Instead of saying it’s made with spirit, you can accurately say Megalopolis was made with spirits. As in wine because legendary filmmaker Francis Ford Coppola reportedly sold a hefty portion of that business to finance the $120 million production. This is Coppola’s dream project (in development since the late 1970s) and the sci-fi drama influenced by the fall of the Roman Empire has premiered at Cannes. The large cast includes Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Jason Schwartzman, Talia Shire, Grace VanderWaal, Laurence Fishburne, Kathryn Hunter, Chloe Fineman, and Dustin Hoffman.
Some reaction from the Riviera is heaping praise on the long gestating picture. There’s plenty more calling it a mess (though a wildly ambitious one) and you can see it in the 47% Rotten Tomatoes rating.
At 85, Coppola is rightfully regarded as one of cinema’s most important figures. That said, for every The Godfather, The Conversation, and Apocalypse Now, there’s some flops and flicks that received middling reviews. His 2011 predecessor Twixt, for example, came and went with scant fanfare.
Despite the high profile surroundings with this unveiling, awards prospects are shaky and that might be generous. I suppose tech races like Production Design or Costume Design could happen, but I think it’s entirely possible the Academy ignores this altogether. One might think Visual Effects is doable yet that aspect is receiving its share of disparagement. The large cast should come up empty-handed too. The three Godfather sagas saw 10 performers get nominated. Based on the write-ups I’ve seen, I don’t see any of the thespians here contending. Same goes for Coppola and his movie. My Oscar Prediction posts will continue…
Furiosa: A Mad Max Saga storms into theaters this Memorial Day weekend as it hopes to improve upon the numbers of its 2015 predecessor Mad Max: Fury Road. The fifth feature of a franchise that began in 1979, George Miller returns to the director’s chair and this is the first Max tale without Max (in the form of Mel Gibson or Tom Hardy). The prequel casts Anya Taylor-Joy in the title role that Charlize Theron played nine years back. Chris Hemsworth costars along with Alyla Browne, Tom Burke, Lachy Hulme, Nathan Jones, Josh Helman, John Howard, and Angus Sampson.
With a reported budget of nearly $170 million, Warner Bros is banking on fruitful stateside returns and buoyant international results. Early signs are encouraging. Its Cannes premiere has produced an 88% RT score. While that’s not as high as Fury, word-of-mouth should be solid.
Back in 2015, Fury grossed $45 million in its mid-May opening slot en route to $153 million domestically. Furiosa will have the benefit of a four-day report due to the holiday. Hitting $50 million is achievable from Friday to Monday. I suspect it may slightly fall under that figure.
Furiosa: A Mad Max Saga opening weekend prediction: $47.2 million (Friday to Monday estimate)
At the 88th Academy Awards covering the films of 2015, Mad Max: Fury Road received 10 nominations (the second highest behind The Revenant) and the most victories with 6. The wins were for Costume Design, Film Editing, Makeup and Hairstyling, Production Design, Sound Editing, and Sound Mixing. It came up short in Picture, Director (George Miller), Cinematography, and Visual Effects.
For the 97th Oscars, voters will have prequel Furiosa: A Mad Max Saga to consider. Miller’s fifth feature in the franchise that began 45 years ago has screened at Cannes prior to its Memorial Day weekend domestic release. Anya Taylor-Joy plays the title character portrayed by Charlize Theron in Fury Road. Chris Hemsworth costars along with Tom Burke, Alyla Browne, Lachy Hulme, Josh Helman, John Howard, and Angus Sampson.
Early reaction is certainly encouraging with an 87% Rotten Tomatoes rating. Some critics are claiming it’s on par with the predecessor while others say it doesn’t quite measure up (Road‘s RT score was 97%).
Saga‘s biggest hurdle to break into Picture and Director could be another sci-fi series entry from earlier this year and that is Dune: Part Two. That pic has likely punched its ticket in those two big races and there may not be room for Furiosa. That said, all those tech competitions could be in play and it could fall short to Dune in a few of them. Sound Editing and Mixing has since become one category so a best case scenario could be seven nods. There will some internet chatter for Hemsworth in Supporting Actor, but I suspect it will remain just that. My Oscar Prediction posts will continue…
The Cannes Film Festival is underway and the opening feature is from an auteur named Quentin! Not that one. The Second Act is a French comedy about the first AI directed movie and it’s the latest from filmmaker Quentin Dupieux. Also… don’t get this confused with Second Act, Jennifer Lopez’s rom com from 2018 (because why would that open Cannes??). Léa Seydoux, Vincent Lindon, Louis Garrel, and Raphaël Quenard star.
