The first box office weekend of the new year has Universal and Blumhouse diving in with their supernatural horror flick Night Swim. It’s the only newcomer out amongst holiday leftovers. You can peruse my detailed prediction post on it here:
My mid teens estimate for Swim puts it in contention for the top spot. If it underperforms, that could allow Wonka another frame atop the charts. There’s also the distinct possibility that it exceeds expectations as M3GAN did for the same studio and production company one year back. I landed on it coming in q a bit behind Wonka.
With Wonka holding the runner-up spot, Migration should stay in third with Aquaman and the Lost Kingdom sliding to fourth and Anyone but You rounding out the top five.
Here’s how I see it playing out:
1. Wonka
Predicted Gross: $16.3 million
2. Night Swim
Predicted Gross: $14.1 million
3. Migration
Predicted Gross: $12.8 million
4. Aquaman and the Lost Kingdom
Predicted Gross: $8.3 million
5. Anyone but You
Predicted Gross: $6.7 million
Box Office Results (December 29-31)
Wonka was the top confection for audiences with $22.6 million in its third frame as 2023 wrapped up. That’s right on target with my $22.4 million call as the musical origin tale has amassed $133 million thus far and stands as the holiday pic of the season.
Aquaman and the Lost Kingdom, as expected, fell to second with $18.2 million in its sophomore outing. A slight improvement over my $16.8 million forecast, it faces choppy waters compared to the massive grosses of its 2018 predecessor. Overseas grosses are fairly decent and it stands at $76 million stateside.
Migration had a nice hold in third with $17 million, on pace with my $17.9 million projection. The animated adventure from Illumination has formed a tally of $54 million after two weeks.
After a loud Christmas Day start, The Color Purple is settling down. It managed $11.7 million in its first full weekend in fourth, falling under my $15.4 million prediction. The musical has taken in $44 million since 12/25.
Rom com Anyone but You rounded out the top five and I incorrectly didn’t have it in that spot. With $8.7 million, it has surpassed estimates with $24 million in two weeks.
Another holiday offering that has exceeded anticipation is George Clooney’s The Boys in the Boat. The period piece sports drama was sixth with $8.4 million (I said $7.9 million) for $21 million total since Christmas Day.
Migration is the latest animated offering from Illumination and it arrives in theaters this Friday. The comedic adventure is directed by Benjamin Renner with a voice cast including Kumail Nanjiani, Elizabeth Banks, Awkwafina, Keegan-Michael Key, David Mitchell, Carol Kane, and Danny DeVito.
With its review embargo lifted, the Rotten Tomatoes meter is a fair though far from overwhelming 71%. This is Illumination’s 14th big screen effort that began with Despicable Me back in 2010. While the studio’s product usually succeeds in being a box office winner, only Despicable Me 2 in 2013 managed a Best Animated Feature Oscar at the Oscars.
Don’t look for Migration to be the second. Precursors like Critics Choice and the Globes have already ignored it. Illumination does have another 2023 contender in the financial behemoth The Super Mario Bros. Movie. The chances are stronger (if still unlikely) that it makes the cut. My Oscar Prediction posts will continue…
Blogger’s Update (12/21): I am increasing my The Color Purple one-day projection from $7.9M to $12.9M
With Christmas falling on a Monday this year, this is one of the most jam packed Yuletide box office seasons in memory. There’s a whole bunch of cinematic gifts that studios hope open well. On Friday (December 22), Aquaman and the Lost Kingdom looks to top the charts and reverse the misfortunes of the DCU in 2023. Joining Aquaman for the long weekend are Illumination Entertainment’s animated Migration, wrestling biopic The Iron Claw with Zac Efron, Indian Telugu-language action epic Salaar: Part 1 – Ceasefire, Sydney Sweeney and Glen Powell’s rom com Anyone but You, and the nationwide expansion of Oscar hopeful Poor Things with Emma Stone. On Christmas Day, they are joined by The Color Purple (adapting the Broadway musical which adapted the 1985 Spielberg pic which adapted the acclaimed novel), Michael Mann’s Ferrari with Adam Driver, and the George Clooney directed Olympic period piece The Boys in the Boat. You can peruse my detailed prediction posts on all nine (yes, nine) right here:
Even Aquaman himself, Jason Momoa, recently stated in an interview that the future of the franchise is murky at best. Despite the 2018 original making over a billion bucks worldwide, expectations for the sequel are underwater after the DCU’s year that included flops Shazam! Fury of the Gods, The Flash, and Blue Beetle. The worst case scenario is that this opens second to Wonka. On the bright side: Warner Bros gets the #1 slot either way. A low to mid 40s beginning from Friday to Monday is nothing to brag about, but that should get it to first place.
