As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Supporting Actor and that’s Edward Norton in James Mangold’s A Complete Unknown. If you missed my posts covering Yura Borisov (Anora) and Kieran Culkin (A Real Pain), they’re linked at the bottom.
Previous Acting Oscar Nominations:
Best Supporting Actor (1996, Primal Fear) – lost to Cuba Gooding Jr. (Jerry Maguire)
Best Actor (1998, American History X) – lost to Roberto Benigni (Life is Beautiful)
Best Supporting Actor (2014, Birdman) – lost to J.K. Simmons (Whiplash)
The Case for Edward Norton:
As folk singer Pete Seeger, Norton returns to the Oscar lineup a decade after his third nomination. For his fourth try, he achieved a quartet of noms in key precursors the Golden Globes, SAG, Critics Choice, and BAFTA. He’s 0 for 3 thus far and Academy voters might feel he’s overdue for the statue.
The Cast Against Edward Norton:
Kieran Culkin (A Real Pain) has swept so far with only SAG left. Timothée Chalamet might have a better shot if Unknown manages an acting victory.
The Verdict:
Unless he is a surprise SAG victor this Sunday, Supporting Actor seems to be going Culkin’s way. After March 2nd, the Norton count should be 0 for 4.
My Case Of posts will continue our next hopeful in Director and that’s Jacques Audiard for Emilia Pérez…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Supporting Actress and that’s Felicity Jones in Brady Corbet’s The Brutalist. If you missed my posts covering Monica Barbaro (A Complete Unknown) and Ariana Grande from Wicked, they’re linked at the bottom.
Previous Acting Oscar Nominations:
Best Actress (2014, The Theory of Everything) – lost to Julianne Moore (Still Alice)
The Case for Felicity Jones:
A decade after contending in lead actress for The Theory of Everything, Jones gets her second Academy try in the picture tied for the second most nominations. She also received mentions at BAFTA and the Golden Globes.
The Case Against Felicity Jones:
Jones was not nominated at Critics Choice or SAG and nearly all chatter of an actor winning for The Brutalist has focused on Adrien Brody in Best Actor. Zoe Saldaña (Emilia Pérez) has swept the season so far and with SAG the only precursor left, Jones has no chance of picking up any hardware before the big show.
The Verdict:
It was a question mark as to whether Jones would make the final five. It’s an honor to be nominated.
My Case Of posts will continue with the third hopeful in Supporting Actor and that’s Edward Norton in A Complete Unknown…
The 31st SAG Awards hosted by Kristen Bell air on Netflix this Sunday and are the last major precursor before the Oscars on March 2nd. The winners here will not influence the Academy since voting closed this week.
That said, the correlation between SAG victors and Oscar winners can be high. In Actress over the past decade, it’s 7 out of 10. For Actor – 8 out of 10. In the supporting fields, we’re looking at a whopping 9/10 for both.
At SAG, the top prize is Best Ensemble and not Best Picture. Therefore we have less frequency between those competitions matching. Yet it’s a decent 6 out of 10 including the last 3 with CODA, Everything Everywhere All at Once, and Oppenheimer.
Let’s walk through each race and I’ll give you my winner pick and a runner-up. I’ll have a recap posted Sunday evening!
Outstanding Performance by a Cast in a Motion Picture
Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked
All 5 nominees here are BP hopefuls at Oscar and that’s the first occurrence of that since 2014. Unknown and the scandal plagued Pérez are long shots. The other three are all stronger possibilities. Conclave is fresh off the BAFTA coronation while Anora recently completed the hat trick of DGA/PGA/Critics Choice. That said, Wicked really over performed with nods in Actress, both supporting fields, and Stunt Ensemble. And (spoiler alert) I’m not predicting it to win any of those. It isn’t rare for the Ensemble recipient to blank everywhere else – Black Panther, Parasite, and The Trial of the Chicago 7 all did so from 2018-2020. I’ll give a slight edge to the musical adaptation.
