This weekend is all about Avengers: Infinity War at the box office as it barrels toward a potentially record-setting debut. The film looks, at the least, poised to set the all-time opening weekend record for the Marvel Cinematic Universe. This is the 19th picture in the MCU as the multi-billion dollar franchise is about to hit its ten-year anniversary.
Infinity will certainly make its mark financially, but could Academy voters take notice? In short – probably not. The pic stands at 85% currently on Rotten Tomatoes. That’s a bit below the original Avengers from 2012 (92%) and a bit above 2015 sequel Age of Ultron (75%). No MCU title or any comic book adaptation has managed a Best Picture nomination and I see no reason to think this will.
Having said that, the Marvel folks stand their best opportunity yet to score a nod in the biggest category of them all. And that would be Black Panther, which was released in February. It stands a real shot. Looking through the Oscar history with this franchise, The Avengers scored a Best Visual Effects nomination in 2012 and lost to Life of Pi. No nominations were given to Ultron.
Bottom line: Infinity War could find itself in the mix for Visual Effects and possibly even the Sound categories. Yet any real MCU love from voters will go to King T’Challa.
It may feel like winter in many parts of the country even though it’s spring, but next weekend is essentially the start of the summer box office in 2018 when Avengers: Infinity War invades theaters. This is the 19th picture in the Marvel Cinematic Universe that began a decade ago with 2008’s Iron Man and the third installment of the Avengers franchise that kicked off in 2012 (an untitled fourth installment is out next summer).
After 10 years of these superheroes populating our screens in one form or another, Infinity War is the picture that brings them all together. That means we have the Avengers we’re used to seeing together: Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), and Hawkeye (Jeremy Renner). They’ve got a whole lot of company this time around, including Black Panther (Chadwick Boseman), Spider-Man (Tom Holland), Doctor Strange (Benedict Cumberbatch), Ant-Man (Paul Rudd), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Falcon (Anthony Mackie), Loki (Tom Hiddleston), Bucky (Sebastian Stan), and the whole Guardians of the Galaxy gang (Chris Pratt, Zoe Saldana, Dave Bautista, and the vocal work of Bradley Cooper and Vin Diesel). Josh Brolin is main villain Thanos. Other actors from the MCU returning include Gwyneth Paltrow, Idris Elba, Paul Bettany, Letitia Wright, Danai Gurira, Benicio del Toro, Cobie Smulders, Angela Bassett, Tessa Thompson, and Jon Favreau. Brothers Anthony and Joe Russo (who directed 2016’s Captain America: Civil War) are behind the camera. Whew…
The gathering of the entire MCU is one impressive selling point and there’s been developments that have even increased the anticipation for Infinity‘s release. Last summer’s Spider-Man: Homecoming was well-received, as were Guardians and Thor sequels. Yet perhaps more than anything else, this February’s Black Panther turned into a phenomenon – becoming the third highest grossing domestic earner of all time.
Projections have steadily increased in the past few weeks. It is not outside the realm of possibility that Infinity War could have the largest stateside opening of all time. In order to do so, it would need to surpass the $247 million achieved by 2015’s Star Wars: The Force Awakens. To accomplish the 2nd biggest debut, it would need to exceed the $220 million of last year’s Star Wars: The Last Jedi. It will almost certainly achieve the record for an MCU premiere, which is currently held by the original Avengers at $207 million.
I believe this will pass Jedi and rather easily. Getting to the Awakens number is doable, but I’ll project it falls a bit under that milestone.
Avengers: Infinity War opening weekend prediction: $240.2 million
At its best, Aaron Sorkin’s dialogue is cinematic music. Like many distinctive screenwriters icluding Mamet and Tarantino, he has an unmistakable style. There’s a zippy and often whip smart quality present. We heard that melody in TheSocialNetwork and on “The West Wing” and large parts of AFewGoodMen, TheAmericanPresident, CharlieWilson’sWar, Moneyball, and SteveJobs. On occasion, there are heavy-handed and slightly preachy notes in his wordy tunes.
We know what we’re getting in a Sorkin screenplay. An unknown until now is how he performs behind the lens and Molly’sGame answers it. The frequent highs and more infrequent lows of his writing are present here. And he pleasingly proves he’s got some style in the director’s chair, too.
The film is based on the real life story of Molly Bloom (Jessica Chastain), who went from a wannabe Olympic skier sidelined by freak injury to underground poker syndicate magnate. It’s an improbable yarn where truth is indeed stranger than fiction. Following her slopes related incident, Molly travels to L.A. and soon finds herself as assistant to a rich on paper and sleazy real estate developer (Jeremy Strong). He seems far more concerned with his high stakes poker game that involves celebrities and the West Coast wealthy – all male. Molly starts out basically holding their money. That doesn’t last long as her intellect soon has her running the show.