Wonka got off to a pretty sweet start at the top of its anticipated range (more on that below). Since I’m doing predictions from December 22-25, it may only decline from the high 30s to the mid to high 20s with bright weekends ahead (especially over New Year’s).
Therefore Wonka might be the family choice over Christmas and that could put Migration in third with a high teens or low 20s output. For Illumination, the silver lining should be small declines in subsequent frames.
I’m expecting a fourth place finish for The Iron Claw as wrestling fans could turn out to the tune of high single digits.
As for the three features out on Christmas Day, this obviously means I’m only doing a one-day projection. The Color Purple, with its well-known source material, should do best among that trio and I have its single day managing a fifth place showing.
Salaar: Part 1 – Ceasefire could over perform, but I have it in ninth. The newcomers should dominate the top ten as I have Anyone but You in sixth with the Poor Things expansion in seventh.
I do have holdovers The Hunger Games: The Ballad of Songbirds and Snakes and Trolls Band Together finishing out the top ten.
That means my single day estimates for Ferrari ($2.1 million) and The Boys in the Boat ($1.1 million) leave them outside the top ten.
Truth be told, this is a highly unpredictable Christmas weekend with lots of moving parts. Here’s my best attempt at that top 10 and keep in mind that this is for Friday-Monday:
1. Aquaman and the Lost Kingdom
Predicted Gross: $42.8 million
2. Wonka
Predicted Gross: $31.4 million
3. Migration
Predicted Gross: $19.6 million
4. The Color Purple
Predicted Gross: $12.9 million
5. The Iron Claw
Predicted Gross: $8.7 million
6. Anyone but You
Predicted Gross: $5.3 million
7. Poor Things
Predicted Gross: $5 million
8. Salaar: Part One – Ceasefire
Predicted Gross: $4.4 million
9. The Hunger Games: The Ballad of Songbirds and Snakes
Predicted Gross: $4.1 million
10. Trolls Band Together
Predicted Gross: $3.3 million
Box Office Results (December 15-17)
Warner Bros might face choppy waters ahead with Aquaman and the Lost Kingdom, but the Wonka opening went swimmingly. Timothee Chalamet’s take on the iconic chocolatier was treated to a $39 million start. That’s slightly ahead of my $36.4 million prediction as the family pic should have a robust road ahead this season.
It was the only newcomer this past weekend (which makes sense considering the onslaught ahead). The Hunger Games: The Ballad of Songbirds and Snakes stayed put in second with $5.8 million, a smidge under my $6.6 million call. The prequel is up to $145 million after five weekends.
The Boy and the Heron, after its better than anticipated bow, dropped from 1st to 3rd with $5.5 million. That’s lower than my $7 million forecast as the ten-day take is $23 million.
Godzilla Minus One was fourth with $5 million (I said $5.7 million) for $34 million after three weeks.
Trolls Band Together rounded out the top five with $3.9 million compared to my $4.6 million projection. The threequel is approaching nine figures after five weeks with $88 million.
And that does it for now, folks! Have a wonderful holiday and until next time…
Universal and Illumination Entertainment hope families flock to Migration when it debuts over the long holiday weekend on December 22nd. The animated comedic adventure is directed by Benjamin Renner with a voice cast including Kumail Nanjiani, Elizabeth Banks, Awkwafina, Keegan-Michael Key, David Mitchell, Carol Kane, and Danny DeVito.
This studio knows how to put out blockbusters with the Despicable Me and Minions franchises. They had one of the biggest hits of the year with The Super Mario Bros. Movie. During Christmastime at multiplexes, films geared toward kids can start out a little slower than they normally would. However, they tend to leg out impressively over the weekends to come.
That might be the case with Migration. A high teens or lows 20s start sounds about right.
