The Jigsaw Files continues with Saw VI and it’s often cited as one of the better (if not best) later entry in the franchise. Rotten Tomatoes says so as its meter (39%) falls only behind the 2004 original. Me? I don’t really fall into that category. The sixth edition certainly improves upon IV and a bit over V, but my complaints in this midsection remain the same. Chief among them is that the handoff from Tobin Bell’s Jigsaw to Costas Mandylor’s Detective Hoffman as the mastermind behind the games is a bumpy one. Nothing in Saw VI changes that dynamic.
Speaking of changing dynamics, a little side note about this blog series. Back in 2009, I purchased the first five Saw flicks on DVD and did a little mini marathon back then. 2021, since Spiral was coming out, warranted this blog group. I had, however, only viewed the quintet of these devious blood spattered experiences. So Saw VI and the three pictures that follow are original viewings.
When we last left Hoffman, he had dispatched FBI agent Strahm to a brutal demise and he seemingly has the keys to Jigsaw’s demented kingdom. The central game in this entry involves the medical industry and that does provide for a slightly fresh dynamic. William Easton (Peter Outerbridge) is an executive in that profession who made the unfortunate decision to deny John/Jigsaw’s requested experimental procedure post cancer diagnosis. As you can imagine, Jigsaw enlists Hoffman to exact revenge and this involves William having to play God in considerably more violent scenarios.
Meanwhile the various subplots continue to pile as high as the body count. Jigsaw’s ex-wife (Betsy Russell) becomes more of a central figure. Shawnee Smith’s Amanda gets some posthumous attention. And those flashbacks (a common occurrence in the franchise) go into overdrive here. It’s almost as if screenwriters Patrick Melton and Marcus Dunstan were struggling to justify VI‘s existence and that’s likely true. Kevin Greutert, who edited all five earlier pics, gets his shot as director. Oh… and Steve Martin’s son-in-law from Father of the Bride and its sequel pops up in a key role.
At this point as a Saw watcher, it’s all about how compelling the games are. The characters have ceased to be very stimulating. There’s one involving a playground roundabout that gets a couple points for creativity. Despite the corporate greed angle (predatory lenders get their comeuppance too), Saw VI is once again a mundane ride that plays on mostly familiar ground.
The Jigsaw Files will continue with Saw: The Final Chapter (2010)… as if…
You can peruse my previous postings in this series here: