I’m closing out my deep dives of the major Oscar races with the granddaddy of them all – Best Picture. If you missed my posts covering Best Director and the four acting categories, you can find them here:
Unlike the previous several years where the Picture nominees could fluctuate between 5-10 (though 8 and 9 were the magic numbers), 2021 brings fluidity with a set 10 films being honored (I’d like to thank the Academy for that).
As I’ve done with the others, let’s take a look back at how I was performing in the early November time frame from 2019 and 2020. Two years ago, I had 8 of the eventual 9 movies pegged: winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The other – Joker – was mentioned in Other Possibilities.
2020 was trickier at this stage, but I identified 5 of the 8 hopefuls: winner Nomadland along with The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named as a possibility while I didn’t have Promising Young Woman or Sound of Metal yet in the 15 selections.
For 2021 – I feel confident that four already screened entries will make the dance. We begin with Kenneth Branagh’s Belfast, the 1960s set coming-of-age drama that could be looked at as the soft frontrunner. It’s been listed at #1 in my estimates for several weeks.
Belfast displaced The Power of the Dog from Jane Campion in that spot, but I still see the Netflix title having no trouble securing its placement among the contenders.
King Richard should find its way as the inspirational sports flick that will have audiences on its side. Furthermore, Will Smith appears in position to possibly win Best Actor. You have to go back to Jeff Bridges (Crazy Heart) twelve years ago where the Oscar winning actor didn’t see his movie recognized in Picture.
Then there’s Dune. The sci-fi epic from Denis Villeneuve got the box office and critical kudos it needed to storm the competition. The filmmaker could make a victory play for his direction while the picture itself seems destined for a nod here and tech wins elsewhere.
In past years, the bulk of nominees in Picture were screened at festivals. In 2021, that dynamic could shift as there’s a slew of unscreened material that seems like Oscar bait. That list includes Guillermo del Toro’s Nightmare Alley, Paul Thomas Anderson’s Licorice Pizza, Steven Spielberg’s West Side Story, Ridley Scott’s House of Gucci, Lin-Manuel Miranda’s Tick, Tick… Boom!, and Adam McKay’s Don’t Look Up.
The first four of the six are ones I’ve had in my ten for a bit and I’m not changing it today. That said, this could be altered quickly once their official reviews are up (and that will be soon). Some prognosticators are more confident with Don’t Look Up. I’ll believe it when I see it.
With the pics that have been seen, Pablo Larrain’s Spencer is sure looking like it will garner Kristen Stewart her first ever nod with a solid chance at a victory. I do believe the Princess Diana tale will manage to make the cut, but it could go either way.
This also holds true for Joel Coen’s The Tragedy of Macbeth, which should also manage some tech recognition and for its lead Denzel Washington and maybe Frances McDormand.
I will admit that it seems strange to leave off any titles that screened early at Sundance. After all, last year there were 3 pics from the fest (The Father, Minari, Promising Young Woman) that got in. There’s a trio that could do the same in 2021 and they’re all listed in Other Possibilities: CODA, Flee, and Mass. Of that group, Flee (which I do have predicted in Animated Feature, Documentary Feature, and International Feature Film) may have the strongest chance.
Foreign flicks could factor in and they include A Hero, The Hand of God, Parallel Mothers, and The Worst Person in the World. I wouldn’t completely discount Netflix hopefuls such as The Lost Daughter and Passing.
Then there’s high profile fare where the luster has been lost either to mixed reviews or poor box office. That list includes Wes Anderson’s The French Dispatch, Ridley Scott’s The Last Duel, and certainly Chloe Zhao’s Eternals.
The bottom line is this – in 2021, with two months left to go in the calendar, there’s a lot yet to be determined. Here’s my take for now:
Best Picture
Predicted Nominees:
1. Belfast (Previous Ranking: 1)
2. The Power of the Dog (PR: 2)
3. King Richard (PR: 3)
4. Dune (PR: 4)
5. Licorice Pizza (PR: 6)
6. Nightmare Alley (PR: 5)
7. West Side Story (PR: 7)
8. House of Gucci (PR: 8)
9. Spencer (PR: 9)
10. The Tragedy of Macbeth (PR: 10)
Other Possibilities:
11. Flee (PR: 13)
12. Don’t Look Up (PR: 11)
13. Mass (PR: 12)
14. Tick, Tick… Boom! (PR: 15)
15. CODA (PR: 14)
And that wraps the detailed looks, folks! Next weekend I’ll be back with updated estimates…
After four posts focusing on the acting races at the 2021 Oscars, it’s time to turn to Best Director. If you missed those entries on the lead and supporting performer derbies, you can find them here:
With the directing category, I do believe there’s three filmmakers that have likely punched their ticket to a nomination. Before we get there, let’s take a look at how my projections panned out at the same early November time frame in 2019 and 2020.
