Oscar Predictions – Diane Warren: Relentless

Diane Warren: Relentless is playing the festival circuit chronicling the prolific songwriter’s life. Directed by Bess Kargman, the documentary’s subject is no stranger to Oscar attention.

In 1987, Warren received her first Academy nod for Original Song with “Nothing’s Gonna Stop Us Now” from Mannequin (performed by Starship). Yesterday she nabbed her 16th (!) nomination with “The Journey” from The Six Triple Eight (performed by H.E.R.). In between there’s been well-known tunes like Celine Dion’s “Because You Loved Me” from Up Close & Personal and Aerosmith’s “I Don’t Wanna Miss a Thing” from Armageddon. In recent years, her tracks were nominated from pictures in 2014, 2015, 2017, 2018, 2019, 2020, 2021, 2022, 2023, and 2024. What do they all have in common? None of them took home the gold. The Academy did give Warren an honorary Oscar in 2022.

It would be quite a story if a doc about her life ended up earning Oscar glory. Apparently her well-known status as an Academy loser is covered. Don’t count on it happening. At 83% on Rotten Tomatoes, reviews are fine but not strong enough to be a contender. Yet there’s a caveat. “Dear Me” (sung by Kesha) is the main song in the pic and the full version was released today. You can hear snippets in the trailer. I wouldn’t be surprised based on history if it makes the cut in Original Song marking Warren’s 17th try. My Oscar Prediction posts will continue…

Oscar Predictions: The Six Triple Eight

Focused on the sole predominantly black female battalion to serve overseas in WWII as postal clerks, Tyler Perry is behind the camera for The Six Triple Eight. Kerry Washington leads a cast that includes Ebony Obsidian, Milauna Jackson, Kylie Jefferson, Shanice Shantay, Susan Sarandon, Dean Norris, Sam Waterston, and Oprah Winfrey. The war drama is in limited release this weekend before a Netflix bow on December 20th.

This doesn’t sound like it will turn out to be Madea Goes to the Oscars. The Rotten Tomatoes score is 50% with Metacritic at 57. There is praise for some of the performances and highlighting an underreported true story. Yet reviews aren’t strong enough for this to be a contender… with one notable exception.

Diane Warren contributed “The Journey” to the soundtrack and it’s performed by H.E.R. As is the stuff of Oscar lore, Warren has 15 tunes that have been nominated for Best Original Song. These include “Nothing’s Gonna Stop Us Now” from Mannequin, “Because You Love Me” from Up Close & Personal, and “I Don’t Want to Miss a Thing” from Armageddon. Her 15th nod arrived last year courtesy of “The Fire Inside” from Flamin’ Hot. She’s 0 for 15 as far as victories. H.E.R., on the other hand, was victorious in Original Song at the 93rd ceremony courtesy of “Fight for You” from Judas and the Black Messiah. Don’t be surprised if “The Journey” makes the cut for Warren’s 16th recognition, but I don’t see it winning. My Oscar Prediction posts will continue…

Oscar Predictions: The Color Purple

The Color Purple has existed for over four decades via book (by Alice Walker), film (Steven Spielberg’s 1985 adaptation), and Broadway play (beginning in 2005). At each turn, it’s generated awards attention. The book won a Pulitzer. The first cinematic rendering landed 11 Academy nominations (though it didn’t win any of them). The first iteration of the play also managed 11 Tony nods and a single victory in lead actress while the 2015 revival nabbed four nominations and two trophies (including Cynthia Erivo in lead actress).

On Christmas Day, the screen treatment of the stage musical arrives in theaters. Blitz Bazawule directs with a cast including Fantasia Barrino, Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Ciara, Halle Bailey, Aunjanue Ellis, Jon Batiste, Louis Gossett Jr., and David Alan Grier. Spielberg and Oprah Winfrey (who played Sofia in the ’85 adaptation) are producers.

Given the awards heavy past of the source material, Purple has been seen as a potentially significant Oscar hopeful since the project was announced. The review embargo has lapsed (rather late I must say) with a solid 85% Rotten Tomatoes score.

That said, much of the critical reaction is of the *** variety and not ****. Perhaps the biggest snub of the Golden Globe nominations was this not receiving a mention in Best Motion Picture (Musical/Comedy). Days later, the Critics Choice nods threw Purple a lifeline when it made their Top 10 features.