PREDICTED WINNER: WICKED
Runner-Up: Anora
Outstanding Performance by Female Actor in a Leading Role
Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)
This really has the feel of a coin flip after Madison is the recently minted BAFTA winner while Moore has the Golden Globe and Critics Choice. I just think this group of actors might be swayed by the comeback narrative. Nevertheless this seems so close.
PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE
Runner-Up: Mikey Madison, Anora
Outstanding Performance by a Male Actor in a Leading Role
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave)
Many believe this is Chalamet’s best opportunity to interrupt Brody’s potential sweep. I wouldn’t be surprised if that happens since Felicity Jones and Guy Pearce from The Brutalist both missed here and are Oscar nominees. The smart money is on Brody but I’m going with the mild upset in this one.
PREDICTED WINNER: TIMOTHÉE CHALAMET, A COMPLETE UNKNOWN
Runner-Up: Adrien Brody, The Brutalist
Outstanding Performance by a Female Actor in a Supporting Role
Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)
Don’t discount Grande with Wicked‘s nomination haul. However, Saldaña has swept thus far and seems immune to any controversy with the picture.
PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ
Runner-Up: Ariana Grande, Wicked
Outstanding Performance by a Male Actor in a Supporting Role
Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)
Norton is maybe the only real threat to Culkin’s seasonal sweep. I don’t believe it’ll be interrupted.
PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN
Runner-Up: Edward Norton, A Complete Unknown
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked
This could go to Dune: Part Two (though the first one lost to No Time to Die) or even Wicked, but this might be a layup for SAG to honor the movie about stunt ensembles.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Actor and that’s Colman Domingo in Greg Kwedar’s Sing Sing. If you missed my posts covering Adrien Brody and Timothée Chalamet, they’re linked at the bottom.
Previous Acting Oscar Nominations:
Best Actor (2023, Rustin) – lost to Cillian Murphy (Oppenheimer)
The Case for Colman Domingo:
Just one year after being in contention for Rustin, Domingo makes a quick return engagement to the Oscar dance as Divine G in the acclaimed prison drama. For his work, he was nominated for the Golden Globe, SAG, BAFTA, and Critics Choice.
The Case Against Colman Domingo:
Adrien Brody (The Brutalist) collected the Globe, BAFTA, and Critics Choice with Timothée Chalamet (A Complete Unknown) considered second in line. Sing Sing missed the BP cut as did costar Clarence Maclin in Supporting Actor.
The Verdict:
The second time will not be the charm for Domingo as Sing Sing underperformed with the Academy.
My Case Of posts will continue with our third hopeful in Supporting Actress and that’s Felicity Jones in The Brutalist…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Actress and that’s Karla Sofia Gascón for Jacques Audiard’s Emilia Pérez. If you missed my post on Cynthia Erivo (Wicked), it’s linked at the bottom.
Previous Acting Oscar Nominations:
None
The Case for Karla Sofia Gascón:
The Spanish actress has been nominated in the key quartet of precursors with the Golden Globes, SAG, Critics Choice, and BAFTA. Playing the title character in the most nominated picture, a Gascón victory would be history making as she’s the first transgender performer nominated in the category.
The Case Against Karla Sofia Gascón:
Well… it’s voluminous but let’s start with the non-obvious. There’s been no precursor wins of note and she lost to Demi Moore (The Substance) at the Globes and Critics Choice. While she may play the titular role, her costar Zoe Saldaña has been the focus of attention in Supporting Actress. Then there’s the headline making controversy. Last month, a number of Gascón’s social media posts from a few years back resurfaced containing troubling comments. The firestorm was enough for Netflix to essentially drop any campaign for her in Best Actress and refocus all attention on its other nominations.
The Verdict:
Gascón wasn’t a real threat to win before the scandal and is even less so now.
My Case Of posts will continue with the second contender in Best Actor and that’s Timothée Chalamet in A Complete Unknown…
Captain America: Brave New World isn’t the sole fourth franchise entry seeking viewers over the holiday weekend. Renée Zellweger returns as the title character in Bridget Jones: Mad About the Boy. It premieres on Peacock stateside tomorrow and has international theatrical distribution on Friday. Michael Morris directs with Hugh Grant, Colin Firth, and Emma Thompson reprising their roles from earlier installments. Newcomers to the series are Chiwetel Ejiofor, Leo Woodall, and Isla Fisher.
