The coming-of-age fantasy Ruby Gillman, Teenage Kraken joins a crowded animated marketplace when it debuts this weekend. The DreamWorks project may come in behind holdovers Spider-Man: Across the Spider-Verse and Pixar’s Elemental on the charts. Awards prospects for Kirk DeMicco’s latest directorial effort may also find it playing catch up with those titles.
Reviews for Kraken are at 78% on Rotten Tomatoes though the positive notices aren’t exactly gushing. DeMicco has been in the Animated Feature mix before with 2013’s The Croods. His follow-up, 2021’s Vivo, had a better RT score than Ruby and failed to make that year’s quintet in the competition.
We know Spidey will be a force to reckon with for the 96th Academy Awards. It’s easily the frontrunner and that may not change. Elemental is likely to grab a spot. We are awaiting potential heavy hitters like July’s How Do You Live? from Hayao Miyazaki and Disney’s Wish this fall.
If those pics and others don’t pan out, perhaps Kraken could nab the fifth slot. I wouldn’t bet on it. My Oscar Prediction posts will continue…
Blogger’s Update (06/29): I have revised my prediction from $10.8 million down to $7.8 million
DreamWorks is banking on young girls and their parents depositing their money and time into Ruby Gillman, Teenage Kraken when it debuts June 30th. The animated coming-of-age fantasy is directed by Kirk DeMicco, who helmed blockbuster The Croods for the studio a decade ago. Lana Condor voices the high school sophomore title character. Other performers mic’d up include Toni Collette, Annie Murphy, Sam Richardson, Colman Domingo, Will Forte, Liza Koshy, and Jane Fonda.
The studio just had a sizable hit with Puss in Boots: The Last Wish over the holidays and they have future entries in the Trolls and Kung Fu Panda series on deck. Kraken has the disadvantage of not being based on known IP and following Spider-Man: Across the Spider-Verse and Pixar’s Elemental.
There doesn’t seem to be much chatter for this one. If Elemental couldn’t hit $30 million out of the gate, I question whether Gillman can reach half of that number. I’ll project that it falls short for an underwhelming premiere.
Ruby Gillman, Teenage Kraken opening weekend prediction: $7.8 million
For my Indiana Jones and the Dial of Destiny prediction, click here:
Blogger’s Update (05/10): With reports that Knights of the Zodiac is only opening on 750 screens, I’m revising my prediction from $2.2M to $1.2M.
Book Club: The Next Chapter hopes to blossom on Mother’s Day weekend while Knights of the Zodiac (based on a Japanese manga) also touches down. You can peruse my detailed prediction posts on the newcomers here:
There’s no doubt that Guardians of the Galaxy Vol. 3 will hold the #1 spot. Yet it will do so after a disappointing start (more on that below). The big question is how far it falls in the sophomore frame. Vol. 2 in 2017 eased a reasonable 55% after a strong $146 million start. With an A Cinemascore grade, the third iteration could see a similar drop. A low to mid 50s decline would put it in the mid 50s.
Book Club: The Next Chapter, a sequel to the 2018 rom com, looks to reach $12-14 million. That would be in range with its predecessor and the recent 80 for Brady. This particular holiday could it get there, but I’ll go a tad under. That could put it in a photo finish with the sixth weekend of The Super Mario Bros. Movie.
As for Zodiac, it’ll hope to make some coin overseas and it’ll need to with a reported $60 million budget. The domestic prospects appear dim and it may not even reach the top 5.
**A quick note about the sci-fi thriller Hypnotic with Ben Affleck. Apparently it’s out this weekend and there’s been approximately zero promotion or buzz. This appears to be getting dumped. I haven’t done an official prediction and it might be fortunate to make $1 million (I’m curious to see a screen count).
Here’s how I see it playing out:
1 . Guardians of the Galaxy Vol. 3
Predicted Gross: $54.8 million
2. The Super Mario Bros. Movie
Predicted Gross: $11.7 million
3. Book Club: The Next Chapter
Predicted Gross: $10.8 million
4. Evil Dead Rise
Predicted Gross: $3.2 million
5. Are You There God? It’s Me, Margaret
Predicted Gross: $2.4 million
Box Office Results (May 5-7)
It wasn’t exactly a festive start to summer for Disney as Guardians of the Galaxy Vol. 3 got off to a shaky start. With $118.4 million, it came in a bit under my $125.3 million take and significantly below the $146 million from Vol. 2. This is the second under performer of 2023 as Ant-Man and the Wasp: Quantumania also failed to match overall expectations.