Migration opening weekend prediction: $19.6 million (Friday to Monday estimate)
For my Aquaman and the Lost Kingdom prediction, click here:
This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.
Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.
Let the countdown begin!
10. The Great Gatsby
Domestic Gross: $144 million
Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.
9. We’re the Millers
Domestic Gross: $150 million
Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.
8. The Heat
Domestic Gross: $159 million
Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.
7. World War Z
Domestic Gross: $202 million
Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.
6. Star Trek Into Darkness
Domestic Gross: $228 million
JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.
5. Fast & Furious 6
Domestic Gross: $238 million
Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.
4. Monsters University
Domestic Gross: $268 million
The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.
3. Man of Steel
Domestic Gross: $291 million
The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.
2. Despicable Me 2
Domestic Gross: $368 million
Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.
1. Iron Man 3
Domestic Gross: $409 million
Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.
Now for some others worthy of discussion:
The Conjuring
Domestic Gross: $137 million
It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.
Now You See Me
Domestic Gross: $117 million
The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.
The Butler
Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.
Pacific Rim
Domestic Gross: $101 million
Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.
This Is the End
Domestic Gross: $101 million
This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.
The Purge
Domestic Gross: $64 million
This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.
Blue Jasmine
Predicted Gross: $33 million
That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.
Fruitvale Station
Domestic Gross: $16 million
Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.
There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.
The Hangover Part III
Domestic Gross: $112 million
Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.
Elysium
Domestic Gross: $93 million
Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.
The Lone Ranger
Domestic Gross: $89 million
I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.
White House Down
Predicted Gross: $73 million
Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).
After Earth
Predicted Gross: $60 million
Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.
The Internship
Domestic Gross: $44 million
Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.
R.I.P.D.
Predicted Gross: $33 million
It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.
And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…
Blogger’s Update (04/26): I am revising my Big George Foreman estimate down from $8.5M to $5.7M
The Super Mario Bros. Movie should have a fourth and final weekend atop the charts before Guardians of the Galaxy Vol. 3 kicks off May and the summer cinematic season. Coming-of-age dramedy Are You There God? It’s Me, Margaret and boxing biopic Big George Foreman also the newbies entering the ring. You can peruse my detailed prediction posts on them here:
The revolving door at #2 should belong to Margaret, based on the 1970 Judy Blume bestseller. While a gross approaching $20 million is feasible, I’ll say mid teens is where it lands. It will bank on strong holds in its subsequent frames.
As for Big George Foreman, it might find itself in a close race with the second weekend of Evil Dead Rise for third position. I have Rise falling in the low to mid 60s (similar to the 2013 predecessor Evil Dead). If that occurs, it might win a close decision vs. Foreman.
Mario should have no trouble dominating once again and a mid 30s dip would give it just under $40 million in that fourth outing.
Finally, I have holdover John Wick: Chapter 4 in fifth. That slot could go to Guy Ritchie’s The Covenant or Air, though I have Keanu and company experiencing the smallest decline.
Here’s how I envision the top 5 shaking out:
1. The Super Mario Bros. Movie
Predicted Gross: $39.4 million
2. Are You There God? It’s Me, Margaret
Predicted Gross: $15.3 million
3. Evil Dead Rise
Predicted Gross: $8.8 million
4. Big George Foreman
Predicted Gross: $5.7 million
5. John Wick: Chapter 4
Predicted Gross: $4.1 million
Box Office Results (April 21-23)
As anticipated, it was a three-peat for The Super Mario Bros. Movie as it collected another $59.9 million in coinage. Blasting beyond my $54.8 million prediction, Illumination’s animated juggernaut has amassed $436 million domestically.
Evil Dead Rise proved there’s no horror fatigue for audiences following recent efforts Scream VI, The Pope’s Exorcist, and Renfield. The fifth pic in the franchise opened with an impressive $24.5 million, elevating past my $16.7 million take. That’s just a shade behind what 2013’s Dead ($25.7 million) kicked off with.
Afghanistan War drama Guy Ritchie’s The Covenant with Jake Gyllenhaal couldn’t fill its theaters with a middling $6.3 million. It did premiere a tad ahead of my $5.6 million forecast, but that’s still an unimpressive result.