This puts her in constant contact with an unnamed movie star played by Michael Cera. A quick look at the facts of Bloom’s true events would put Tobey Maguire as the actual actor. Sorkin’s screenplay doesn’t dwell on the famous names that real Molly came in contact with, as apparently the subject’s book this is based on didn’t either. I will say this. If half the stuff about Maguire (err Cera’s character) is accurate, he’s not exactly your friendly neighborhood Spider-Man.
It also puts her in proximity with far worse types than bratty leading men. There’s the Mob, in Italian and Russian form. And that’s where it all gets truly dangerous. These individuals provide a risk to her personal safety, as do the drug fueled measures she takes on her own to keep the business rolling in celebrity, Mafia, and trust fund kid cash.
Molly’sGame is told in flashback as our central figure’s legal troubles mount. Idris Elba is her skilled and sympathetic lawyer. Kevin Costner is her hard charging dad – a therapist who is always seeking perfection from his daughter. It’s their dynamic that turns out to be the key one here and provides a window into Molly’s behavior. In some ways, it’s a relationship we’ve seen countless times onscreen before and this doesn’t add much freshness.
That said, when Sorkin’s writing is at its best, it’s an entertaining sound. Molly’sGame gives us plenty of long exchanges between particularly Chastain and Elba that qualify. We’ve seen the world of closed-door poker (in the solid Rounders for example) before, but not often. The writer/director frequently excels at displaying this fast-paced universe that just a minor segment of the ultra rich are privy to.
Chastain is present in nearly every frame and she provides another electric performance as a strong female getting it done in a male dominated universe. Elba offers sturdy support. Even though Costner’s subplot is the most routine, he adds some depth in the third act as the complicated dad.
Those familiar with Sorkin’s word games will find plenty to enjoy here. It doesn’t rise to the level of TheSocialNetwork, mind you. It does comfortably give me confidence that his dialogue works just fine with him also wearing the director’s hat.
The giant monster mash franchise that began nearly five years ago is back on screen next weekend with the release of Pacific Rim Uprising. There’s some new faces behind and in front of the camera this time around. The original Pacific Rim debuted in the summer of 2013 to decent stateside box office numbers, earning $37 million in its opening weekend and $101 million overall. It reached over $400 million worldwide.
Part 1 came from recently minted Oscar winner Guillermo del Toro, who just shares a producer credit here. Steven S. DeKnight makes his directorial debut in a cast led by John Boyega. Costars include Scott Eastwood, Cailee Spaeny, Jing Tian, and Adria Arjona. Returning cast members from the first include Charlie Day, Rinko Kikuchim, and Burn Gorman. Idris Elba and Charlie Hunnam are not back.
Uprising arrives with a slightly smaller budget than part 1 – $150 million vs. $190 million. Expectations for the sequel are also smaller – at least in North America. Universal Pictures is likely looking to make the bulk of its cash overseas, particularly in the Asian markets. While Rim seems poised to debut at #1, I’m estimating a mid 20s gross and predicting it won’t reach the century club like its predecessor.
Pacific Rim Uprising opening weekend prediction: $23.4 million
Stephen King fans have been eagerly awaiting his series of Dark Tower novels arriving on the big screen. Most of his other heralded works have already made it before the cameras and some of them in multiple iterations. The challenge with bringing forth this particular series is said to be the dense nature of its material. And now that we have a cinematic version of TheDarkTower, I can report a number of decisions made in making it happen are indeed dense. That’s definitely not a compliment.
The picture is an abridged and often aimless experience begging for more backstory and clarity. It’s led by uninspired performances and routine shoot-em-up interruptions. Tom Taylor stars as Jake, a New York City preteen who has vivid dreams about a Man in Black trying to destroy Earth and a gunslinger trying to stop him. Jake’s family and friends think he’s coo coo, but the kid has some legit psychic power. There is a Man in Black (Matthew McConaughey) otherwise known as Walter and he is trying to take over Earth’s domain and the domains of unseen others. There is a gunslinger (Idris Elba) otherwise known as Roland and he teams up with Jake to stop the apocalypse. They also share some Daddy issues.
What follows is a bit of a head scratcher. TheDarkTower hints at a much larger universe that at least sounds kinda interesting. Yet it’s not shown. It suggests a potentially action packed past for Roland, but that’s it. I get that the idea of the movie is to set up future chapters, but it’s hard to anticipate further ones when the first is so unfulfilling.