Clocking in at a mere 82 minutes, initial reactions call this a very meta experience. Reviews themselves are mixed. The Rotten Tomatoes score is currently 60% based on a handful of critics.
I find it highly unlikely that the French will select this as their contender for International Feature Film months down the line. Any awards prospects seem shaky at best. My Oscar Prediction posts will continue…
Cinco de Mayo brings the second ranked post for the 97th Academy Awards in the six major races- Picture, Director, and the four acting derbies. Obviously we’re early in the process and, at the moment, a lot of speculation is simply on where certain performers will be placed (lead or supporting). Some examples: His Three Daughters from director Azazel Jacobs screened to impressive reviews at Toronto last fall and has been given a plum Netflix streaming start for this autumn. The title characters are played by Carrie Coon, Natasha Lyonne, and Elizabeth Olsen. The studio has a decision to make on which categories the trio are campaigned in. I am currently guesstimating that Lyonne will be lead with the other two in supporting. It is indeed a guesstimate. They could all go supporting. Coon could be an Actress play with the others in supporting. Obviously I’ll adjust as the weeks and months move along as updates are provided.
Then there’s Saoirse Ronan. The four-time nominee and no time winner has two 2024 shots. Her work in The Outrun premiered at Sundance, indicating a definite possibility for a lead Actress nod. She is also in Steve McQueen’s Blitz which sure looks like an awards hopeful on paper. Whether she’s lead or supporting in it remains to be seen. Apple TV might have better luck putting her in Supporting Actress and that’s where I have her. However, we don’t know if that’s workable at press time.
Beyond the thespians, we have head scratchers like Kevin Costner’s western epic Horizon: An American Saga. Make that Horizon: An American Saga – Chapter 1 (slated for late June) and Horizon: An American Saga – Chapter 2 (arriving mid-August). Could the Dances with Wolves maker have another chance at Oscar glory? If so, which chapter books its spot on the BP list? I’m speculating that the better chance lies with the second one.
Horizon will first be seen at Cannes and that fest kicks off May 14th. Some other pictures showing there include Kinds of Kindness, Megalopolis, The Apprentice, Bird, Furiosa: A Mad Max Saga, Emilia Perez, and Anora. When I publish my next update in a couple of weeks, some of them will have reviews and buzz.
Here’s how I have it shaking out now!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 2) (E)
3. Conclave (PR: 3) (E)
4. Sing Sing (PR: 4) (E)
5. Queer (PR: 6) (+1)
6. The End (PR: 5) (-1)
7. The Fire Inside (PR: 7) (E)
8. Kinds of Kindness (PR: 9) (+1)
9. Bird (PR: 8) (-1)
10. His Three Daughters (PR: Not Ranked)
Other Possibilities:
11. Joker: Folie à Deux (PR: 11) (E)
12. Horizon: An American Saga – Chapter 2 (PR: 19) (+7)
13. The Apprentice (PR: 12) (-1)
14. Furiosa: A Mad Max Saga (PR: 14) (E)
15. The Piano Lesson (PR: 18) (+3)
16. Megalopolis (PR: 17) (+1)
17. Maria (PR: 16) (-1)
18. The Nickel Boys (PR: 22) (+4)
19. Civil War (PR: 15) (-4)
20. Hit Man (PR: Not Ranked)
21. A Real Pain (PR: 20) (-1)
22. The Supremes at Earl’s All-You-Can-Eat (PR: 13) (-9)
23. Dídi (PR: 10) (-13)
24. Hard Truths (PR: 23) (-1)
25. SNL 1975 (PR: Not Ranked)
Dropped Out:
Here
Wicked
Gladiator II
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Joshua Oppenheimer, The End (PR: 4) (E)
5. Andrea Arnold, Bird (PR: 9) (+4)
Other Possibilities:
6. Luca Guadagnino, Queer (PR: 6) (E)
7. Yorgos Lanthimos, Kinds of Kindness (PR: 8) (+1)
8. Rachel Morrison, The Fire Inside (PR: 5) (-3)
9. Todd Phillips, Joker: Folie à Deux (PR: 10) (+1)
10. Greg Kwedar, Sing Sing (PR: 7) (-3)
11. George Miller, Furiosa: A Mad Max Saga (PR: 11) (E)
