Summer 2012: The Top 10 Hits and More

My look back at the cinematic summers of 30, 20, and 10 years ago culminates with 2012. A decade ago, the Marvel Cinematic Universe went from a successful franchise to the phenomenal juggernaut that it remains today. That’s due to the release of a little something called The Avengers. On a side note, it’s worth mentioning that the biggest grosser 30 years ago (Batman Returns), two decades ago (Spider-Man), and in this post all share comic book roots.

Before we get to Iron Man and company, I’ll recount the other features in the top ten moneymakers before covering additional notable titles and some flops. If you missed my write-ups about the seasons of 1992 and 2002, you can find them here:

Summer 1992: The Top 10 Hits and More

Summer 2002: The Top 10 Hits and More

10. Prometheus

Domestic Gross: $126 million

Some three decades after Alien terrified audiences, Ridley Scott returned to the franchise. However, this was more of a mixed bag in terms of critical and audience reaction. The production design and Michael Fassbender’s performance were praised while the script drew its share of critics. Nevertheless Scott would be back in the mix five years later with Alien: Covenant. 

9. Snow White and the Huntsman 

Domestic Gross: $155 million

Hot off the Twilight franchise and hot off playing Thor in The Avengers, Kristen Stewart and Chris Hemsworth battled Prometheus costar Charlize Theron’s evil stepmom in this fantasy adventure. Reviews were so-so but it performed well enough to warrant a less appreciated prequel The Huntsman: Winter’s War in 2016.

8. Ice Age: Continental Drift 

Domestic Gross: $161 million

The fourth entry in the animated franchise featuring the vocal stylings of Ray Romano and John Leguizamo kept the grosses hot. Sequel Collision Course would follow four years later.

7. Men in Black 3

Domestic Gross: $179 million

The third teaming of Will Smith and Tommy Lee Jones (with Josh Brolin playing a convincing younger version of him) earned $11 million less than 2002’s part II. That sequel made less than the 1997 original. The series was revamped in 2019 with Men in Black: International with none other than Chris Hemsworth, but audiences tuned out.

6. Madagascar 3: Europe’s Most Wanted

Domestic Gross: $216 million

Ben Stiller and Chris Rock returned for the third time voicing their respective lion and zebra. Spin-off Penguins of Madagascar came out two years later while a proper fourth entry never materialized from DreamWorks.

5. Ted

Domestic Gross: $218 million

Moving from Fox’s hugely successful animated sitcom Family Guy the big screen, Seth MacFarlane’s story of Mark Wahlberg and his crude talking bear Ted was the breakout comedy of the season. Follow-ups A Million Ways to Die in the West and the Ted sequel were not as well received.

4. Brave

Domestic Gross: $237 million

The first Pixar film led by a female hero is also the inaugural studio entry (co)directed by a woman. It would go on to win Best Animated Feature at the Oscars.

3. The Amazing Spider-Man

Domestic Gross: $262 million

After not moving forward with a fourth title directed by Sam Raimi and starring Tobey Maguire, the Spidey franchise was rebooted with Marc Webb behind the camera and Andrew Garfield donning the red. The dollars followed although reviews were mixed and a 2014 sequel was widely considered a disappointment.

2. The Dark Knight Rises

Domestic Gross: $448 million

While perhaps not quite reaching the heights of 2008’s The Dark Knight, the culmination to Christopher Nolan’s trilogy sent Christian Bale’s Caped Crusader off in stirring fashion and with hugely profitable earnings.

1. The Avengers

Domestic Gross: $623 million

Setting record after record upon release, the melding of Iron Man, Thor, Captain America, Hulk, Black Widow, and Hawkeye transfixed filmgoers. It’s been Marvel’s world and we’ve been living in it ever since.

And now for some other pics worthy of discussion:

Magic Mike

Domestic Gross: $113 million

Steven Soderbergh’s saga of male exotic dancers was based loosely on Channing Tatum’s real life experiences. It turned him into a superstar while giving Matthew McConaughey a memorable showcase. The micro budgeted pic (a reported $7 million) spawned a 2015 sequel and there’s a third scheduled to hit HBO Max next year.

The Bourne Legacy

Domestic Gross: $113 million

Audiences weren’t clamoring for Jeremy Renner to replace Matt Damon in this franchise, but the stateside and overseas grosses were still pretty acceptable. That said, Renner’s tenure lasted this pic and this pic only.

The Best Exotic Marigold Hotel

Domestic Gross: $46 million

While it performed even better overseas, this British import with Judi Dench  was a sleeper hit stateside that begat a 2015 sequel.