Taylor’s lead performance is rather dull. Elba has a physical presence, but there’s no meat on the bones of what should be a far more captivating figure. McConaughey can be a terrific actor, but that’s not what we witness. His Man in Black is meant (I think) to be a scary one. McConaughey doesn’t seem to get that. His level of menace displayed here is about equal to his Lincoln commercial work.
TheDarkTower has a 95 minute length that suggests even its makers knew they had a losing hand. It represents a limp start for a building of worlds. And it’s one that may never seen the light because this fails to get it off the ground.
Thor’s just wanna have fun sometimes and it’s a feeling that runs through a solid portion of the third film in the franchise’s running time. Ragnarok, more than most Marvel Cinematic Universe entries these days, feels less like it’s building toward next summer’s Avengers free for all where all their characters will join forces. Instead it feels more like director Taika Waititi got a chance to bring an often weird, humorous and outright loopy vibe to the proceedings. And there’s a lot to dig about it when it’s working on those terms especially.
The subtitle here refers to the destruction of Thor’s (Chris Hemsworth) beloved planet of Asgard. That possibility is raised with the return of a previously unknown sister to Thor and Loki (Tom Hiddleston) named Hela (Cate Blanchett), aka the Goddess of Death. She’s got a gnarly headdress and daddy issues like her siblings had. Of course, daddy is Odin (Anthony Hopkins), the king of Asgard who behaved like Hannibal Lecter when he raised Hela but now is basically a vegan in comparison. His daughter preferred the former.
All this business could be described as the main plot line in Ragnarok. And it’s all perfectly acceptable and visually impressive stuff that we’ve seen before. That said, Blanchett is a notch above most MCU villains because… well, Cate Blanchett is just a fantastic actress.
Yet the picture also spends lots of time on the planet Sakaar. It’s a land ruled by the flamboyant Grandmaster (Jeff Goldblum), whose idea of entertainment is creating Gladiator like battles for his prized possession. Turns out that possession is none other than the Incredible Hulk himself! He’s stuck in his perpetually giant green angry self for a while and not in the Bruce Banner (Mark Ruffalo) scientist mode. It’s also where Thor meets Valkyrie (Tessa Thompson), a bounty hunter who happens to hail from Asgard.
Sakaar is where the best moments happen in Ragnarok and the bulk of them contain a lot of comedy that lands. Goldblum is simply a joy to watch. We have a ball watching the Hulk trapped in these surroundings. And Loki (forever the best MCU bad guy/sometimes sort of good guy) gets to display his charm coupled with Hiddleston’s always delicious work as the character.
When the first Thor premiered in 2011, I considered it a mixed bag. TheAvengers and proper sequel TheDarkWorld did more to hammer home Hemsworth’s effectiveness in the part. On a side note, the absence of girlfriend Natalie Portman is briefly addressed and all it did was remind me that her character even existed in the first place. Director Waititi imbues Ragnarok with a winky face emotion that is most entertaining when it’s away from Asgard and the familiar familial dynamics. In its own strange way, it’s the most pure fun Thor feature of the bunch.
Thursday is here and that means my weekly Oscar predictions have kicked off for the month of November!
And that, ladies and gentlemen, means some changes have arrived. I am now expanding to include every category covering feature-length movies and listing my most likely possibilities in each. Additionally, I am slimming down the Best Picture possibilities from 25 to 15 and now just 10 instead of 15 in the other races.
There are a couple of revisions shown below I would like to cover. First, Steven Spielberg’s The Post has been high on my list for weeks. However, persistent rumors abound that it may not be the surefire contender that it appears to be on paper. Therefore, it’s taken a hit this week. I still have it listed for Picture and Actress (Meryl Streep), but it’s fallen out of my predicted nominees in other categories.
Another change is one that intersects with the news of the day and it cannot be ignored. Due to recent allegations that have surfaced in the last few days, there is little question that Kevin Spacey’s chances for Supporting Actor in All the Money in the World have potentially disappeared. That revision is also reflected today.
