Mia Hansen-Love’s romance/drama One Fine Morning debuted at Cannes in May and is now doing a fall festival run that includes Toronto. The French pic is the latest acclaimed feature from a director who has had several (most recently last year’s Bergman Island). Lea Seydoux leads a cast that includes Melvil Poupaud, Pascal Greggory, and Nicole Garcia.
With Sony Picture Classics handling distribution, the French may have a dilemma on their hands. Morning has an impressive 96% Rotten Tomatoes rating and could be a solid choice for the country’s International Feature Film submission. However, they also have Romain Gavris’s buzzy action drama Athena. While its RT score is lower at 67%, the positive reviews are very positive and it will certainly have its champions for IFF inclusion.
Hansen-Love, despite plenty of heralded pics, has yet to receive any attention from the Academy. That’s part of the reason why I wouldn’t be surprised if France ultimately selects Athena as its hopeful for awards season. My Oscar Prediction posts will continue…
MGM may need more than three wishes for Three Thousand Years of Longing to become a box office success when it opens August 26th. Based on a 1994 short story “The Djinn in the Nightingale’s Eye” by A.S. Byatt, the reported $60 million production is the latest fantasy from acclaimed filmmaker George Miller. Idris Elba stars as a genie hoping to gain his freedom through an academic played by Tilda Swinton.
Miller hasn’t been behind the camera since 2015’s Mad Max: Fury Road, which landed 10 Oscar nominations and six wins (all tech categories). He’ll be back helming the franchise again with 2024’s Furiosa. This in-between effort premiered at Cannes back in May to mixed reaction. While its visuals were praised, several critics weren’t overly keen on the story. The Rotten Tomatoes score is currently 62%.
Elba is a busy man in the last half of August with Beast debuting the week prior. That survival tale might make more in its second frame than Longing accomplishes in its first.
When the theater count is released, my estimate could fluctuate. Initial projections have this potentially reaching $10 million. I’m not buying it. The awareness factor for it seems low and it generated little buzz with the French festival premiere. This has the feel of a significant flop and the late August placement hardly dispels that possibility. I’m projecting that it might not reach $5 million as Miller’s most ardent supporters could be the only moviegoers turning up.
Three Thousand Years of Longing opening weekend prediction: $4 million
As July comes to a close, Oscar prognosticators received several bits of fascinating news this past week. The first was the lineup of the Venice Film Festival as well as the bulk of titles that will play in Toronto. That wild season (which also includes Telluride) is a mere month away. We will see a huge number of awards hopefuls being screened with long awaited buzz finally becoming clear.
Yet the biggest news is the (as yet unconfirmed) rumor that Martin Scorsese’s Killers of the Flower Moon will not come out until 2023. Variety and Deadline essentially reported it as fact. I struggled all day with whether to include Killers in my updated predictions (I faced the same choices a couple of weeks ago with Rustin). My final decision was to drop it. If Killers ends up back on the 2022 calendar, Variety and Deadline have some explaining to do…
Another development is that Ron Howard’s Thirteen Lives was released. While reviews were certainly decent, I don’t think they’re strong enough that it will be a true BP contender. It’s at #25 on my list.
The Killers announcement obviously means major changes in most of my lineups. Cannes fest winner Triangle of Sadness replaces it in my 10 BP picks while Sarah Polley (Women Talking) is in for Scorsese in Director. Adam Driver in the Venice opener White Noise replaces Leonardo DiCaprio in Actor. Hong Chau (The Whale) is now in Supporting Actress with Lily Gladstone out. And with Jesse Plemons dropping in Supporting Actor, that leaves room for Triangle‘s Woody Harrelson. Finally, She Said rises in Adapted Screenplay.
That’s not all, folks! There’s a new #1 in Best Picture! I’ve had Damien Chazelle’s Babylon ranked #1 from the beginning… until now. In order to find a BP winner that didn’t play at either Venice or Telluride or Toronto or Sundance or Cannes, you have to go all the way back to (ironically) Martin Scorsese’s The Departed. That was 16 years ago. Babylon could still sneak into Telluride. Yet I’m skeptical it will. This factoid alone is enough for me to vault Steven Spielberg’s The Fabelmans (premiering at Toronto) to the top spot.
I’m not finished yet with the #1 changes. The Son is now first in Adapted Screenplay since Killers has moved. And Ke Huy Quan rises to the pole position in Supporting Actor over Paul Dano from The Fabelmans.