After spending April in the top spot, The Super Mario Bros. Movie finally dropped to second with $18.5 million, a steeper plunge than my projection of $23.8 million. Nevertheless its five-week total is an astonishing $518 million.
Evil Dead Rise was third in weekend 3 with $5.8 million, in line with my $6.2 million forecast. It’s up to a solid $54 million.
Are You There God? It’s Me, Margaret was fourth with $3.2 million (I said $4 million). Despite laudatory reviews, the coming-of-age dramedy isn’t reaching audiences and the ten-day tally is a mere $12 million.
Rom com fans tuned out Love Again which began with only $2.3 million, not even matching my $3.2 million call.
Finally, John Wick: Chapter 4 was sixth in its seventh frame with $2.3 million. I said $3.5 million and the fourth shoot-em-up saga has amassed $180 million.
That does it for now, folks! You can listen to me talk all things box office via Movies at the Speed of Speculation wherever you catch your podcasts. Until next time…
Focus Features is hoping an older and mostly female audience is kindled by their fond memories of part 1 when Book Club: The Next Chapter opens on May 12th. The sequel to the 2018 rom com features Diane Keaton, Jane Fonda, Candice Bergen, Mary Steenburgen, Andy Garcia, Don Johnson, and Craig T. Nelson reprising their roles. Bill Holderman is back in the director’s seat.
With the action moved to Italy, Chapter seeks to serve a crowd often underserved in the summer season. It’s a formula that paid off handsomely in the same mid-May time frame five years ago. Book Club started with $13.6 million and continued exceeding expectations with small drop-offs in subsequent frames. It ended up earning nearly $70 million domestically and just over $100 million worldwide.
I don’t see any reason why this would fall much under the original in its first weekend. There’s another recent comp in 80 for Brady (also with Fonda) as it premiered with a similar $12.5 million (though it did suffer larger declines afterwards than Club).
I’ll say this debuts right in range with its predecessor. It could go slightly over or under and I’ll pick the latter.
Book Club: The Next Chapter opening weekend prediction: $10.8 million
For my Knights of the Zodiac prediction, click here:
From 9 to 5 over four decades ago to Netflix’s recent Grace and Frankie to the very recent midsize hit 80 for Brady, Jane Fonda and Lily Tomlin clearly enjoy collaborating. They’re back at it again this weekend with the limited release of Moving On. The comedy comes from filmmaker Paul Weitz, who directed Tomlin to a Golden Globe nom in 2015 for Grandma. Costars include Malcolm McDowell, Richard Roundtree, and Catherine Dent.
Moving first surfaced last fall at the Toronto Film Festival to mixed reactions. The Rotten Tomatoes score is 65%. Even though Brady has a slightly lower RT rating at the moment (62%), it has a better chance at Oscar recognition due to the song “Gonna Be You” from frequent nominee Diane Warren. This follow-up from the legendary actresses is highly unlikely to generate any Academy (or Globes) attention.
Channing Tatum sashays back into multiplexes in his star making role with threequel Magic Mike’s Last Dance while Titanic re-releases on the occasion of its 25th anniversary. You can peruse my detailed prediction posts on them here:
In what could be considered an upset, I have Titanic edging Mike for the top spot. Here’s why. There are reports that the latter is only releasing on approximately 1500 screens. If that holds true, it would significantly impact its earning power. When I assumed Mr. Tatum would arrive in the typical 3000 venues, I had it making just under $18 million. I now have it notably under that projection.
That may clear the way for the Titanic re-release to be #1 (giving James Cameron the first place picture in eight out of the past nine weekends). Valentine’s Day audiences and the nostalgia factor could get it there.
As for holdovers, M. Night Shyamalan’s Knock at the Cabin definitely came in at the lower end of its anticipated range (more on that below). I believe it could plummet from first to fifth with 80 for Brady and Avatar: The Way of Water each slipping only one spot. Cabin might even fall outside of the high five depending on the eighth frame dip for Puss in Boots: The Last Wish.