Reviews are providing mostly solid marks with 86% on Rotten Tomatoes and Metacritic at 71. Back in 2001, Bridget Jones’s Diary earned Zellweger Academy Award and Golden Globes nods in lead Actress (she respectively lost to Halle Berry in Monster’s Ball and Nicole Kidman from Moulin Rouge!). 2004 sequel Bridget Jones: The Edge of Reason saw Zellweger get another nomination at the Globes for Actress in a Musical or Comedy where she fell short to Annette Bening (Being Julia). 2016’s Bridget Jones’s Baby received no significant awards play.
I wouldn’t rule out Zellweger (a two-time Oscar winner for 2003’s Cold Mountain and 2019’s Judy) getting some attention from Globes voters, but that will depend on competition. An Academy nom seems out of reach. My Oscar Prediction posts will continue…
The 78th edition of the BAFTAs, the U.K.’s version of the Academy Awards, occur this Sunday and it could help shape an already topsy-turvy awards season.
I’m going to give you a winner and runner-up prediction for each feature film race. I won’t spend much time pontificating as I do enough of that for the Oscars. However, it is worth noting BAFTA’s Best Film and the Academy’s Best Picture have matched just twice in the past 10 ceremonies (2020’s Nomadland, last year’s Oppenheimer). With victories at Critics Choice/PGA/DGA last weekend, Anora has anointed itself the Oscar frontrunner. And you could argue that it makes it easier not to select Sean Baker’s pic for BAFTA’s biggest prize.
That’s what I’m doing as I believe Conclave and The Brutalist could battle for BAFTA and I’m giving the slight edge to the former. We’re talking coin flip territory. Don’t get me wrong. Anora could take this and solidify its status even more so. I just have a hunch otherwise.
BAFTA/Oscar matches improve in other major races. For Director and Supporting Actress, it’s 7 out of the past 10. For Actor and Supporting Actor, it is 8 and we have 9/10 in Actress. The Golden Globes and Critics Choice have elevated Demi Moore, Adrien Brody, Zoe Saldaña, and Kieran Culkin to favorited status. The smart money is on that quartet and I’m not projecting an upset.
Here’s my rundown and I’ll have recap up Sunday!
BEST FILM
Anora, The Brutalist, A Complete Unknown, Conclave, Emilia Pérez
Predicted Winner: Conclave
Runner-Up: The Brutalist
BEST DIRECTOR
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), Denis Villeneuve (Dune: Part Two)
Predicted Winner: Brady Corbet, The Brutalist
Runner-Up: Edward Berger, Conclave
BEST ACTRESS
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Marianne Jean-Baptiste (Hard Truths), Mikey Madison (Anora), Demi Moore (The Substance), Saoirse Ronan (The Outrun)
Predicted Winner: Demi Moore, The Substance
Runner-Up: Mikey Madison, Anora
BEST ACTOR
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Hugh Grant (Heretic), Sebastian Stan (The Apprentice)
Predicted Winner: Adrien Brody, The Brutalist
Runner-Up: Ralph Fiennes, Conclave
BEST SUPPORTING ACTRESS
Jamie Lee Curtis (The Last Showgirl), Selena Gomez (Emilia Pérez), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
Predicted Winner: Zoe Saldaña, Emilia Pérez
Runner-Up: Ariana Grande, Wicked
BEST SUPPORTING ACTOR
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)
Predicted Winner: Kieran Culkin, A Real Pain
Runner-Up: Guy Pearce, The Brutalist
BEST ORIGINAL SCREENPLAY
Anora, The Brutalist, Kneecap, A Real Pain, The Substance
Predicted Winner: Anora
Runner-Up: The Brutalist
BEST ADAPTED SCREENPLAY
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing
Predicted Winner: Conclave
Runner-Up: A Complete Unknown
BEST ANIMATED FILM