Now, for the first time, my thoughts on all the races for the 2017 Oscars:
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. The Shape of Water (PR: 2)
3. Darkest Hour (PR: 4)
4. Mudbound (PR: 8)
5. Call Me by Your Name (PR: 5)
6. Three Billboards Outside Ebbing, Missouri (PR: 6)
7. The Florida Project (PR: 7)
8. The Post (PR: 3)
9. Blade Runner 2049 (PR: 9)
Other Possibilities:
10. Lady Bird (PR: 10)
11. I, Tonya (PR: 11)
12. Phantom Thread (PR: 13)
13. Last Flag Flying (PR: 15)
14. Detroit (PR: 12)
15. Get Out (PR: 14)
Dropped Out:
Battle of the Sexes
Downsizing
The Greatest Showman
The Big Sick
All the Money in the World
Star Wars: The Last Jedi
Wonderstruck
Molly’s Game
Wind River
Coco
Best Director
Predicted Nominees:
1. Christopher Nolan, Dunkirk (PR: 1)
2. Guillermo del Toro, The Shape of Water (PR: 2)
3. Joe Wright, Darkest Hour (PR: 4)
4. Dee Rees, Mudbound (PR: 8)
5. Luca Guadagnino, Call Me by Your Name (PR: 5)
Other Possibilities:
6. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 6)
7. Denis Villeneuve, Blade Runner 2049 (PR: 7)
8. Steven Spielberg, The Post (PR: 3)
9. Greta Gerwig, Lady Bird (PR: 10)
10. Sean Baker, The Florida Project (PR: 9)
Dropped Out:
Paul Thomas Anderson, Phantom Thread
Kathryn Bigelow, Detroit
Jordan Peele, Get Out
Richard Linklater, Last Flag Flying
Craig Gillespie, I, Tonya
Best Actor
Predicted Nominees:
1. Gary Oldman, Darkest Hour (PR: 1)
2. Daniel Day-Lewis, Phantom Thread (PR: 2)
3. Timothee Chalamet, Call Me by Your Name (PR: 3)
4. Jake Gyllenhaal, Stronger (PR: 6)
5. Hugh Jackman, The Greatest Showman (PR: 4)
Other Possibilities:
6. Andrew Garfield, Breathe (PR: 7)
7. Tom Hanks, The Post (PR: 5)
8. James Franco, The Disaster Artist (PR: 8)
9. Steve Carell, Last Flag Flying (PR: 10)
10. Denzel Washington, Roman J. Israel Esq. (PR: 9)
Dropped Out:
Christian Bale, Hostiles
Matt Damon, Downsizing
Jeremy Renner, Wind River
Algee Smith, Detroit
Kumail Nanjiani, The Big Sick
Best Actress
Predicted Nominees:
1. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 2)
2. Margot Robbie, I, Tonya (PR: 3)
3. Meryl Streep, The Post (PR: 1)
4. Sally Hawkins, The Shape of Water (PR: 4)
5. Emma Stone, Battle of the Sexes (PR: 5)
Other Possibilities:
6. Saoirse Ronan, Lady Bird (PR: 6)
7. Jessica Chastain, Molly’s Game (PR: 8)
8. Kate Winslet, Wonder Wheel (PR: 7)
9. Judi Dench, Victoria and Abdul (PR: 9)
10. Vicky Krieps, Phantom Thread (PR: 10)
Dropped Out:
Daniela Vega, A Fantastic Woman
Brooklyn Prince, The Florida Project
Annette Bening, Film Stars Don’t Die in Liverpool
Diane Kruger, In the Fade
Michelle Williams, All the Money in the World
Best Supporting Actor
Predicted Nominees:
1. Willem Dafoe, The Florida Project (PR: 1)
2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Armie Hammer, Call Me by Your Name (PR: 3)
4. Mark Rylance, Dunkirk (PR: 4)
5. Michael Shannon, The Shape of Water (PR: 5)
Other Possibilities:
6. Michael Stuhlbarg, Call Me by Your Name (PR: 6)
7. Jason Mitchell, Mudbound (PR: 7)
8. Ben Mendelsohn, Darkest Hour (PR: 8)
9. Richard Jenkins, The Shape of Water (PR: 12)
10. Bryan Cranston, Last Flag Flying (PR: 10)
Dropped Out:
Kevin Spacey, All the Money in the World
Will Poulter, Detroit
Christoph Waltz, Downsizing
Patrick Stewart, Logan
Idris Elba, Molly’s Game
Best Supporting Actress
Predicted Nominees:
1. Allison Janney, I, Tonya (PR: 1)
2. Melissa Leo, Novitiate (PR: 2)
3. Laurie Metcalf, Lady Bird (PR: 3)
4. Kristin Scott Thomas, Darkest Hour (PR: 5)
5. Hong Chau, Downsizing (PR: 4)
Other Possibilities:
6. Holly Hunter, The Big Sick (PR: 6)
7. Mary J. Blige, Mudbound (PR: 7)
8. Claire Foy, Breathe (PR: 8)
9. Octavia Spencer, The Shape of Water (PR: 9)
10. Lesley Manville, Phantom Thread (PR: 10)
Dropped Out:
Kirsten Dunst, The Beguiled
Julianne Moore, Wonderstruck
Tatiana Maslany, Stronger
Millicent Simmonds, Wonderstruck
Sarah Paulson, The Post
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 1)
2. Mudbound (PR: 2)
3. Last Flag Flying (PR: 4)
4. Molly’s Game (PR: 3)
5. Victoria and Abdul (PR: 6)
Other Possibilities:
6. Wonderstruck (PR: 5)
7. The Beguiled (PR: 8)
8. The Disaster Artist (PR: 7)
9. Stronger (PR: 10)
10. Blade Runner 2049 (PR: 9)
Dropped Out:
All the Money in the World
Thank You for Your Service
First, They Killed My Father
The Death of Stalin
Wonder
Best Original Screenplay
Predicted Nominees:
1. The Shape of Water (PR: 2)
2. Three Billboards Outside Ebbing, Missouri (PR: 1)
3. Darkest Hour (PR: 3)
4. The Florida Project (PR: 4)
5. Lady Bird (PR: 5)
Other Possibilities:
6. The Big Sick (PR: 7)
7. Get Out (PR: 8)
8. The Post (PR: 6)
9. Dunkirk (PR: 10)
10. I, Tonya (PR: 9)
Dropped Out:
Phantom Thread
Downsizing
Wind River
Battle of the Sexes
Coco
Best Foreign Language Film
Predicted Nominees:
1. BPM (Beats Per Minute)
2. In the Fade
3. First, They Killed My Father
4. Happy End
5. Foxtrot
Other Possibilities:
6. The Square
7. A Fantastic Woman
8. Loveless
9. The Divine Order
10. Tom of Finland
Best Animated Feature
Predicted Nominees:
1. Coco
2. The Breadwinner
3. Loving Vincent
4. Birdbag: The Forgotten Children
5. Ferdinand
Other Possibilities:
6. The LEGO Batman Movie
7. Cars 3
8. Captain Underpants: The First Epic Movie
9. Despicable Me 3
10. The Big Bad Fox and Other Tales
Best Documentary Feature
Predicted Nominees:
1. City of Ghosts
2. Risk
3. Icarus
4. Cries from Syria
5. Jane
Other Possibilities:
6. Step
7. The Death and Life of Marsha P. Johnson
8. Dina
9. One of Us
10. Kedi
Best Film Editing
Predicted Nominees:
1. Dunkirk
2. The Shape of Water
3. Darkest Hour
4. Three Billboards Outside Ebbing, Missouri
5. Mudbound
Other Possibilities:
6. Blade Runner 2049
7. The Post
8. Star Wars: The Last Jedi
9. Call Me by Your Name
10. Detroit
Best Cinematography
Predicted Nominees:
1. Blade Runner 2049
2. Dunkirk
3. The Shape of Water
4. Darkest Hour
5. Phantom Thread
Other Possibilities:
6. Wonderstruck
7. Mudbound
8. Three Billboards Outside Ebbing, Missouri
9. Wonder Wheel
10. The Greatest Showman
Best Production Design
Predicted Nominees:
1. The Shape of Water
2. Blade Runner 2049
3. Darkest Hour
4. Phantom Thread
5. Dunkirk
Other Possibilities:
6. Beauty and the Beast
7. The Greatest Showman
8. Star Wars: The Last Jedi
9. Wonder Wheel
10. Call My by Your Name
Best Costume Design
Predicted Nominees:
1. Phantom Thread
2. Beauty and the Beast
3. Darkest Hour
4. The Greatest Showman
5. Victoria and Abdul
Other Possibilities:
6. Blade Runner 2049
7. The Beguiled
8. Wonder Wheel
9. The Post
10. Murder on the Orient Express
Best Makeup and Hairstyling
Predicted Nominees:
1. Darkest Hour
2. The Shape of Water
3. Phantom Thread
Other Possibilities:
4. The Greatest Showman
5. I, Tonya
6. Beauty and the Beast
7. Thor: Ragnarok
8. Blade Runner 2049
9. It
10. Wonderstruck
Best Visual Effects
Predicted Nominees:
1. Blade Runner 2049
2. Star Wars: The Last Jedi
3. War for the Planet of the Apes
4. The Shape of Water
5. Dunkirk
Other Possibilities:
6. Guardians of the Galaxy Vol. 2
7. Beauty and the Beast
8. Wonder Woman
9. Thor: Ragnarok
10. Kong: Skull Island
Best Sound Editing