John Wick: Chapter 4 was fourth with $5.8 million compared to my $4.7 million projection with $168 million in the coffers.
Fifth place belonged to Dungeons & Dragons: Honor Among Thieves with $5.5 million (I said $4.3 million) as the franchise hopeful is straining to reach nine digits at $82 million.
Air was sixth with $5.4 million in the third weekend – in line with my $4.6 million guesstimate. Total is $41 million.
Plummeting from 2nd to 7th is The Pope’s Exorcist, falling victim to the power of Evil Dead . Down 62% in its sophomore frame with $3.4 million, I was more generous at $4.6 million. The ten-day tally is $15 million.
The story is similar for Renfield, down 59% in weekend #2 with $3.2 million (I went with $3.9 million). The tepid two-week total is $13 million.
Finally, Beau Is Afraid with Joaquin Phoenix (generating wildly divergent reactions) played well in very limited NY/LA showings last weekend. Yet it stumbled in wider release. The multi-genre odyssey made $2.7 million on just under 1000 screens. I was higher at $4.4 million.
And that does it for now, folks! Until next time…
And in the meantime, listen to my box office thoughts on your favorite podcast platform by searching Movies at the Speed of Speculation!
The Super Mario Bros. Movie should rule the charts for a third weekend as Evil Dead Rise and Guy Ritchie’s The Covenant open in wide release. You can peruse my detailed prediction posts on the newcomers here:
Evil Dead Rise appears headed for a second place showing. However, the fifth pic in the horror franchise that started over 40 years ago is unlikely to match the mid-twenties haul that its 2013 predecessor managed. That’s despite strong reviews. Some recent horror saturation might mean a low to mid teens premiere.
As for Afghanistan War drama The Covenant with Jake Gyllenhaal, this is a genre that often struggles for eyeballs. It could certainly outpace my mid single digits projection (which should still be good for third), but my gut says this won’t impress.
Spots 4-8 should be holdovers whose difference could be less than a million bucks. I have John Wick: Chapter 4 leading that group with Renfield having the biggest percentage drop and coming in 8th.
Some other notes before I get to the power player. The historicaldrama Chevalier is slated to come out on around 1200 screens. I think the ceiling could be $2.5 million and I didn’t do an individual post for it.
Then there’s Beau is Afraid. Ari Aster’s three-hour opus with Joaquin Phoenix is garnering some raves and some derision from critics. It had a sizzling limited debut on only 4 screens. Beau is opening wider this weekend, but I’ve yet to see a theater count. Depending on how many venues it’s playing in, it could pop up in the top 5. However, I can’t make an educated guesstimate (yet) until I see a number. **Update (04/19): I’ve now done a prediction for this since a theater count is released:
As for the third frame of Mario, I’ve got it falling in the high 30s to low 40s for a mid to high 5os gross. My prediction gives it the ninth best third weekend of all time after it just had the seventh largest second one. I’ll give this caveat: I’ve been low for two weeks in a row on this pic.
So with all that said, here’s my look at the top 8:
1. The Super Mario Bros. Movie
Predicted Gross: $54.8 million
2. Evil Dead Rise
Predicted Gross: $16.7 million
3. Guy Ritchie’s The Covenant
Predicted Gross: $5.6 million
4. John Wick: Chapter 4
Predicted Gross: $4.7 million
5. The Pope’s Exoricst
Predicted Gross: $4.6 million
6. Air
Predicted Gross: $4.6 million
**7. Beau is Afraid
Predicted Gross: $4.4 million (ADDED PREDICTION**)
8. Dungeons & Dragons: Honor Among Thieves
Predicted Gross: $4.3 million
9. Renfield
Predicted Gross: $3.9 million
Box Office Results (April 14-16)
It’s a Nintendo Cinematic Universe and we’re just living in it as The Super Mario Bros. Movie once again exceeded expectations in its sophomore frame. Illumination’s animated phenomenon piped in another $92.3 million, far exceeding my $74.9 million take. The two-week tally is an astonishing $353 million. There is a real possibility that this could end up as the highest domestic grosser of 2023.
Russell Crowe’s horror tale The Pope’s Exorcist surprisingly was second with $9 million, edging past my $7.4 million forecast. With a reported $18 million budget, that’s not too shabby though hardly glorious.