Another alteration – Empire of Light falls out of Original Screenplay with The Banshees of Inisherin in as my likely lone screenplay nominee.
That’s a lot of movement in one week and you can peruse it all below!
My look back at the cinematic summers of 30, 20, and 10 years ago culminates with 2012. A decade ago, the Marvel Cinematic Universe went from a successful franchise to the phenomenal juggernaut that it remains today. That’s due to the release of a little something called The Avengers. On a side note, it’s worth mentioning that the biggest grosser 30 years ago (Batman Returns), two decades ago (Spider-Man), and in this post all share comic book roots.
Before we get to Iron Man and company, I’ll recount the other features in the top ten moneymakers before covering additional notable titles and some flops. If you missed my write-ups about the seasons of 1992 and 2002, you can find them here:
Some three decades after Alien terrified audiences, Ridley Scott returned to the franchise. However, this was more of a mixed bag in terms of critical and audience reaction. The production design and Michael Fassbender’s performance were praised while the script drew its share of critics. Nevertheless Scott would be back in the mix five years later with Alien: Covenant.
9. Snow White and the Huntsman
Domestic Gross: $155 million
Hot off the Twilight franchise and hot off playing Thor in The Avengers, Kristen Stewart and Chris Hemsworth battled Prometheus costar Charlize Theron’s evil stepmom in this fantasy adventure. Reviews were so-so but it performed well enough to warrant a less appreciated prequel The Huntsman: Winter’s War in 2016.
8. Ice Age: Continental Drift
Domestic Gross: $161 million
The fourth entry in the animated franchise featuring the vocal stylings of Ray Romano and John Leguizamo kept the grosses hot. Sequel Collision Course would follow four years later.
7. Men in Black 3
Domestic Gross: $179 million
The third teaming of Will Smith and Tommy Lee Jones (with Josh Brolin playing a convincing younger version of him) earned $11 million less than 2002’s part II. That sequel made less than the 1997 original. The series was revamped in 2019 with Men in Black: International with none other than Chris Hemsworth, but audiences tuned out.
6. Madagascar 3: Europe’s Most Wanted
Domestic Gross: $216 million
Ben Stiller and Chris Rock returned for the third time voicing their respective lion and zebra. Spin-off Penguins of Madagascar came out two years later while a proper fourth entry never materialized from DreamWorks.
5. Ted
Domestic Gross: $218 million
Moving from Fox’s hugely successful animated sitcom Family Guy the big screen, Seth MacFarlane’s story of Mark Wahlberg and his crude talking bear Ted was the breakout comedy of the season. Follow-ups A Million Ways to Die in the West and the Ted sequel were not as well received.
4. Brave
Domestic Gross: $237 million
The first Pixar film led by a female hero is also the inaugural studio entry (co)directed by a woman. It would go on to win Best Animated Feature at the Oscars.
3. The Amazing Spider-Man
Domestic Gross: $262 million
After not moving forward with a fourth title directed by Sam Raimi and starring Tobey Maguire, the Spidey franchise was rebooted with Marc Webb behind the camera and Andrew Garfield donning the red. The dollars followed although reviews were mixed and a 2014 sequel was widely considered a disappointment.
2. The Dark Knight Rises
Domestic Gross: $448 million
While perhaps not quite reaching the heights of 2008’s The Dark Knight, the culmination to Christopher Nolan’s trilogy sent Christian Bale’s Caped Crusader off in stirring fashion and with hugely profitable earnings.
1. The Avengers
Domestic Gross: $623 million
Setting record after record upon release, the melding of Iron Man, Thor, Captain America, Hulk, Black Widow, and Hawkeye transfixed filmgoers. It’s been Marvel’s world and we’ve been living in it ever since.
And now for some other pics worthy of discussion:
Magic Mike
Domestic Gross: $113 million
Steven Soderbergh’s saga of male exotic dancers was based loosely on Channing Tatum’s real life experiences. It turned him into a superstar while giving Matthew McConaughey a memorable showcase. The micro budgeted pic (a reported $7 million) spawned a 2015 sequel and there’s a third scheduled to hit HBO Max next year.
The Bourne Legacy
Domestic Gross: $113 million
Audiences weren’t clamoring for Jeremy Renner to replace Matt Damon in this franchise, but the stateside and overseas grosses were still pretty acceptable. That said, Renner’s tenure lasted this pic and this pic only.
