The Yuletide rom com Last Christmas presents itself in theaters next weekend from Bridesmaids director Paul Feig. If you’re hoping it features the classic Wham! holiday track in its soundtrack, you’re in luck as it plays (as well as some unreleased songs by the late lead singer George Michael). Game of Thrones star Emilia Clarke and Henry Golding of Crazy Rich Asians fame headline. Costars include Golding’s Rich mother Michelle Yeoh and Emma Thompson (who co-wrote the script).
While its two leads don’t really have a track record opening a film, this should succeed in bringing in a female audience (and perhaps some fans of Mr. Michael). Even though the genres are different, this could premiere with similar numbers to Feig’s previous effort A Simple Favor ($16.1 million).
I’ll say that range is likely as Christmas hopes to leg out solidly in the weeks ahead.
Last Christmas opening weekend prediction: $16.9 million
It’s a rare occurrence at the Oscars and it hasn’t happened in over a decade – one actor being nominated in the same year in the lead and supporting categories. To be precise, this has occurred 11 times in the 91 year history of the Academy. Eight women, three men. And if you think this rare honor might lessen the chances of the performer winning, seven of them did. The first four of them emerged victorious for their supporting roles. The last three won for lead.
One of them gets an asterisk and a rather fascinating one for awards trivia buffs. In 1944, Barry Fitzgerald was a double nominee for the same movie! That would be GoingMyWay. He won for Supporting Actor, but lost out to Bing Crosby in lead. What did Bing win for? GoingMyWay. After that, the Academy changed their rules so that could never happen again and we didn’t even see another double year individual until almost 40 years later.
That brings us into the modern era when Jessica Lange took gold in Supporting Actress for Tootsie. She came up empty handed in lead for Frances, losing to Meryl Streep (Sophie’sChoice). Somewhat surprisingly, Streep is not one of the 11 designees despite her record setting amount of nods.
1992 saw Al Pacino finally win a statue for his lead part in ScentofaWoman and he was also nominated for GlengarryGlenRoss. The following year, Holly Hunter won for ThePiano and got a supporting nod in TheFirm. And our last double year winner was Jamie Foxx in 2004 for Ray with supporting recognition for Collateral. Cate Blanchett is currently the last performer with this rare honor. She heard her name called in 2007 for Elizabeth: TheGoldenAge (lead) and I’mNotThere (supporting). She’s won two Oscars, but not that year, despite the double play.
So why write about this now? In 2019, there are two legitimate possibilities for inclusion to this short list. And both of them have decent shots at winning one of the categories. Let’s start with Scarlett Johansson. She’s somehow never been nominated for an Oscar. And with MarriageStory, it seems that streak is going to end. That would fall under lead and she is a contender to win. Yet she could also find herself in the mix in supporting for JojoRabbit.
And how about Brad Pitt… who’s been nominated but never won? He’s already achieving front runner status in Supporting Actor for OnceUponaTimeinHollywood. Could his momentum also propel him to a lead actor nod in AdAstra? Unlikely perhaps, but it’s feasible.
There are plenty of Oscar years where this double nomination thing isn’t even a realistic proposition. 2019 is a different story.
You won’t need one of those neuralyzer doohickeys to forget MeninBlack: International, which extends the rust developed from part two of the franchise on. Will Smith has moved on from this series to dealing with aliens in Netflix pics and being the man in blue in Disney remakes. Tommy Lee Jones has retired as well. So the Marvel Cinematic duo of Chris Hemsworth and Tessa Thompson from Thor: Ragnarok don the sunglasses in this reboot. Their chemistry was better with the MCU team and that movie had a funnier alien in the guise of Jeff Goldblum.