Two years back, I correctly identified four of the five contenders: winner Bong Joon-ho (Parasite) as well as Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was mentioned in Other Possibilities. 2020 was more unpredictable with two months left to go and that resulted in only two directors being accurately named: Chloe Zhao (Nomadland), who took the gold, and David Fincher (Mank). Lee Isaac Chung (Minari) was in Other Possibilities while neither Emerald Fennell (Promising Young Woman) or surprise nominee Thomas Vinterberg (Another Round) were yet listed in my top ten.
Back to 2021 and the three individuals who I believe stand probable shots at making the cut. They are Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Denis Villeneuve (Dune).
It was 28 years ago that Campion was nominated for The Piano. If it hadn’t been for Oscar juggernaut Schindler’s List, she likely would’ve been making a speech. Upon its premiere in Venice, Campion took the Silver Lion (equivalent to this competition) for Dog. I don’t see her being left off the ballot.
Belfast is the current frontrunner for Best Picture and it’s hard to envision writer/director Branagh not making it in. If so, it would be his first nod in directing since Henry V some 32 years back.
Dune is being heralded for its technical wizardry and it should pick up numerous down the line wins and nominations. Five years after his behind the camera work was recognized for Arrival, Villeneuve should be a factor again.
Interestingly, I don’t feel there’s a clear favorite to win. There are plausible scenarios for any member of this trio to emerge victorious. Campion, Branagh, and Villeneuve constitute my top 3 (in that order), but it’s more of a 1a, 1b, and 1c at press time.
As for the other two slots, there’s a few contenders stemming from unseen product. There’s big names in that bunch: Guillermo del Toro (Nightmare Alley, who won four years ago for The Shape of Water), Paul Thomas Anderson (Licorice Pizza, a two-time nominee for There Will Be Blood and Phantom Thread), Ridley Scott (for House of Gucci and not The Last Duel), Adam McKay (Don’t Look Up, previously nominated for The Big Short), Lin-Manuel Miranda (Tick, Tick… Boom!), and Steven Spielberg (West Side Story, a two-time winner for Schindler’s List and Saving Private Ryan).
Any of these gentlemen could bubble up to the surface once their pictures are screened. I’m sticking with the two I’ve had in my five recently: del Toro and Anderson.
King Richard has a chance to win Best Picture, but I’m skeptical its maker Reinaldo Marcus Green makes it here. The sports drama seems destined to be recognized more for its performances, but if the Academy really falls for it, Green could be theoretically be swept in. That holds true for Joel Coen (The Tragedy of Macbeth) and Pablo Larrain (Spencer) as well.
Lastly, Thomas Vinterberg’s nod in 2020 for Another Round came out of nowhere. While it was pegged to take International Feature Film (which it did), Round was not nominated in Best Picture. There’s a slew of directors who could fill the “surprise” slot this time around (many from foreign features): Pedro Almodovar (ParallelMothers), Julia Ducournau (Titane), Asghar Farhari (A Hero), Paolo Sorrentino (The Hand of God), Joachim Trier (The Worst Person in the World). I wouldn’t completely count out Rebecca Hall for Passing. Yet none of these upset selections are in my top ten.
The one that is: Jonas Poher Rasmussen for festival darling Flee. While I don’t have it nabbing a Best Pic nom at the moment, I do foresee the Danish doc contending in Animated Feature, Documentary Feature, and International Feature Film. That kind of attention could cause the voters to include him.
Here’s how those rankings look at the start of November:
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (Previous Ranking: 1)
If there was a category for Best Robot at the Academy Awards, it sure sounds as if Caleb Landry Jones would be in contention for Finch. The sci-fi drama is available this Friday on Apple TV after Universal COVID delayed it from October 2020. The pic comes from director Miguel Sapochnik (best known for his small screen work on Games of Thrones) and stars Tom Hanks alongside the aforementioned Jones voicing an android, Samira Wiley, Laura Harrier, and Skeet Ulrich.
The review embargo lapsed today and it currently holds an adequate 73% on Rotten Tomatoes. Many critics are praising the bot and the pooch that costar with Hanks. Audiences may be pleased to see its lead back in dog lover mode after Turner and Hooch three decades ago.
There’s also kudos for its visual effects and that could be where Finch contends at the Oscars. Right now, only Dune seems like a surefire nominee in that category. It would be surprising if it didn’t win. There’s four other spots available. The Matrix Resurrections is an obvious hopeful. It is worth noting that parts II and III (both from 2003) didn’t get in. The Marvel Cinematic Universe has contenders like Eternals, Shang-Chi, and the Legend of the Ten Rings, and Spider-Man: Far From Home. Others include Godzilla vs. Kong, Don’t Look Up, Nightmare Alley, Free Guy, and The Suicide Squad.
The Visual Effects derby is one that can produce surprising nominees. The reaction to Finch indicates it’s got a shot, especially with the uncertain nature of the race. My Oscar Prediction posts for the films of 2021 will continue…
We come to Best Actor in my deep dive of the major Oscar races covering the four acting showdowns in addition to Picture and Director. If you missed the first two covering Supporting Actor and Actress, they’re here:
Looking at the past two years in my early November estimates in this competition, there’s a better track record than with the supporting categories. In 2019, with two months to go, I rightly had four of the five nominees pegged: winner Joaquin Phoenix (Joker), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), and Jonathan Pryce (The Two Popes). Antonio Banderas (Pain and Glory) was mentioned in Other Possibilities. For the 2020 experience, that number was three – winner Anthony Hopkins in The Father, Chadwick Boseman (Ma Rainey’s Black Bottom), and Gary Oldman (Mank). The other two were named as possibilities – Riz Ahmed for Sound of Metal and Minari‘s Steven Yeun.