The Best Exotic Marigold Hotel
Domestic Gross: $46 million
While it performed even better overseas, this British import with Judi Dench was a sleeper hit stateside that begat a 2015 sequel.
Moonrise Kingdom
Domestic Gross: $45 million
Wes Anderson scored with critics and crowds with this coming-of-age dramedy that premiered at Cannes and then found an audience in the weeks that followed.
Beasts of the Southern Wild
Domestic Gross: $12 million
This indie drama from Benh Zeitlin was truly a little movie that could. Shot for under $2 million, it eventually nabbed Oscar nods for Picture, Director, Actress (Quvanzhane Wallis at age 9), and Adapted Screenplay.
They’re not all winners so let’s get into some critical and/or commercial failures from the period:
Dark Shadows
Domestic Gross: $79 million
Johnny Depp’s box office happy days were beginning to fade as his 8th collaboration with Tim Burton was perhaps the least memorable. This horror comedy failed to enlighten viewers.
Battleship
Domestic Gross: $65 million
Action fans weren’t taken with this Peter Berg directed board game adaptation starring Liam Neeson and Rihanna with a bloated budget of over $200 million.
Total Recall
Domestic Gross: $58 million
And your action sci-fi fans weren’t signing up for Colin Farrell taking over for Arnold Schwarzenegger in this unneeded remake.
Rock of Ages
Domestic Gross: $38 million
Based on the Broadway musical, there was a deaf ear turned to this adaptation despite Tom Cruise getting solid notices for his performance. Lucky for him, he’d rule this current summer with Top Gun: Maverick.
That’s My Boy
Domestic Gross: $36 million
Adam Sandler and Andy Samberg’s comedic partnership drew a 20% Tomatoes meter and ambivalence from usually devoted Sandler fans.
The Watch
Domestic Gross: $35 million
That wasn’t the only high-profile comedic flop as this sci-fi mashup with Ben Stiller, Vince Vaughn, and Jonah Hill fared even worse in numbers and rotten reviews (17% RT).
And that’ll close it out, ladies and gents! It’s been a pleasure revising these cinematic seasons of days past.
Blogger’s Update (06/23): On the eve of its premiere, I am revising my Elvis prediction from $42.6M to $35.6M. That still gives it the #1 slot over Top Gun: Maverick… barely.
Warner Bros is betting that Elvis will get moviegoers all shook up when it hits theaters on June 24th. The extravagant musical comes from Baz Luhrmann, maker of Moulin Rouge! and 2013’s The Great Gatsby. Austin Butler, in a performance garnering some awards chatter, plays The King with Tom Hanks as The Colonel. Costars include Helen Thomson, Richard Roxburgh, Olivia DeJonge, Luke Bracey, Natasha Bassett, Kelvin Harrison Jr., and Kodi Smit-McPhee.
While Butler’s work has been lauded across the board, reviews for the film are a bit more mixed. It received a warm welcome at the Cannes Film Festival and it could certainly be an audience pleaser. The Rotten Tomatoes score stands at 77%.
The studio would love for Elvis to approach the earnings of Bohemian Rhapsody from 2018 (and maybe win some of the same Oscars). The Freddie Mercury biopic took in $51 million for its start with an overall domestic haul of $216 million. Coincidentally that’s the same figure that Gatsby made for Luhrmann’s personal best. WB is hoping for a better beginning than 2019’s Rocketman, the Elton John tale which debuted with $25 million (with a $96 million eventual tally).
Obviously Elvis Presley is one of music’s biggest sensations ever and that could propel this to a premiere on pace with Rhapsody. Older moviegoers have recently proven they’re willing to venture out thanks to Top Gun: Maverick.
I’m tempted to project this hits $45-50 million, but I’ll hedge a bit and say it fall a little shy of that.
In 2o18, Belgian director probably came close to seeing his feature Girl nab an International Feature Film nod. It came up short, but he’s got another shot this year with Close.
The coming-of-age drama re-teams him with Girl screenwriter Angelo Tijssens. While it didn’t win the top prize Palme D’Or at the French film festival, it did tie with Stars at Noon for the Grand Prix (essentially second place).
With a 94% Rotten Tomatoes rating, I would expect Belgium could make this their selection for the Academy’s derby. If it makes the shortlist, it certainly stands a decent chance at inclusion. My Oscar Prediction posts will continue…
Five years after his satire The Square won the Palme d’Or at Cannes, Swedish filmmaker Ruben Ostlund has won the top prize for another satire. That picture is Triangle of Sadness which stars Harris Dickinson and Charibi Dean as models stranded on an island with a group of billionaires, including Woody Harrelson.