Hemsworth is the hunky Agent H, top operative at the U.K. MiB branch run by Liam Neeson’s High T. Thompson is essentially a fangirl of the super secretive force who’s been aware of their existence since childhood. She recruits herself to the suit and is assigned by Emma Thompson’s Agent O (reprising her MeninBlack3 part) to travel overseas and partner with her Thor. The plot involves stopping a nasty species that goes by the Hive. One of the baddies is an arms dealer played by Rebecca Ferguson that had an inter species love affair with H. Some of the other villains are kept secret for most of the running time, though you’ll see it coming from a galactic mile away. And there’s Kumail Nanjiani voicing the CG creation Pawny. He gets in a few mildly amusing lines.
F. Gary Gray has taken over directorial duties from Barry Sonnenfeld and he doesn’t have to top a high bar of its predecessors. 1997’s original was a fun summer blockbuster melding science fiction and comedy with genuine chemistry from the two leads. I struggle to recall anything about the first sequel. #3 was a slight improvement if only for Josh Brolin’s uncanny impression of a young Tommy Lee Jones.
I doubt many have much of an affinity for this franchise beyond what came 22 years ago. And while International does indeed trot the globe from Paris to London and Morocco and New York to Italy, it mostly feels flat.
After achieving the highest limited per theater average of 2019, LateNight expands nationwide this weekend and hopes to attract eyeballs outside of major markets. The dramedy first premiered at the Sundance Film Festival to sturdy reviews and it stands at 80% on Rotten Tomatoes. Directed by Nisha Ganatra, the film casts Emma Thompson as a talk show host who hires Mindy Kaling as her first female writer. Kaling wrote the screenplay. The supporting cast includes Max Casella, Hugh Dancy, John Lithgow, Denis O’Hare, Reid Scott, and Amy Ryan.
Over this past weekend, LateNight debuted in four theaters and raked in nearly $250,000. As mentioned, that’s strong enough to set the year’s best rollout for a platform release. Even with that designation, the pic could have issues reaching a mainstream audience. Original comedies have struggled recently and that includes those with positive critical reaction (LongShot being a recent example).
Mid single digits is likely where this ends up as this plays in around 1500 theaters.
LateNight opening weekend prediction: $4.5 million
For my MeninBlack: International prediction, click here:
The Men in Black are back onscreen for the first time in seven years, but they look a lot different this time around. Subtitled International, this is a sequel/reboot of the franchise that ruled the summer 22 years ago. Will Smith and Tommy Lee Jones are nowhere to be found. Instead it’s Marvel Cinematic Universe and Thor: Ragnarok stars Chris Hemsworth and Tessa Thompson in the lead roles with F. Gary Gray taking over directorial duties from Barry Sonnenfeld. The supporting cast includes Rebecca Ferguson, Kumail Nanjiani, Rafe Spall, Liam Neeson, and Emma Thompson (reprising her role from 2012’s MIB3).
Despite its two stars being part of this season’s behemoth Avengers: Endgame, audiences might be skeptical to revisit a two decade old series that they identified with Smith (currently headlining the hit Aladdin). Comparing the opening grosses of the MIB trilogy that preceded it is tricky. All three opened over holiday weekends with the first two over July 4th and the third over Memorial Day weekend. Their traditional Friday to Sunday grosses were consistent in the low to mid 50s. When factoring in the extra holiday additions, parts one and two got into the 80s with #3 nearing $70 million. It’s worth mentioning that each entry earned less domestically overall than the previous one.
MeninBlack: International, holiday or no holiday, looks bound for the lowest premiere yet in the franchise. I’ll say low 30s.
MeninBlack: International opening weekend prediction: $30.7 million
The stop-motion animated adventure MissingLink hits theaters next weekend and it’s the latest effort from the studio Laika. Reviews have been sturdy for the Bigfoot tale featuring the voices of Hugh Jackman, Zoe Saldana, and Zach Galifianakis. Its Rotten Tomatoes score stands at 91%.
When it comes to Oscar nominations for their material, Laika has quite the batting average… as in 100%. For their four previous efforts, they’ve also all lost to Disney titles. In 2009, Coraline lost to Up. ParaNorman came up short to Brave in 2012. In 2014, it was BigHero6 over TheBoxtrolls. Two years later, KuboandtheTwoStrings couldn’t emerge over Zootopia.