In 2021, it appears that three hopefuls have probably punched their tickets. The conversation begins with Will Smith. He’s a two-time nominee – once 20 years ago as Ali and 15 years past in The Pursuit of Happyness. As King Richard, it may well be the Fresh Prince’s time to be crowned for the true life sports drama that is said to be a massive crowdpleaser.
When Smith lost for Ali, it was to Denzel Washington in Training Day. The two-time winner looks to be back in the mix with The Tragedy of Macbeth. While I’m feeling confident in his nomination, I don’t see Mr. Washington emerging victorious here.
The other probable player is Benedict Cumberbatch in The Power of the Dog, gunning for his second nod seven years after The Imitation Game. Several festival reviews are calling it career best work and I don’t see him sliding.
After that, there’s quite a few of performers vying for the remaining two spots. There’s a few in the “not yet seen” silo. That includes Bradley Cooper in Nightmare Alley. We are all waiting to see how big his supporting role is in Licorice Pizza. I’ve had Cooper listed #1 there for months. If he ends up falling shot in that one, he could rise with this.
Andrew Garfield’s performance in Tick, Tick… Boom! is a trendy selection. He’s also a possibility in supporting with The Eyes of Tammy Faye (though I’m skeptical he makes it through there).
We also have Leonardo DiCaprio for Don’t Look Up. I’m not as high on the film as some other prognosticators, but laudatory screenings could change that dynamic. There’s also Adam Driver for House of Gucci and Cooper Hoffman for the aforementioned Pizza. With all these gentlemen, time will tell and we won’t have to wait long.
Back to the performances we do know about. Nicolas Cage garnered some of the best notices of his career for Pig. He’ll have internet chatter on his side but I wouldn’t bet the farm on him making it. Speaking of web love, expect the same for Timothee Chalamet (Dune). I believe he’s less likely than Cage. Same goes for former MTV veejay Simon Rex in Red Rocket.
Belfast is the frontrunner for Best Picture and its quartet of supporting thespians (Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds) could all show up in their races. The film’s young lead Jude Hill is more of a long shot. Clifton Collins Jr. drew raves beginning at Sundance with Jockey. I would say Sony Pictures Classics needs to up their game with his campaign for him to enter this derby. There’s also a slight chance that Amir Jadidi could be a factor in A Hero (which could take International Feature Film).
For now, I’m sticking with two actors that I’ve had in my five for awhile. Peter Dinklage has gotten plenty of Emmy love for his Game of Thrones stretch and his musical and dramatic stylings in Cyrano could cause the Academy to take note.
Even though he won just two years back for Joker, Joaquin Phoenix could be up again for C’Mon C’Mon if none of the unseen candidates rise in the polls.
Bottom line: Smith (especially), Cumberbatch, and Washington are all relatively safe at press time. About a dozen others will vie for slots four and five. Here’s where I have it at this beginning of November time frame:
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (Previous Ranking: 1)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3)
Blogger’s Note (11/03): I’ve seen some unconfirmed data indicating Spencer will open on just under 1000 screens. If that holds true, I’m revising my estimate from $4.6M to $4.1M.
Blogger’s Update (11/02): Even though I don’t have a theater count at press time, I am factoring in the opening of Spencer to my estimates. My detailed prediction for it is here:
My $4.6M projection puts it in the top five so it’s now a top 6 for the weekend ahead!
The third of four 2021 Marvel Cinematic Universe titles hits this weekend (thanks to some COVID delays) with Chloe Zhao’s Eternals. It’s eagerly awaited, but it also faces some unusual challenges for the MCU. You can peruse my detailed prediction post on it here:
The buzz for Eternals is mixed in a way that its studio isn’t accustomed to. Sitting at 59% on Rotten Tomatoes, the pic has the lowest RT score of the 26 MCU entries dating back to 2008. That has caused me to revise my estimate down just a touch, but I still believe mid to high 70s is the probable haul.
Unsurprisingly, Eternals is the only wide release as November dawns. Dune, after two weeks on top, may lose around 50-55% of its audience for second place with No Time to Die, Halloween Kills, and Venom: Let There Be Carnage providing a sequel heavy presence in the rest of the top five.
My Hero Academia: World Heroes’ Mission, after being the top newcomer this past weekend, should drop precipitously around 70% (like its predecessor) and fall outside the high five flicks.
With that, here’s how I see it looking:
1. Eternals
Predicted Gross: $77.8 million
2. Dune
Predicted Gross: $7.2 million
3. No Time to Die
Predicted Gross: $4.8 million
4. Spencer
Predicted Gross: $4.1 million
5. Venom: Let There Be Carnage
Predicted Gross: $3.8 million
6. Halloween Kills
Predicted Gross: $3 million
Box Office Results (October 29-31)
I supersized my normal estimates with a top ten due to the prevalence of newbies over the Halloween frame. All but one, as I predicted, fell outside the top five.