Any way you cut it, Purple‘s inclusion in the Oscar BP ten is far from certain. I had it listed at #10 in my latest round of predictions on Sunday. If this manages to make the SAG quintet when their nominations are announced for Best Ensemble, that would be another feather in its cap. Though don’t be surprised at all if it misses the BP cut. Bazawule’s direction is highly unlikely to be mentioned (even Spielberg couldn’t get in that race nearly 40 years back). Same goes for the Adapted Screenplay.

Purple will manage to get other nominations. The most certain is Danielle Brooks for Supporting Actress. For months, I had her listed in 1st to win but I recently switched the top spot to Da’Vine Joy Randolph in The Holdovers. Brooks is playing the same role Winfrey played and got an Academy nod for. In 1985, Whoopi Goldberg was nominated for Actress as Celie. Fantasia Barrino hopes to replicate that success. It’s doable, but competition is fierce. I had her in 7th place on the outside looking in last weekend. 7th place is also where I had Taraji P. Henson in Supporting Actress as Shug. Margaret Avery was nominated for her portrayal in ’85 though Henson has already missed key precursors like the Globes and Critics Choice.

Finally, there are down the line races where it could pop up. This includes Original Song (“Keep It Movin”), Production Design, and Costume Design. It won’t generate 11 mentions like the Spielberg pic. Four or five is more feasible. My Oscar Prediction posts will continue…

The Color Purple Box Office Prediction

Blogger’s Update (12/21): I am increasing my The Color Purple one-day projection from $7.9M to $12.9M

An adaptation of the Broadway musical that was adapted from the 1985 Steven Spielberg film that was adapted from the Alice Walker novel, The Color Purple is out in theaters Christmas Day. The awards hopeful’s cast includes Fantasia Barrino (reprising her role from the play), Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Ciara, Halle Bailey, Aunjanue Ellis, Jon Batiste, Louis Gossett Jr., and David Alan Grier. Blitz Bazawule directs with Spielberg and Oprah Winfrey (who first rose to fame in the ’85 version) producing.

The source material is obviously well-known as this hopes to attract moviegoers on the big holiday. Christmas is on a Monday in 2023 so this projection is only for that day. Obviously that limits the estimate, but that’s not the only limiting factor. Purple has not generated the Oscar buzz that it’s probably hoped for (though Brooks is a threat to win Supporting Actress). Its inclusion in Best Picture is very much in question (it missed a Golden Globe nod earlier this week).

This should still succeed in bringing an African-American and female audience. I’m anticipating its initial day could see a gross in the higher single digits as it hopes to perform well throughout the end of the year and January.

The Color Purple opening day prediction: $12.9 million (Monday estimate only)

For my Aquaman and the Lost Kingdom prediction, click here:

Aquaman and the Lost Kingdom Box Office Prediction

For my Migration prediction, click here:

Migration Box Office Prediction

For my The Iron Claw prediction, click here:

The Iron Claw Box Office Prediction

For my Anyone but You prediction, click here:

Anyone but You Box Office Prediction

For my Poor Things prediction, click here:

Poor Things Box Office Prediction

For my Ferrari prediction, click here:

Ferrari Box Office Prediction

For my The Boys in the Boat prediction, click here:

The Boys in the Boat Box Office Prediction

For my Salaar: Part 1 – Ceasefire prediction, click here:

Salaar: Part 1 – Ceasefire Box Office Prediction

Best Picture 2020: The Final Five

We have reached 2020 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

2020 is a tricky year to consider. As we all know, it was a year dominated by the COVID-19 pandemic. Many of us were working from home and theaters were essentially shuttered for the majority of the year.

Beyond the challenging, tragic, and unprecedented news events of 2020, it was just a strange year for motion pictures. Eight pictures contended for the big prize. I have the leading nominee (with 10) missing the BP cut. The next most nominated film had 6 mentions… and there’s 6 of them. The other BP contender had 5.

My point? Whittling these 8 down to 5 is not easy. Considering it took BP, Director (Chloe Zhao, the second female ever to win), and Actress (Frances McDormand), we can safely reserve a spot for Nomadland. As for the rest? Let’s get into it!

The Father

Florian Zeller’s devastasting drama about Alzheimer’s missed a nod in Director, but Anthony Hopkins landed his second Actor statue over the late Chadwick Boseman in Ma Rainey’s Black Bottom, who was the frontrunner. Zeller did win Adapted Screenplay and this was also up for Supporting Actress (Olivia Colman), Film Editing, and Production Design.