Could history repeat itself? Absolutely. While critical reaction is solid, Link has little chance at winning the Best Animated Feature award. And, yes, Mouse Factory competition is legit with sequels ToyStory4 and Frozen2. There’s another sequel already released from DreamWorks – HowtoTrainYourDragon: TheHiddenWorld – that also looks to nab a nod.
With five slots, there’s a chance Link could be the first Laika flick to miss a nomination. However, their track record is considerable and I wouldn’t count it out. My Oscar Watch posts will continue…
Blogger’s Note (04/11): On the eve of its premiere, revising this down from $13.2M to $11.7M
The studio Laika is back with their brand of critically acclaimed animated films next weekend with MissingLink. The stop-motion adventure follows an explorer tracking a Bigfoot with Hugh Jackman voicing the explorer and Zach Galifianakis as the creature. Other recognizable faces behind the mic include Zoe Saldana, Emma Thompson, Stephen Fry, Timothy Olyphant, and Matt Lucas. Chris Butler, who made the company’s 2012 effort ParaNorman directs.
All four Laika titles in the past decade have grossed between $12-$17 million for their starts. On the high-end, there’s 2014’s TheBoxtrolls with just over $17 million. On the low-end is 2016’s KuboandtheTwoStrings with $12.6 million. I see no reason why Link wouldn’t fall in that same range.
Reviews have been positive as this currently stands at 90% on Rotten Tomatoes. Of the new releases out next weekend, it actually opens widest on approximately 3500 screens (more than Hellboy).
I don’t believe this will top Boxtrolls, but a premiere between $13-$14 million is certainly possible.
MissingLink opening weekend prediction: $11.7 million
Back at it again with my look back at major Oscar races from 1990 to the present! We’ve arrived at Best Actress. If you missed my previous posts covering the Supporting performers, you can find them here:
As I did with those posts, I’m selecting my top 3 least surprising winners and top 3 upsets. I’m also giving you my personal pick for strongest and weakest fields from the past 28 years.
For starters, here’s the list of winners from 1990 to now:
1990 – Kathy Bates, Misery
1991 – Jodie Foster, The Silence of the Lambs
1992 – Emma Thompson, Howards End
1993 – Holly Hunter, The Piano
1994 – Jessica Lange, Blue Sky
1995 – Susan Sarandon, Dead Man Walking
1996 – Frances McDormand, Fargo
1997 – Helen Hunt, As Good As It Gets
1998 – Gwyneth Paltrow, Shakespeare in Love
1999 – Hilary Swank, Boys Don’t Cry
2000 – Julia Roberts, Erin Brockovich
2001 – Halle Berry, Monster’s Ball
2002 – Nicole Kidman, The Hours
2003 – Charlize Theron, Monster
2004 – Hilary Swank, Million Dollar Baby
2005 – Reese Witherspoon, Walk the Line
2006 – Helen Mirren, The Queen
2007 – Marion Cotillard, La Vie en Rose
2008 – Kate Winslet, The Reader
2009 – Sandra Bullock, The Blind Side
2010 – Natalie Portman, Black Swan
2011 – Meryl Streep, The Iron Lady
2012 – Jennifer Lawrence, Silver Linings Playbook
2013 – Cate Blanchett, Blue Jasmine
2014 – Julianne Moore, Still Alice
2015 – Brie Larson, Room
2016 – Emma Stone, La La Land
2017 – Frances McDormand, Three Billboards Outside Ebbing, Missouri
When it comes to Best Actress, I must say it’s probably the race with the least amount of genuine upsets. Nearly every year, there’s a pretty strong front-runner and they win – even more so than in Actor and the Supporting players. Of many non-surprises, here’s my top ones:
3. Holly Hunter, The Piano
Hunter’s work as a mute piano player in Jane Campion’s period piece was the clear favorite over significant competition that included Angela Bassett in What’s Love Got to Do With It? and the previous year’s winner Emma Thompson in The Remains of the Day.