Here’s how I see the top 6 playing out:
1. Titanic 25th Anniversary
Predicted Gross: $11.6 million
2. Magic Mike’s Last Dance
Predicted Gross: $10.7 million
3. 80 for Brady
Predicted Gross: $8.1 million
4. Avatar: The Way of Water
Predicted Gross: $7.5 million
5. Knock at the Cabin
Predicted Gross: $5.9 million
6. Puss in Boots: The Last Wish
Predicted Gross: $5.6 million
Box Office Results (February 3-5)
As mentioned, Knock at the Cabin had a fairly soft entry on the charts with $14.1 million. While it managed to knock Avatar from its seven-week reign on the throne, it fell far under my $23.6 million forecast. The glass half full? It cost a meager $20 million to make. The glass half empty? With a C Cinemascore grade, I foresee a sophomore plummet close to 60%. In the summer of 2021, Shyamalan’s predecessor Old managed to top Cabin with just under $17 million. Simply put, this should’ve done more considering it had less competition and better reviews.
80 for Brady had a respectable start in second with $12.7 million. Released a day after Tom Brady announced his retirement (again), the legend packed octogenarian comedy couldn’t match my $15.5 million take. It will hope for smallish declines in the weekends ahead.
Avatar: The Way of Water was third with $11.3 million, in line with my $11.8 million prediction. After its eighth outing, the gargantuan tally grew to $636 million.
Fourth place belonged to Puss in Boots: The Last Wish with $7.8 million (I said $8.9 million) for an impressive $151 million after seven weeks.
I incorrectly had the concert pic BTS: Yet to Come in Cinemas outside of the top five with no projection. It was fifth with $5.1 million.
A Man Called Otto was sixth with $4.3 million compared to my $4.8 million. The gross is a solid $53 million.
Finally, while I’m in predictin’ mode – Eagles 38, Chiefs 24. That’s all for now, folks! Until next time…
The four leads in 80 for Brady – Lily Tomlin, Jane Fonda, Rita Moreno, and Sally Field – can tout a combined 12 Oscar nods for their performances and five victories. That hardware rivals the seven Super Bowls won by Tom Brady (who is also in the sports farce opening Friday).
That said – can an early February comedy contend for awards attention? The 63% Rotten Tomatoes score, while not bad, doesn’t inspire confidence. Perhaps if the main actress category in Musical or Comedy is weak at the Golden Globes, Tomlin could sneak in (she’s being singled out by some as best of the quartet). Even that is unlikely.
Yet there is one race where 80 for Brady could play and that’s Original Song. Diane Warren is the writer of “Gonna Be You” which is sung by the quintet of Dolly Parton, Belinda Carlisle, Cyndi Lauper, Gloria Estefan, and Debbie Harry. Between those five crooners, that’s over 80 Grammy nominations. Then there’s Diane Warren. She rather famously has received 13 Academy mentions without a trip to the stage. This includes ballads such as “Because You Loved Me” from Up Close & Personal and “How Do I Live” from Con Air. She received her 14th nod last week for “Applause” from Tell It Like a Woman where it’s doubtful the 14th time will be the charm. Warren is receiving a lifetime achievement prize so she will be an Oscar winner. With the star power involved in the “Gonna Be You”, the chances of 80 for Brady being a nominee are actually solid. My Oscar Prediction posts will continue…
**Blogger’s Update (02/01): I am adding a title to the top 5 that I previously didn’t have on Monday when I did my initial projections. The Chosen: Season 3 Finale is playing on over 2000 screens. As you may recall, the season premiere grossed nearly $9 million in December out of the gate. I’ll say the finale generates a little more than that and could challenge Avatar for the 3 spot. Changes are reflected below.
The seven-week reign of Avatar: The Way of Water at #1 should end in its 8th outing as February dawns at the box office. M. Night Shyamalan’s latest thriller Knock at the Cabin and the octogenarian comedy 80 for Brady debut and look to place 1-2. My detailed prediction posts on them can be found here:
Beginning with 2017’s Split, Shyamalan experienced a career resurgence that could carry Cabin (generating solid word-of-mouth) to a low to mid 20s start. Getting close to $30 million is not out of the question. That number should be enough to top the charts.