Flow, Inside Out 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Predicted Winner: Wallace & Gromit: Vengeance Most Fowl
Runner-Up: Flow
BEST DOCUMENTARY
Black Box Diaries, Daughters, No Other Land, Super/Man: The Christopher Reeve Story, Will & Harper
Predicted Winner: No Other Land
Runner-Up: Daughters
BEST FILM NOT IN THE ENGLISH LANGUAGE
All We Imagine as Light, Emilia Pérez, I’m Still Here, Kneecap, The Seed of the Sacred Fig
Predicted Winner: Emilia Pérez
Runner-Up: I’m Still Here
BEST CASTING
Anora, The Apprentice, A Complete Unknown, Conclave, Kneecap
Predicted Winner: Conclave
Runner-Up: Anora
BEST CINEMATOGRAPHY
The Brutalist, Conclave, Dune: Part Two, Emilia Pérez, Nosferatu
Predicted Winner: The Brutalist
Runner-Up: Dune: Part Two
BEST COSTUME DESIGN
Blitz, A Complete Unknown, Conclave, Nosferatu, Wicked
Predicted Winner: Wicked
Runner-Up: Conclave
BEST EDITING
Anora, Conclave, Dune: Part Two, Emilia Pérez, Nosferatu
Predicted Winner: Conclave
Runner-Up: Dune: Part Two
BEST MAKE UP & HAIR
Dune: Part Two, Emilia Pérez, Nosferatu, The Substance, Wicked
Predicted Winner: The Substance
Runner-Up: Dune: Part Two
BEST ORIGINAL SCORE
The Brutalist, Conclave, Emilia Pérez, Nosferatu, The Wild Robot
Predicted Winner: The Brutalist
Runner-Up: Conclave
BEST PRODUCTION DESIGN
The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked
Predicted Winner: Wicked
Runner-Up: Conclave
BEST SOUND
Blitz, Dune: Part Two, Gladiator II, The Substance, Wicked
Predicted Winner: Dune: Part Two
Runner-Up: Wicked
BEST SPECIAL VISUAL EFFECTS
Better Man, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes, Wicked
Predicted Winner: Better Man
Runner-Up: Dune: Part Two
Outstanding British Film
Bird, Blitz, Conclave, Gladiator II, Hard Truths, Kneecap, Lee, Love Lies Bleeding, The Outrun, Wallace & Gromit: Vengeance Most Fowl
Predicted Winner: Conclave
Runner-Up: Kneecap
Outstanding Debut by a British Writer, Director or Producer
Flow, Kensuke’s Kingdom, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Predicted Winner: The Wild Robot
Runner-Up: Wallace & Gromit: Vengeance Most Fowl
EE Rising Star Award
Marisa Abela, Jharrel Jerome, David Jonsson, Mikey Madison, Nabhaan Rizwan
Predicted Winner: Mikey Madison
Runner-Up: Marisa Abela
And that leaves us with these pictures generating these numbers of victories:
5 Wins
Conclave
4 Wins
The Brutalist
2 Wins
Emilia Pérez, The Substance, Wicked
1 Win
Anora (two if you count Madison’s Rising Star victory), Better Man, Dune: Part Two, Kneecap, No Other Land, A Real Pain, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP nominees and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the BP contenders and they’re readily available for your perusing pleasure. Today is our initial entry in Best Director and that’s Sean Baker for Anora.
Previous Oscar Directing Nominations:
None
The Case for Sean Baker:
After winning Best Picture at PGA and Critics Choice last weekend, Anora became the frontrunner for the same prize at the Oscars. For Mr. Baker, his chances went way up after taking the Directors Guild of America (DGA) award on Saturday. For context, 21 of the 24 DGA victors in the 21st century have taken done the same from the Academy. He scored noms at BAFTA, Critics Choice, and the Golden Globes.
The Case Against Sean Baker:
He lost that Golden Globe to Brady Corbet (The Brutalist) and Jon M. Chu (Wicked) was the unexpected recipient at Critics Choice. While Chu isn’t nominated for the Oscar, voters could opt for Corbet’s more epic in nature project and honor Baker in Original Screenplay. Since he is the editor of Anora, he could also win that gold statue so that’s another at bat.
