuls for the three remaining slots. When The Eyes of Tammy Faye premiered on the festival circuit, it was a given that Jessica Chastain would make the cut. I still think she will, but the pic’s barely existent box office numbers are reason for some uncertainty.

Screenings were also kind to Olivia Colman in The Lost Daughter and that momentum could result in her third inclusion in the last four years after a 2018 Actress victory for The Favourite and a supporting nod for last year’s The Father. 

Colman isn’t the only actress from a Netflix offering eyeing the prize. There’s Tessa Thompson in Passing, Jennifer Lawrence in Don’t Look Up, Sandra Bullock for The Unforgivable, and Halle Berry with Bruised. All could factor in. Other than Thompson (her costar Ruth Negga stands a greater chance in supporting), the three others have yet to be unveiled. The streamer may have to pick and choose whose campaigns they go all in with.

There’s other possibilities in the unseen column where the buzz will shortly materialize: Cate Blanchett for Nightmare Alley, Alana Haim in Licorice Pizza, Nicole Kidman as Lucille Ball with Being the Ricardos, and Rachel Zegler (West Side Story). At press time, I only have Kidman in the top ten but that could change as soon as reviews start posting.

As for pictures that have been available for awhile, I feel Marlee Matlin and Troy Kotsur’s supporting parts in CODA are more likely to be recognized than lead Emilia Jones. Renate Reinsve will have her share of supporters for The Worst Person in the World, but its best chance lies with an International Feature Film nomination. Bad financial returns could negatively impact Jodie Comer for The Last Duel, though I will note that a number of prognosticators have her in.

For the fifth spot, I currently see three performances with roughly equal chances. Frances McDormand took the prize last year and that might make the Academy think twice about putting her up again for The Tragedy of Macbeth. Penelope Cruz is just on the outside looking in for Parallel Mothers. That leaves me with Jennifer Hudson as Aretha Franklin in Respect. Even though the film received mixed reviews and so-so box office, praise for the Supporting Actress winner in 2006’s Dreamgirls was universal. Voters may have to think all the way back to summer to include her but I do believe it’s feasible.

And with that, here’s my standings:

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (Previous Ranking: 1)

2. Lady Gaga, House of Gucci (PR: 3)

3. Jessica Chastain, The Eyes of Tammy Faye (PR: 2)

4. Olivia Colman, The Lost Daughter (PR: 4)

5. Jennifer Hudson, Respect (PR: 5)

Other Possibilities:

6. Penelope Cruz, Parallel Mothers (PR: 7)

7. Frances McDormand, The Tragedy of Macbeth (PR: 6)

8. Jodie Comer, The Last Duel (PR: 8)

9. Nicole Kidman, Being the Ricardos (PR: 10)

10. Tessa Thompson, Passing (PR: Not Ranked)

Dropped Out:

Rachel Zegler, West Side Story

Now that the acting derbies are wrapped, I’ll have Best Director up next!