Moonrise Kingdom 

Domestic Gross: $45 million

Wes Anderson scored with critics and crowds with this coming-of-age dramedy that premiered at Cannes and then found an audience in the weeks that followed.

Beasts of the Southern Wild

Domestic Gross: $12 million

This indie drama from Benh Zeitlin was truly a little movie that could. Shot for under $2 million, it eventually nabbed Oscar nods for Picture, Director, Actress (Quvanzhane Wallis at age 9), and Adapted Screenplay.

They’re not all winners so let’s get into some critical and/or commercial failures from the period:

Dark Shadows

Domestic Gross: $79 million

Johnny Depp’s box office happy days were beginning to fade as his 8th collaboration with Tim Burton was perhaps the least memorable. This horror comedy failed to enlighten viewers.

Battleship

Domestic Gross: $65 million

Action fans weren’t taken with this Peter Berg directed board game adaptation starring Liam Neeson and Rihanna with a bloated budget of over $200 million.

Total Recall

Domestic Gross: $58 million

And your action sci-fi fans weren’t signing up for Colin Farrell taking over for Arnold Schwarzenegger in this unneeded remake.

Rock of Ages

Domestic Gross: $38 million

Based on the Broadway musical, there was a deaf ear turned to this adaptation despite Tom Cruise getting solid notices for his performance. Lucky for him, he’d rule this current summer with Top Gun: Maverick. 

That’s My Boy

Domestic Gross: $36 million

Adam Sandler and Andy Samberg’s comedic partnership drew a 20% Tomatoes meter and ambivalence from usually devoted Sandler fans.

The Watch

Domestic Gross: $35 million

That wasn’t the only high-profile comedic flop as this sci-fi mashup with Ben Stiller, Vince Vaughn, and Jonah Hill fared even worse in numbers and rotten reviews (17% RT).

And that’ll close it out, ladies and gents! It’s been a pleasure revising these cinematic seasons of days past.

Elvis Box Office Prediction

Blogger’s Update (06/23): On the eve of its premiere, I am revising my Elvis prediction from $42.6M to $35.6M. That still gives it the #1 slot over Top Gun: Maverick… barely.

Warner Bros is betting that Elvis will get moviegoers all shook up when it hits theaters on June 24th. The extravagant musical comes from Baz Luhrmann, maker of Moulin Rouge! and 2013’s The Great Gatsby. Austin Butler, in a performance garnering some awards chatter, plays The King with Tom Hanks as The Colonel. Costars include Helen Thomson, Richard Roxburgh, Olivia DeJonge, Luke Bracey, Natasha Bassett, Kelvin Harrison Jr., and Kodi Smit-McPhee.

While Butler’s work has been lauded across the board, reviews for the film are a bit more mixed. It received a warm welcome at the Cannes Film Festival and it could certainly be an audience pleaser. The Rotten Tomatoes score stands at 77%.

The studio would love for Elvis to approach the earnings of Bohemian Rhapsody from 2018 (and maybe win some of the same Oscars). The Freddie Mercury biopic took in $51 million for its start with an overall domestic haul of $216 million. Coincidentally that’s the same figure that Gatsby made for Luhrmann’s personal best. WB is  hoping for a better beginning than 2019’s Rocketman, the Elton John tale which debuted with $25 million (with a $96 million eventual tally).

Obviously Elvis Presley is one of music’s biggest sensations ever and that could propel this to a premiere on pace with Rhapsody. Older moviegoers have recently proven they’re willing to venture out thanks to Top Gun: Maverick. 

I’m tempted to project this hits $45-50 million, but I’ll hedge a bit and say it fall a little shy of that.

Elvis opening weekend prediction: $35.6 million

For my The Black Phone prediction, click here:

The Black Phone Box Office Prediction

Oscar Predictions: Close

In 2o18, Belgian director probably came close to seeing his feature Girl nab an International Feature Film nod. It came up short, but he’s got another shot this year with Close.

The coming-of-age drama re-teams him with Girl screenwriter Angelo Tijssens. While it didn’t win the top prize Palme D’Or at the French film festival, it did tie with Stars at Noon for the Grand Prix (essentially second place).

With a 94% Rotten Tomatoes rating, I would expect Belgium could make this their selection for the Academy’s derby. If it makes the shortlist, it certainly stands a decent chance at inclusion. My Oscar Prediction posts will continue…

Oscar Predictions: Triangle of Sadness

Five years after his satire The Square won the Palme d’Or at Cannes, Swedish filmmaker Ruben Ostlund has won the top prize for another satire. That picture is Triangle of Sadness which stars Harris Dickinson and Charibi Dean as models stranded on an island with a group of billionaires, including Woody Harrelson.

