If you haven’t heard much about The Disappointments Room – all I can say is that’s something you share with this blogger. It opens next weekend on approximately 1500 screens and I’ll be damned if I’ve seen a TV spot for it yet. That doesn’t bode well.
It does have some recognizable names and faces behind it. D.J. Caruso, maker of Distrubia, Eagle Eye, and I Am Number Four, directs with Kate Beckinsale, Lucas Till, and Gerald McRaney (TV’s Major Dad!) among the cast. It’s written by Wentworth Miller, star of TV’s “Prison Break”. Billed as a horror film, maybe it would stand a decent chance at OK box office dollars if anyone knew much about it. After all, the genre has performed quite well in 2016.
However, Rogue Pictures appears to have little confidence in selling it and I’ll predict there’s lot of disappointment in the rooms of their offices come next weekend.
The Disappointments Room opening weekend prediction: $2.3 million
Two high-profile horror flicks coming out this fall seem to have a lot in common. Both will help answer the question as to whether late 90s and early 00s nostalgia scares up business for the both of them.
Both Blair Witch (out September 16) and Rings (October 28) have had interesting journeys to the silver screen. Witch is, of course, a sequel to The Blair Witch Project from 1999. It came out of nowhere that summer and kicked off the found footage craze of the genre that continued for some time. Shot for a tiny $60,000, it grossed $248 million worldwide. This new one comes from director Adam Wingard (who made 2013’s well-regarded You’re Next). For months, it was known as The Woods and the reveal that it was actually related to the famed pic from 17 years ago was unknown until recently.
Rings reinvigorates the dormant franchise of movies that hit it big with 2002’s The Ring, Gore Verbinski’s remake of 1998’s Japanese flick Ringu. It starred Naomi Watts in the role that exposed her to mass audiences and made $249 million globally. Like Blair Witch Project, it ushered in its own sub genre of horror that included The Grudge. Rings has been delayed a couple of times – it was originally scheduled to premiere last November, then pushed to April, and finally to this Halloween.
A similarity that these two series share: an underwhelming second picture in between the original and the reboots coming our way this autumn. 2000’s Book of Shadows: Blair Witch 2 didn’t strike the kind of chord that its predecessor did, earning weak reviews and just $50 million in sales. 2005’s The Ring Two also suffered mediocre critical response and audience reaction (making $76 million domestically compared to the original’s $129 million). What I recall most about it is some of the worst CG deer in the history of cinema.
The nostalgia train has been rolling along in theaters recently with some smashing successes (Jurassic World) and crushing failures (Independence Day: Resurgence). The horror genre is one that constantly remakes and re-imagines its popular franchises, but Blair Witch and Rings are among the first to test out moviegoers fondness for these series that hit it big less than two decades ago. Stay tuned!
Unfriended stretches its 83 minute gimmick about as far as it’ll tolerably go and it helps that it feels somewhat new. The tiny budgeted (a cool million bucks) horror flick takes place entirely on web chat cameras with six teenagers being terrorized by their dead friend who killed herself… with the video of that suicide widely available online.
Revenge appears to be on the mind of the deceased Laura, who messages her former schoolmates and slowly reveals a whole lotta secrets in the process. Our lead is Blaire (Shelley Hennig) and in grand genre fashion, she’s the virgin ready to give that designation up on prom night with Mitch (Moses Storm). He’s another participant of Laura’s unlucky sextet along with the alcoholic dude, the slutty girl and the party girl, and the fat kid. Screenwriter Nelson Greaves knows his cliched scare fest characters and he takes some demented joy in playing around with them.
The pic also takes some amusement with the idea that, in similar titles of yesteryear, you may have yelled at the screen for the teenagers not just running away. This time around, they can’t run away from the tech devices that they’re constantly preoccupied with anyway. You may wish to yell at them for that here, but isn’t that part of the fun? And at least the visual style presented here is a slightly different variation of the found footage sub genre that played itself out.
It’s a credit to the script, unknown actors and direction from Levan Gabriadze that Unfriended has plenty of effectivelty creepy moments. I’ll also give props to its unabashed R rating when so many horror entries go PG-13 these days. Ultimately it can’t help but wear itself out eventually after about an hour. This is well after its anti-bullying message (whether through private message or Facebook message) has been received and then some.
****BLOGGER’S UPDATE #2 (08/25/16): Finally relenting with Don’t Breathe to give it the #1 spot at $12.4 million. That’s not as high as most prognosticators, but it basically assures it the top spot. The change is reflected below.
Next weekend, the makers of the Evil Dead reboot are back with Don’t Breathe, a horror pic that is garnering early positive reviews. Fede Alvarez directs with Sam Raimi producing in this tale of some teenagers robbing a blind man’s home. That man (played by veteran character actor Stephen Lang) turns out to be quite a force to be reckoned with. Jane Levy and Dylan Minnette costar.
The film premiered at the South by Southwest Film Festival this past spring to good notices. It currently stands at 83% on Rotten Tomatoes. It’s been a solid summer for horror – as The Conjuring 2 and Lights Out both performed well (especially the latter considering its tiny budget). Lights benefited from a simple concept and critical acclaim, yet I’m not sure that will be repeated here. The late August release date has not been kind to the genre over the past few years. Last summer’s Sinister 2 managed just $10.5 million and that was a sequel to a well-regarded predecessor. The best comparison might be 2013’s You’re Next, another well-reviewed title that only grossed $7 million for its start. I’ll say this manages to top that, but not by too much.
I’ll predict Don’t Breathe tops that meager figure, but not by much at all.
Don’t Breathe opening weekend prediction: $12.4 million
For my Mechanic: Resurrection prediction, click here:
With its tiny budget of just a reported $5 million, horror pic Lights Out looks to make a tidy profit for Warner Bros when it debuts next Friday. It may star Teresa Palmer, Gabriel Bateman, Billy Burke and Maria Bello, but the biggest name involved is James Wan. He serves as a producer and is the man behind the Conjuring and Insidious franchises.
The film premiered at the Los Angeles Film Festival last month to positive notices and it currently stands at an illuminating 100% on Rotten Tomatoes. Critical praise does not equal potent box office returns in this genre, but Lights Out should still manage double digits for its start and that’s enough for its studio to see a decent return.
Lights Out opening weekend prediction: $10.2 million
The stars of The Conjuring 2 are not found in the names of Patrick Wilson and Vera Farmiga, who return here as real life paranormal investigators Ed and Lorraine Warren. It’s not found in the name of its director, James Wan, who has proven himself repeatedly as someone who knows how to craft a suspenseful sequence.
No, the stars of The Conjuring 2 can be found by going over to IMDB and looking up the various names that make up its sound department. The biggest hair rising moments in the 2013 original and this sequel are due to them. Every creak of the steps. Each movement of an empty rocking chair. The turns of a creepy zoetrope. One difference this time around – the first Conjuring simply felt a little fresher upon its release.
After a prologue that touches on the Amityville case and the Warren’s involvement, our sequel takes place six years after the events in that Rhode Island farmhouse. That brings us to 1977 and across the pond to England. We have another family – a poor single mom (Frances O’Connor) and her four children being terrorized by their house dwelling demon. One in particular, 11 year old Janet (Madison Wolfe), gets the brunt of the possession.
Enter the Warrens, who have their doubts regarding the case’s authenticity. They eventually figure out that this lower class family doesn’t have a 2016 level sound effects department at their disposal. There’s a creepy nun that doesn’t quite match the heebie jeebie level of Annabelle in the original, but comes close from time to time. Speaking of, the nun is getting her own spin-off feature just like Annabelle did. Let’s hope the sister’s act is more worthwhile than the doll’s.
