97th Academy Awards Predictions: May 19th, 2024

My latest round of Oscar predictions arrives at the midpoint of the Cannes Film Festival and the hoopla on the French Riviera has cleared up some lingering questions. Is Francis Ford Coppola’s decades in development sci-fi epic Megalopolis a contender? That answer appears to be no. Same goes for Paul Schrader’s Oh, Canada.

It gets a lot more uncertain after that. Andrea Arnold’s Bird has its fans and I do think its BP chances are intact. Category placement issues abound. I thought Barry Keoghan would be lead for Bird, but reaction suggests he’s supporting.

Then there’s Kinds of Kindness from Yorgos Lanthimos. The WOM for it suggests it definitely faces longer odds for Academy inclusion that his two predecessors The Favourite and Poor Things. That said, I wouldn’t totally discount it. I could see it generating a lone Original Screenplay nod. Right now I’m putting Emma Stone and Jesse Plemons in lead as possibilities and hopefully we’ll know soon if they’re being campaigned there or in supporting.

Furiosa: A Mad Max Saga also is behind its predecessor Mad Max: Fury Road in terms of possibilities. While it should land a few tech nods, BP and Director chances are feasible yet less than what happened nine years ago.

I would suggest that Jacques Audiard’s Emilia Pérez has done itself the most good at Cannes. The crowd-pleasing reaction has me elevating it into the top 10 in BP with Zoe Saldaña in Actress and Karla Sofia Gascón in Supporting Actress. In previous posts, I had those two performers in each other’s categories. It’s still not locked as to where they will be, but this is my best guess based on the information available.

In news not related to Cannes, it was announced that The Supremes at Earl’s All-You-Can-Eat will be a Hulu exclusive premiere. That would seem to take it out of contention at the Oscars.

I will likely have another update posted next weekend since more Cannes titles will be unveiled including Horizon: An American Saga and The Apprentice. Stay tuned, folks!

Best Picture

Predicted Nominees:

1. Blitz (Previous Ranking: 1) (Even)

2. Dune: Part Two (PR: 2) (E)

3. Conclave (PR: 3) (E)

4. Sing Sing (PR: 4) (E)

5. Queer (PR: 5) (E)

6. The End (PR: 6) (E)

7. His Three Daughters (PR: 10) (+3)

8. Emilia Pérez (PR: Not Ranked)

9. The Piano Lesson (PR: 15) (+6)

10. The Apprentice (PR: 13) (+3)

Other Possibilities:

11. Joker: Folie à Deux (PR: 11) (E)

12. Nightbitch (PR: Not Ranked)

13. Bird (PR: 9) (-4)

14. Dídi (PR: 23) (+9)

15. Furiosa: A Mad Max Saga (PR: 14) (-1)

16. Horizon: An American Saga – Chapter 2 (PR: 12) (-4)

17. The Fire Inside (PR: 7) (-10)

18. Kinds of Kindness (PR: 8) (-10)

19. Hit Man (PR: 20) (+1)

20. A Real Pain (PR: 21) (+1)

21. Civil War (PR: 19) (-2)

22. Maria (PR: 17) (-5)

23. Gladiator II (PR: Not Ranked)

24. The Nickel Boys (PR: 18) (-6)

25. Here (PR: Not Ranked)

Dropped Out:

Megalopolis

The Supremes at Earl’s All-You-Can-Eat

Hard Truths

SNL 1975

Best Director

Predicted Nominees:

1. Steve McQueen, Blitz (PR: 1) (E)

2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)

3. Edward Berger, Conclave (PR: 3) (E)

4. Luca Guadagnino, Queer (PR: 6) (+2)

5. Joshua Oppenheimer, The End (PR: 4) (-1)

Other Possibilities:

6. Azazel Jacobs, His Three Daughters (PR: 15) (+9)

7. Greg Kwedar, Sing Sing (PR: 10) (+3)

8. Jacques Audiard, Emila Pérez (PR: Not Ranked)

9. Todd Phillips, Joker: Folie á Deux (PR: 9) (E)

10. Ali Abbasi, The Apprentice (PR: 14) (+4)

11. Marielle Heller, Nightbitch (PR: Not Ranked)

12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: 12) (E)

13. Malcolm Washington, The Piano Lesson (PR: Not Ranked)

14. Andrea Arnold, Bird (PR: 5) (-9)

15. George Miller, Furiosa: A Mad Max Saga (PR: 11) (-4)

Dropped Out:

Yorgos Lanthimos, Kinds of Kindness

Rachel Morrison, The Fire Inside

Francis Ford Coppola, Megalopolis

Best Actress

Predicted Nominees:

1. Angelina Jolie, Maria (PR: 1) (E)

2. Saoirse Ronan, The Outrun (PR: 2) (E)

3. Natasha Lyonne, His Three Daughters (PR: 3) (E)

4. Amy Adams, Nightbitch (PR: 7) (+3)

5. Zoe Saldana, Emilia Pérez (PR: Not Ranked, moved from Supporting)

Other Possibilities:

6. Lady Gaga, Joker: Folie á Deux (PR: 5) (-1)

7. Tilda Swinton, The End (PR: 6) (-1)

8. Ryan Destiny, The Fire Inside (PR: 4) (-4)

9. Zendaya, Challengers (PR: 10) (+1)

10. Marianne Jean-Baptiste, Hard Truths (PR: 9) (-1)

11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)

12. Florence Pugh, We Live in Time (PR: 12) (E)

13. Anne Hathaway, Mother Mary (PR: 13) (E)

14. Noemie Merlant, Emmanuelle (PR: 15) (+1)

15. Emma Stone, Kinds of Kindness (PR: Not Ranked)

Dropped Out:

Karla Sofia Gascón, Emilia Pérez (moved to Supporting)

Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing (PR: 1) (E)

2. Ralph Fiennes, Conclave (PR: 2) (E)

3. Daniel Craig, Queer (PR 3) (E)

4. Sebastian Stan, The Apprentice (PR: 8) (+4)

5. André Holland, The Actor (PR: 5) (E)

Other Possibilities:

6. Glen Powell, Hit Man (PR: 7) (+1)

7. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (-1)

8. John David Washington, The Piano Lesson (PR: 9) (+1)

9. George MacKay, The End (PR: 10) (+1)

10. Paul Mescal, Gladiator II (PR: Not Ranked)

11. Kevin Costner, Horizon: An America Saga – Chapter 2 (PR: 15) (+4)

12. Kinglsey Ben-Adir, Bob Marley: One Love (PR: 14) (+2)

13. Andrew Garfield, We Live in Time (PR: 13) (E)

14. Tom Hanks, Here (PR: Not Ranked)

15. Paul Bettany, The Collaboration (PR: 12) (-3)

Dropped Out:

Barry Keoghan, Bird (moved to Supportong)

Sebastian Stan, A Different Man

Best Supporting Actress

Predicted Nominees:

1. Isabella Rossellini, Conclave (PR: 1) (E)

2. Karla Sofia Gascón, Emilia Perez (PR: Not Ranked – moved from lead)

3. Saoirse Ronan, Blitz (PR: 2) (-1)

4. Carrie Coon, His Three Daughters (PR: 4) (E)

5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 5) (E)

Other Possibilities:

6. Danielle Deadwyler, The Piano Lesson (PR: 8) (+2)

7. Maria Bakalova, The Apprentice (PR: 12) (+5)

8. Joan Chen, Dídi (PR: 3) (-5)

9. Elizabeth Olsen, His Three Daughters (PR: 9) (E)

10. Lesley Manville, Queer (PR: 7) (-3)

11. Jodie Comer, The Bikeriders (PR: 11) (E)

12. Robin Wright, Here (PR: Not Ranked)

13. Toni Collette, Juror No. 2 (PR: 13) (E)

14. Naomi Watts, Emmanuelle (PR: Not Ranked)

15. Cailee Spaeny, Civil War (PR: Not Ranked)

Dropped Out:

Hong Chau, Kinds of Kindness

Erin Kellyman, Blitz

Margaret Qualley, Kinds of Kindness

Zoe Saldaña, Emilia Pérez (moved to lead)

Best Supporting Actor

Predicted Nominees:

1. Stanley Tucci, Conclave (PR: 1) (E)

2. Clarence Maclin, Sing Sing (PR: 2) (E)

3. Samuel L. Jackson, The Piano Lesson (PR: 5) (+2)

4. Jeremy Strong, The Apprentice (PR: 7) (+4)

5. Kieran Culkin, A Real Pain (PR: 4) (-1)

Other Possibilities:

6. Drew Starkey, Queer (PR: 6) (E)

7. Brian Tyree Henry, The Fire Inside (PR: 3 (-4)

8. Harris Dickinson, Blitz (PR: 11) (+3)

9. Barry Keoghan, Bird (PR: Not Ranked, moved from lead)

10. John Lithgow, Conclave (PR: 9) (-1)

11. Adam Pearson, A Different Man (PR: 10) (-1)

12. Stephen Graham, Blitz (PR: 14) (+2)

13. Denzel Washington, Gladiator II (PR: Not Ranked)

14. Leigh Gill, Blitz (PR: 12) (-2)

15. Javier Bardem, Dune: Part Two (PR: 15) (E)

Dropped Out:

Franz Rogowski, Bird

Jesse Plemons, Kinds of Kindness

97th Academy Awards: FIRST Oscar Predictions in Best Supporting Actor

And here we go! We are about three weeks removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days.

It begins with Supporting Actor. When I did my first picks on the competition in 2023, it yielded one nominee: Mark Ruffalo in Poor Things. Under the 10 other possibilities, I named the eventual winner Robert Downey Jr. for Oppenheimer as well as Robert De Niro in Killers of the Flower Moon. I did not identify Sterling K. Brown (American Fiction) or Ryan Gosling (Barbie) at the early juncture.

Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders. Actors listed here could end up being campaigned for in lead actor and vice versa when I get to Best Actor.

This premiere post previews a potential showdown of Succession actors Kieran Culkin and Jeremy Strong as well as possible spots for legends like Denzel Washington and Willem Dafoe. There’s also relative unknowns (Leigh Gill, Clarence Maclin) and a pair of Dune thespians (Javier Bardem, Austin Butler). This lineup is admittedly far less star-studded than 2023’s.

Here’s the first snapshot:

TODD’S FIRST OSCAR PREDICTIONS FOR SUPPORTING ACTOR AT THE 97TH ACADEMY AWARDS

Kieran Culkin, A Real Pain

Leigh Gill, Blitz

Brian Tyree Henry, The Fire Inside

Drew Starkey, Queer

Stanley Tucci, Conclave

Other Possibilities:

Austin Butler, Dune: Part Two

Javier Bardem, Dune: Part Two

Willem Dafoe, Kinds of Kindness

Samuel L. Jackson, The Piano Lesson

John Lithgow, Conclave

Clarence Maclin, Sing Sing

Adam Pearson, A Diffrent Man

Jeremy Strong, The Apprentice

Denzel Washington, Gladiator 2

Forest Whitaker, Megalopolis

Oscar Predictions: Drive-Away Dolls

Ethan Coen makes his solo directorial debut with Drive-Away Dolls, which parks in theaters this Friday and is co-scripted by his wife Tricia Cooke. Originally slated for a fall 2023 bow until the five month push, the screwball road comedy clocks in at a brisk 84 minutes. Margaret Qualley and Geraldine Viswanathan star with a supporting cast including Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, and Matt Damon.

In 2021, Ethan’s brother Joel made his first behind the camera effort sans his sibling with The Tragedy of Macbeth. That Shakespearian tale garnered three Oscar nods for Actor (Denzel Washington), Cinematography, and Production Design.

Early reviews for Dolls are all over the map with a current RT rating of 72%. Attention from the Academy seems highly unlikely. I’m not confident the Globes will bite either in their Musical/Comedy competitions (though maybe Qualley or Viswanathan could sneak in if the Actress race is weak). My Oscar Prediction posts will continue…

The Creator Box Office Prediction

20th Century Studios is banking on audiences wishing to acquaint themselves with The Creator when it debuts September 29th. The sci-fi action flick is original IP from Godzilla (the 2014 version) and Rogue One: A Star Wars Story maker Gareth Edwards (the director co-scripted with Chris Weitz). Tenet lead John David Washington headlines with a supporting cast including Madeleine Yuna Voyles, Gemma Chan, Ken Watanabe, Sturgill Simpson, and Allison Janney.

Made for a reported $80 million, this represents a gamble from the studio. Mr. Washington (unlike his dad Denzel) is not yet a bankable force whose presence can open a movie. As mentioned, it doesn’t have the franchise familiarity of Edwards’s previous two titles.

The Creator will hope for decent grosses stateside and an impressive haul abroad. I question whether this takes in $20 million for its start and I’ll put it a bit under that mark.

The Creator opening weekend prediction: $17.9 million

For my Saw X prediction, click here:

For my PAW Patrol: The Mighty Movie prediction, click here:

For my Dumb Money prediction, click here:

September 22-24 Box Office Predictions

Jason Statham and Sylvester Stallone look to top the charts as Expend4bles, the fourth entry in the action franchise, is the only new wide release this weekend. You can peruse my detailed prediction post on it here:

I have it just under the teens and that’s a far cry from the mid 30s/high 20s premieres that parts 1 and 2 achieved. It’s also below the $15.8 million that The Expendables 3 made in 2014. That said, given the weak box office frame happening, it should be enough for a #1 debut.

Just as the competition for #1 was a photo finish this past weekend (more on that below), The Nun II and A Haunting in Venice should duke it out for the runner-up spot.

Nos. 4 and 5 should go to holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3. However, Barbie might manage to stay fifth depending on the Greek drop and the fact that it’s playing on IMAX screens this weekend.

Here’s how I think it’ll shake out from 1-6:

1. Expend4bles

Predicted Gross: $12.8 million

2. The Nun II

Predicted Gross: $7.5 million

3. A Haunting in Venice

Predicted Gross: $7.2 million

4. The Equalizer 3

Predicted Gross: $4.9 million

5. Barbie

Predicted Gross: $3.1 million

6. My Big Fat Greek Wedding 3

Predicted Gross: $2.6 million

Box Office Results (September 15-17)

In a minor upset, The Nun II managed to remain #1 for a second weekend. That upends the conventional wisdom that A Haunting in Venice would claim the top slot. With a better than expected 55% fall (decent for the horror genre), The Nun II made $14.5 million compared to my $10.9 million projection. The scary sequel has made $56 million in two weeks.

A Haunting in Venice, the third Kenneth Branagh entry in his Hercule Poirot series, was a close second with $14.2 million. That’s right on track with my $14.6 million take. Considering last year’s Death on the Nile struggled as well, I wouldn’t anticipate seeing the mustachioed detective for a fourth mystery.

The Equalizer 3 was third with $7.2 million, in line with my $7 million call. Denzel Washington’s alleged capper to his franchise has made $73 million in three weeks.

My Big Fat Greek Wedding 3 saw a sophomore frame decline above 50% with $4.7 million (I was more generous at $5.9 million). Total is just $18 million.

Barbie rounded out the top five with $3.8 million (I said $3.6 million) to bring its nine-week haul to $625 million.

And that does it for now, folks! Until next time…

September 8-10 Box Office Predictions

A sequel filled September continues with The Nun II looking to conjure up big money while My Big Fat Greek Wedding 3 hopes to post comparable grosses to its 2016 predecessor. You can peruse my detailed prediction posts on them here:

In 2018, The Nun surprisingly achieved the largest premiere in the Conjuring Universe (a record that still stands) at $53 million. While I don’t expect the follow-up to reach that level, a solid high 30s start is my call.

As for Greek Wedding, the first sequel didn’t come close to matching what the smash 2002 original accomplished. I see the numbers continuing to dwindle with the third iteration and I have it barely topping $10 million. That should put #3 in third.

Current champ The Equalizer 3 should fall to second after a robust Labor Day weekend haul (more on that below). A mid 50s decline should put it in the low to mid teens.

Barbie looks to land in the four spot while Oppenheimer and Blue Beetle could duke it out for fifth. I’ve got them both just under $4 million.

Here’s how I envision the top six:

1. The Nun II

Predicted Gross: $38.7 million

2. The Equalizer 3

Predicted Gross: $15.4 million

3. My Big Fat Greek Wedding 3

Predicted Gross: $10.3 million

4. Barbie

Predicted Gross: $6.4 million

5. Blue Beetle

Predicted Gross: $3.9 million

6. Oppenheimer

Predicted Gross: $3.9 million

Box Office Results (September 1-4)

Denzel Washington is quite consistent in his sole franchise as audiences turned up for The Equalizer 3. Reportedly the final entry in the violent series, it earned the second best Labor Day weekend of all time at $42.8 million. That edges my call of $39.2 million. The three-day gross of $34.6 million is right on target with its two predecessors.

Barbie was second with $13.4 million over the long frame. I was generous (a theme for the weekend) at $16.2 million. The highest grossing movie of 2023 sits at $612 million domestically.

Blue Beetle was third with $9.4 million (I said $9.5 million!) as the DCU disappointment has made $58 million after three weeks.

Gran Turismo, despite an A Cinemascore, plummeted from 1st to 4th in its sophomore outing. The racing flick stalled at $8.7 million, well under my $12.1 million take for just $30 million thus far.

Oppenheimer rounded out the top five at $7.6 million (I went with $9.1 million) for a mega $310 million tally.

Finally, Teenage Mutant Ninja Turtles: Mutant Mayhem crossed the nine digit mark. The animated reboot made $6.2 million in sixth (I said more with $8.4 million) for $107 million overall.

And that does it for now, folks! Until next time…

September 1-4 Box Office Predictions

Denzel Washington hopes for a fruitful holiday weekend at the box office with The Equalizer 3. It aims to have the second best Labor Day debut of all time as the only newcomer of the frame. You can peruse my detailed prediction post on it here:

The third feature in the action trilogy should have little trouble achieving that 2nd best mark. Labor Day weekend is normally one where studios avoid breaking out the big guns. In 2021, Marvel ignored that tradition with Shang-Chi and the Legend of the Ten Rings and its $94 million beginning. The runner-up opening belongs to 2007’s Halloween remake at $30 million and I’ve got Equalizer a shade under $40 million.

With an extra day of grosses, the weekend should see meager declines and even some increases for holdovers. I believe this should allow Barbie to stay put in second for the third week in a row while current champ Gran Turismo drops to third. The four to six slots should be a combination of Blue Beetle, Oppenheimer, and Teenage Mutant Ninja Turtles: Mutant Mayhem. I have that trio separated by just over a million so their positions could fluctuate.

Here’s how I envision that top six and keep in mind these estimates are for the four-day:

1. The Equalizer 3

Predicted Gross: $39.2 million

2. Barbie

Predicted Gross: $16.2 million

3. Gran Turismo

Predicted Gross: $12.1 million

4. Blue Beetle

Predicted Gross: $9.5 million

5. Oppenheimer

Predicted Gross: $9.1 million

6. Teenage Mutant Ninja Turtles: Mutant Mayhem

Predicted Gross: $8.4 million

Box Office Results (August 25-27)

National Cinema Day on Sunday helped some pics post small declines, but it wasn’t enough to prevent the Playstation based Gran Turismo from a so-so start. The racing drama took in $17.4 million, a tad below my $19.3 million projection. That’s good enough for first, but hardly provides Sony with bragging rights. With an A Cinemascore, it’ll hope for legs over Labor Day and could be successful as I only have it falling around 15%.

Barbie was second with $15.1 million compared to my $16.5 million take. The year’s largest hit is up to $592 million in six weeks.

Blue Beetle went from 1st to 3rd with $12.1 million, a shade under my $13.2 million prediction. The DCU flop stands at only $45 million after ten days.

Oppenheimer was fourth with $8.2 million (I said $8.1 million) as the epic has amassed $299 million thus far.

Teenage Mutant Ninja Turtles: Mutant Mayhem rounded out the top five with $7.2 million, in range with my $6.8 million estimate. The four-week total is $99 million.

Finally, two newcomers failed to find a crowd. Liam Neeson’s Retribution opened in line with the star’s recent action flicks with $3.5 million for eighth position. That is better than my call of $2.4 million. The nine slot went to sports drama The Hill with $2.3 million as it couldn’t climb to my $3.3 million guesstimate.

That does it for now, folks! Catch my podcast by searching Movies at the Speed of Speculation wherever you prefer to stream. Until next time…

The Equalizer 3 Box Office Prediction

On September 1st, Denzel Washington is back in theaters showcasing his particular set of violent skills in The Equalizer 3. Antoine Fuqua, who collaborated with the lead on the first two pics as well as Training Day and The Magnificent Seven, directs. Costars include Dakota Fanning (reuniting with Washington nearly 20 years after Man on Fire), Eugenio Mastrandrea, David Denman, Sonia Ammar, and Remo Girone.

The Italian set action threequel is billed as the finale of the trilogy that began in 2014. Originally based on the stylish 1980s TV show with Edward Woodard, part one generated $34 million in its debut and $101 million overall domestically. The 2018 follow-up posted very similar earnings with a $35 million start and $102 million total.

I suspect that consistency will continue the third time. It has the advantage of premiering over the four-day Labor Day frame with no newcomers out and most holdovers fading. From Friday to Monday, a gross topping $40 million is certainly achievable. I’ll put it a bit under.

The Equalizer 3 opening weekend prediction: $39.2 million (Friday to Monday estimate)

Best Picture 2016: The Final Five


We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:

We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.

As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.

Arrival

Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.

Does It Make the Final Five?

No, but I’ll admit I went back and forth here. There’s certainly an argument to be made that it gets in due to the high number of nominations. However, the Actress snub and it not making the Golden Globe five for Drama make me more comfortable leaving it out. **As a side note – I didn’t let my personal take on it interfere as it’s probably my favorite picture of 2016.

Fences

Denzel Washington starred and directed this adaptation of the August Wilson play. Washington landed an Actor nom while costar Viola Davis won Supporting Actress. The Adapted Screenplay was also up.

Does It Make the Final Five?

No. Had it materialized in Director, I might think twice but this was probably 7th at best of the nine contenders.

Hacksaw Ridge

Mel Gibson made a filmmaking comeback in the World War II drama. He was up for his direction and Andrew Garfield earned a Best Actor spot. It won Sound Mixing and Film Editing and was up for Sound Editing.

Does It Make the Final Five?

Yes. Despite its screenplay not being mentioned, the Editing victory puts it in for me. In the 21st century, the winner of the race has missed BP exactly once (2011’s The Girl with the Dragon Tattoo).

Hell or High Water

Taylor Sheridan is best known these days for co-creating TV’s hit Yellowstone. He earned an Original Screenplay nod for this neo-Western that was also up for Supporting Actor (Jeff Bridges) and Film Editing.

Does It Make the Final Five?

No. Director David Mackenzie wasn’t up and the 0 for 4 showing is a sign the final five wasn’t reachable.

Hidden Figures

Theodore Melfi’s true life look at African-American female mathematicians at NASA during the 1960s was a gigantic hit – blasting off to $170 million domestically. Besides BP, Octavia Spencer was up for Supporting Actress as was the Adapted Screenplay.

Does It Make the Final Five?

No in spite of its box office. Of the nine nominees, it got the smallest number of noms and took home zero. It was also missed the Golden Globe and Critics Choice lists.

La La Land

Damien Chazelle won Best Director for his musical and Emma Stone was crowned Best Actress. The total number of nominations was 14 – which tied All About Eve and Titanic for the most ever. Other victories were Score, Song, Cinematography, and Production Design. The other mentions were Actor (Ryan Gosling), Original Screenplay, Sound Editing, Sound Mixing, Costume Design, and Film Editing.

Does It Make the Final Five?

A big and obvious yes. When Dunaway accidentally proclaimed it BP, no one was surprised since it was the frontrunner. It was very likely the runner-up in votes.

Lion

Garth Davis’s drama finds Dev Patel searching for his birth parents and it found its way to five other nods for Patel in Supporting Actor, Nicole Kidman for Supporting Actress, Adapted Screenplay, Score, and Cinematography. It did not win any of them.

Does It Make the Final Five?

Yes. I will admit that this could be a stretch and Arrival might be the pick of others. I just think that there would have been enough sentiment for this one to make the final cut even without directing and editing mentions.

Manchster by the Sea

Kenneth Lonergan got a directing nod for this grief filled drama and Casey Affleck won Best Actor. Lucas Hedges and Michelle Williams were up for the supporting derbies while Lonergan won Original Screenplay.

Does It Make the Final Five?

Yes. The screenplay and Actor wins solidify this and it was probably third of the five behind Moonlight and La La Land.

Therefore my projected 2016 five is:

Hacksaw Ridge

La La Land

Lion

Manchester by the Sea

Moonlight

2017 is next!

2022 Oscar Predictions: The State of the Best Actor Race

My detailed look at six of the top Oscar categories – Picture, Director, and the four acting derbies – arrives at Best Actor. If you missed the posts covering the supporting races, you can find them here:

At this late October/early November stage of forecasting in the previous three years, my picks in the lead acting competitions have been more accurate than the supporting ones.

In 2019 at this juncture, I managed to correctly identify four of the five eventual nominees: winner Joaquin Phoenix (Joker), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), and Jonathan Pryce (The Two Popes). The fifth was Antonio Banderas in Pain and Glory and he was listed in Other Possibilities.

Three of five was the story in 2020 and 2021. Two years ago, I had The Father‘s Anthony Hopkins (who won), Chadwick Boseman in Ma Rainey’s Black Bottom, and Gary Oldman (Mank) pegged with Riz Ahmed (Sound of Metal) and Steven Yeun (Minari) as possibles.

You may remember that Will Smith took gold last year for King Richard. I had him correctly called with two months remaining on the calendar. Same with Benedict Cumberbatch in The Power of the Dog and Denzel Washington for The Tragedy of Macbeth. Andrew Garfield (Tick, Tick… Boom!) was mentioned in Other Possibilities. Javier Bardem (Being the Ricardos) had yet to enter my top ten.

Had a certain slap heard around the world not occurred, it’s totally possible that Will Smith (Emancipation) might be listed in my top 5. However, with his current ban from attending the ceremony, I question whether he could make a return to the ballot so quickly after the controversy. Therefore he’s not in my top 10. We’ll see if the reviews (coming soon) change the dynamic.

We do have a frontrunner and that’s Brendan Fraser in The Whale. Since its Venice and Toronto fest bows, he’s drawn raves. This is also a comeback narrative that the Academy should fall for. I’ve had Fraser listed in 1st for several weeks and I see no reason to change that.

There are two viable runners-up in Colin Farrell (The Banshees of Inisherin) and Austin Butler (Elvis). I’ve been switching them in 2nd and 3rd place over the past few posts. Farrell is 2nd because I think Banshees stands a better shot at a BP nod. You have to go back to 2009 and Jeff Bridges (Crazy Heart) where the Best Actor recipient’s movie didn’t achieve BP inclusion. If Elvis makes the big dance – an argument could be made that Butler is Fraser’s most serious competition to shake the race up.

After those three names, it could be a free for all for the final two slots. The only other performer I had listed in 1st place other than Fraser was Hugh Jackman for The Son. This was before it premiered at the festivals and garnered middling reviews. Now the question is whether Jackman gets in at all.

Someone who has fared well on the fest circuit is Bill Nighy for Living. Sony Pictures will need to mount a spirited campaign, but they’re good at that kinda thing. I’m starting to feel better about Nighy than Jackman.

Diego Calva is the biggest remaining question mark for Babylon. Screenings coming up in two weeks should help answer his viability. There’s a pair of indie performances that could bubble up if critics groups assist – Paul Mescal for Aftersun and Jeremy Pope in The Inspection. One possible hindrance for both of them is their movies are both A24 and that studio could be distracted with crowning Fraser. We could see foreign film leads Song Kang-ho (Broker) and Park Hae-il (Decision to Leave) make a play.

Netflix is apparently going in on a spirited campaign for Adam Sandler in Hustle. I have a hard time seeing that pan out (especially since he couldn’t get in for Uncut Gems). The streamer could also focus on Christian Bale (The Pale Blue Eye) or Adam Driver (White Noise). Bale also has Amsterdam, but it failed with critics and audiences.

Finally… there’s Tom Cruise. A three-time nominee, it’s been 23 years since he was in the mix. And a little pic called Top Gun: Maverick was easily the largest blockbuster of his career and the runaway hit of 2022. I’m not ready to put him in my five. I wouldn’t be shocked if he ends up there.

Here’s my current state of this race:

1 . Brendan Fraser, The Whale (Previous Ranking: 1) (Even)

2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)

3. Austin Butler, Elvis (PR: 3) (E)

4. Bill Nighy, Living (PR: 4) (E)

5. Hugh Jackman, The Son (PR: 5) (E)

Other Possibilities:

6. Diego Calva, Babylon (PR: 6) (E)

7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)

8. Jeremy Pope, The Inspection (PR: 8) (E)

9. Adam Driver, White Noise (PR: 9) (E)

10. Paul Mescal, Aftersun (PR: Not Ranked)

Dropped Out:

Song Kang-ho, Broker

Best Actress is up next!