Sadness was a bit of a surprise honoree over pics that received stronger reviews such as Broker and Decision to Leave. The Rotten Tomatoes score is 71% with some raves and others calling it a disappointment.

Perhaps the buzz garnered by the Cannes victory could propel it to a Best Picture nod. However, that’s far from a guarantee. My Oscar Prediction posts will continue…

2022 Oscar Predictions: May 29th Edition

As May comes to a close and the Cannes Film Festival wraps up, I’m giving you a fresh update in the six major Oscar categories!

In Best Picture, I’m elevating Empire of Light from Sam Mendes into the top ten and that takes Rustin out. The Daniels from Everything Everywhere All at Once vault into Director to the detriment of Sarah Polley for Women Talking. 

Empire of Light also benefits in Best Actress with Olivia Colman in over Carey Mulligan from She Said. While Actor and Supporting Actress remain unchanged, there’s two alterations in Supporting Actor with Ke Huy Quan (Everything Everywhere…) and Jesse Plemons (Killers of the Flower Moon) in over John David Washington (Amsterdam) and Tom Hanks (Elvis).

You can peruse all the movement below!

Best Picture

Predicted Nominees:

1. Babylon (Previous Ranking: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Killers of the Flower Moon (PR: 3) (E)

4. Everything Everywhere All at Once (PR: 6) (+2)

5. The Son (PR: 5) (E)

6. Women Talking (PR: 4) (-2)

7. Bardo (PR: 8) (+1)

8. She Said (PR: 7) (-1)

9. Empire of Light (PR: 16) (+7)

10. The Whale (PR: 9) (-1)

Other Possibilities:

11. Rustin (PR: 10) (-1)

12. Broker (PR: Not Ranked)

13. Decision to Leave (PR: 12) (-1)

14. Amsterdam (PR: 11) (-3)

15. White Noise (PR: 13) (-2)

16. Thirteen Lives (PR: 21) (+5)

17. Elvis (PR: 20) (+3)

18. Poor Things (PR: 14) (-4)

19. Avatar: The Way of Water (PR: 15) (-4)

20. Top Gun: Maverick (PR: Not Ranked)

21. Armageddon Time (PR: 19) (-2)

22. Till (PR: 18) (-4)

23. Next Goal Wins (PR: 25) (+2)

24. Tar (PR: 17) (-7)

25. Aftersun (PR: Not Ranked)

Dropped Out:

The Woman King

Three Thousand Years of Longing 

Don’t Worry Darling 

Best Director

Predicted Nominees:

    1. Damien Chazelle, Babylon (PR: 1) (E)

2. Steven Spielberg, The Fabelmans (PR: 2) (E)

3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)

4. Dan Kwan & Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (+2)

5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)

Other Possibilities:

6. Sarah Polley, Women Talking (PR: 4) (-2)

7. Florian Zeller, The Son (PR: 7) (E)

8. Park Chan-wook, Decision to Leave (PR: 9) (+1)

9. Sam Mendes, Empire of Light (PR: 15) (+6)

10. Hirokazu Kore’eda, Broker (PR: Not Ranked)

11. Darren Aronofsky, The Whale (PR: 10) (-1)

12. Maria Schrader, She Said (PR: 8) (-4)

13. David O. Russell, Amsterdam (PR: 13) (E)

14. James Cameron, Avatar: The Way of Water (PR: 12) (-2)

15. Yorgos Lanthimos, Poor Things (PR: 14) (-1)

Dropped Out:

George C. Wolfe, Rustin 

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Regina King, Shirley (PR: 2) (E)

3. Michelle Yeoh, Everything Everywhere All at Once (PR: 4) (+1)

4. Olivia Colman, Empire of Light (PR: 9) (+5)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities: 

6. Carey Mulligan, She Said (PR: 3) (-3)

7. Cate Blanchett, Tar (PR: 6) (-1)

8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)

9. Emma Stone, Poor Things (PR: 7) (-2)

10. Laura Dern, The Son (PR: 11) (+1)

11. Viola Davis, The Woman King (PR: 10) (-1)

12. Michelle Williams, Showing Up (PR: Not Ranked)

13. Helen Mirren, Golda (PR: Not Ranked)

14. Ana de Armas, Blonde (PR: 14) (E)

15. Saoirse Ronan, See How They Run (PR: 13) (-2)

Dropped Out:

Florence Pugh, Don’t Worry Darling

Tilda Swinton, Three Thousand Years of Longing 

Best Actor

Predicted Nominees:

1. Hugh Jackman, The Son (PR: 1) (E)

2. Brendan Fraser, The Whale (PR: 2) (E)

3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (+1)

4. Colman Domingo, Rustin (PR: 3) (-1)

5. Austin Butler, Elvis (PR: 5) (E)

Other Possibilities:

6. Song Kang-Ho, Broker (PR: Not Ranked)

7. Christian Bale, Amsterdam (PR: 6) (-1)

8. Adam Driver, White Noise (PR: 9) (+1)

9. Daniel Gimenez Cacho, Bardo (PR: 10) (+1)

10. Diego Calva, Babylon (PR: 7 (-3)

11. Michael Fassbender, Next Goal Wins (PR: 12) (+1)

12. Viggo Mortensen, Thirteen Lives (PR: 11) (-1)

13. Gabriel LaBelle, The Fabelmans (PR: 8) (-5)

14. Paul Mescal, Aftersun (PR: Not Ranked)

15. Colin Farrell, The Banshees of Inisherin (PR: 13) (-2)

Dropped Out:

Joaquin Phoenix, Disappointment Blvd.

Idris Elba, Three Thousand Years of Longing 

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 2) (+1)

2. Lily Gladstone, Killers of the Flower Moon (PR: 1) (-1)

3. Vanessa Kirby, The Son (PR: 4) (+1)

4. Jessie Buckley, Women Talking (PR: 5) (+1)

5. Zoe Kazan, She Said (PR: 3) (-2)

Other Possibilities: 

6. Hong Chau, The Whale (PR: 6) (E)

7. Jean Smart, Babylon (PR: 7) (E)

8. Audra McDonald, Rustin (PR: 13) (+5)

9. Stephanie Hsu, Everything Everywhere All at Once (PR: 10) (+1)

10. Patricia Clarkson, She Said (PR: 12) (+2)

11. Whoopi Goldberg, Till (PR: 8) (-3)

12. Margot Robbie, Amsterdam (PR: 9) (-3)

13. Dakota Johnson, Cha Cha Real Smooth (PR: Not Ranked)

14. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)

15. Anne Hathaway, Armageddon Time (PR: Not Ranked)

Dropped Out:

Rooney Mara, Women Talking 

Margaret Qualley, Poor Things

Thuso Mbedu, The Woman King

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR: 3) (+1)

3. Brad Pitt, Babylon (PR: 2) (-1)

4. Ke Huy Quan, Everything Everywhere All at Once (PR: 6) (+2)

5. Jesse Plemons, Killers of the Flower Moon (PR: 9) (+4)

Other Possibilities: 

6. Willem Dafoe, Poor Things (PR: 7) (+1)

7. Colin Firth, Empire of Light (PR: 15) (+8)

8. John David Washington, Amsterdam (PR: 5) (-3)

9. Glynn Turman, Rustin (PR: 8) (-1)

10. Ben Whishaw, Women Talking (PR: 11) (+1)

11. Andre Holland, Shirley (PR: Not Ranked)

12. Anthony Hopkins, Armageddon Time (PR: 12) (E)

13. Seth Rogen, The Fabelmans (PR: 14) (+1)

14. Tom Hanks, Elvis (PR: 4) (-10)

15. Mark Ruffalo, Poor Things (PR: 10) (-5)

Dropped Out:

Frankie Faison, Till 

Oscar Predictions: Showing Up

Kelly Reichardt is an acclaimed indie filmmaker behind the recent Certain Women and First Cow. Her latest, which premiered at Cannes, is Showing Up and it casts Michelle Williams as a sculptor in the family drama. Costars include Hong Chau, Judd Hirsch, John Magaro, Andre Benjamin, and James Le Gros.

Reviews say this is a lighter take on Reichardt’s material and the 100% Rotten Tomatoes indicates a winner. In what is becoming a common refrain in these posts, the distributor is A24. It will be a juggling act when it comes to their Oscar campaigns (Everything Everywhere All at Once, The Whale, and Aftersun are just three of their hopefuls).

Williams is drawing early raves. She’s seeking her fifth nomination after two lead nods for 2010’s Blue Valentine and 2011’s My Week with Marilyn and two supporting mentions for 2005’s Brokeback Mountain and 2016’s Manchester by the Sea. While she could draw attention here, there’s also Steven Spielberg’s upcoming The Fabelmans where she could make an appearance in supporting.