2. Julia Roberts, Erin Brockovich
One of Hollywood’s biggest stars had already received nods for Steel Magnolias and Pretty Woman and there was little question that Brockovich would earn Roberts her first and only (so far) trip to the Oscar stage.
1. Charlize Theron, Monster
Theron’s metamorphosis into serial killer Aileen Wuornos swept all precursors. The rest of the field was also fairly weak that year, making her the obvious victor.
And now the “upsets”…
3. Kate Winslet, The Reader
While not a surprise when she won Oscar night, the multi-nominated Winslet was expected for much of the year to get a nod for Revolutionary Road instead. Yet it was this Stephen Daldry drama that was selected instead.
2. Marion Cotillard, La Vie en Rose
This was a two-way contest between Cotillard and veteran Julie Christie for Away from Her, with many believing the latter had the edge. It didn’t turn out that way.
1. Hilary Swank, Boys Don’t Cry and Hilary Swank, Million Dollar Baby
This #1 comes with a caveat. It wasn’t much of an upset by the time Swank won her double Oscars. What’s interesting here is that she single-handedly denied two prime opportunities for the winless Annette Bening to get a statue for American Beauty and Being Julia.
We move to the fields. For weakest field, I’m selecting 1994 when Jessica Lange won for the little-seen Blue Sky. Other nominees were Jodie Foster in Nell, Miranda Richardson in Tom&Viv, Winona Ryder for Little Women, and Susan Sarandon in The Client.
Strongest group in my opinion goes to 2010 with Natalie Portman’s victorious role in Black Swan. The rest of that impressive field is Annette Bening (The Kids Are All Right), Nicole Kidman (Rabbit Hole), Jennifer Lawrence’s first nomination in Winter’s Bone, and Michelle Williams (Blue Valentine).
Blogger’s Update (10/18): Reports have come out that this is only getting 500 screens next weekend. Therefore I am revising my estimate down from $2.7 million to just $1.3 million.
Rowan Atkinson’s bumbling spy is back on-screen next weekend when Johnny English Strikes Again hits theaters. This is the third entry in a franchise that began 15 years ago and saw a 2011 follow-up experience dwindling returns compared to the original. David Kerr directs with a supporting cast that includes Olga Kurylenko, Ben Miller, Jake Lacy, and Emma Thompson.
In the summer of 2003, Johnny English opened to $9.1 and a $28 million overall domestic gross. Eight years later, Johnny English Reborn managed just $3.8 million out of the gate and $8.3 million overall. The sequel’s total stateside earnings is under the opening gross of its predecessor. It is worth noting that these English sagas perform far better overseas, where each made $160 million overall.
I expect the lackluster returns to continue here for part 3, while it should continue more robust earnings in other parts of the globe. I’ll say Strikes Again strikes out here and doesn’t even match the unimpressive numbers of Reborn.
Johnny English Strikes Again opening weekend prediction: $1.3 million
Another Cannes Film Festival screening has put two items in the same sentence that don’t really belong together: Oscar buzz and Adam Sandler. Yes, it’s true. When we think of Sandler pics premiering on Netflix over the last couple of years, quality doesn’t immediately spring to mind.
However, TheMeyerowitzStories (NewandSelected) isn’t your typical Sandler fare. The comedic drama (or dramatic comedy if you will) is from acclaimed indie director Noah Baumbach, maker of TheSquidandtheWhale and FrancesHa. Instead of David Spade and Rob Schneider, the costars here include Dustin Hoffman, Ben Stiller, and Emma Thompson.
Early reviews from France suggest this is Mr. Sandler’ finest performance since at least Punch–DrunkLove 15 years ago. And that has some folks whispering Oscar nomination. In all likelihood, even with strong notices and a current 90% rating on Rotten Tomatoes, the star of Meyerowitz is probably a bit of a long shot. Yet a weak Best Actor race could change that dynamic come autumn.