Sadness was a bit of a surprise honoree over pics that received stronger reviews such as Broker and Decision to Leave. The Rotten Tomatoes score is 71% with some raves and others calling it a disappointment.
Perhaps the buzz garnered by the Cannes victory could propel it to a Best Picture nod. However, that’s far from a guarantee. My Oscar Prediction posts will continue…
As May comes to a close and the Cannes Film Festival wraps up, I’m giving you a fresh update in the six major Oscar categories!
In Best Picture, I’m elevating Empire of Light from Sam Mendes into the top ten and that takes Rustin out. The Daniels from Everything Everywhere All at Once vault into Director to the detriment of Sarah Polley for Women Talking.
Empire of Light also benefits in Best Actress with Olivia Colman in over Carey Mulligan from She Said. While Actor and Supporting Actress remain unchanged, there’s two alterations in Supporting Actor with Ke Huy Quan (Everything Everywhere…) and Jesse Plemons (Killers of the Flower Moon) in over John David Washington (Amsterdam) and Tom Hanks (Elvis).
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Babylon (Previous Ranking: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Everything Everywhere All at Once (PR: 6) (+2)
5. The Son (PR: 5) (E)
6. Women Talking (PR: 4) (-2)
7. Bardo (PR: 8) (+1)
8. She Said (PR: 7) (-1)
9. Empire of Light (PR: 16) (+7)
10. The Whale (PR: 9) (-1)
Other Possibilities:
11. Rustin (PR: 10) (-1)
12. Broker (PR: Not Ranked)
13. Decision to Leave (PR: 12) (-1)
14. Amsterdam (PR: 11) (-3)
15. White Noise (PR: 13) (-2)
16. Thirteen Lives (PR: 21) (+5)
17. Elvis (PR: 20) (+3)
18. Poor Things (PR: 14) (-4)
19. Avatar: The Way of Water (PR: 15) (-4)
20. Top Gun: Maverick (PR: Not Ranked)
21. Armageddon Time (PR: 19) (-2)
22. Till (PR: 18) (-4)
23. Next Goal Wins (PR: 25) (+2)
24. Tar (PR: 17) (-7)
25. Aftersun (PR: Not Ranked)
Dropped Out:
The Woman King
Three Thousand Years of Longing
Don’t Worry Darling
Best Director
Predicted Nominees:
Damien Chazelle, Babylon (PR: 1) (E)
2. Steven Spielberg, The Fabelmans (PR: 2) (E)
3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)
4. Dan Kwan & Daniel Scheinert, Everything Everywhere All at Once (PR: 6) (+2)
5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)
Other Possibilities:
6. Sarah Polley, Women Talking (PR: 4) (-2)
7. Florian Zeller, The Son (PR: 7) (E)
8. Park Chan-wook, Decision to Leave (PR: 9) (+1)
9. Sam Mendes, Empire of Light (PR: 15) (+6)
10. Hirokazu Kore’eda, Broker (PR: Not Ranked)
11. Darren Aronofsky, The Whale (PR: 10) (-1)
12. Maria Schrader, She Said (PR: 8) (-4)
13. David O. Russell, Amsterdam (PR: 13) (E)
14. James Cameron, Avatar: The Way of Water (PR: 12) (-2)
15. Yorgos Lanthimos, Poor Things (PR: 14) (-1)
Dropped Out:
George C. Wolfe, Rustin
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon (PR: 1) (E)
2. Regina King, Shirley (PR: 2) (E)
3. Michelle Yeoh, Everything Everywhere All at Once (PR: 4) (+1)
4. Olivia Colman, Empire of Light (PR: 9) (+5)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 3) (-3)
7. Cate Blanchett, Tar (PR: 6) (-1)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (E)
9. Emma Stone, Poor Things (PR: 7) (-2)
10. Laura Dern, The Son (PR: 11) (+1)
11. Viola Davis, The Woman King (PR: 10) (-1)
12. Michelle Williams, Showing Up (PR: Not Ranked)
13. Helen Mirren, Golda (PR: Not Ranked)
14. Ana de Armas, Blonde (PR: 14) (E)
15. Saoirse Ronan, See How They Run (PR: 13) (-2)
Dropped Out:
Florence Pugh, Don’t Worry Darling
Tilda Swinton, Three Thousand Years of Longing
Best Actor
Predicted Nominees:
1. Hugh Jackman, The Son (PR: 1) (E)
2. Brendan Fraser, The Whale (PR: 2) (E)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (+1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Austin Butler, Elvis (PR: 5) (E)
Other Possibilities:
6. Song Kang-Ho, Broker (PR: Not Ranked)
7. Christian Bale, Amsterdam (PR: 6) (-1)
8. Adam Driver, White Noise (PR: 9) (+1)
9. Daniel Gimenez Cacho, Bardo (PR: 10) (+1)
10. Diego Calva, Babylon (PR: 7 (-3)
11. Michael Fassbender, Next Goal Wins (PR: 12) (+1)
12. Viggo Mortensen, Thirteen Lives (PR: 11) (-1)
13. Gabriel LaBelle, The Fabelmans (PR: 8) (-5)
14. Paul Mescal, Aftersun (PR: Not Ranked)
15. Colin Farrell, The Banshees of Inisherin (PR: 13) (-2)
Dropped Out:
Joaquin Phoenix, Disappointment Blvd.