Predicted Nominees:
1. Dunkirk
2. Blade Runner 2049
3. Star Wars: The Last Jedi
4. Wonder Woman
5. Transformers: The Last Knight
Other Possibilities:
6. The Shape of Water
7. Coco
8. Detroit
9. Baby Driver
10. War for the Planet of the Apes
Best Sound Mixing
Predicted Nominees:
1. Dunkirk
2. Blade Runner 2049
3. Star Wars: The Last Jedi
4. The Shape of Water
5. The Greatest Showman
Other Possibilities:
6. Baby Driver
7. Detroit
8. Transformers: The Last Knight
9. Darkest Hour
10. Coco
Best Original Score
Predicted Nominees:
1. Darkest Hour
2. Dunkirk
3. The Shape of Water
4. Wonderstruck
5. Coco
Other Possibilities:
6. Star Wars: The Last Jedi
7. The Post
8. Blade Runner 2049
9. Three Billboards Outside Ebbing, Missouri
10. The Greatest Showman
Best Original Song
Predicted Nominees:
1. “Remember Me” from Coco
2. “Stand Up for Something” from Marshall
3. “I Don’t Wanna Live Forever” from Fifty Shades Darker
4. “Evermore” from Beauty and the Beast
5. “Come Alive” from The Greatest Showman
Other Possibilities:
6. “Prayers for this World” from Cries from Syria
7. “It Ain’t Fair” from Detroit
8. “The Promise” from The Promise
9. “This is Me” from The Greatest Showman
10. “To Be Human” from Wonder Woman
And that leaves my inaugural breakdown for number of nominations by each picture:
12 Nominations
The Shape of Water
11 Nominations
Darkest Hour
10 Nominations
Dunkirk
6 Nominations
Blade Runner 2049
5 Nominations
Call Me by Your Name, Three Billboards Outside Ebbing, Missouri, Phantom Thread
4 Nominations
Mudbound, The Greatest Showman
3 Nominations
The Florida Project, Coco, Star Wars: The Last Jedi
2 Nominations
The Post, I, Tonya, Lady Bird, Victoria and Abdul, Beauty and the Beast
1 Nomination
Stronger, Battle of the Sexes, Novitiate, Downsizing, Last Flag Flying, Molly’s Game, First, They Killed My Father, In the Fade, BPM (Beats Per Minute), Happy End, A Fantastic Woman, The Breadwinner, Loving Vincent, Birdbag: The Forgotten Children, Ferdinand, City of Ghosts, Risk, Icarus, Cries from Syria, Jane, War for the Planet of the Apes, Wonder Woman, Transformers: The Last Knight, Wonderstruck, Marshall, Fifty Shades Darker
My weekly Thursday predictions are in for the eight major categories at the Oscars. As October closes out, we will see some changes beginning next week as November rolls in. This will be the final week of listing 25 possibilities for Best Picture and 15 for the other seven races. Starting next week, the Best Picture possibilities will go down to 15 and 10 in the other categories. Additionally, on November 2, I’ll be bringing in the other categories related to feature films.
Over the past week, we’ve seen first trailers hit for I, Tonya and Phantom Thread, both threats to get multiple nods. The Phantom trailer and subsequent news also introduced us to Vicky Krieps, who apparently will be campaigned for in an already packed lead actress race. I’m still on The Florida Project bandwagon and it moves from 9th to 7th this week in BP possibilities. Greta Gerwig’s Lady Bird also makes a big jump in the rankings.
The film Chappaquiddick was moved to 2018 and that now removes the (long shot) possibility that Jason Clarke could have received a Best Actor nod portraying Senator Ted Kennedy.
Yet the biggest development of the week is Warner Bros announcement that Clint Eastwood’s The15:17toParis will be opening in February 2018. There’s still a chance it could receive a limited late year push for Oscar consideration, but for now it’s out of contention.
Let’s get to it!