12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)
13. Francis Ford Coppola, Megalopolis (PR: 14) (+1)
14. Ali Abbisi, The Apprentice (PR: 15) (+1)
15. Azazel Jacobs, His Three Daughters (PR: Not Ranked)
Dropped Out:
Sean Wang, Dídi
Alex Garland, Civil War
Best Actress
Predicted Nominees:
1. Angelina Jolie, Maria (PR: 1) (E)
2. Saoirse Ronan, The Outrun (PR: 10) (+8)
3. Natasha Lyonne, His Three Daughters (PR: Not Ranked) – moved from Supporting
4. Ryan Destiny, The Fire Inside (PR: 3) (-1)
5. Lady Gaga, Joker: Folie à Deux (PR: 4) (-1)
Other Possibilities:
6. Tilda Swinton, The End (PR: 5) (-1)
7. Amy Adams, Nightbitch (PR: 6) (-1)
8. Karla Sofia Gascón, Emilia Perez (PR: 9) (+1)
9. Marianne Jean-Baptiste, Hard Truths (PR: 7) (-2)
10. Zendaya, Challengers (PR: 13) (+3)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Florence Pugh, We Live in Time (PR: Not Ranked)
13. Anne Hathaway, Mother Mary (PR: 12) (-1)
14. Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat (PR: 8) (-6)
15. Noemie Merlant, Emmanuelle (PR: 15) (E)
Dropped Out:
Saoirse Ronan, Blitz (moved to Supporting)
Cynthia Erivo, Wicked
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 4) (+1)
4. Barry Keoghan, Bird (PR: 3) (-1)
5. André Holland, The Actor (PR: 5) (E)
Other Possibilities:
6. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (E)
7. Glen Powell, Hit Man (PR: 9) (+2)
8. Sebastian Stan, The Apprentice (PR: 8) (E)
9. John David Washington, The Piano Lesson (PR: 10) (+1)
10. George MacKay, The End (PR: 7) (-3)
11. Sebastian Stan, A Different Man (PR: 13) (+2)
12. Paul Bettany, The Collaboration (PR: 14) (+2)
13. Andrew Garfield, We Live in Time (PR: Not Ranked)
14. Kingsley Ben-Adir, Bob Marley: One Love (PR: 15) (+1)
15. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)
Dropped Out:
Timothée Chalamet, Dune: Part Two
Adam Driver, Megalopolis
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 2) (+1)
2. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from lead Actress
3. Joan Chen, Dídi (PR: 1) (-2)
4. Carrie Coon, His Three Daughters (PR: Not Ranked)
5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 8) (+3)
Other Possibilities:
6. Hong Chau, Kinds of Kindness (PR: 5) (-1)
7. Lesley Manville, Queer (PR: 4) (-3)
8. Danielle Deadwyler, The Piano Lesson (PR: 9) (+1)
9. Elizabeth Olsen, His Three Daughters (PR: Not Ranked)
10. Erin Kellyman, Blitz (PR: 3) (-7)
11. Jodie Comer, The Bikeriders (PR: 6) (-5)
12. Maria Bakalova, The Apprentice (PR: 7) (-5)
13. Toni Collette, Juror No. 2 (PR: Not Ranked)
14. Margaret Qualley, Kinds of Kindness (PR: 15) (+1)
15. Zoe Saldaña, Emilia Perez (PR: 11) (-4)
Dropped Out:
Natasha Lyonne, His Three Daughters (moved to lead Actress)
Aunjanue Ellis-Taylor, The Supremes at Earl’s All-You-Can-Eat
Cailee Spaeny, Civil War
Naomi Watts, Emmanuelle
Best Supporting Actor
Predicted Nominees:
1. Stanley Tucci, Conclave (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Brian Tyree Henry, The Fire Inside (PR: 3) (E)
4. Kieran Culkin, A Real Pain (PR: 4) (E)
5. Samuel L. Jackson, The Piano Lesson (PR: 7) (+2)
Other Possibilities:
6. Drew Starkey, Queer (PR: 8) (+2)
7. Jeremy Strong, The Apprentice (PR: 6) (-1)
8. Franz Rogowski, Bird (PR: Not Ranked)
9. John Lithgow, Conclave (PR: 11) (+2)
10. Adam Pearson, A Different Man (PR: 10) (E)
11. Harris Dickinson, Blitz (PR: 9) (-2)
12. Leigh Gill, Blitz (PR: 5) (-7)
13.Jesse Plemons, Kinds of Kindness (PR: Not Ranked)
14. Stephen Graham, Blitz (PR: Not Ranked)
15. Javier Bardem, Dune: Part Two (PR: Not Ranked)
After hitting Cannes last May and debuting in European markets in the fall, Jessica Hausner’s dark satire Club Zero is rolling out in limited fashion stateside. Mia Wasikowska plays a boarding school teacher leading a handful of students down an eating disorder rabbit hole. Costars include Sidse Babett Knudsen, Elsa Zylberstein, Mathieu Demy, and Amir El-Masry.