As anticipated, Dune reigned supreme in its sophomore outing. However, it fell more than I figured. The $15.4 million take didn’t match my $18.5 million and the two-week tally is $69 million.
Other holdovers held a bit sturdier than I thought they would. Halloween Kills was second with $8.7 million compared to my $6.1 million projection and it’s up to $85 million with the century mark in view.
No Time to Die was third with $7.7 million (I said $6.3 million) and Mr. Bond has reached $133 million.
My Heroes Academia: World Heroes’ Mission was the best performing newbie at $6.4 million, on pace with my $6.1 million prediction.
Venom: Let There Be Carnage rounded out the top five with $5.7 million, on pace with my forecast of $5.6 million. Total is $190 million as it approaches double century territory.
Antlers debuted in sixth with a mediocre $4.2 million. It did surpass my take of $3.2 million.
Edgar Wright’s Last Night in Soho started out in seventh with just $4.1 million, not matching my $5.2 million estimate.
Ron’s Gone Wrong was eighth in weekend #2 at $3.7 million (I went with $4.1 million) as the animated feature has drawn in only $12 million.
The Addams Family 2 followed in ninth with $3 million and I was close at $3.3 million for $52 million overall.
Finally, Wes Anderson’s The French Dispatch expanded to nearly 800 screens and took tenth at $2.6 million. I was more hopeful with $3.8 million.
The 2021 derby for Best Supporting Actress at the Oscars might have a bit more clarity than the currently wide open Supporting Actor race, but not much. I’m doing a deep dive on the four acting races as well as Picture and Director. If you missed the first post covering Supporting Actor, you can peruse it right here:
At this point when I was projecting the race in 2019 and 2020, I correctly identified three out of the five eventual nominees. Two years ago, that included the winner Laura Dern in Marriage Story as well as Florence Pugh (Little Women) and Margot Robbie for Bombshell. Scarlett Johansson was mentioned in Other Possibilities while I didn’t have Kathy Bates (Richard Jewell) listed. Last year, the trio of Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), and Amanda Seyfried (Mank) were in my five. Eventual victor Yuh-jung Youn (Minari) and Maria Bakalova (Borat Subsequent Moviefilm) were in Other Possibilities.
Since 2010, there have been three instances where two actresses for the same picture made the cut here. In 2010, it was Melissa Leo (who won) and Amy Adams in The Fighter. A year later, Octavia Spencer took gold for The Help while costar Jessica Chastain also got in. In 2018, both Emma Stone and Rachel Weisz were nominated for The Favourite.
The best chance of that happening in 2021 lies with Caitriona Balfe and Judi Dench for Belfast. The former could be considered the frontrunner at press time. I’m confident that Balfe will be in the quintet of hopefuls. My Supporting Actor forecast has both Jamie Dornan and Ciaran Hinds in for Kenneth Branagh’s period drama. It might be foolish to bet against Dench and she could absolutely get her 8th nod. I do, however, feel the competition is steeper than Supporting Actor at the moment and she could miss out.
Other double nominee possibilities lie with Jessie Buckley and Dakota Johnson in The Lost Daughter, but I could just as easily see lead Olivia Colman garnering all the attention. The as yet unscreened Nightmare Alley could see either Toni Collette or Rooney Mara competing.
Then there’s Mass. Ann Dowd looks to be a better bet than Martha Plimpton. If the acclaimed drama catches on with the Academy, there could be room for both. For now, I’m far more confident in Dowd receiving her first nod after her somewhat surprise omission for 2012’s Compliance.
With Balfe and Dowd penciled in, Kirsten Dunst also appears headed for her inaugural inclusion at the dance for The Power of the Dog. She could even be a threat to win.
After that, it gets murky. There’s plenty of hopefuls. 50 years ago, Rita Moreno took gold as Anita for West Side Story. The forthcoming remake could see Ariana DeBose nominated for the same role in Steven Spielberg’s remake. Marlee Matlin (35 years after taking Best Actress for Children of a Lesser God) got fine reviews for CODA. If the film registers with voters, she could be swept in. King Richard is anticipated to give Will Smith a solid chance at his first Oscar crowning and Aunjanue Ellis (as the mother of Venus and Serena Williams) could share in the wealth. Salma Hayek is part of the House of Gucci ensemble. She hasn’t been visible in the trailers and that gives me pause. Online chatter will be heavy for Rebecca Ferguson in Dune, though I question whether any of its cast makes its way in. Also worthy of mention: Olga Merediz (In the Heights), Gaby Hoffman (C’Mon C’Mon), Kathryn Hunter (The Tragedy of Macbeth), Sally Hawkins (Spencer), and Jayne Houdyshell (The Humans). All are feasible but will need lot some critics prizes to elevate their chances.
Meryl Streep is gunning for her 22nd (!) nomination for Don’t Look Up. Playing the President of the United States in the political satire, it feels strange to leave her out of the top 5 for such a high profile role. Let’s see what the critics think before I more carefully consider her.
One performer who seems to catching on is Ruth Negga for Passing. Nominated for Actress five years back for Loving, I was basically down to a coin flip between her and Aunjanue Ellis for a current slot. I’m leaning toward Negga in what would probably be the film’s sole nod.
Bottom line: right now I have Balfe, Dunst, and Dowd as (fairly) safe bets with the other two spots up for grabs. Here’s where it shakes out as October closes:
Denis Villeneuve’s Dune hit box office expectations this past weekend and I’m more confident than ever that it makes the Best Picture ten. Belfast still maintains the #1 slot in Picture and I nearly put its maker Kenneth Branagh in the same spot in Director. Jane Campion (The Power of the Dog) is hanging on by a thread as I also believe Villeneuve could be rewarded for his technical bravura behind the camera.
Per usual, I’ve made a change in the #5 rank in Actor – swapping out Andrew Garfield (Tick, Tick… Boom!) for Joaquin Phoenix (C’Mon C’Mon). It was a good week for the upcoming Phoenix comedic drama as it reenters Original Screenplay over Spencer.
You can read all the latest activity below!
Best Picture
Predicted Nominees:
1. Belfast (Previous Ranking: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. King Richard (PR: 4) (+1)
4. Dune (PR: 5) (+1)
5. Nightmare Alley (PR: 3) (-2)
6. Licorice Pizza (PR: 6) (E)
7. West Side Story (PR: 7) (E)
8. House of Gucci (PR: 8) (E)
9. Spencer (PR: 9) (E)
10. The Tragedy of Macbeth (PR: 10) (E)
Other Possibilities:
11. Don’t Look Up (PR: 12) (+1)
12. Mass (PR: 11) (-1)
13. Flee (PR: 14) (+1)
14. CODA (PR: 15) (+1)
15. Tick, Tick… Boom! (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Kenneth Branagh, Belfast (PR: 2) (E)
3. Denis Villeneuve, Dune (PR: 4) (+1)
4. Guillermo del Toro, Nightmare Alley (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Pablo Larrain, Spencer (PR: 6) (E)
7. Steven Spielberg, West Side Story (PR: 7) (E)
8. Joel Coen, The Tragedy of Macbeth (PR: 9) (+1)
9. Reinaldo Marcus Green, King Richard (PR: Not Ranked)
10. Julia Ducournau, Titane (PR: 10) (E)
Dropped Out: Ridley Scott, House of Gucci
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (+1)
3. Lady Gaga, House of Gucci (PR: 2) (-1)
4. Olivia Colman, The Lost Daughter (PR: 4) (E)
5. Jennifer Hudson, Respect (PR: 5) (E)
Other Possibilities:
6. Frances McDormand, The Tragedy of Macbeth (PR: 6)
7. Penelope Cruz, Parallel Mothers (PR: 8) (+1)
8. Jodie Comer, The Last Duel (PR: 7) (-1)
9. Rachel Zegler, West Side Story (PR: 9) (E)
10. Nicole Kidman, Being the Ricardos (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3) (E)
4. Peter Dinklage, Cyrano (PR: 4) (E)
5. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. Andrew Garfield, Tick, Tick… Boom! (PR: 5) (-1)
7. Nicolas Cage, Pig (PR: 8) (+1)
8. Bradley Cooper, Nightmare Alley (PR: 7) (-1)
9. Adam Driver, House of Gucci (PR: 9) (E)
10. Leonardo DiCaprio, Don’t Look Up (PR: Not Ranked)
Dropped Out:
Clifton Collins, Jr., Jockey
Best Supporting Actress
Predicted Nominees:
1. Caitriona Balfe, Belfast (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 3) (+1)
3. Ann Dowd, Mass (PR: 2) (-1)
4. Aunjanue Ellis, King Richard (PR: 4) (E)
5. Ariana DeBose, West Side Story (PR: 5) (E)
Other Possibilities:
6. Ruth Negga, Passing (PR: 7) (+1)
7. Judi Dench, Belfast (PR: 6) (-1)
8. Rooney Mara, Nightmare Alley (PR: Not Ranked)
9. Marlee Matlin, CODA (PR: 8) (-1)
10. Jayne Houdyshell, The Humans (PR: 9) (-1)
Dropped Out:
Martha Plimpton, Mass
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Licorice Pizza (PR: 1) (E)
2. Jamie Dornan, Belfast (PR: 2) (E)
3. Richard Jenkins, The Humans (PR: 3) (E)
4. Jason Isaacs, Mass (PR: 4) (E)
5. Jared Leto, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Jon Bernthal, King Richard (PR: 8) (+2)
7. Kodi Smit-McPhee, The Power of the Dog (PR: 6) (-1)
8. Ciaran Hinds, Belfast (PR: 7) (-1)
9. Ben Affleck, The Tender Bar (PR: 9) (E)
10. Troy Kotsur, CODA (PR: Not Ranked)
Dropped Out:
Andrew Garfield, The Eyes of Tammy Faye
Best Original Screenplay
Predicted Nominees:
1. Belfast (PR: 1) (E)
2. Licorice Pizza (PR: 2) (E)
3. King Richard (PR: 3) (E)
4. Mass (PR: 4) (E)
5. C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Don’t Look Up (PR: 7) (E)
8. The Worst Person in the World (PR: 9) (+1)
9. Parallel Mothers (PR: 9) (E)
10. A Hero (PR: 8) (-2)
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. Nightmare Alley (PR: 2) (E)
3. The Humans (PR: 3) (E)
4. The Lost Daughter (PR: 5) (+1)
5. The Tragedy of Macbeth (PR: 6) (+1)
Other Possibilities:
6. House of Gucci (PR: 4) (-2)
7. Dune (PR: 8) (+1)
8. West Side Story (PR: 7) (-1)
9. Passing (PR: 9) (E)
10. The Last Duel (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. Encanto (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 3) (E)
4. Luca (PR: 2) (E)
5. Belle (PR: 5) (E)
Other Possibilities:
6. Raya and the Last Dragon (PR: 6) (E)
7. The Summit of the Gods (PR: Not Ranked)
8. Where Is Anne Frank (PR: 7) (-1)
9. Vivo (PR: 8) (-1)
10. Ron’s Gone Wrong (PR: 10) (E)
Dropped Out:
Marcel the Shell With Shoes On
Best International Feature Film
Predicted Nominees:
1. A Hero (PR: 1) (E)
2. The Worst Person in the World (PR: 2) (E)
3. Flee (PR: 3) (E)
4. The Hand of God (PR: 4) (+2)
5. Titane (PR: 4) (-1)
Other Possibilities:
6. Drive My Car (PR: 5) (-1)
7. I’m Your Man (PR: 7) (E)
8. Compartment No. 6 (PR: 9) (+1)
9. Great Freedom (PR: Not Ranked)
10. Memoria (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. The Rescue (PR: 1) (E)
2. Flee (PR: 2) (E)
3. Summer of Soul (PR: 5) (+2)
4. Attica (PR: 3) (-1)
5. The Lost Leonardo (PR: 7) (+2)
Other Possibilities:
6. President (PR: 4) (-2)
7. Becoming Cousteau (PR: 8) (+1)
8. Ascension (PR: Not Ranked)
9. The First Wave (PR: 6) (-3)
10. The Velvet Underground (PR: 9) (-1)
Dropped Out:
Ailey
Best Cinematography
Predicted Nominees:
1. Dune (PR: 2) (+1)
2. The Tragedy of Macbeth (PR: 1) (-1)
3. Belfast (PR: 5) (+2)
4. Nightmare Alley (PR: 3) (-1)
5. The Power of the Dog (PR: 4) (-1)
Other Possibilities:
6. West Side Story (PR: 6) (E)
7. Spencer (PR: 7) (E)
8. The French Dispatch (PR: Not Ranked)
9. Licorice Pizza (PR: 9) (E)
10. The Last Duel (PR: Not Ranked)
Dropped Out:
Cyrano
C’Mon C’Mon
Best Costume Design
Predicted Nominees:
1. Spencer (PR: 1) (E)
2. Cruella (PR: 3) (+1)
3. House of Gucci (PR: 2) (-1)
4. Dune (PR: 6) (+2)
5. The French Dispatch (PR: 5) (E)
Other Possibilities:
6. West Side Story (PR: 4) (-2)
7. Nightmare Alley (PR: 7) (E)
8. Cyrano (PR: 9) (+1)
9. Licorice Pizza (PR: 8) (-1)
10. The Tragedy of Macbeth (PR: 10) (E)
Dropped Out:
The Last Duel
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. The Power of the Dog (PR: 6) (+3)
4. Licorice Pizza (PR: 5) (+1)
5. West Side Story (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 3) (-3)
7. Don’t Look Up (PR: 8) (+1)
8. King Richard (PR: 7) (-1)
9. House of Gucci (PR: 9) (E)
10. Spencer (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. House of Gucci (PR: 1) (E)
2. Dune (PR: 2) (E)
3. Spencer (PR: 3) (E)
4. Cruella (PR: 5) (+1)
5. The Eyes of Tammy Faye (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. The Suicide Squad (PR: 7) (E)
8. The Green Knight (PR: 8) (E)
9. The Last Duel (PR: 10) (+1)
10. Licorice Pizza (PR: Not Ranked)
Dropped Out:
Cyrano
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 3) (+1)
3. Spencer (PR: 2) (-1)
4. The Tragedy of Macbeth (PR: 5) (-1)
5. The French Dispatch (PR: 6) (+1)
Other Possibilities:
6. Nightmare Alley (PR: 4) (-2)
7. Belfast (PR: 7) (E)
8. King Richard (PR: 10) (-2)
9. Licorice Pizza (PR: 9) (E)
10. Cyrano (PR: Not Ranked)
Dropped Out:
Don’t Look Up
Best Original Song
Predicted Nominees:
1. “Be Alive” from King Richard (PR: 1) (E)
2. “No Time to Die” from No Time to Die (PR: 2) (E)
3. “Colombia, Mi Encanto” from Encanto (PR: 3) (E)
4. “Down to Joy” from Belfast (PR: 4) (E)
5. “Here I Am” from Respect (PR: 6) (+1)
Other Possibilities:
6. “So May We Start” from Annette (PR: 8) (+2)
7. “Believe” from The Rescue (PR: 7) (E)
8. “Every Letter” from Cyrano (PR: 5) (-3)
9. “Somehow You Do” from Four Good Days (PR: 9) (E)
10. “Guns Go Bang” from The Harder They Fall (PR: Not Ranked)
Dropped Out:
“Beyond the Shore” from CODA
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. Cyrano (PR: 6) (+1)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 7) (+1)
7. Belfast (PR: 9) (+2)
8. Spencer (PR: 5) (-3)
9. Licorice Pizza (PR: 10) (+1)
10. The Power of the Dog (PR: 8) (-2)
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 4) (+1)
4. Nightmare Alley (PR: 5) (+1)
5. No Time to Die (PR: 3) (-2)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 6) (E)
7. The Last Duel (PR: 9) (+2)
8. The Matrix Resurrections (PR: 7) (-1)
9. A Quiet Place Part II (PR: 8) (-1)
10. Cyrano (PR: Not Ranked)
Dropped Out:
Don’t Look Up
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 3) (+1)
3. Godzilla vs. Kong (PR: 4) (+1)
4. Shang-Chi and the Legend of the Ten Rings (PR: 6) (+2)
5. Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. Eternals (PR: 2) (-4)
7. Free Guy (PR: 7) (E)
8. Spider-Man: No Way Home (PR: 8) (E)
9. The Green Knight (PR: Not Ranked)
10. The Suicide Squad (PR: 9) (-1)
Dropped Out:
Finch
This adds up to these pictures nabbing the following numbers in terms of nominations:
10 Nominations
Dune
9 Nominations
Belfast
8 Nominations
The Power of the Dog
6 Nominations
Nightmare Alley
5 Nominations
House of Gucci, King Richard, Licorice Pizza, Spencer, The Tragedy of Macbeth, West Side Story
3 Nominations
Flee, The French Dispatch, Mass
2 Nominations
C’Mon C’Mon, Cruella, Cyrano, Encanto, The Eyes of Tammy Faye, The Humans, No Time to Die, Respect
1 Nomination
Attica, Belle, Don’t Look Up, Godzilla vs. Kong, The Hand of God, A Hero, The Lost Leonardo, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, The Rescue Shang-Chi and the Legend of the Ten Rings, Summer of Soul, Titane, The Worst Person in the World
Halloween weekend brings five (yes five) pictures either debuting or expanding nationally. Some of them may not treat theirselves to a top 5 finish. The contenders are Edgar Wright’s 60s set psychological horror pic Last Night in Soho, Scott Cooper’s creature feature Antlers, Wes Anderson’s latest comedy The French Dispatch, Japanese animated sequel My Heroes Academia: World Heroes’ Mission, and Amanda Seyfried in the drama A Mouthful of Air. You can peruse my detailed prediction posts on the quintet at these links:
I’ll begin with the low hanging fruit. Mouthful is only opening in 800 theaters and has barely been advertised. My tiny $846,000 estimate leaves it outside of the top ten.
Of all the premieres, I suspect Academia could actually make the most and it might be the only one in the top 5. This is based on the assumption that Soho and Antlers will both struggle.
The French Dispatch is more of a question mark. It debuted in 52 venues this weekend and its $1.3 million take (good for ninth place) represents the highest per screen average in the COVID era. However, that could be misleading as it expands across the nation and non-Anderson fanatics may not turn out.
As for holdovers, Dune met expectations in its start (more on that below) and seemed to garner the audience stamp of approval with an A- Cinemascore. It should easily maintain the top spot and I’ll say a 50-55% dip is most feasible. Halloween Kills, No Time to Die, Academia, and maybe even Venom (or Soho or Antlers or Dispatch if they exceed my forecasts) could battle it out for the runner-up position.
With all the new product, my typical top 5 expands to a top 10 as we close out October. Here’s how I see it:
1. Dune
Predicted Gross: $18.5 million
2. No Time to Die
Predicted Gross: $6.3 million
3. Halloween Kills
Predicted Gross: $6.1 million
4. My Hero Academia: World Heroes’ Mission
Predicted Gross: $6.1 million
5. Venom: Let There Be Carnage
Predicted Gross: $5.6 million
6. Last Night in Soho
Predicted Gross: $5.2 million
7. Ron’s Gone Wrong
Predicted Gross: $4.1 million
8. The French Dispatch
Predicted Gross: $3.8 million
9. The Addams Family 2
Predicted Gross: $3.3 million
10. Antlers
Predicted Gross: $3.2 million
Box Office Results (October 22-24)
Despite its simultaneous availability on HBO Max, Denis Villeneuve’s long awaited sci-fi epic Dune performed in the range of anticipation with $41 million, just under my $42.8 million prediction. Considering its streaming dollars, that should certainly be enough for the expected part II.