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. The Shape of Water (PR: 3)
3. The Post (PR: 2)
4. Darkest Hour (PR: 5)
5. Call Me by Your Name (PR: 4)
6. Three Billboards Outside Ebbing, Missouri (PR: 6)
7. The Florida Project (PR: 9)
8. Mudbound (PR: 7)
9. Blade Runner 2049 (PR: 8)
Other Possibilities:
10. Lady Bird (PR: 18)
11. I, Tonya (PR: 15)
12. Detroit (PR: 10)
13. Phantom Thread (PR: 12)
14. Get Out (PR: 20)
15. Last Flag Flying (PR: 11)
16. Battle of the Sexes (PR: 14)
17. Downsizing (PR: 16)
18. The Greatest Showman (PR: 17)
19. The Big Sick (PR: 22)
20. All the Money in the World (PR: 19)
21. Star Wars: The Last Jedi (PR: 23)
22. Wonderstruck (PR: 21)
23. Molly’s Game (PR: 25)
24. Wind River (PR: 24)
25. Coco (PR: Not Ranked)
Dropped Out:
The15:17toParis
Best Director
Predicted Nominees:
1. Christopher Nolan, Dunkirk (PR: 1)
2. Guillermo del Toro, The Shape of Water (PR: 3)
3. Steven Spielberg, The Post (PR: 2)
4. Joe Wright, Darkest Hour (PR: 5)
5. Luca Guadagnino, Call Me by Your Name (PR: 4)
Other Possibilities:
6. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 8)
7. Denis Villeneuve, Blade Runner 2049 (PR: 6)
8. Dee Rees, Mudbound (PR: 7)
9. Sean Baker, The Florida Project (PR: 9)
10. Greta Gerwig, Lady Bird (PR: 15)
11. Paul Thomas Anderson, Phantom Thread (PR: 13)
12. Kathryn Bigelow, Detroit (PR: 10)
13. Jordan Peele, Get Out (PR: Not Ranked)
14. Richard Linklater, LastFlagFlying (PR: 15)
15. Craig Gillespie, I, Tonya (PR: Not Ranked)
Dropped Out:
Richard Linklater, Last Flag Flying
Ridley Scott, All the Money in the World
Best Actor
Predicted Nominees:
1. Gary Oldman, Darkest Hour (PR: 1)
2. Daniel Day-Lewis, Phantom Thread (PR: 2)
3. Timothee Chalamet, Call Me by Your Name (PR: 3)
4. Hugh Jackman, The Greatest Showman (PR: 4)
5. Tom Hanks, The Post (PR: 5)
Other Possibilities:
6. Jake Gyllenhaal, Stronger (PR: 6)
7. Andrew Garfield, Breathe (PR: 8)
8. James Franco, The Disaster Artist (PR: 10)
9. Denzel Washington, Roman J. Israel, Esq. (PR: 9)
10. Steve Carell, Last Flag Flying (PR: 7)
11. Jeremy Renner, Wind River (PR: 11)
12. Christian Bale, Hostiles (PR: 13)
13. Matt Damon, Downsizing (PR: 12)
14. Algee Smith, Detroit (PR: 15)
15. Kumail Nanjiani, The Big Sick (PR: Not Ranked)
Dropped Out:
Jason Clarke, Chappaquiddick (moved to 2018)
Best Actress
Predicted Nominees:
1. Meryl Streep, The Post (PR: 1)
2. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Margot Robbie, I, Tonya (PR: 3)
4. Sally Hawkins, The Shape of Water (PR: 5)
5. Emma Stone, Battle of the Sexes (PR: 4)
Other Possibilities:
6. Saoirse Ronan, Lady Bird (PR: 9)
7. Kate Winslet, Wonder Wheel (PR: 6)
8. Jessica Chastain, Molly’s Game (PR: 7)
9. Judi Dench, Victoria and Abdul (PR: 8)
10. Vicky Krieps, PhantomThread (PR: Not Ranked)
11. Daniela Vega, A Fantastic Woman (PR: 11)
12. Brooklyn Prince, The Florida Project (PR: 10)
13. Annette Bening, Film Stars Don’t Die in Liverpool (PR: 12)
14. Diane Kruger, In the Fade (PR: 14)
15. Michelle Williams, All the Money in the World (PR: 13)
Dropped Out:
Jennifer Lawrence, mother! (PR: 15)
Best Supporting Actor
Predicted Nominees:
1. Willem Dafoe, The Florida Project (PR: 1)
2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Armie Hammer, Call Me by Your Name (PR: 3)
4. Mark Rylance, Dunkirk (PR: 4)
5. Michael Shannon, The Shape of Water (PR: 5)
Other Possibilities:
6. Michael Stuhlbarg, Call Me by Your Name (PR: 6)
7. Jason Mitchell, Mudbound (PR: 8)
8. Ben Mendelsohn, Darkest Hour (PR: 7)
9. Kevin Spacey, All the Money in the World (PR: 9)
10. Bryan Cranston, Last Flag Flying (PR: 13)
11. Will Poulter, Detroit (PR: 10)
12. Richard Jenkins, The Shape of Water (PR: 12)
13. Christoph Waltz, Downsizing (PR: 11)
14. Patrick Stewart, Logan (PR: 14)
15. Idris Elba, Molly’s Game (PR: Not Ranked)
Dropped Out:
Garrett Hedlund, Mudbound
Best Supporting Actress
Predicted Nominees:
1. Allison Janney, I, Tonya (PR: 1)
2. Melissa Leo, Novitiate (PR: 2)
3. Laurie Metcalf, Lady Bird (PR: 3)
4. Hong Chau, Downsizing (PR: 4)
5. Kristin Scott Thomas, Darkest Hour (PR: 5)
Other Possibilities:
6. Holly Hunter, The Big Sick (PR: 7)
7. Mary J. Blige, Mudbound (PR: 8)
8. Claire Foy, Breathe (PR: 9)
9. Octavia Spencer, The Shape of Water (PR: 6)
10. Lesley Manville, Phantom Thread (PR: Not Ranked)
11. Kirsten Dunst, The Beguiled (PR: 11)
12. Julianne Moore, Wonderstruck (PR: 10)
13. Tatiana Maslany, Stronger (PR: 12)
14. Millicent Simmonds, Wonderstruck (PR: 13)
15. Sarah Paulson, The Post (PR: 14)
Dropped Out:
Michelle Pfeiffer, mother!