Zero failed to generate significant buzz on the festival circuit and that may explain the time it took for domestic distribution. The Rotten Tomatoes score is a mixed 66%. Despite a lot of praise for Wasikowska in particular, this April premiere indicates little faith that awards buzz will come its way. My Oscar Prediction posts will continue…
After playing the festival circuit beginning in Cannes nearly a year ago and releasing overseas in autumn 2023, Alice Rohrwacher’s 1980s set romantic dramady La chimera is at last out in limited fashion domestically. Josh O’Connor (soon to be seen in the buzzy Challengers), Carol Duarte, Vincenzo Nemolato, Alba Rohrwacher (younger sibling of the director), and Isabella Rossellini star.
While chimera received a fine response in France and beyond (the RT score is 91%), the Italians chose Io capitano as their submission for International Feature Film at last year’s Oscars. Their choice paid off as it was one of the five nominated pics. Perhaps chimera would’ve made the cut though we’ll never know. Despite its Neon stateside distribution in 2024, this was eligible for the 96th Academy Awards so contention is moot for the 97th. My Oscar Prediction posts will continue…
Chicken for Linda! premiered in France at the Cannes Film Festival close to a year ago. The 73 minute hand-drawn animated effort comes from filmmakers Chiara Malta and Sébastien Laudenbach and it has finally arrived stateside after GKIDS nabbed distribution rights.
The bulk of reviews are fresh as evidenced by the 94% Rotten Tomatoes rating. That said, many of those write-ups are tempered in their flattery. GKIDS has shown an ability to their features nominated for Best Animated Feature, including seven in the past decade alone (the most recent being their first winner The Boy and the Heron). Therefore I certainly wouldn’t count Chicken out though the studio is expected to have more at bats coming later in 2024. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fifth filmmaker in Best Director and that’s Justine Triet in Anatomy of a Fall. Let’s get to it!
Previous Oscar Directing Nominations:
None
The Case for Justine Triet:
The buzz for French legal drama Anatomy of a Fall started building when it won the Palme d’Or at Cannes last summer and culminated with five nominations, including BP. Triet nabbed a BAFTA nod as well.
The Case Against Justine Triet:
No DGA, Globe, or Critics Choice nomination. France also dropped the ball by not submitting Anatomy of a Fall as their International Film Feature pick (voters might’ve wanted to make up for that by honoring Triet with a slot in this race). As with any of the other four contenders in Director, they’re not named Christopher Nolan. He’s taken every precursor that counts for Oppenheimer.
The Verdict:
Triet could be an Oscar recipient a week from now… in Original Screenplay alongside her cowriter Arthur Harari.
My Case Of posts have concluded! Whew. That means my FINAL Oscar predictions are coming to the blog in short order…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. Cord Jefferson’s American Fiction kicked it off and now we arrive at Justine Triet’s Anatomy of a Fall. If you missed my facts and opinions about Fiction, you can find it here:
The awards buzz for the French legal drama began when it won the Palme d’Or at Cannes last summer and it never let up. Fall ended up nabbing 5 overall Academy noms – the others being Triet in Director, Sandra Hüller in Actress, Original Screenplay, and Film Editing. In addition to the Cannes love, it took the foreign feature prize at the Golden Globes and Critics Choice Awards.
The Case Against Anatomy of a Fall:
Due to a French blunder, it did not receive six nominations. That’s because the nation submitted The Taste of Things as their entry for International Feature Film. Oscar voters didn’t put Taste in their contending quintet. Had they gone with Anatomy, it would be the frontrunner or at worst co-frontrunner for that race over The Zone of Interest. That unforced error caused many to wonder whether this would even make the top ten in BP. Another obvious reason against: Parasite is the sole international title to take BP.
The Verdict:
Anatomy has a shot at Original Screenplay (it impressively took Screenplay at the Globes). As covered, it had a terrific shot at being the IFF recipient. It will not win Best Picture.
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