Idris Elba, Three Thousand Years of Longing
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 2) (+1)
2. Lily Gladstone, Killers of the Flower Moon (PR: 1) (-1)
3. Vanessa Kirby, The Son (PR: 4) (+1)
4. Jessie Buckley, Women Talking (PR: 5) (+1)
5. Zoe Kazan, She Said (PR: 3) (-2)
Other Possibilities:
6. Hong Chau, The Whale (PR: 6) (E)
7. Jean Smart, Babylon (PR: 7) (E)
8. Audra McDonald, Rustin (PR: 13) (+5)
9. Stephanie Hsu, Everything Everywhere All at Once (PR: 10) (+1)
10. Patricia Clarkson, She Said (PR: 12) (+2)
11. Whoopi Goldberg, Till (PR: 8) (-3)
12. Margot Robbie, Amsterdam (PR: 9) (-3)
13. Dakota Johnson, Cha Cha Real Smooth (PR: Not Ranked)
14. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)
15. Anne Hathaway, Armageddon Time (PR: Not Ranked)
Dropped Out:
Rooney Mara, Women Talking
Margaret Qualley, Poor Things
Thuso Mbedu, The Woman King
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 3) (+1)
3. Brad Pitt, Babylon (PR: 2) (-1)
4. Ke Huy Quan, Everything Everywhere All at Once (PR: 6) (+2)
5. Jesse Plemons, Killers of the Flower Moon (PR: 9) (+4)
Kelly Reichardt is an acclaimed indie filmmaker behind the recent Certain Women and First Cow. Her latest, which premiered at Cannes, is Showing Up and it casts Michelle Williams as a sculptor in the family drama. Costars include Hong Chau, Judd Hirsch, John Magaro, Andre Benjamin, and James Le Gros.
Reviews say this is a lighter take on Reichardt’s material and the 100% Rotten Tomatoes indicates a winner. In what is becoming a common refrain in these posts, the distributor is A24. It will be a juggling act when it comes to their Oscar campaigns (Everything Everywhere All at Once, The Whale, and Aftersun are just three of their hopefuls).
Williams is drawing early raves. She’s seeking her fifth nomination after two lead nods for 2010’s Blue Valentine and 2011’s My Week with Marilyn and two supporting mentions for 2005’s Brokeback Mountain and 2016’s Manchester by the Sea. While she could draw attention here, there’s also Steven Spielberg’s upcoming The Fabelmans where she could make an appearance in supporting.
It’s important to remember that First Cow starting garnering some awards chatter that ended up petering out. That could happen here but the strong Cannes start helps its case. My Oscar Prediction posts will continue…
Ali Abbasi’s 2018 fantasy Border won plenty of acclaim and was Sweden’s designee for International Feature Film. It didn’t end up making the final cut, but it did score a nomination for Best Makeup and Hairstyling (coming up short to Vice).
The filmmaker’s latest is the crime thriller Holy Spider and its Cannes premiere is drawing plenty of solid critical attention. The Rotten Tomatoes rating is 88%. Zar Amir Ebrahimi is a reporter tracking Mehdi Bajestani’s serial killer. Said to be dark and gruesome, it would need a spirited Oscar campaign to contend for International Feature Film. My hunch is it ends up on the outside looking in like Border did. My Oscar Prediction posts will continue…
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