The Verdict:
For quite some time, it looked like Baker would be a first-time Academy honoree in Screenplay and perhaps Screenplay only. Now he’s in contention for four in one night with Best Picture, Director, Screenplay, and Editing. His chances for the filmmaking competition skyrocketed after DGA.
My Case Of posts will continue with our second hopeful in Best Actress and that’s Karla Sofia Gascón in Emilia Pérez…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP nominees and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the BP contenders and they’re readily available for your perusing pleasure. Today is our initial entry in Best Supporting Actor and that’s Yura Borisov in Sean Baker’s Anora.
Previous Oscar Acting Nominations:
None
The Case for Yura Borisov:
As sympathetic henchman Igor to Mikey Madison’s title character, the Russian actor has run the table with nominations in significant precursors including the Golden Globes, BAFTA, Critics Choice, and SAG. After a weekend in which his picture won top prizes at Critics Choice and PGA and Baker’s direction took DGA, Anora has become the Academy’s frontrunner and perhaps those coattails could sweep him in.
The Case Against Yura Borisov:
Kieran Culkin (A Real Pain) is the Globe and Critics Choice recipient and could sweep through the season. If he doesn’t, Guy Pearce (The Brutalist) and Edward Norton (A Complete Unknown) are in BP nominees as well and both possess veteran careers that could lead to an overdue feeling.
The Verdict:
A victory isn’t much of a real possibility unless he surprises at BAFTA or SAG.
My Case Of posts will continue with the first hopeful in Best Director and that’s Sean Baker for (you guessed it) Anora…
For this upcoming Valentine’s/Presidents Day weekend, Captain America: Brave New World hopes for the love from MCU fans while Paddington in Peru looks for a commanding runner-up start. You can peruse my detailed prediction posts on the newcomers here:
Obviously America, with Anthony Mackie donning the shield in place of Chris Evans, will easily reach first. I don’t expect it to reach anywhere near the heights of other MCU predecessors including 2016’s Captain America: Civil War. A four-day gross around $90 million seems feasible.
Paddington in Peru has already done impressive business overseas. My Friday to Monday estimate puts it in the high teens. That’s in range with the 2015 original and stronger than the 2018 sequel.
It is common for holdovers to experience small declines during this February four-day frame. Sometimes there’s even increases. I anticipate current champ Dog Man to post similar grosses to its sophomore outing (more on that below) while Mufasa may also have a minor bump. Heart Eyes could see its second weekend fortunes fall in the 25% range.
And with that, here’s my outlook on the weekend ahead and keep in mind that my figures for returning titles are for Friday-Monday:
1. Captain America: Brave New World
Predicted Gross: $78.9 million (Friday to Sunday); $90.7 million (Friday to Monday)
2. Paddington in Peru
Predicted Gross: $14.8 million (Friday to Sunday); $17 million (Friday to Monday)
3. Dog Man
Predicted Gross: $14.1 million
4. Heart Eyes
Predicted Gross: $5.8 million
5. Mufasa: The Lion King
Predicted Gross: $5 million
Box Office Results (February 7-9)
Multiplexes got defeated about as bad as the Kansas City Chiefs with the Super Bowl and a lack of enticing newcomers causing moviegoers to stay home. Dog Man from DreamWorks Animation remained in 1st with $13.8 million, but the 62% plummet was far more than I figured. I called it at $19.4 million and it’s made $54 million thus far.
Horror rom com Heart Eyes didn’t impress in 2nd with $8.3 million, below my $10.8 million take. Despite solid reviews, audiences didn’t bite.
Same goes for critically reviled action comedy Love Hurts with Ke Huy Quan. It stalled with $5.8 million compared to my $7.1 million forecast.
Mufasa: The Lion King was fourth with $4 million (I said $4.6 million) for an eight-week haul of $235 million.
Companion, another scary pic with impressive critical reaction, nevertheless nosedived 68% in its sophomore weekend for fifth. The $3 million gross was well under my $4.9 million prediction as its ten-day take is $15 million.
Finally, buddy comedy One of Them Days was sixth at $2.8 million. I was more generous at $4.4 million and the four-week total is $39 million.
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