It’s important to remember that First Cow starting garnering some awards chatter that ended up petering out. That could happen here but the strong Cannes start helps its case. My Oscar Prediction posts will continue…

Oscar Predictions: Holy Spider

Ali Abbasi’s 2018 fantasy Border won plenty of acclaim and was Sweden’s designee for International Feature Film. It didn’t end up making the final cut, but it did score a nomination for Best Makeup and Hairstyling (coming up short to Vice).

The filmmaker’s latest is the crime thriller Holy Spider and its Cannes premiere is drawing plenty of solid critical attention. The Rotten Tomatoes rating is 88%. Zar Amir Ebrahimi is a reporter tracking Mehdi Bajestani’s serial killer. Said to be dark and gruesome, it would need a spirited Oscar campaign to contend for International Feature Film. My hunch is it ends up on the outside looking in like Border did. My Oscar Prediction posts will continue…

Oscar Predictions: Stars at Noon

From acclaimed French titles like 1999’s Beau Travail to the recent Robert Pattinson horror pic High Life, filmmaker Claire Denis has her ardent admirers. Based on the 1986 novel by Denis Johnson, her latest is Stars at Noon. It has made its premiere at Cannes.

The romantic thriller features Margaret Qualley and Joe Alwyn in the lead roles with Danny Ramirez, Benny Safdie, and John C. Reilly providing support. The reviews are decent though not overwhelmingly positive and the Rotten Tomatoes rating is 78%.

I suspect the stars won’t align for this to receive any sort of significant awards push in the coming months. My Oscar Prediction posts will continue…

Oscar Predictions: Broker

Had it not been for Roma in 2018, Hirokazu Kore’eda’s Shoplifters might have been the winner for the international competition at the Oscars. His latest is Broker and it has debuted at Cannes. Said to be a crowdpleaser, the drama focused on abandoned babies stars Song Kang-Ho of Parasite fame.

Early critical write-ups put this at 89% on Rotten Tomatoes. Some of the reviews say it isn’t quite  in Shoplifters territory. That said, if South Korea selects this as the hopeful in International Feature Film, it would stand an excellent shot at making the cut. However, that is a big if because the nation also has Park Chan-wook’s acclaimed Decision to Leave (also a Cannes player) in the mix.

At the moment, I’m giving Broker the slight edge to be the pick. If so, it’s one to remember come picking time (and perhaps in Original Screenplay too). My Oscar Prediction posts will continue…

Oscar Predictions: Elvis

Will Elvis be in the building when the Oscars air next year? The eagerly anticipated Baz Luhrmann biopic has debuted at Cannes prior to its June 24th stateside bow. The splashy musical casts Austin Butler as The King with Tom Hanks (in some apparently memorable makeup) as Colonel Parker. Costars include Helen Thomson, Richard Roxburgh, Kodi Smit-McPhee, Olivia DeJonge, and Kelvin Harrison, Jr.

Luhrmann’s movies can attract wildly divergent opinions. Elvis is currently at 88% on Rotten Tomatoes. Yet it’s worth noting that the negative reviews are quite negative and the positive ones point out plenty of flaws. It’s not often you’ll read this, but Hanks’s work is drawing mixed buzz. He’ll need some coattail action to be a factor in Supporting Actor.

On the flip side, Luhrmann’s pictures also generate Academy mentions. His last four have done so. 1996’s Romeo + Juliet was nominated for Art Direction. 2001’s Moulin Rouge! was his most acclaimed title with 8 nods including Picture (though not Director). It was victorious in Art Direction and Costume Design. His less regarded 2008 follow-up Australia received a Costume Design nod while 2013’s The Great Gatsby landed wins for Costume Design and Production Design.

We are talking about Elvis so you have to assume Costume Design is easily in play. So are Production Design, Makeup and Hairstyling, and Sound. And, yes, Best Picture is a possibility. Whether or not it hits at the box office could move the needle one way or the other on the big race. If he couldn’t do so for Rouge!, I doubt Luhrmann gets his first behind the camera recognition.

One consistent thread in most of the reaction thus far compliments the performance of Butler. He is absolutely in the mix for Best Actor. Butler’s best hope is to follow in the footsteps of Rami Malek, who took home the gold stature for 2018’s Bohemian Rhapsody as rock legend Freddie Mercury. Or he could end up like Taron Egerton, who surprisingly was left off the final five in 2019 as Elton John in Rocketman. 

Bottom line: despite some grumbling, Elvis has at least established itself as a mover and shaker for the awards season. My Oscar Prediction posts will continue…