80 for Brady looks to appeal to a female audience and older viewers. A Man Called Otto recently showed the demographic is ready for a return at multiplexes. With a robust marketing campaign and the involvement of Lily Tomlin, Jane Fonda, Sally Field, and Rita Moreno, I could absolutely see it over performing. My current mid teens forecast is worth keeping an eye on before Thursday (meaning it could rise).
As mentioned, Avatar: The Way of Water (while remaining above $10M) should finally relinquish its stranglehold in first.Fellow holdovers Puss in Boots: The Last Wish and A Man Called Otto should round out the top five and here’s how I see it looking:
1. Knock at the Cabin
Predicted Gross: $23.6 million
2. 80 for Brady
Predicted Gross: $15.5 million
3. Avatar: The Way of Water
Predicted Gross: $11.8 million
4. The Chosen: Season 3 Finale
Predicted Gross: $11 million
5. Puss in Boots: The Last Wish
Predicted Gross: $8.9 million
6. A Man Called Otto
Predicted Gross: $4.8 million
Box Office Results(January 27-29)
Avatar: The Way of Water cruised to a seventh frame atop the charts with $15.9 million (ahead of my $14.3 million take). The domestic haul is $620 million, but the story of the weekend is that it surpassed Star Wars: The Force Awakens to become the fourth largest worldwide grosser in history. That means James Cameron now has three of the top four (with Avatar and Titanic also in the mix).
Puss in Boots: The Last Wish was runner-up with $10.4 million, surpassing my $9.2 million prediction. In six weeks, the animated sequel has amassed $140 million.
The surprise of the weekend was Pathaan, a Hindu language action spectacle that I incorrectly had outside the top five. It was third with $6.8 million and $9.4 million since its Wednesday bow. The PTA of nearly $10k was easily the highest on the charts.
A Man Called Otto was fourth with $6.6 million (in line with my $6 million projection) for $45 million overall.
M3GAN rounded out the top five with $6.2 million (I said $5.8 million) as the campy horror tale is approaching nine figures at $82 million.
Finally, Missing was sixth in its sophomore weekend with $5.6 million, a tad above my $5.1 million call. The ten-day total is $17 million (doubling its reported $7 million budget).
Between Lily Tomlin, Jane Fonda, Rita Moreno, Sally Field, Tom Brady, and Guy Fieri – we have 12 Oscar nominations, 54 Emmy mentions, 38 Golden Globe nods, six Super Bowl championships, and hundreds of trips to Flavortown. All of them appear in 80 for Brady on February 3rd. Kyle Marvin directs the comedy which finds the aforementioned female quartet on a trek to watch the famed QB in the Super Bowl. Other costars include (in addition to Brady and Fieri as themselves) include Billy Porter, Harry Hamlin, Rob Corddry, Alex Moffat, Bob Balaban, and Glynn Turman. Some of Brady’s old teammates, such as Rob Gronkowski, Julian Edelman, and Danny Amendola also turn up.
The Paramount release looks to bring in an older female demographic and sports fans during the weekend between the NFL’s Conference Championships and the game where our leads travel to. Tomlin, Fonda, Moreno, and Field having been hitting the circuit hard in recent weeks to promote. I do believe there’s an opportunity for this to exceed expectations. Low to mid teens is where this likely touches down. That’s in line with what Book Club (also featuring Fonda) accomplished in 2018.
80 for Brady opening weekend prediction: $15.5 million
Apple TV and a new production company are hoping luck comes their way this Friday with the release of the animated fantasy comedy Luck. From director Peggy Holmes, the inaugural offering from Skydance Animation comes with a reported eye popping budget of $140 million. Featuring the voices of Eva Noblezada, Simon Pegg, Jane Fonda, Whoopi Goldberg, Lil Rel Howery, and Pixar vet John Ratzenberger, this was originally slated for theaters last summer before going the streaming route.
Reviews might indicate the reasoning. Luck stands at a jeopardous 48% on Rotten Tomatoes. That kind of reaction indicates it could struggle to find eyeballs on Apple. And it certainly confirms that it will not find any luck finding its way into the Best Animated Feature conversation. My Oscar Prediction posts will continue…
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