John Wick: Chapter 4 was third with $8 million (in range with my $8.4 million call). It’s up to $160 million after 4 weeks.
Spooky comedy Renfield with Nicolas Cage as Dracula was anticipated to see second place, but it wasn’t to be. The fourth place showing at $8 million fell below my $12.2 million estimate. With a fairly sucky B- Cinemascore, look for it to fade quickly.
Air was fifth with $7.8 million in its second weekend. I thought it would hold better and went with $9.5 million. Nevertheless its $33 million total thus far is solid for an adult drama.
Dungeons & Dragons: Honor Among Thieves was sixth with $7.5 million (I said $6.9 million) for a so-so $74 million after three weeks.
Toho’s Japanese animated fantasy Suzume couldn’t live up to previous titles from the distributor. It was seventh with $5 million and I was more generous at $8.7 million.
I never did an official prediction for Mafia Mamma with Toni Collette, but I said the poorly reviewed comedy would be lucky to make $2 million. Well, I guess it was lucky because that’s exactly what it did for 8th.
And that does it for now, folks! Until next time…
***In the meantime, catch my weekly podcast talking box office at Movies at the Speed of Speculation (wherever you stream!).
Those animated Nintendo plumbers should dominate the box office once again after a massive Easter haul, but there are newcomers to ponder. We have horror comedy Renfield with Nicolas Cage and Nicholas Hoult, less funny horror tale The Pope’s Exorcist featuring Russell Crowe, and Japanese animated fantasy Suzume. You can peruse my detailed prediction posts on that trio here:
Nothing will approach the sophomore frame for The Super Mario Bros. Movie, which soared in its first five days of release (more on that below). The question is not whether it will remain #1 (it will easily), but how far it falls. With an A Cinemascore and no competition for families, I’ll say it drops in the 50% range.
Renfield is garnering pretty decent reviews and a double digits to low teens output should allow it to be the runner-up. Suzume is a little trickier. Other Toho titles have exceeded $10 million for their beginnings and this could do the same. I’m projecting it a tad under for a fourth place showing behind the sophomore weekend for Air (which should have a nice hold).
The Pope’s Exorcist is also a bit of a head scratcher. Horror flicks can certainly over perform and this did decent business overseas this past weekend. Yet with Renfield providing a diversion for eyeballs, this might not even make the top 5.
Finally, I’ll dispense with Mafia Mamma. This Bleecker Street comedy stars Toni Collette and seems to be flying far under the radar. I didn’t do an individual prognosis post for it and haven’t seen a screen count. Given the distributor’s lack of success with earlier projects, this might be lucky to hit $2 million. That would put it nowhere near the high five.
Given that numbers 3-7 especially could be close, I’ll give you my outlook for those spots:
1. The Super Mario Bros. Movie
Predicted Gross: $74.9 million
2. Renfield
Predicted Gross: $12.2 million
3. Air
Predicted Gross: $9.5 million
4. Suzume
Predicted Gross: $8.7 million
5. John Wick: Chapter 4
Predicted Gross: $8.4 million
6. The Pope’s Exorcist
Predicted Gross: $7.4 million
7. Dungeons & Dragons: Honor Among Thieves
Predicted Gross: $6.9 million
Box Office Results (April 7-9)
Illumination Entertainment doesn’t really miss when it comes to putting out animated blockbusters (think Despicable Me, Minions, Sing, The Secret Life of Pets franchises). Now they clearly have a host of Nintendo properties that will shower them with coins. The Super Mario Bros. Movie vastly exceeded expectations with $146.3 million from Friday to Sunday and $204.6 million since its Wednesday premiere. That is, to say the least, better than my respective estimates of $98.6 million and $137.7 million. The temperature was clearly right for its massive breakthrough performance as its global $377 million gross is the best ever for an animated feature.
John Wick: Chapter 4 stayed put in second with $14.4 million (on target with my $14.6 million call). The three-week total stands at $146 million.
Ben Affleck’s Air rode a wave of rising buzz to impressive numbers. It made $14.4 million for third with $20.2 million since its Wednesday start. The sports drama managed to top my takes which were $12.7 million and $18.9 million. As mentioned, this should hold up well in the coming weekends.