Nothing here really equals what made part 1 such an unexpected treat. A team as talented as this will make us jump up in our seats at least a few times and that occurs here. And the added benefit that this is all real (allegedly) doesn’t hurt. True story or not, despite it being directed better than most other genre entries and that aforementioned ace sound team – The Conjuring 2 can’t help but occasionally suffer from a been there, heard that scary sound effect before feeling.
For the third time in four summers, Universal Pictures and Blumhouse Productions are hoping that moviegoers will be purging as The Purge: Election Year debuts over the Independence Day weekend.
The third entry in the franchise sees James DeMonaco, director of the first two, returning with a cast that includes Frank Grillo, Elizabeth Mitchell, and Mykelti Williamson. Horror films generally begin to lose a bit of steam from pic to pic. The original Purge in 2013 shocked prognosticators with a $34 million opening and a $64 million domestic take. 2014’s sequel Anarchy made $29 million out of the gate and its overall haul was slightly higher with $71 million. As you can see, much of the franchise’s grosses are earned in the first weekend.
Having the Election Year angle in 2016 could help a bit and the series is likely still strong enough to post pleasing results the third time around (especially with a reported budget of only $10 million). I’ll predict it’ll do slightly less than what’s come before it, but not by too much.
The Purge: Election Year opening weekend prediction: $21.7 million (Friday to Sunday), $25.5 million (Friday to Monday)
It’s Woman vs. Shark as The Shallows swims its way into theaters next weekend. Providing a considerably different aquatic experience than Finding Dory, the horror thriller pits bikini clad Blake Lively in the fight of her life against a big ol’ great white.
Jaume Collet-Serra directs and this is his first time in four films that he’s not working with Liam Neeson (he made Unknown, Non-Stop, and Run All Night). Columbia Pictures is hoping its simple premise and effective trailers will get horror buffs and Shark Week supporters to turn out.
Yet I don’t expect this will take a significant bite out of the box office. All shark movies are measured against Jaws (the original summer blockbuster). Those are big fins to fill and my prediction actually has this just outdoing 2010’s Piranha remake.
The Shallows opening weekend prediction: $10.4 million
For my Independence Day: Resurgence prediction, click here:
Three summers ago, The Conjuring became one of the most highly regarded horror titles in recent years with critics and audiences alike. Patrick Wilson and Vera Farmiga return as real life paranormal investigators Ed and Lorraine Warren and this inevitable sequel focuses on one of their most famous cases circa London in the late 1970s. James Wan, who directed the original as well as the first two Insidious flicks and last year’s Furious 7, is back behind the camera. His history with horror sequels is pretty great. Insidious made $13 million in its premiere. The sequel made $40 million.
The first entry conjured up a fantastic $41 million opening and topped out at $137M domestically. Warner Bros. would love a repeat performance and they may well get one. Even the critically derided Conjuring spin-off Annabelle took in a robust $37 million for its start. One potential stumbling block: competition is a little more fierce this time around with Now You See Me 2 (another sequel to a sleeper summer 2013 blockbuster) and Warcraft (which will be going for many of the same moviegoers) opening directly against it.
That said, I believe the goodwill left over from the first will get this in the same range of its predecessor for a frighteningly solid start.
The Conjuring 2 opening weekend prediction: $42.6 million
Blumhouse Productions specializes in low-budget horror flicks and they’ve got once teed up for early summer with The Darkness, out next weekend. Kevin Bacon and Radha Mitchell star in a tale of a Grand Canyon vacation bringing back a supernatural being. David Mazouz, Matt Walsh, and Jennifer Morrison costar. Greg McLean, who directed Wolf Creek, is behind the camera.
The studio has seen their share of genre successes, including the Paranormal Activity, Sinister, Insidious, and Purge franchises. There’s also been some relative disappointments, such as Dark Skies, Oculus, The Gallows, and The Green Inferno.
The Darkness doesn’t seem to have much buzz going for it and appears unlikely to light up the box office. I’ll predict this doesn’t reach double digits.
The Darkness opening weekend prediction: $5.6 million