Halloween Kills was slashed steeply in weekend #2 with $14.4 million. I was a tad higher at $15.4 million. The middle pic in the trilogy is up to a solid $73 million.
No Time to Die was third with $12.2 million, right on pace with my $12.1 million take. The 25th Bond adventure sits at $120 million.
Venom: Let There Be Carnage took fourth with $9.3 million (I said $9.5 million) for $182 million overall.
Finally, the animated Ron’s Gone Wrong didn’t connect with family audiences. Despite complimentary critical reaction, it opened in the five spot with $7.3 million (not matching my $8.4 million projection).
Chloe Zhao was the big winner at the previous Academy Awards when Nomadland took Best Picture and she became the second female filmmaker to take the trophy for her direction. Her follow-up is a high profile one in Marvel’s Eternals, which opens November 5th and had its review embargo lifted today.
With an eclectic cast including Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Kit Harington, Salma Hayek, and Angelina Jolie, MCU entry #26 is undoubtedly one of 2021’s most anticipated blockbusters. However, critical reaction is certainly mixed. The 74% Rotten Tomatoes score is on the lower side for this series. Just this year, Black Widow stands at 79% while Shang-Chi and the Legend of the Ten Rings got to 92%.
Any thought of Zhao’s having two Best Picture winners or nominees in a row (or being mentioned again in Director) has fallen by the wayside. The one race where I did feel hope for Eternals sprung was in Visual Effects. That could still happen, but I’m not near as confident. Competition will be fairly strong. Dune is easily the frontrunner and will likely win. Other notable contenders include The Matrix Resurrections, Don’t Look Up, Godzilla vs. Kong, Nightmare Alley, Jungle Cruise, Finch, and Free Guy. And then there’s the other MCU rivals like Shang-Chi and the upcoming Spider-Man: No Way Home.
There could still be room for Eternals in VE, but I’m thinking it may on the outside looking in. Even some of the reviews aren’t gushing about the visuals. Bottom line: Eternals took itself out of the running for the big races and could be iffy in the one tech competition where I thought it stood an excellent shot. My Oscar Prediction posts for the films of 2021 will continue…
Arriving a year after its COVID delay is Denis Villeneuve’s version of the sci-fi epic Dune along with the animated Ron’s Gone Wrong. The latter will try to keep the October box office hot streak rolling along with the latter attempting to bring in family audiences. You can peruse my detailed prediction posts on them here:
We have had three weekends in a row with newcomers premiering at over $50 million or darn close. Dune could fall right in that range. A potential drawback could be its simultaneous availability on HBO Max. However, I do believe enough viewers are aware that it should be seen on the biggest screen possible. I have it in the low 40s, but as Venom and Halloween Kills have shown us, the chance of over performing is certainly there for the taking.
As for Ron’s Gone Wrong, it has the disadvantage of not being based on known IP. Reviews are decent yet I have it placing fifth and under $10 million.
Halloween Kills exceeded most estimates (more on that below). Its 2018 predecessor fell 59% in its sophomore frame with a B+ Cinemascore average. The sequel has a B- and I envision it dropping in the high 60s range. No Time to Die could see around 50% decline in its third outing while Venom: Let There Be Carnage may see only a dip in the low 40s to mid 40s.
And with that, my top 5 take on the weekend ahead:
1. Dune
Predicted Gross: $42.8 million
2. Halloween Kills
Predicted Gross: $15.4 million
3. No Time to Die
Predicted Gross: $12.1 million
4. Venom: Let There Be Carnage
Predicted Gross: $9.5 million
5. Ron’s Gone Wrong
Predicted Gross: $8.4 million
Box Office Results (October 15-17)
Haddonfield wasn’t the only place where Michael Myers made a killing over the weekend as Halloween Kills premiered at the highest end of projections. The $49.4 million start slashed my $41.2 million prediction. Its simultaneous release on Peacock didn’t appear to make much of a difference. That’s no huge surprise considering the streamer’s membership is minuscule compared to Netflix, HBO Max, and others. While the Kills gross is far under the $76 million achieved by Halloween in 2018, this is still a big win for Universal.
No Time to Die slipped to second with $23.7 million, a bit below my $25.8 million take. The 25th Bond adventure stands at $99 million. While its overseas earnings are pleasing, Daniel Craig’s swan song isn’t quite hitting the anticipated target stateside.
Venom: Let There Be Carnage was third with $16.5 million (I said $14.1 million) and it’s up to $168 million.
The Addams Family 2 had the best hold of all in fourth with $7 million, in range with my $6.6 million projection for $42 million total.
Finally, despite mostly solid reviews, Ridley Scott’s medieval tale The Last Duel with Matt Damon, Ben Affleck, Jodie Comer, and Adam Driver received little good will from moviegoers. It bombed hard with only $4.7 million in fifth. That’s a far cry from my estimate of $10.4 million. Duel is further proof that adult themed product is having a difficult time getting the intended demographic to the multiplex.
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