Dungeons & Dragons: Honor Among Thieves was the biggest victim of the Mario wave. In its second weekend, the adventure tumbled 63% to $13.8 million. I was more optimistic with $16.8 million. The ten-day domestic tally is $61 million as its future as a franchise is murky.
Scream VI was fifth with $3.4 million. I incorrectly had it outside the top five as it crossed the century mark after five weeks with $103 million.
Finally,faith-based drama His Only Son failed to capitalize on the religious holiday with $2.8 million for sixth. I thought it might do a bit better in frame #2 and said $3.8 million. It’s made $10 million.
Check out my podcast by searching Movies at the Speed of Speculation wherever you stream!
The Super Mario Bros. Movie is out tomorrow and looks to rule the Easter holiday frame. While big money is about to flow through the pipeline, reviews are more of the mixed variety. The Illumination Entertainment animated production of the Nintendo property sits at 56% on Rotten Tomatoes.
This is the 13th feature from the studio. Of the previous dozen, only one (2013’s Despicable Me 2) has managed a Best Animated Feature mention. Illumination’s titles generate coins, but not nominations. That doesn’t look to change with Mario and Luigi’s new adventure. My Oscar Prediction posts will continue…
Blogger’s Update (04/05): I am revising my estimate for Mario slightly up from $92.6M for the three-day to $98.6M and from $128.7M for the five-day to $137.7M
The Easter weekend starts early with Illumination Entertainment’s The Super Mario Bros. Movie and Ben Affleck’s sports drama Air rising in multiplexes on Wednesday. My detailed prediction posts on the newcomers can be accessed here:
It’s Mario that should have no trouble ruling the holiday frame. Coming from the studio behind the massive Despicable Me, Minions, and Sing franchises, this is likely to spawn another one. I’ve got it topping $90 million for the traditional Friday to Sunday portion and falling just shy of $130 million during its first five days.
Air could certainly exceed forecasts with its strong reviews and frequent promotion during the March Madness tournament. I’m projecting a low double digits output for the three-day and high teens for the five. The Friday to Sunday take would place it fourth. Expect it to have sturdy holds in subsequent weekends.
Dungeons & Dragons: Honor Among Thieves may see a mid to high 50s dip in its sophomore frame while John Wick: Chapter 4 might experience a high 40s to 50% percentage drop. That would mean they fall a spot to 2nd and 3rd, respectively.
After a slightly better than anticipated beginning, His Only Son could take advantage of the Easter weekend with a l0w 30s slide for fifth.
Here’s how I see it playing out:
1. The Super Mario Bros. Movie
Predicted Gross: $98.6 million (Friday to Sunday); $137.7 million (Wednesday to Sunday)
2. Dungeons & Dragons: Honor Among Thieves
Predicted Gross: $16.8 million
3. John Wick: Chapter 4
Predicted Gross: $14.6 million
4. Air
Predicted Gross: $12.7 million (Friday to Sunday); $18.9 million (Wednesday to Sunday)
5. His Only Son
Predicted Gross: $3.8 million
Box Office Results (March 31-April 2)
Dungeons & Dragons: Honor Among Thieves matched or barely surpassed most prognostications with $37.2 million for the gold. That’s beyond my $32.7 million call. It’s a decent opening though not spectacular considering the reported $150 million budget (minus promotion). Factoring in overseas earnings, however, it might still spawn a franchise.
John Wick: Chapter 4 was second after its series best start. Down an understandable 62% at $28.3 million (I went a little higher at $31.5 million), the ten-day haul is $123 million.
Faith-based drama His Only Son, on less than 2000 screens, managed a sturdy $5.5 million (I was lower at $3.8 million). As mentioned, this may experience the lowest decline of the holdovers coming up.
Spots 4-6 were holdover sequels with Scream VI in fourth at $5.3 million compared to my $4.2 million projection. The tally is nearly at nine digits with $98 million.
Creed III was fifth with $5 million (I said $4.6 million) to bring its total to $148 million.
Shazam! Fury of the Gods was sixth at $4.6 million, in line with my $4.3 million forecast for a lowly $53 million (which is was its 2019 predecessor opened with).
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