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 1)
2. Mudbound (PR: 2)
3. Molly’s Game (PR: 4)
4. Last Flag Flying (PR: 3)
5. Wonderstruck (PR: 5)
Other Possibilities:
6. Victoria and Abdul (PR: 6)
7. The Disaster Artist (PR: 12)
8. The Beguiled (PR: 9)
9. Blade Runner 2049 (PR: 7)
10. Stronger (PR: 11)
11. All the Money in the World (PR: 10)
12. Thank You for Your Service (PR: Not Ranked)
13. First, They Killed My Father (PR: 15)
14. The Death of Stalin (PR: 13)
15. Wonder (PR: 14)
Dropped Out:
The 15:17 to Paris
Best Original Screenplay
Predicted Nominees:
1. Three Billboards Outside Ebbing, Missouri (PR: 1)
2. The Shape of Water (PR: 2)
3. Darkest Hour (PR: 6)
4. The Florida Project (PR: 4)
5. Lady Bird (PR: 9)
Other Possibilities:
6. The Post (PR: 3)
7. The Big Sick (PR: 5)
8. Get Out (PR: 8)
9. I, Tonya (PR: 10)
10. Dunkirk (PR: 7)
11. Phantom Thread (PR: 12)
12. Downsizing (PR: 11)
13. Wind River (PR: 13)
14. Battle of the Sexes (PR: Not Ranked)
15. Coco (PR: Not Ranked)
Dropped Out:
Detroit
Wonder Wheel
And there you have it! My final October predictions. I’ll be back next week with all the categories for the first time…
The first week of November should kick off in grand fashion for Disney/Marvel as Thor: Ragnarok looks to (yes) hammer all competition. The third installment in the franchise that began in 2011 and continued in 2013, Chris Hemsworth returns as the title character and he’s got his Avenger friend Hulk (Mark Ruffalo) alongside him. Tom Hiddleston returns as fan favorite Loki as well as series regulars Anthony Hopkins and Idris Elba with Cate Blanchett, Jeff Goldblum, and Karl Urban joining the party. Taika Waititi directs.
The reported $180 million production comes four years after the second installment, Thor: The Dark World. In that time frame, the Marvel Cinematic Universe has expanded greatly with all the players set to appear in next summer’s third Avengers picture Infinity War. Reviews for Rangarok suggest it’s the best of the trio with a lighter and more fun tone. It stands at an impressive 98% on the Tomato meter.
2011’s Thor opened to $65 million and its sequel improved upon that performance with $85 million. Their respective domestic tallies were $181 and $206 million. It seems likely that part 3 will continue that upward trajectory. The Thor series is not quite in the realm of what Captain America has accomplished and the third entry in that franchise (last year’s Civil War) was essentially the third Avengers flick, which propelled it to a $179 million premiere.
This is the 17th pic in the MCU and it looks quite possible it will be the 8th to cross the century mark in its opening weekend. I don’t have it getting quite as high as Spider-Man: Homecoming ($117 million) got over the summer, but it should continue the trend of opening with roughly $20 million than its predecessor.
Thor: Ragnarok opening weekend prediction: $107.6 million
For my A Bad Moms Christmas prediction, click here:
Blogger’s Note (10/04/17): I have revised from estimate down from $10.6 million to $9.2 million
There’s been plenty of movies about disastrous relationships, but The Mountain Between Us brings in a different dynamic. Hany Abu-Assad’s pic casts Kate Winslet and Idris Elba as a journalist and doctor, respectively, whose jet crash lands in the wilderness. They’re the survivors and perhaps they fall in love too while battling the nasty elements.
Based on Charles Martin’s 2010 novel, Mountain premiered at the Toronto Film Festival earlier this month to so-so critical reaction (it’s at 73% currently on Rotten Tomatoes).
The film’s biggest hurdle to climb could be competition from adults. Blade Runner 2049 opens against it and American Made will be in its second weekend. 20th Century Fox’s best hope is that a sizable female audience turns up. I’m not too confident. I’ll predict Mountain gets just above double digits in its premiere.
The Mountain Between Us opening weekend prediction: $9.2 million
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